A perpetual almanac of the Year. Folklore, Customs, Myths, Legends, Religions, Ceremonies. Calendars, How the year, months, days, hours, minutes work. Who started them. How different societies have different arrangements. Zodiacs, Seasons, Folklore, Gods and Goddesses. Its all here day by day.
Two posts today because it is also Plough Monday., the date to go back to work.
Bob Cratchet was back to work by Boxing Day. Some of us are back to work on 27th or 28th December. But increasing numbers holiday until the first weekend in January. It’s beginning to look medieval. Medieval society had even longer off. Distaff day was the day that women traditionally went back to work and Plough Monday was the men’s turn. Plough Monday was not just a normal day of work though. Particularly in the North, it was celebrated with a procession of ‘plough boys’. They used a decorated plough and team, known as ‘Fool Plough’. Mumming, sword dancing and foolery propelled people back to work.
Here is a lovely recipe for a ‘Norfolk Plough Pudding‘ brought to my attention by Sue Walker. The author is Karen Burn Jones who talks about her Grandmother’s plough pudding recipe. This is a great winter warmer being made of sausage meat and bacon. Norfolk also had traditions for Plough Monday. It was the day when the plough was blessed and the plough boys (Plough Jacks, Plough Bullocks or Plough Stots) performed “Molly Dances” . They did this partly to make up their income they had lost when the ground was too icy to plough.
The Christmas/Mid Winter break went on for some until Candlemas in early February. In Jane Austen’s day the school boys had a 6 week holiday at Christmas. This much distressed Mary Musgrove in ‘Persuasion’, Chapter 18. She complains bitterly of children being left with her during the long winter holiday. But as the letter was written on 1st February, I will leave the joy of that great FOMO letter until then.
The Wolf Moon and Mars
Not only is this Plough Monday but it is the first full moon of the year. At 5,27pm on January 13th the Wolf Moon rises and just below it to the left, at 7.30 UTC you will see the Red Planet Mars.
Wolf Moon is a nickname and a recent introduction to mainstream culture. It was borrowed from Native Americans as wolves howl at the moon at this time of the year. So can the wonder of the moon counter the reality of wintery bleakness following the joys of Christmas and the hopes of the New Year?
Full moon Socialising
In Jane Austen’s time, winter socialising depended upon the moon. Generally, people would schedule balls and dinner parties on nights when the moon was bright. This would make the journey, on days before street lighting, safer. This is one reason why Almanacs were so ubiquitous, as they listed the rising and setting of the Moon.
Page from 2022’s Old Moore’s Almanac showing the ‘Moon in London’
First Published 2023, revised 2024 and Wolf Moon added in 2025
The World’s Best Cities report makes London the top City followed closing by New York and Paris. London has had top spot for 10 years. The Report is based on core statistics plus a survey of visitors and residents. It is created by Resonance, a consultancy group working in real estate, tourism, and economic development. They are based in Vancouver.
“Navigating the complexities of a post-Brexit era, geopolitical uncertainties and economic challenges, London’s resilient spirit and unmatched global appeal have solidified its place at the pinnacle of our annual ranking,“
AFAR gives a good analysis of Resonance’s methods on its web site:
‘England’s capital snagged the top spot for the 10th year in a row, continuing to draw students, investors, and tourists alike. A $305 million upgrade of the Gatwick Airport and new metro stops on the Elizabeth line are a few of the developments that indicate the city’s focus on improving infrastructure. Resonance particularly spotlights the building of the Camden Highline, a mile-long greenway inspired by New York’s High Line, as a project that demonstrates “London’s dedication to enhancing quality of life for both residents and visitors.”
London No 1. Really?
Or is it a fix? It was a bit of a surprise to me given the hit Brexit has given to the City. But, London’s dominance for ten years may be because of the consultancy’s focus on real estate as well as tourism and economic development. This gives London a head start as it has long been considered a very safe place to invest in property. London, New York, Paris, Tokyo, Singapore as 1-5 also suggests the report writers might have a bias to the big hitters.
What London offers is its status as one of the world’s leading financial/business capitals. Supported by outstanding creative and services industries. At the same time, it has a superb cultural offering and, consequently, high figures for tourism. It is a City that seems to have a deep past behind it and an equally important future ahead.
The future might depend on the growing Knowledge Quarter around Kings Cross. (British Museum & Library, Wellcome Institute, Crick Institute, UCL, Central St. Martins, Google etc.) With Silicone Roundabout and the wealth of investments from the nearby City of London, providing London with a leading place in AI, the Knowledge economy, and Fintech. London also has a very high value on the internet as far as hashtags, and internet searches are concerned.
Spinning—showing the distaff in the left hand and the spindle or rock in the right hand
I’m not sure what the Three Kings were doing on the day after Epiphany. But, the shepherds, if they were like medieval English farmworkers, would still be on holiday. They went back to work, traditionally, next Monday, which is Plough Monday. By contrast, the women, according to folk customs, went back to work St. Distaff’s Day, the day after Epiphany. In an ideal world, St Distaff’s Day is the Sunday after Epiphany (January 6th), and Plough Monday is the next day. Of course, it doesn’t always work out that way. I am not sure the woman going back to work on the 7th January, would be happy with the men lounging about until Plough Monday,. This year on the 13th January.
A distaff is ‘a stick or spindle on to which wool or flax is wound for spinning’. Because of its importance in the medieval and early modern economy, it became a synecdoche for women. St Distaff is a ‘canonisation’ of this use of the word. So, a day to celebrate working women.
We know that medieval and early modern women were a vital part of the work force, despite the demands of childcare. Many women took on apprenticeships, even more continued their husband’s work after he died. Some professions like silk became a female speciality. Plus, London was full of female servants and nurses. Many women had several jobs. The exhibition at the British Library on Medieval Women. In Their Own Words, indicated that most of the sex workers had two or more other jobs. In the house, the wife was the mistress of a formidable range of technologies. Baking, Brewing, Cooking, Laundry, Gardening, Dairy, Medicine (including distillation), horticulture, spinning, sewing and embroidery. Even, aristocratic women did embroidery of the finest quality, and it often made an important financial contribution to the household.
St Distaff’s Day and Plough Monday
Robert Herrick (1591–1674), born in Cheapside, London, a Goldsmith, priest, Royalist and Poet wrote in ‘Hesperides’.
Partly work and partly play You must on St. Distaff’s Day: From the plough, soon free your team; Then come home and fother them; If the maids a-spinning go, Burn the flax and fire the tow. Bring in pails of water then, Let the maids bewash the men. Give St. Distaff all the right; Then bid Christmas sport good night, And next morrow every one To his own vocation.
Here he links the plough team with St Distaff’s Day. This implies that the ploughs would be out on the next day. So as St Distaff’s Day is not always on a Sunday, perhaps Plough Monday is not always on a Monday? He certainly suggests everyone goes back to work on the day after St Distaff’s Day.
Saints & Goddesses of the Distaff Side
In London, the Fraternity of St Anne and St Agnes met at the Church dedicated to the saints. It is by a corner of the Roman Wall on the junction of Gresham Street and Noble Street. St Agnes is the patron saint of young girls, abused women and Girl Scouts. St Anne is the mother of the mother of the Son of God. So, she represents the three generations of women: maidens, mothers, and grandmothers.
The Three Mother Goddesses (and someone else) “Limestone relief depicting four female figures sitting on a bench holding bread and fruit, a suckling baby, a dog and a basket of fruit’ the Museum of London
This trinity of women were worshipped by the Celts. Archaeologists discovered the sculpture above while investigating the Roman Wall a few hundred yards away at Blackfriars. Scholars believe it depicts the Celtic Three Mother Goddesses. The fourth person is a mystery, maybe the patron of a nearby temple. The relief sculpture was removed perhaps from a temple, or the temple was trashed at some point. Then the sculpture was used as rubble and became part of the defences of London.
The idea of triple goddesses is a common one. In Folklore and History they have been referred to as Maiden, Mother, and Crone, or even Maiden, Mother and Hag. They come in Roman, Greek, Celtic, Irish, and Germanic forms. Their names include the Norns, the Three Fates, the Weird Sisters, the Mórrígan and many more. The Three Fates, the Goddess Book of Days says, were celebrated during the Gamelia. This is the Greco/Roman January Festival to the marriage of Zeus and Juno. The Festival also gives its name to the Athenian month of January.
The use of the terms Hag and Crone for the third Goddess is rare now, but was common. It does a great disservice to the importance of the Grandmother figure. (Although the original meaning of the words were less pejorative. For example, Hag may have meant diviner, soothsayer.) The three phases of womanhood are equally as important to the continuation of the species. They provide love, support, and experience through the generations. Compare these three generations of supportive deities with Ouranos (Uranus), Cronus (Saturn) and Zeus (Jupiter). Saturn castrated and deposed his father, Uranus. Later, he tried to eat his son, Jupiter. But then, Jupiter is nobody’s idea of an ideal father. As one example, he eats his lover, Metis, to avoid her giving birth. (See my post on the birth of Athena.)
Recent work on human evolution has suggested that the role of the Grandmother is crucial to our species’ ability to live beyond the age of fertility. Because, in evolutionary terms, once an individual cannot procreate, their usefulness for the survival of the genes is finished. So what’s the point of putting resources into grandma’s survival? The theory is the Grandmother has such an impact on the survival of the next generation, that longevity. for the female, beyond fertility makes evolutionary sense.
There was a theory widely held that the original Deities, dating before the spread of farming, were mother goddesses. The idea is that the hunter-gather goddesses (perhaps like the Venus of Willendorf) were overthrown by the coming of farmers. These patriarchal societies worshipped the male gods, which destroyed the ancient Matriarchy. Jane Ellen Harrison proposed an ancient matriarchal civilization. Robert Graves wrote some interesting, but no longer thought to be very scientific studies, on the idea. Neopaganism has taken these ideas forward.
1845. Today is the anniversary of the breaking of the fabulous Portland Vase by a drunken visitor to the British Museum. It looks immaculate despite being smashed into myriad pieces, a wonder of the conservator’s art. To see the vase and read its story, go to the BM web site here:
In the orthodox church, дед Мороз (Ded Moroz= father of frost), accompanied by Cнегурочка (Snieguroshka= fairy of the snow) brings gifts on New year’s eve, (which is on January 7th). He travels with a horse drawn troika.
‘Drawing for Twelfth Cake’ at St. Annes Hill ’12th Night Cruikshank, Isaac, 1756-1811 printmaker. Published Janr. 10, 1807 by Thomas Tegg, 111 Cheapside’
Twelfth Night
Yesterday was Twelfth Night for the modern Church of England, but today is Twelfth Night for the Catholic Church and in England in former times. It is also Epiphany or Three Kings Day and because of calendrical differences, Christmas Eve for the Orthodox Church. In Ireland, it is Nollaig na mBan. This is Women’s Little Christmas; when Women get to rest and let men do the work. This is a typical Saturnalia-style reversal of roles.
I used the print above, three years ago for my post on New’s Day, then moved it to Twelth Night. I also use it for lectures on Christmas and Jane Austen. But the focus of my presentation is explaining the Twelfth Night Cake and the game that was played. But in fact, this is a very political satirical cartoon. More of that, later, let’s begin with the more trivial aspect of the print above.
Twelfth Night and Christmas Cake
It used to be the big party night, featuring the famous Twelfth Night Cake and theatrical entertainments; mumming and wassailing. The cake has disappeared from current Christmas celebration, probably because it transmuted into our present Christmas Cake. This, I regret. I have had a lifetime when a very heavy Christmas Dinner is followed first, by Christmas Pudding. Then, overloading with food, the Christmas Cake is brought out. No one, in their right mind, wants a slice of heavy Christmas Cake at that time. Many of my American friends disparage fruit cake, but they are mistaken. Good Christmas Cake is something to be thoroughly enjoyed, but on the days following Christmas Day.
I gave a recipe for the Twelfth Night Cake in another post, (here it is). But the important point is that it had a bean and a pea in it. The one who got the bean was selected as King for night and the pea the Queen. Traditionally, the women draw a card from a ‘reticule’ (bag) and the men’s from a hat. But there are no women at this satirical party. The cards detailed a role they were to play for the rest of the night. The card began with an introductory speech, or rhyme, for the person to speak. The King and Queen led the way, and for the rest of the evening the party members adopted their persona. They might be an aristocrat, a soldier, a cook, a parson, a dairy maid etc. The French do something similar with their Galette des Rois. The bean is called the feve, and may be replaced by a porcelain model. Other places have a King’s Cake for epiphany.
Twelfth Night Satire
So, as I was rushing to get the original Twelfth Night post done, I failed to examine it in any detail. I assumed the cards gave them satirical occupations which would be funny to the contemporary audience in 1807. But then, I noticed the title mentioned St Anne’s Hill. I looked it up and discovered myself down a deep and very enjoyable research rabbit hole.
St Anne’s Hill & Charles James Fox
Now, let’s go down that rabbit hole and look a little deeper.
The caption mentions St Anne’s Hill. I believe this refers to St Anne’s Hill, near Chertsey (SW of London on the River Thames). Here, there was a grand house which was owed by Charles James Fox. He was the leader of the Whigs, a persistent opponent of King George III. He was a supporter of the American and French Revolutions. This explains the red bonnet used to pull out the cards in the illustration.
The central figure is then, Fox. But he died in September,. 1806. The print is dated January 1807. Just before he died, his Foreign Slave Trade Bill of 1806 began the dismantling of this pernicious trade in the British Empire. He was Foreign Minister who assumed a couple of civil chats with the French would end the long-standing war. But he soon discovered that Napoleon was not to be trusted in negotiations. The war went on for another 9 or so years.
Charles James Fox was a mercurial figure with many radical views. He was also a notorious gambler and loved the high life. One of his many lovers was Georgiana, Duchess of Devonshire. He eventually married, Elizabeth Armistead, an ex-mistress of the Prince of Wales. St Anne’s Hill was her house. I am pleased to report that she is credited with calming his life-style. He now spent more time at St Anne’s where they would ‘read, garden, explore the countryside and entertain friends’ (Wikipedia).
Isaac Cruikshank’s ‘Drawing for Twelfth Cake’ at St. Annes Hill
Cruikshank’s illustration is, of course, not designed to document quaint Twelfth Night customs but is a political satire and I discovered that the British Museum has the original version of this print, and. It is dated to 1799 which makes much more sense!
At the back right of the print is a notice which says:
‘Rules to be observed at this Meeting 1. That the Cake be decorated with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.’
The bonnet rouge is defined by the Collins Dictionary as a ‘redcap worn by ardent supporters of the French Revolution’ or ‘an extremist or revolutionary’. The last point relates to Fox’s opposition to the King, and the expression Catch as Catch Can refers to a free form of wrestling without rules.
The characters in the scene (all men) are all political figures. They are associated with the opposition to the very right-wing Government of William Pitt. During the war with France, the opposition was led by a supporter of the French Revolution. For those on the right, which included Pitt’s government, supporting the French Revolution was tantamount to treason. Pitt suspended many civil liberties in ‘Pitt’s Reign of Terror’. He arrested and indeed executed leading members of those demanding political change. The Government even suspended Habeas Corpus to make it easier to arrest their opponents,
Fox is seen drawing a 12th Night Game ticket which is marked ‘Perpetual Dictator’. To his right is Frances Burdett. He was a radical politician, who supported universal male suffrage, equal electoral districts, vote by ballot, and annual parliaments. Note that this is well before these aims became the core of the Chartists campaign for electoral reform. (for other people in the illustration look at the British Museum notes on the print. )
Frances Burdett, Edward and Catherine Despard
Burdett is shown holding a ticket saying ‘Keeper of the Prison in Cold Bath Fields’. This is a satirical reference to a serious political crisis. The Cold Baths Fields was the site of a medical spring in Clerkenwell, London. This was where a prison was situated where radicals were imprisoned. They were held in poor conditions despite the recent rebuilding under the aegis of the prison reformer, John Howard. Burdett exposed the scandalous conditions in the House of Commons. He began a campaign against the magistrates involved in the arrests.
One of the prisoners was Edward Despard who had associations with many radical groups. These included the London Corresponding Society, the United Irishmen and United Britons. Despard was married to Catherine, the daughter of a free black woman from Jamaica. She, with Burdett, led the campaign against these arrests without trial. Catherine wrote a letter to the Attorney General who replied in a demeaning manner:
‘it was a well-written letter, and the fair sex would pardon him, if he said it was a little beyond their style in general’
He did not comment on her colour. She described the imprisonment of her husband as being :
“in a dark cell, not seven feet square, without fire, or candle, chair, table, knife, fork, a glazed window, or even a book”
Execution of Edward Despard
Despard was freed in 1802, went to Ireland. But returned to London, where he was arrested again. But this time he was accused of a being the ringleader of a plot to assassinate the King. There was little real evidence. Horatio Nelson was a character witness, and appealed to the King for clemency. It was given. But only in so far as Despard was not disembowelled but ‘only ‘Hanged and Drawn’ at Horsemonger Lane Gaol (1803). This was the last time someone was drawn through the streets at the tail of a horse before execution for treason. These are his last words:
Fellow Citizens, I come here, as you see, after having served my Country faithfully, honourably and usefully, for thirty years and upwards, to suffer death upon a scaffold for a crime which I protest I am not guilty. I solemnly declare that I am no more guilty of it than any of you who may be now hearing me. But though His Majesty’s Ministers know as well as I do that I am not guilty, yet they avail themselves of a legal pretext to destroy a man because he has been a friend to truth, to liberty, and to justice
(a considerable huzzah from the crowd)
and because he has been a friend to the poor and to the oppressed. But, Citizens, I hope and trust, notwithstanding my fate, and the fate of those who no doubt will soon follow me, that the principles of freedom, of humanity, and of justice, will finally triumph over falsehood, tyranny and delusion, and every principle inimical to the interests of the human race.
(a warning from the Sheriff)
I have little more to add, except to wish you all health, happiness and freedom, which I have endeavoured, as far as was in my power, to procure for you, and for mankind in general.
https://en.wikipedia.org/wiki/Edward_Despard
After his death, his family denied that Catherine was his wife but merely his ‘house-keeper.’ I assume, was because they wanted the inheritance rather than, or perhaps, as well as naked prejudice.
Francis Burdett married into the fabulously rich banking family the Coutts. His daughter was the famous Angela Burdett Coutts who was a philanthropist who collaborated extensively with Charles Dickens.
@Phew! This is what I love about what I do, you find things out that link disparate parts of your knowledge, creating an ever-interwining web of history.
On this Day
Harold Godwinson was crowned King of England on January 6, 1066, the same day as the funeral of the previous king, Edward the Confessor. m.
My true love sent to me 6 Geese a Laying; 5 Golden Rings; 4 Calling Birds; 3 French Hens; 2 Turtle Doves and a Partridge in a Pear Tree
The Lord of Misrule, Masters of the Revels, and Boy Bishops
The Roman festival of Saturnalia, held between 17th and 23rd of December, included reversing rules so that slaves, ruled and masters served. In the medieval period, the disorder of Christmas was continued with the election of Lords of Misrule, Masters of the Revels, and Boy Bishops.
John Stow’s, Survey of London
He was London’s first great historian, wrote of the Lord of Misrule in London. In this section, Stow begins the role of the Lords of Misrule at Halloween and continues it until Candlemas, in erly February. See my post here for more details on Candlemas. This is what Stow says:
Now for sports and pastimes yearly used.
First, in the feast of Christmas, there was in the king’s house, wheresoever he was lodged, a lord of misrule, or master of merry disports, and the like had ye in the house of every nobleman of honour or good worship, were he spiritual or temporal. Amongst the which the mayor of London, and either of the sheriffs, had their several lords of misrule, ever contending, without quarrel or offence, who should make the rarest pastimes to delight the beholders.
These lords beginning their rule on Alhollon eve, continued the same till the morrow after the Feast of the Purification, commonly called Candlemas day. In all which space there were fine and subtle disguisings, masks, and mummeries, with playing at cards for counters, nails, and points, in every house, more for pastime than for gain.
Against the feast of Christmas every man’s house, as also the parish churches, were decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green. The conduits and standards in the streets were likewise garnished; (…) , at the Leaden hall in Cornhill, a standard of tree being set up in midst of the pavement, fast in the ground, nailed full of holm and ivy, for disport of Christmas to the people…
Holm is an evergreen oak called Quercus ilex. John Stow talks about the Tree in Leadenhall Street being destroyed in the great wind of 1444 which you can read about here. You might also like to see the following posts, which include information about John Stow and London’s customs, and churches.
As the Sun enters the House of Capricorn remember the poor Coachman travelling all day everyday in all weathers. Washington Irving in his ‘Old Christmas’ (Originally ‘The Sketch Book of Geoffrey Crayon’ pub. 1819) describes him with a broad red face, a broad body widened by drinking beer; swathed with any numbers of layers of coats trying to keep the cold out. He has many worries on his mind as he has a coach full not only of people who need looking after but also a lot of parcels and commissions that need to be carried out in the many stops along the way. He is delivering parcels, turkeys, geese, presents, children, you name it he is responsible for its safe delivery.
Feel sorry for the people crowded inside the carriage but even sorrier for those sitting on the roof. They have umbrellas in a vain attempt to keep dry, but the umbrella tines will be poking you in your ear, and the run off from the canopy of the umbrella might trickle down your neck. There might be 6 people inside and up to 10 on the roof. 3d for travelling inside and half of that for the roof. voach
Inside, you are next to a large man who is not very salubrious looking, nor too worried about pressing his thighs against you.
John Keats blamed his consumption on his journey on the roof of a stage-coach travelling from London to Hampstead on a cold wet day in February.
Stage coaches became regular sights on the road during the 17th Century and were quite dangerous as the roads were in such a poor condition. It was suggested that passengers made their wills before travelling! From the late 17th and with Parliament increasingly used to set up not-for-profit toll road, the roads got better, and ‘Flyers’ and mail coaches could get up to the tremendous speed of 10 miles an hour, and averaging 7. This happened because improved roads meant improved suspensions, and wheels, and more and faster horses could be harnessed.
This revolutionized travel. It used to take 5 days in around 1700 to get to Manchester from London, by the mid 18th Century the time taken was reduced to 24 hours, and there were many more scheduled coaches, The mail coaches had priority, the coach had a blunderbuss and two pistols to deter highway men, and the guard had a post-horn with which to warn other vehicles to give clear passage, to alert tollgate keepers to open gates, and to announce arrival at a stop. Extra horses would be harnessed to help get up steep hills which, in some cases, like Broadway in the Cotswolds, might mean an additional 10 horses. Passengers might be asked not only to get off the coach to lighten the load but also to push if the going got boggy. On mail coaches, the passengers were not allowed to get off when the horses were changed, and only 4 were allowed inside the coach.
London was ringed by Coaching Inns, which were coach terminals and hotels. The most famous ones, remaining, are in Southwark on the approach road to London Bridge. The Tabard where the Chaucer’s Canterbury Tales started, The White Hart where Dickens’ Sam Wheeler is the Bootboy, and the George, which although not quite so literary is at least still half intact.
Pilgrims leaving the Tabard Inn for the Canterbury PilgrimageGeorge Inn,Southwark (photo Kevin Flude)
Capricorn
‘The man born under Capricorn shall be iracundious and a fornicator; a liar, and always labouring.
....The woman shall be honest and fearful, and have children of three men, she will do many pilgrimages in her youth and after have great wit.’
From Kalendar of Shepheards 1604 quoted in ‘The Perpetual Almanac of Folklore by Charles Kightly’.
iracundious is first mentioned in a work published by Caxton in the 15th Century and pretty much obselete by the 17th Century. It means easily angered or irritable.
The Solstice and the East Pediment of the Parthenon
British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles
At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.
At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.
Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.
Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.
Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head
So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.
Hestia, Dione, Aphrodite, Horse of Selene’s chariot
To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.
The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.
Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.
So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.
Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.
Sculptures from the east pediment of the Parthenon
I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.
In winter, since Covid, I have been giving a series of virtual tours for London walks, and advertised on Eventbrite. Those coming up are listed below. To find more details, just click the ‘to book’ link and this will let you see what they are about without beginning the booking process.
Christmas With Jane Austen Virtual London Tour Mon 9 Dec 24 7.30pm To book Dickens London. Life, Work and Christmas Virtual Tour Mon 16 Dec 24 7.30pm To book The London Winter Solstice Virtual Tour Sat 21 Dec 24 7:30pm To book Ring in the New Year Virtual Walk Wed 1st January 25 7.00pm To book
