The Kalendar of Shepherds

French 15th Century ‘Kalendar of Shepherds’

I am finishing my post on September, and using the Kalendar of Shepherds. As you may have noticed, I often use the Kalendar of Shepherds to provide an insight into how the seasons were seen in the past. Mostly, I use it for the posts at the beginning of each month. I have created this page as a placeholder to put information on the Kalendar for anyone who is eager to explore it more or to make use of it. Each month I will link to it, so I do not have to repeat the basic information about the Kalendar. Much of this text was contained in the December post, and I have used this month as my example. Tomorrow, you will get the September version.

About the Kalendar of Shepherds.

The Kalendar was printed in 1493 in Paris and provided ‘Devices for the 12 Months.’ The version I’m using is a modern (1908) reconstruction of it. It uses wood cuts from the original 15th Century version and adds various texts from 16th and 17th Century sources. (Couplets by Tusser ‘Five Hundred Parts of Good Husbandrie 1599. Text descriptions of the month from Nicholas Breton’s ‘Fantasticks of 1626. This provides an interesting view of what was going on in the countryside every month.

The original can be found here: https://wellcomecollection.org/works/f4824s6t

To see the full Kalendar, go here:

The Kalendar of Shepherds has an illustration for each month (December above) which shows typical activities for the time of year, and has inserts to identify the astrological signs of the month. So, in December they are baking and collecting firewood. The star signs are Sagittarius (November 22 – December 21) and Capricorn (December 22 – January 19).

The text below gives a vivid description of December weather and then elaborates on the last six years of a man’s life, with hair going white, body ‘crooked and feeble’. The conceit here is that there are twelve months of the year, and a man’s lot of ‘Six score years and ten’ is allocated six years to each month. So December is not just about the 12th months of the Year but also the last six years of a person’s allotted span. The piece allows the option of living beyond 72, ‘and if he lives any more, it is by his good guiding and dieting in his youth.’ Good advice, as we now know. But living to 100 is open to but few.

Kalendar of Shepherds

The longer description of December (shown below) is by Breton (1626) and gives a detailed look at the excesses of Christmas, who is on holiday, and who working particularly hard. But it concludes it is a costly month.

Nicholas Breton’s ‘Fantasticks of 1626 – December

The Feast Day of St Winnold March 3rd

Portrait of Saint Guénolé (St Winnold) after a bust in silver on a reliquary from the Church Saint-Guénolé in Locquénolé.Public Domain Abgrall Jean-Marie (1846-1926) – Bibliothèque nationale de France

Here is a weather poem in which St Winnold appears

First comes David, then comes Chad.
And comes Winnold, roaring like mad.
White or black.
Or old house thack.

St David’s Day was March 1st. St Chad, the 2nd. St Winnold’s Day is the third of March. Winnold is his English name, and Winneral, or Winwaloe or Guénolé his Celtic names.

The poem suggests that snow, rain or wind is going to come on these three days. When the wind roars, it will threaten the thatch of houses. If the storms do not come in the first 3 days, then they will come on the last three days of March. Or so it is said.

St Winnold was around 50 years (460 – 3 March 532) after the end of Roman Britain. His family was from Cornwall. He was the son of a Prince Fragan of Dumnonia, and St Gwen the Three-Breasted, His mother’s Feast day is October 3rd. She is a Saint of fertility, because of God’s Gift of an extra breast. They moved to Brittany to escape a British Plague. Their son grew up to be holy and was the founder and first abbot of Landévennec Abbey (the Monastery of Winwaloe). It is south of Brest.

Winwaloe became what is known as a ‘phallic saint’ because he was associated with fertility. Wikipedia says this came about because of confusion about the origin of his name:

his name was thought to derive from gignere (French engendrer, “to beget”)’

St Winnold’s Breton name is Guénolé. How this etymology works is not clear to me! But surely, he as likely to have got a reputation for helping people with fertility problems from his mother? Supplicants would make a wax phallus to persuade the Saint to help them conceive. There are several churches/ chapels dedicated to him in Wales, and a Priory in East Anglia.

You might like to read about St Blaise Day & The Tadpole Revels February 3rd

On This Day

March 3rd 1847 Alexander Graham Bell was born. He was born in Edinburgh, and lived Scotland, in London, Canada and the US.

First written March 2025

Tree of the Year Competition Shortlist 2024

Screenshot of the Woodland Trust ‘Tree of the Year’ Competition.

To see the magnificent twelve, click here!

(We know it will be an Oak.)

Results on October 29th

The London Museum Pigeon & Splat!

Screenshot concerning the new Logo of the Museum of London

I was quite surprised to see the image above appear in an email to my inbox. The London Museum (was the Museum of London) announced the Pigeon and Splat as the new logo to replace the old Dick Whittington one. I received the email on the 27th July 2024.

Is this a breath of fresh air? An unfussy humourous joke which 5 year old will love? Is a Pigeon uniquely London? Is the Splat too clever by half, or is it completely daft?

I’ll leave it to you to decide. However, a visit to the London Museum Website on 15/08/24 reveals the Pigeon logo displayed without the Splat!

Screenshot of London Museum’s new logo without the Splat!

Further down the page, is an article on the history of Pigeons and London, where there is a vestigial splat!

It seems to me there has been a climb down since I received the email on 27th July. Or are they phasing the Splat! in? Comments please.

For more on the new logo look at the Museums Associations’s Web site here. ‘The pigeon was chosen to symbolise the brand as “an impartial and humble observer of London life”, the museum said in a blog post on the redesign.’

Screenshot from the London Museum Web site with image of a Pigeon with a vestigial Splat!

‘The Parrot’ an 18th Exposé Republished

My WordPress system decided to publish my notes upon the Parrot rather than reminding me to finish off the page. So, here is the updated post again.

The Parrot was republished for free on August 4th 2024 by the York St Johns University Critical Editions team, and they have enabled you to get your free copy by following the link at the bottom of the post.

Published in 1746 ‘The Parrot’  by Elizabeth Haywood was a satire on the male-dominated London Society of the time.   It was published in 9 parts. The name comes from the viewpoint from a Parrot’s perch in a wealthy London house. The Parrot is an enslaved creature that has travelled the world, observer to its follies. The bird wonders why people should dismiss opinions simply on the basis of A Parrot’s green colour.

The introduction to the author by the team says:

Eliza Haywood (c. 1693-1756) was one of the first generation of writers to “live by her pen.” Throughout her career, Haywood adopted many roles: she was an actress, playwright, novelist and prolific essayist. However, she always used her platform to celebrate and advocate for women.

Here is the Guardian’s description of the book https://www.theguardian.com:

It was launched on Sunday 4th August and is available to download at:

https://blog.yorksj.ac.uk/ysjucriticaleditions/read-eliza-haywoods-the-parrot/