Remember, Remember, the 5th of November

Old print showing the plotters for the Gunpowder plot
The Gunpowder Plotters, culminating on the 5th of November

Soon, after the discovery of the Gunpowder Plot, Parliament legislated for an annual commemoration of the Catholic Plot. The date they chose was the anniversary of finding Guy Fawkes with a lantern next to piles of barrels of Gunpowder underneath Parliament. This was the occasion of the State Opening of Parliament, 5th November 1605. The King, his Queen, the King’s children. The Lords from the House of Lords & MPs from the House of C would all have been blown up.

The Ashmolean Lantern

Guy Fawkes Lantern at the Ashmolean Museum

This was the one held by Fawkes. It was given the Museum by Robert Heywood in 1641. He got it from his brother, Peter, who was a Westminster Magistrate among the party who arrested Guy Fawkes in the cellar. Peter Heywood, took the lantern from Guy Fawkes to stop him setting fire to the pile of gunpowder barrels. Or at least that is the story Robert Heywood told.

A commemoration of fireworks and bonfires was clearly appropriate given that it has been estimated that the amount of gunpowder in the barrels would have killed the king, the Royal Family, the House of Lords and the House of Commons and devastated a huge area around Westminster. But some suggest that the nature of the commemoration draws some elements from Halloween – use of bonfires and dressing up. Halloween was frowned upon by puritans, but they supported Guy Fawkes Day as it was anti-catholic.

Banner in Lewes

The anti-catholic nature of the celebration is a fact, but it really isn’t something we think about today. There is little anti-Catholic prejudice in Britain (except in one or two very specific places). Irish friends are amazed we still celebrate it, but for the vast majority of people in Britain it is really just Fireworks night, nothing to do with anti-catholic sentiment.

The Lewes Bonfire

Traces of the original anti-catholic nature of it do continue in places like Lewes, which is one of the most traditional Fireworks Nights. This consists of clubs who organise a parade through the town. Then it ends with the burning of an effigy of the Pope and, more recently, other unpopular figures on the contemporary scene. Click here for more on Lewes.

Procession in Lewes

Tar Barrel Rolling

Ottery St Mary continues the tradition of using Tar Barrels. These are wooden barrels in which tar and tinder are set on fire. The Barrels are either rolled through the Town, or down a hill. But in Ottery they are carried on the shoulders of volunteers (see video below). This has a pedigree which goes back before 1605 as there are references to tar barrels and displays in Protestant processions to celebrate the accession to the throne of Edward VI and Elizabeth 1.

Tar Barrels in Ottery St Mary
Stephen and Claire – 2 Zany Brits on YouTube

Discovering the Plot

King James 1 took credit for discovering the plot as he is said to have deciphered the warning given in a letter, written to William Parker, 13th Baron Morley, 4th Baron Monteagle. Monteagle wrote the letter at his house in Hoxton, London (commemorated by a plaque in Hoxton Street near where I live) which warned against turning up at Parliament but was not explicit as to the nature of the threat.

Letter Lord Monteagle passed on to King James 1

My lord, out of the love I beare to some of youere frends, I have a care of youre preservacion, therefore I would aduyse you as you tender your life to devise some excuse to shift youer attendance at this parliament, for God and man hath concurred to punishe the wickedness of this tyme, and thinke not slightly of this advertisement, but retire yourself into your country, where you may expect the event in safety, for though there be no apparance of anni stir, yet I saye they shall receive a terrible blow this parliament and yet they shall not seie who hurts them this cowncel is not to be contemned because it may do yowe good and can do yowe no harme for the dangere is passed as soon as yowe have burnt the letter and i hope God will give yowe the grace to mak good use of it to whose holy proteccion i comend yowe.

National Archives

James realised this sentence: ‘they shall receive a terrible blow this parliament and yet they shall not seie who hurts them ‘ implied an explosion. His father, Lord Darnley, was killed in a Gunpowder Plot in Edinburgh, so perhaps he was particularly attuned to the threat. On the other hand, there is a possibility that the King’s Secret Service were aware of the plot and arranged matters, so the King could receive the credit for its discovery.

The Fifth of November

    Remember, remember!
    The fifth of November,
    The Gunpowder treason and plot;
    I know of no reason
    Why the Gunpowder treason
    Should ever be forgot!
    Guy Fawkes and his companions
    Did the scheme contrive,
    To blow the King and Parliament
    All up alive.
    Threescore barrels, laid below,
    To prove old England’s overthrow.
    But, by God’s providence, him they catch,
    With a dark lantern, lighting a match!
    A stick and a stake
    For King James’s sake!
    If you won’t give me one,
    I’ll take two,
    The better for me,
    And the worse for you.
    A rope, a rope, to hang the Pope,
    A penn’orth of cheese to choke him,
    A pint of beer to wash it down,
    And a jolly good fire to burn him.
    Holloa, boys! holloa, boys! make the bells ring!
    Holloa, boys! holloa boys! God save the King!
    Hip, hip, hooor-r-r-ray!

English Folk Verse (c.1870)

See my post on preparing for Guys Fawkes day here:

First published 5th November 2021, revised 2024, 2025

Going to the Mop in Stratford-upon-Avon & Henley-in-Arden 11th & 12th October

The Mop Festival in Stratford-upon-Avon

This year the Stratford mop festival was on the 11th and 12th October. I am in Stratford. The the centre of town is a cacophany of shooting galleries, stalls selling toffee apples, candy floss, burgers and all things bad for you. And a fun fair.Nothing at all sophisticated, or literary or dramatic, or folkloric. Just a good old-fashioned fun fair in the middle of the town. Quite raucous, but they leave Henley Street, and Shakespeare’s’ Birthplace, free of it. Below I tell the story of my discovery of the Mop.

In 2023, I was on my way to Stratford-upon-Avon Railway station, I saw the sign at the top of this page, but had no idea what on earth a Mop was. I put it to the back of my mind as I took the train to Henley-in-Arden. My interest in the town was that Shakespeare was born in Henley St. And his mother was called Mary of Arden. So, naturally, I wanted to find out about Henley-in-Arden. To turn curiosity to action, it took our Tour Coach Driver telling me he lived there and that it was a pretty but small town.

Mary Arden doesn’t live here any more!

I had a free afternoon from my duties as Course Director on the ‘Best of England’ Road Scholar trip. I got on the very slow train to Henley-in-Arden. One of the first stops was Wilmcote, where Mary Arden’s House is. I visited two years ago, when I was astonished to find it was a different building to the one I had visited in the 1990s! In 2000, they discovered they had been showing the wrong building to visitors for years! Mary Arden’s House was, in fact, her neighbour Adam Palmer’s. And her house was Glebe Farm.

On that visit, I walked from Stratford-upon-Avon to Anne Hathaway’s Cottage. Then to Mary Arden’s House and back to Stratford along the Stratford Canal. It is a lovely country walk if you are ever in the area.

The Forest of Arden

The train route to Henley is through what remains of the ancient forest of Arden. The forest features in, or inspired, the woody Arcadian idylls which feature in several of Shakespeare’s plays, particularly the Comedies. ‘As You Like It’, for example, is explicitly set in the Forest of Arden, as this quotation from AYL I.i.107 makes clear:

Oliver:  Where will the old Duke live?

Charles. They say he is already in the Forest of Arden, and a many merry men with him; and there they live like the old Robin Hood of England: they say many young gentlemen flock to him every day, and fleet the time carelessly as they did in the golden world.

Guildhall, Henley-in-Arden

Henley-in-Arden

Not much remains of the old Forest. It was cut down to make timber-framed buildings and ships for the British Navy – the so-called Wooden Walls. Henley has a beautiful high street. Further down the road is a lovely Heritage Centre full of old-fashioned and DIY Information panels. And that is not a criticism, it provided a very enjoyable visit full of interesting stuff. And gave me a couple of snippets of information I have not seen anywhere else.

One, was a panel dedicated to the Henley Mop. A mop turns out to be a hiring fair. Think of Gabriel Oak in Hardy’s ‘Far from the Madding Crowd’. His attempt to become an independent farmer destroyed when his sheepdog runs amok. The dog sends his sheep over a cliff to their doom. So he takes his shepherd’s crock to the hiring fair or Mop as they are known in the Midlands. There, potential employers can size up possible employees and strike mutually agreeable terms and conditions. And Gabriel becomes the shepherd for the delightful and wilful Bathsheba Everdene.

So, a shepherd would take his staff, or a loop of wool. A cleaner her mop (hence the name of the fair). A waggoner a piece of whipcord. A shearer their shears etc. Similarly, in the Woodlanders (by Thomas Hardy) the cider-maker, Giles Winterborne, brings an apple tree in a tub to Sherborne, to advertise his wares.

The retainers thus employed would be given an advance and would be engaged, normally, for the year. So there was quite a widespread moving around of working people to new jobs and often new housing. Not quite how we imagine the past?

The perceptive among you will have noted the bottom of the sign in Stratford which advertised the ‘Runaway Mop’. This was held later in the year, so that employers could replace those who ran away from their contracts. And those who ran away could find a better, kinder or more generous boss. See also my post of Gabriel Oak and Pack Rag Day which is another hiring fair which was help on Martinmas Old Style.

Henley Mop – panel from the heritage centre

Court Leets and Barons

Also of interest to me was the panel about Court Leets and Barons. These were the ancient courts which dealt with, respectively, crime and disorder, and property and neighbourhood disputes. Henley still has its ancient manorial systems in use, at least ceremonially. The Centre shows a video of the installation of a new Lord of the Manor at the Guildhall. The title had been purchased by a cigar-smoking Stetson-wearing large rich American.

Johnson’s Coaches

Another panel was the story of a Coaching Company. When I lead the Best of England programme we are driven around by Johnson’s Coach Company. It was a delight to discover that it has a history that can be traced back to 1909 in Henley. I conveyed this information to our group on the next day as we toured the Cotswolds. Curtis, our driver, was able to update the panel. He told us that the family were still involved with the firm, which is still operating from the area. He said the two brothers who run the company come in every working day. They do everything they require of their drivers to do; i.e. they drive coaches, clean coaches, sweep the floors and generally treat their staff like part of a big family. I should have asked him whether he got his job at the Mop, while holding a steering wheel in his hands!

Johnson’s Coach Company -Panel from Henley Heritage Centre

Note: It seems that Johnson has now merged with another company. But it keeps its depot in Henley and maintains its connection with the town.

First published in 2023 updated 2024, 2025

Van Gogh & the London Suburbs October 8th 1876

From https://agtyler.medium.com/part-i-van-gogh-in-london-9a26ff5427dd’s website describing Van Gogh’s experiences while living in London.

It’s not so well known that Van Gogh spent some time in London. Vincent spent three years in London, working as an Art Dealer in Covent Garden. He lived in Brixton, then the Oval. He was very impressed with London; its technology and culture. London was:

a city lit by streetlights, a city powered by electricity and a city that relied on industrial power. It was impressive in all its accomplishments.’

To find out more about his experience in London look at this Tate website. https://www.tate.org.uk/art/artists/vincent-van-gogh-1182/seven-things-know-about-van-goghs-time-britain. The above quotation came from the site. For more details of Vincent’s time in London read Medium.

Van Gogh’s Newgate Prison Painting

This is where I got the image of Van Gogh’s painting of Newgate Prison above. Apart from sketches, this seems to be his only London painting. But Van Gogh did this painting well after his visit to London,. He copied Gustave Doré‘s engraving which you will see below. Further research tells me that he did this painting while in Saint-Paul Asylum. He was detained inside so could not continue his practice of painting outdoors, so copied from illustrations. He used a Héliodore Pisan copy of Doré‘s engraving. Van Gogh died a few months later, and this was one of the pictures that were displayed around his Coffin.

Vincent in Brixton

There is a play from 2002 called ‘Vincent in Brixton’, by Nicholas Wright, which I saw and very much enjoyed. It is scheduled to be performed in 2026 (14 March 2026 to 18 April 2026) at the Orange Tree, Richmond.

Letters to Theo

Vincent often wrote to his brother, Theo, about his experiences in London. This is a quotation I first found in ‘A London Year’ compiled by Travis Elborough and Nick Rennison. It provides a beautiful description of the London suburbs. This is a book well worth a place on a lover of London’s History’s bedside table.

Letter to Theo, October 8th 1876

In the City I also went to see Mr Gladwell and to St Paul’s. And from the City to the other end of London, there I visited a boy who had left Mr Stokes’s school because of illness, and I found him completely recovered, outside in the street. Then on to the place where I had to collect the money for Mr Jones. The suburbs of London have a peculiar beauty; between the small houses and gardens there are open places covered with grass and usually with a church or school or poorhouse between the trees and shrubbery in the middle, and it can be so beautiful there when the sun goes down red in the light evening mist. It was like that yesterday evening, and later I did so wish that you had seen the streets of London when it began to grow dark and the street-lamps were lit and everyone was going home, it was obvious from everything that it was Saturday evening, and in all that hustle and bustle there was peace, one felt, as it were, the need for and joy at the approach of Sunday. Oh those Sundays and how much is done and striven for on those Sundays, it’s such a relief to those poor neighbourhoods and busy streets. It was dark in the City, but it was a lovely walk past all those churches along the way. Close to the Strand I found an omnibus that brought me a long way, it was already rather late. I rode past Mr Jones’s little church and saw another in the distance where light was still burning so late. I headed for it and found it to be a very beautiful little Roman Catholic church in which a couple of women were praying. Then I came to that dark park I already wrote to you about, and from there I saw in the distance the lights of Isleworth and the church with the ivy and the cemetery with the weeping willows on the banks of the Thames.  

To see this letter and his letters to Theo, follow look at this link.

Gustave Doré and Pisan’s Newgate Excercise Yard 1872, from which Van Gogh clearly derived the image for his painting at the top of the page.

To see some of his London sketches please look at this web site.

Image of Van Gogh’s House web site.showing Austin Friars, Church, City of London

First Published October 8th, 2025

First & Last Coal-fired Power Stations September 30th 2024

Holborn Edison Electric Light Station First & Last Coal-fired Power Stations

On this day, last year, Britain’s last coal-powered power station generated its final watt of electricity.  Ratcliffe-on-Stour’s closure means Britain is the first country to meet its target of phasing out coal.

The Nottingham power station opened in 1968, and once employed over 3000 people.

For more details follow this link https://www.theguardian.com/business/2024/sep/30/end-of-an-era-as-britains-last-coal-fired-power-plant-shuts-down

Edison Electric Light Station

The first coal-fired power station in Britain was at Holborn Viaduct in London, opened as the Edison Electric Light Station on 12th January 1882.

The power was generated by a steam engine powered by coal.  The electricity powered incandescent electric carbon-filament lights which lit up 986 lights to illuminate the road from Holborn Viaduct to St Martin’s-le-Grande.  The light bulb was invented 3 years previously. 

The number of lights was soon increased to 3,000. But the Station made a loss and was closed down 2 years later. The lights converted to gas.  Sadly, the building was destroyed in the Blitz.

Shoreditch Electric Light Station

A couple of miles to the East, in 1895, the Shoreditch Electric Light Station was established.   It used waste to produce electricity and steam for the local public baths.  The generating and combustion chambers, now houses a Circus School which my children attended.

It was officially opened by Lord Kelvin, the famous physicist in 1897. The Consulting Engineer was Edward Manville who came up with a scheme for a ‘dust destructor’. This comprised: an electricity generating station; a public bath heated by the waste heat from the generator; a library and museum.  It cost 200,000 pounds.  In 1899, in nearby Nile Street, the Shoreditch Vestry Council set up the first municipal housing scheme powered by electricity.

This level of enterprise by a local council seems like a fantasy of a distant past but also, given the sustainability of the project, unbelievably modern.

The motto on the side of the Power Station was ‘Light and Power from Dust’. The scheme was run by the local vestry council which adopted the motto ‘More Light, More Power’. This was also adopted by the new municipal Borough of Shoreditch when it was formed as part of the new London County Council.  The Power Station was renamed as the rather wonderful: Shoreditch Borough Refuse Destructor and Generating Station and adorned with the motto: PULVERE LUX ET VIS ‘Out of the dust, light and power’.

The story of the dust destructor and the generating station is told in some detail here and well worth a read.

First Written 2024 and updated in 2025

‘Crack Me This Nut’ Play performed at the Rose in Southwark September 25th 1595

List of plays performed in February 1596 by the Admiral’s Men

‘Crack me this Nut’ was performed by the Admiral’s Men at the Rose Theatre in Southwark, London. One of the dates it was performed was on September 25th 1595. As you can see, above, it was also performed on February 7th 1596. You can find the other dates it was performed, and the income generated in this blog from Henslowe’s papers. In fact, the play was performed 16 times in all, then sold by Edward Alleyn. Sadly, no one knows what it was about. It might relate to the sense of our phrase ‘a tough nut to crack.’

The list of February dates for the Admiral’s Men is from my dossier for my Shakespeare’s London walks. I’m not entirely sure of the book I photocopied it from, but it derives from the wonderful archive of Philip Henslowe and his leading actor, Edward Alleyn. Henslowe’s records were stored in a locked trunk for 260 years.

2023 marked the completion of the project to bring this archive to the public. And here is the Henslowe-Alleyn Digitisation project. As well as digitising the Archive, elements that had been separated from the original archive have been brought back, so the greatest archive of information on the Shakespearean theatre is now unified and available. It is an immense benefit for the Shakespeare industry.

I searched the archive for ‘Crack me this nut’ but their search engine searches for anything that mentions ANY of the words, and as the word ‘this’ is in virtually everything in the archive, the search is effectively useless. Putting ‘Crack me this nut’ in quotes does not help. I have emailed them!

A subscriber sent me another link which has various speculations, and the following entry. 

Master Ponsonby. Entred for his copie vnder the hands of the Wardens A booke
Intitled The Paragon of pleasaunt histories . . . vjd
Or this Nutt was neuer Cracked Contayninge a Discourse of a
nobl[e] kinge and his Three sonnes
(S.R.1, 3.57 / Fol. 7)

For more read https://lostplays.folger.edu/Crack_Me_This_Nut. The above raises a possibility that it was not a comedy but a history or tragedy.

I often use this list of plays performed in February 1596 in the walks and lectures I give on Shakespeare. It shows you how hard-working Shakespeare’s contemporaries were. The actors’ companies were essentially small repertory companies. This list shows that the Admiral’s Men performed 14 different plays, on 23 days, if I count correctly, in the short month of February. This is in a winter month. Now, the guides at the rebuilt Globe tell you the Shakespearian Playhouses were used in the Summer. No! This was deep winter and 23 performances in an outdoor theatre in February! Imagine what a modern actor would think of that work load.

A badly photocopied page of the archive.

First published on February 7th 2023, and revised and republished on September 25th 2024, and 2025

Stone of Destiny Attacked with a Hammer at Perth Museum July 13th 2025

Screenshot of BBC Webpage annoucing the attack on the Stone of Destiny

I just tried to book a visit to see the Stone of Destiny, at Perth Museum. But I was told it was closed until at least the end of August. The reason being that a case had been damaged. A quick search revealed this notice that an Australian had attacked the case containing the Stone with a hammer. They are now repairing the Case, and double checking the condition of the stone, which is thought to be undamaged. The Stone is well protected in a special room of the Museum. But, until now, those booking to see it are not searched. So I imagine that this will become more formal in future.

Below is my post of 2024, updated on March 30th 2025.

New Home for the Stone of Destiny

Old Photograph of the Stone of Destiny beneath the Coronation Chair.
Old Photograph of the Stone of Destiny beneath the Coronation Chair.

Last year, the Stone of Destiny was set up in its new permanent place. The Stone was unveiled in a room at the centre of the redeveloped Perth Museum, in Scotland. This is near to its ‘original’ home at the Palace of Scone.

The Museums Association reported:

£27m development project ….funded by £10m UK government investment from the £700m Tay Cities Deal and by Perth & Kinross Council, the museum is a transformation of Perth’s former city hall by architects Mecanoo.’

As well as the Stone of Destiny, the Museum has Bonnie Prince Charlie’s sword and a rare Jacobite wine glass. Both on public display for the first time. This is the first time the sword has been in Scotland since it was made in Perth in 1739. https://perthmuseum.co.uk/the-stone-of-destiny/. Since I first wrote this I have visited about 5 times. Entry is free but needs to be booked. It is held in a separate structure in the open space at the heart of the Perth Museum. There is an excellent-animated introduction, and then the doors open and the Stone is revealed in a glass cabinet. It is very effective.

Webpage of the Perth Museum show a photo of the Stone of Destiny
Webpage of the Perth Museum show a photo of the Stone of Destiny

The Stone of Destiny in the Modern Era

Before Perth, the Stone was in London for a brief visit for the Coronation of King Charles III (6 May 2023) . It was put back, temporarily under the Coronation Chair. Before that it was on display in Edinburgh Castle. Tony Blair’s Labour Government sent it back to Scotland as a symbol of the devolution of power from Westminster. This was on the occasion of the restoration of the Scottish Parliament in Edinburgh in November 1996. Until then the Stone was under the Coronation Chair, where Edward I put it after he stole it (1296) from Scone. Virtually every English and British King has been crowned upon the Stone of Scone.

However, the Stone had a brief holiday in Scotland in 1950/51.  Four Scottish students removed it from Westminster Abbey on Christmas Day 1950. After three months, it turned up at the high altar of Arbroath Abbey. It was briefly in a Prison Cell, then returned to Westminster for the Coronation of Elizabeth II.

Poor photograph of a press cutting on display at the Palace of Scone (Photo by me!)
Poor photograph of a press cutting on display at the Palace of Scone (Photo by me!)

Declaration of Arbroath

I’m guessing the-would-be liberators of the Stone, thought Arbroath was the most suitable place to return it. For it was the Declaration of Arbroath which is the supreme declaration of Scottish Independence from England.

Following the Battle of Bannockburn the Scots wrote to the Pope of their commitment to Scotland as an independent nation. They said:

“As long as a hundred of us remain alive, never will we on any conditions be subjected to the lordship of the English. It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom alone, which no honest man gives up but with life itself”

The Pope agreed and Scotland remained independent until voluntarily joining England in the United Kingdom in 1707.

For an analysis of the Stone of Scone please look at my post here.

The Stone of Destiny at Scone Palace

Before Edward 1 stole the Stone, it was at Scone Palace. Here most of the Kings of Scotland were crowned, including Macbeth (August 14, 1040).

Moot or Boot Hill where Scottish Kings were crowned. Palace of Scone Photo Kevin Flude)
Moot or Boot Hill where Scottish Kings were crowned. Palace of Scone Photo Kevin Flude)

Those who attended the coronation traditionally shook their feet of all the earth they had brought from their homelands.  This over the centuries, grew into Boot Hill, aka Moot Hill. So the mound represents the sacred land of Scotland. 42 Kings were crowned upon its soil on its Stone. (but not Mary Queen of Scots she and her son were crowned at the Chapel Royal of Stirling Castle).

Where was the Stone of Destiny before Scone?

Before Scone, it was, possibly, in Argyllshire where the Gaelic Kings were crowned. Their most famous King was Kenneth MacAlpin. He united the Scots, Gaelic people originally from Ireland, the Picts, and the British. And created a new Kingdom which was originally called Alba, but became Scotland.

MacAlpin was the first king to be crowned on the Stone at Scone in 841 or so. He made Scone the capital of his new Kingdom because it was a famous Monastery, associated with the Culdees, an early sect of monks. MacAlpin brought sacred relics from Iona to sanctify the new capital. And Scottish Kings were by tradition crowned at Scone and buried on the holy Island of Iona.

Legend has it that the Scots bought the Stone from Ireland when they began to settle in Western Scotland (c500AD). The Scots, it is said, got the Stone from the Holy Land. Jacob lay his head on the stone to sleep. He had a dream of Angels ascending and descending a ladder to Heaven. Jacob used the stone as a memorial, which was called Jacob’s Pillow (c1652 years BC).

Fake, Copy or Genuine?

But, questions about the Stone remain. Firstly, would the Monks of the Abbey meekly hand over the stone to a raging King Edward I?  Sacking the Abbey was one of the last events of Edward’s failed attempt to unite the two countries. Isn’t it more likely that they hide the original and gave him a fake?

Secondly, was the Stone brought to Scone from Western Scotland in the 9th Century? Or was it made in  Scone?

These questions of doubt are based on the assumption that the Stone is made of the local Scone sandstone. If it were brought to Scone from somewhere else, it would be in a different type of stone, surely? So, either it was made in Scone, possibly for MacAlpin’s Coronation or the Monks fooled the English into taking a copy. The English would then have been crowning their Monarchs on a forgery.

Ha! Silly English but then the Scots have spent £27m on the same forgery.

Before bringing the stone to Scone, Historic Environment Scotland undertook a new analysis  of the stone. This confirmed:

the Stone as being indistinguishable from sandstones of the Scone Sandstone Formation, which outcrop in the area around Scone Palace, near Perth‘.

It also found that different stone workers had worked on the stone in the past. It bore traces of a plaster cast being made. It had markings which have not yet been deciphered. There was copper staining suggesting something copper or bronze was put on the top of it at some point in its life.

So it seems the Stone of Destiny was made in Scone. The simplest explanation is that it was made for MacAlpin in the 9th Century. But it does not rule out that it is a copy given to Edward I. But if this is the case it is still an awesome relic of history as so many Kings and Queens, Scottish and English, have been crowned upon it.

For more about MacBeth and St Margaret of Scotland see my post here:

 

First published in 2024, republished in 2025

The Great Broadway Paint off

The Great Broadway Paint Off. Photo K Flude 2025

One of the joys of my Summer is revisiting places I know and love in my role as a Course Director for Road Scholar. I first came across the ‘en plein air’ in 2023. On Sunday, June 18th. I was in Broadway, once considered the most beautiful village in Britain. It was also the model for Riseholme in the wonderful Lucia books by E. F. Benson (made into a TV series by the BBC starring Prunella Scales, Geraldine McEwan and Nigel Hawthorne).

The day I visited, in 2025, was last Sunday, June 15th. I have added new photos and revised the texts.

How it Works

The artists register in the morning and have their paper or canvas stamped, or given a block of Maltese stone. This proves that they have done all the work on the day itself.

This year there were no sculptors.  Instead, there were live models in the marquee being painted by portrait painters. 

Broadway Paint off, Local Portraits. 2025 Photo K Flude

They take their blank canvases to create a work of art in the village. At 4pm or so, they are judged. At 5pm, the art works are exhibited and are on sale in the Marquee on the village green.

Broadway Arts Festival 2025, Photo K Flude

It’s always a delight walking around Broadway. Bun, but with an artist and easel every 50 yards or so even more enjoyable.

The Most Beautiful Village?

The appellation of most beautiful village, came in the late 19th Century. Broadway, once gained its wealth by selling wool. When that declined, the village became an important stop on the Toll Roads. It was on the stage coach route from Aberystwyth to Worcester, Oxford, and London. Fish Hill, nearly 1000 feet high, was an obstacle and coaches made a stop here to prepare or recover. Some coaches used up to 10 horses to get to the top. But with the arrival of Brunel’s Great Western Railway to the Cotswolds the village was nearly ruined. Half the village, the Broadway Museum says, moved away as their livelihood serving the coaching trade died.

Artist painting in the Broadway 'Great Paint off'
Artist painting in the ‘Great Broadway Paint off’ 2023 Photo K Flude
Artist painting in the Broadway 'Great Paint off'
Another artist participating Artist in the ‘Great Broadway Paint off’ Photo K Flude 2023
Painting in Broadway
@dawnjordanart Great Broadway Paint off’ Photo K Flude 2023

But artists and writers, led by Americans Frances Millet and Edwin Abbey, turned Broadway into a much sort-after country retreat. Visitors included Oscar Wilde, J. M. Barrie, Singer-Sargeant, William Morris, Edward Burne-Jones, Gabriel Dante Rossetti, American actress, Mary Anderson, Edward Elgar, E. F, Benson. Mark Twain visited for Millet’s marriage.

J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)
J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)

Gordon Russell & Henry T Ford

What made the visit particularly interesting was the story told by the volunteer at the Gordon Russell Museum in Broadway. This is the story as I understood it:

The Russells restored the Lygon Arms in Broadway using Arts And Crafts architects. They also restored antique furniture. The son, Gordon Russell, became a leading designer of modernist Furniture. He advertised to passengers on the Cunard Line in order to attract the attention of rich American visitors. One, Henry T Ford, was interested. He came to Broadway, staying at the Lygon arms. He was taken to nearby village Snowshill, where Ford bought a Cotswolds Farmhouse, complete with Blacksmith’s workshop. They were shipped stone by numbered stone to Brentford on the Thames. Then to the London Docks and across the Atlantic. Here. Ford set them up in a Museum in Michigan where they still are!

Sculptors at the Great Broadway Paint off.
Sculptors at the Great Broadway Paint off (2023)

Research suggests it’s a little more complicated, in so far as Ford purchased his first Cottage before coming to Broadway. But it still leaves a delightful story about American ideas of Quintessential English village life. For pictures see my post here. And for another look at the story look at this web site here:

By the way, Frances Millet planned to return to the States on the Titanic. He was one of the 1500 who drowned. A letter he wrote while on the ship was posted, probably in France. It is on display in the Broadway Museum (2023).

For more about Broadway, Gordon Russell and Word War 2 see my post here:

June 18th is also:

International Sushi Day

Autistic Pride Day

National Chocolate Ice Cream Day

First Published in June 18th 2023, Republished in June 2024, and revised in 2025

St Columba (St Colmcille) Day June 9th

St Columba st margarets chapel by Graham van der Wielen  Edinburgh  Lead glass
St Columba Stained Glass window in St Margaret’s Chapel Edinburgh Castle Photo by Graham van der Wielen Wikipedia CC BY 2.0

St Columba, or Colmcille is one of the most important saints for the early transmission of Christianity. He was born in 521 and said to be a descendant of the possibly legendary Irish King Niall of the Nine Hostages. (The Hostages were a token of Niall’s power over Ireland as they came from the five provinces of Ireland. These are Ulster, Connacht, Leinster, Munster, and Meath. The other four hostages represented Scotland, the Saxons, the Britons, and the Franks.)

St. Columba was sent at an early age to be brought up as a Monk, and went on to set up Monasteries in Ireland at Derry and Durrow. In 563, he left Ireland, possibly because he got involved in a dispute that had a deadly outcome. He went into exile to Scotland and set up the famous Monastery on the island of Iona, Inner Hebrides. This is off the coast of what would one day be called Scotland. At the time, it was under the control of the Kingdom of Dál Riata, which was, Gaelic, nominally Christian, and controlled parts of Ulster and Western Scotland.

From Iona, Columba led the conversion of the Picts to Christianity. The Picts were Britons, speaking a different dialect of Celtic than the Gaels of Ireland and Dál Riata. Their name is said to have been given by the Romans and meant Painted Men. A shared religion, which St Columba brought from Ireland, helped towards the eventual union of the Gaels, the Picts and other British groups into the Kingdom of Alba. Alba is the Gaelic name for Scotland – meaning white, and from which we also get Albion. Alba became Scotland, which is derived from the Roman word for the area which in Latin was “Scotia”. Iona became the traditional burial place of early Scottish Kings such as Macbeth (Mac Bethad mac Findlaích). These Kings were crowned at Scone and buried in Iona. Alba was also able to take territory from the Anglian Kingdom of Northumbria, namely, the Scots-speaking areas South of the Firth of Forth. (Scots being a dialect of English). There were also Norse settlers in the Ireland so Scotland was made of a coalition of Gaelic, Brittonic, Norse and English speakers.

St Columba and the Loch Ness Monster

Much of the events of this part of Columba’s life are recorded by St. Adamnan in The Life of Saint Columba. This was written in the 7th Century, much of which is apocryphal. One notable story tells how he came across a group of pagan Picts who were mourning a child killed by a monster in the River Ness. St Columba revived the child. He then sent one of the Brothers to swim across the Loch to fetch a boat. The “water beast” pursued the Monk and was about to attack him when St Columba told the monster to stop. So it did, retreating to the depths of Loch Ness. Thus began the legend of the Loch Ness monster.

St Columba died in 597AD. Iona continued to prosper and in, 634 sent St Aidan from Iona to found the Monastery at Lindisfarne. The island is on the Eastern coast of Britain in the Anglo-Saxon Kingdom of Northumbria. This Kingdom of the North Angles, was one of the most powerful at the time and Lindisfarne was instrumental in its conversion. The tradition of evangelism took hold in the British Isles, and it was from here that much of the German-speaking world was converted to Christianity.

This is St Columba’s legacy.

Northumbria’s Contribution to the development of Christianity

There is a developing understanding among scholars that this Irish inspired form of Christianity, fused with the Anglo-Saxon Northumbria took a leading role in ritual, art, scholarship in the Roman Catholic world. Just stop and think about that sentence for a moment. The northern parts of an out of the way set of islands off the edge of Europe took a leading role in the development of Western Christianity. This was highlighted in a recent exhibition of Anglo-Saxon art at the British Library.

British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude
British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude

A look at the Lindisfarne Gospel and the Book of Kells showcases the amazing art of this period. For a real treat, look through this scrollable virtual copy of the Lindisfarne Gospel. (Currently this is unavailable, I suspect since the BL was hacked. So instead, here is a slightly breathless online introductory video of the Gospel.)

The Book itself has been missing from the displays of the British Library for a couple of years, but was on display in Northumberland in 2022. I’m not sure whether it is yet back on display at the British Library. I think not. You can see the Book of Kells at Trinity College, Dublin or look at their online offering here: Not quite as joyous an experience as the online Lindisfarne but beautiful enough.

Carpet Page from the Lindisfarne Gospel
Carpet Page from the Lindisfarne Gospel Photo Wikiepedia Eadfrith –
Lindisfarne evangeliarium, tapijtbladzijde op f26v, Matteüsevangelie

Click here to read my post on Scone and the emergence of Alba.

Here is a virtual tour of Iona

Here is a 360-degree panoramic photo tour of Lindisfarne Abbey

First Published in 2023, revised, 2024 and improved 2025

Floralia. Old Goats and an extraordinary Elephant April 28th

Flora (Floralia festival named after her) on a gold aureus of 43–39 BC Wikipedia photot by АНО Международный нумизматический клуб

This post got forgotten because April 28th was unexpectedly St George’s Day.  But it’s still relevant as the Roman festival of Floralia continued to May 15th.

On the 28th of April began the Floralia.  It continued to the Kalends (15th) of May. According to Ovid in the ‘Fasti’ Book IV, the Romans celebrated Flora, the Goddess of Spring.  The Floralia celebrated flowering, blossoming, budding, planting and fertility.

Flora was one of the 15 Roman Deities offered a state-financed Priest. Her home in Rome, was on the lower slopes of the Aventine Hill near the Circus Maximus.

The Circus Maximus is the large long arena in the middle of Rome. Model Musee Arte et Histoire, Brussels, photo Kevin Flude

Celebrations began with theatrical performances, at the end of which the audience were pelted with beans and lupins. Then there were competitive games, and spectacles. The latter, in the reign of Galba, including a tight-rope walking animal. A monkey you might guess but no, it was a tight-rope walking elephant!

The Year of the Four Emperors

Incidentally, Galba only survived for 7 months as Emperor.  A little longer than our Liz Truss’s 44 days. But then she was not murdered by a rampaging mob at the end of her reign. It was the year known to history as the year of the 4 Emperors. (great description by Tacitus here:)

Spectacles and Battles

Juvenal records that prostitutes were included in the celebration of Floralia by dancing naked, and fighting in mock gladiatorial battles. There is a raging debate about the existence of female gladiators. A burial in Southwark has been said to be one such.  To hear what Natalie Haynes has to say on the subject look here🙂

Fauns, Satyrs, Goats and Hares

Hares and goats were released as part of the ceremonies. These animals were both considered to be very fertile and have a ‘salacious’ reputation! (Satyrs or Fawns were, famously, obsessed with sex and were half man half goat. A man can still be referred to, normally behind his back, as an ‘old goat’). Fauns were Roman, Satyrs Greek. The one half man half goat, the other half man half horse. It all got a little mixed up and fauns became very similar to satyrs.

To read about the myths of hare see my post march-28th-as-mad-as-a-march-hare/

Written in 2023 revised April 2024, 2025

Murder of St Alphage April 19th 1012

St Alphage. Church Tower on right, City Wall to left. Photo K Flude

I first came across St Alphage when I was working at the Museum of London. The Museum was built on the High Walk at London Wall. The raised Courbusian Walkway looked down on a ruin of a Gothic Church Tower, almost destroyed during the Blitz. This was St Alphage, a Church dedicated to the Saxon Archbishop of Canterbury. (Alphage is also spelt Alphege or Alfege).

On the other side of the Walkway was the old graveyard of the Church. This preserved one of the very best sections of the old London Wall. Special because on one side its huge height was displayed. On the other, the only crenelated bit of the City Wall. And the only surviving part of the Wall dating to the War of the Roses.

St Alphage Wall explained in an information plaque.
St Alphage Wall explained on an information plaque.

In the 1980’s fellow Museum of London Archaeologist, Paul Herbert and I set up a Guided Walks company (Citisights of London) . Our walks started from outside the Museum of London, and so St Alphage formed a big part of our success. It led to a life giving Guided Walks and tours. So, St Alphage, thank you!

A Citisights Day Tour of the 1980s

St Alphage Elsyng Spittle St Mary ?

The Church was previously a monastic settlement called Elsyng Spittle (aka St Mary within Cripplegate). The Augustinian Canons looked after 100 blind men. It was refounded by Williain Elsing, and dissolved by Henry VIII in 1536. The Church was kept for a Parish Church. But the Puritans were not keen on dedications to St Mary. So, they renamed it after a London based Christian Martyr.

It remained a Parish Church until damaged in an air raid in World War One. (possibly on 8th September 1916 in a Zeppelin Raid – but I am speculating). The Church was partly demolished in 1923, leaving the Tower. The lower part of the Medieval Tower survived bombing in the Blitz. At 12.15 am on 25th Aug 1940, the first bombs on the City of London fell nearby in Fore Street. But the tower was hit in 1940. It was listed Grade 1 in 1950. Kept by the rebuilding of London Wall, and the Barbican area. Then substantially benefitting from a remodelling of the area in an excellent scheme of 2022.

St Ælfheah of Canterbury and Greenwich

StAlfege Greewich - Doyle own work Wikipedia CC BY-SA 4.0
StAlfege Greewich – Doyle own work Wikipedia CC BY-SA 4.0

St Ælfheah was captured during a Viking attack on Canterbury. The Viking hoard relocated to Greenwich where they tried to negotiate a fat ransom for him. He was one of the richest men in the Kingdom. This is what the Anglo Saxon Chronicle says:

.. the raiding-army became much stirred up against the bishop, because he did not want to offer them any money, and forbade that anything might be granted in return for him. Also they were very drunk, because there was wine brought from the south. Then they seized the bishop, led him to their “hustings” on the Saturday in the octave of Easter, and then pelted him there with bones and the heads of cattle; and one of them struck him on the head with the butt of an axe, so that with the blow he sank down and his holy blood fell on the earth, and sent forth his holy soul to God’s kingdom.

St Alfege Greenwich, which is now a lovely Hawksmoor Church is said to be on the site of St Ælfheah‘s death.

St Alphage’s body was taken to St Pauls Cathedral where it was venerated. His remains were removed in suspicious circumstances by soldiers of King Cnut who translated the Saint’s bones to Greenwich. It is suggested King Cnut was punishing London for their opposition to him.

The Minotaur by Michael Ayrton

Also, part of the experience of visiting St Alphage from the High Walk was the statue of the Minotaur. I first came across this phallic Bull in the Postman’s Park and am very fond of it. Then it disappeared and reappeared on the High Walk. Now it is on the ground level near in the garden of St Alphage.

I understand that Michael Ayrton wanted to make a point about the destruction of London. He felt that the developers were more destructive than the Luftwaffe. They were like a Bull in a China Shop! So he created this statue of a very vigorous Bull representing the Minotaur. It is a very unusual work of art in that it sports a fully erect penis. Art History is full of naked women, but the male organ is largely left to pornography. For more about Ayrton follow this link.

First Written on April 19th 2025