Category: Classical

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St Agatha, Ravenna and Motor Cycling in Inferno

Procession of female saints leaving Classis (bottom left) behind the Three Kings heading to the Virgin Mary (bottom right between four angels). Basilica of Sant’Apollinare Nuovo (pic. Wikipedia)

Today, I am in Ravenna. One of those places where the history brings gasps of amazement.  To honour my visit, I thought I should roll out last year’s post. This is what I said:

When I revised my Saint Agatha post (link see below), I felt I needed an early image of Agatha.  After all, her cult spread early on, and therefore, was likely to be genuine.

As I started to track down her image I was led, with some joy, to one of the most amazing Churches in the wonderful town of Ravenna. I visited the Basilica of Sant’Apollinare Nuovo with some wonderment when working as an archaeologist at Ferrara, in Emilia-Romagna. Forty Years ago.

I found out that Agatha was one of 22 female Saints on one of the walls of the Church. I discovered a pretty comprehensive description of the Church. As I looked at it, I noticed the record was made by, or involved, Professor Bryan Ward-Perkins. He was the Director of the site my friends and I worked on in Ferrara! (And I met him again last night, 2025 for the first time in years!  We had dinner with fellow archaeologists, and Bryan was talking about the work he did on the Saints of St Apollinaire.)

Medieval Excavation in Ferrara. The author is in the centre of the photo,

Ravenna

I’m guessing Bryan suggested we visit Ravenna on one of our trips to the beach at nearby Rimini. Ravenna was so awesome because the City became the capital of the Roman Empire in the West. It took over when Rome fell, then it was part of the Ostrogothic Kingdom, then of the Byzantine Empire. It spanned the period of the Arian Heresy.

And so, it was provided with some of the great glories of 5th and 6th Century Architecture. These include the Mausoleum of Galla Placidia, the Neronian Baptistery, the Basilica of Sant’Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant’Apollinare in Classe. It’s hard to overestimate the impact on a young British archaeologist of seeing 5th Century buildings with roofs and astonishingly detailed mosaics still intact. Please visit!

Detail showing the first four female saints behind the Three Kings. Basilica of Sant’Apollinare Nuovo wikipedia

Bryan Ward-Perkins description says ‘All the saints are haloed, bear crowns and are dressed in elaborate court dress. Unlike the men …., all have essentially the same youthful features. The only saint with a distinguishing attribute is Agnes, who is accompanied by a lamb.’ The men are given some personality, some have white beards others are youthful. While all the female martyrs are, essentially young virgins, and cannot be distinguished from each other. St Agatha, the list says, is the Saint next to Agnes with her lamb; the third in precedent. You can see her above and in detail below.

St Agatha
Basilica of Sant’Apollinare Nuovo wikipedia

Motorcycling from Ravenna to Inferno

Enough of the sublime! Now for the ridiculous. Whether on this visit or another, we decided to have a day at the beach at Rimini. After the day on the beach, a collective decision to stay over was made. The reason was to go to one of the big clubs (did we still call them discos?) probably to dance to ‘Frankie Goes to Hollywood’.

Archaeologists, Italian and English, on the beach at Lido di Spina

However, the hotels were all full. So I decided, late at night, to go back to Ferrara, on my own on my 175 cc Yamaha motorbike.

My Yamaha 175cc bike looked something like this but was red. A thing of underpowered beauty.

Thing was, I had started the day in Ferrara in the blazing Italian summer heat. So, I had hopped onto my bike dressed in shorts and t-shirt. Ferrara was 77 miles away (says google). One hour into the trip back, I was getting pretty cold, and really not enjoying driving through the lonely countryside. Therefore, I decided to pull off the main road to find a rural hostelry for what remained of the night.

Now, I remember this very vividly – the only likely road I could find was signposted to ‘Inferno’. I shrugged my shoulders, wondering what that was about, and drove towards it on a very deserted road. Eventually, I came to a sign which told me I was about to enter ‘Inferno’.

There was something very surreal about the situation. My courage failed me! I was not going to stay in a ‘motel’ in a place called ‘inferno’! I had seen too many horror films set in Motels and one in Inferno seemed madness. So, I turned round and continued my cold journey to Ferrara.

Inferno

Whenever I tell this story, I have some doubt about it.  Did I really drive into a place called ‘Inferno’? But I have, for the first time, checked Google. It tells me that the road off the Rimini to Ferrara road goes through somewhere called: Vicolo Inferno, 40026 Imola BO, Italy.

Below is the post about St Agatha of Sicily who has a most interesting story.

St Agatha Feast Day February 5th

Written in 2023 and updated in 2024, and 2025

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Cotswolds Olimpicks May 30th

screen shot from https://youtube.com/shorts/wBOPAZ2131Y?si=UEED_F8QjSb_wW6Z

I’m in Ferrara, in the Po Valley near Bologna.  Hence, falling behind on posts!  I am on holiday but attending a reunion of Archaeologists who excavated here in the 1980’s.  It was a collaboration between Italian and UK archaeologists.  The British contingent was mostly from the Museum of London.  More to follow over the next few days.

But on the 30th May I planned to tell you about the Cotswolds’ Olimpicks.  This was set up by Robert Dover on a hill near Chipping Camden, in the early 17th Century.

Inspired by the Greek Olympics, he felt the modern world could do with an infusion of the original spirit.

The Olimpicks has a collection of tradition sports such as the sack race, and the tug of war.  But the one that receives the most attention is shin-kicking.  Two contestants try to knock each other over by kicking each other in the shins!  They are not supposed to pull or push their opponent over. Or use Judo style throws.  Protective gear is supplied in the form of straw or hay packed down the socks.

For other Cotswolds content look at my posts

coopers-hill-cheese-rolling-may-26th/

campden-house-fire-sunday-march-23rd-1862/

chipping-campden-murder-august-16th-1660/

First published 1 June 2025

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Vortigern April 2nd 1796

Bill for the 1796 play Vortigern and Rowena Public Domain Wikipedia

Content Move April 2nd 2026 to:

https://chr.org.uk/anddidthosefeet/?p=5187

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Heritage with my Grandson 2 – British Library & British Museum March 9th

Grandson on a visit to the British Library and British Museum. Photo of the Beethoven Exhibition, British Library, March 2022

A visit to the Britsh Museum & British Library? I think this might be worth reposting in the absence of anything else compelling for the day!

So this was my outing with my grandson on March 9th 2022.

For our second museum outing we went to the British Library. He didn’t like the Beethoven exhibition. It was too dark and nothing to surreptitiously climb on. He definitely does not like dark exhibitions. This is a shame because it seems to be the design idea of the moment. The Nero and the Stonehenge exhibitions were also dark spaces. The desigers working on creating atmospheric views using bright colours, spot lighting and spectacular objects on a dark background. But it doesn’t work for a sensitive 20 month year old!

Nor did the largely text based Paul McCartney’s Lyrics exhibition attract a second of his attention. ‘Paul who?’ he seemed to be saying as we stumped past to the very quiet sound of ‘Hey Jude’.

What he did like was the escalators. We went up and down, and up and down, and then onto the second set where we repeated the repeat.

British Library – note the escalator to the right

And then we went down and back up again, and no time to see the enigma machine. We ate in the upstairs Restaurant, which is a really pleasant place to spend a lunch time.

Enigma Machine, British Library

Time for him to have a sleep so we walked to the British Museum through Bloomsbury. However, there was very little sign that he wanted to nod off. But we found a couple of interesting revolutionaries of the 19th Century en-route. The first was to Robert Owen, the founder of the Cooperative Movement, famous for his model factories in New Lanarkshire.

Plaque to Robert Owen ‘father of the Cooperative Movement’, Burton Street

Then to Cartwright Gardens, named after John Cartwright, who was called ‘the Father of Reform’. He had quite an amazing life. He refused to serve in the Navy against the American Colonists in the War of Independence. Not only that, but he supported reform of Parliament, universal suffrage, annual Parliaments and secret ballots.

John Cartwright Statue Cartwright Gardens.

The milk soon did its job and my grandson was asleep. So I took him to the Member’s Room for a cup of tea.

Sleep in the Member’s Room overlooking the Great Court

When he woke we whizzed around the third Floor. But he was reluctant to leave his buggy because it was much more crowded than our last visit. Then he could run free around the almost empty galleries which he loved.

But, I was able to visit old favourites like the Portland Vase. This was smashed into hundreds of pieces, in 1848 by a drunken visitor. He threw a sculpture into the case and smashed the vase. It was restored, but 37 pieces were missing. In 1988 the vase was reunited with the missing pieces and expertly restored.

The Portland Vase – 15BC = 25AD Cameo Glass
Plate Cameo Glass 15BC – 25AD

For more exploration of Museums with toddlers see my post: https://www.chr.org.uk/anddidthosefeet/museums-for-toddlers/

First Published 9th March 2022.. Revised and reposted 2025

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Sementivae Dies—the Days of Sowing January 24–26

“Victoria and Albert Museum” by Nick Garrod, licensed under CC BY-NC-ND 2.0. First V&A Director, Sir Henry Cole, to the left of the picture. Greek Deities in the roundells

Sementivae, was a festival dedicated to seed and to Ceres. Ceres is an Earth Goddess who gives her name to our word cereal. The festival was also called. Paganalia. The Mediterranean world had many names for the Earth Goddess. Tellus, Demeter, Cybele, Gaia, Rhea etc..

Ceres can be seen on the top left roundel resting on the Globe on the marvellous Ceramic Staircase at the V&A (photo above). And in my slightly out of focus photograph below. (To be honest, in real life, it looks a little more like my photo than the gorgeous photo above!)

Ceres represented Agriculture, Mercury Commerce, and Vulcan Industry. Old Photo by the Author. T
Ceres represented Agriculture, Mercury Commerce, and Vulcan Industry. Old Photo by the Author.

Sementivae Dies – a moveable feast.

To create life, we need earth and water to nurture and seeds for fertility. And so into the cold dead world of January the Romans created a festival of sowing. It had two parts, one presided over by Mother Earth (Tellus) and the other by Ceres, the Goddess of Corn. The actual day of the festival was chosen not by rote on a set day of the calendar but by the priests, in accordance with the weather. This seems very sensible, as there is no point sowing seeds in terrible weather conditions. I’m assuming the Priests took professional advice!

On the 24th-26th January Tellus prepared the soil, and in early February seeds were sown under the aegis of Ceres. Tellus Mater (also Terra Mater) was known as Gaia to the Greeks.

Gaia

Gaia was selected by James Lovelock & Lynn Margulis in the 1970s as the face of their Gaia hypothesis. To me, the importance of the idea is not the scientific principle that environments co-evolve with the organisms within them. But, rather in Gaia as a personification of our world as a complex living ecosystem. One that we have to care for. Gaia exists as a series of feedback loops. Lovelock hypotheses that she will spit us out unless we can live in balance with our alma mater.

Ovid and Sementivae

This is what the Roman Poet Ovid has to say in his poetic Almanac known as ‘Fasti’ (www.poetryintranslation.com)

Book I: January 24

I have searched the calendar three or four times,
But nowhere found the Day of Sowing:
Seeing this, the Muse said: That day is set by the priests,
Why are you looking for moveable days in the calendar?
Though the day of the feast ís uncertain, its time is known,
When the seed has been sown and the land ís productive.
You bullocks, crowned with garlands, stand at the full
trough,
Your labour will return with the warmth of spring.
Let the farmer hang the toil-worn plough on its post:
The wintry earth dreaded its every wound.

Steward, let the soil rest when the sowing is done,
And let the men who worked the soil rest too.
Let the village keep festival: farmers, purify the village,
And offer the yearly cakes on the village hearths.
Propitiate Earth and Ceres, the mothers of the crops,
With their own corn, and a pregnant sow ís entrails.
Ceres and Earth fulfil a common function:
One supplies the chance to bear, the other the soil.
Partners in toil, you who improved on ancient days
Replacing acorns with more useful foods,
Satisfy the eager farmers with full harvest,
So they reap a worthy prize from their efforts.
Grant the tender seeds perpetual fruitfulness,
Don’t let new shoots be scorched by cold snows.
When we sow, let the sky be clear with calm breezes,
Sprinkle the buried seed with heavenly rain.
Forbid the birds, that prey on cultivated land,
To ruin the cornfields in destructive crowds.
You too, spare the sown seed, you ants,
So you’ll win a greater prize from the harvest.

For more on Ovid look at my post on Ovid and Juno here. Or you can search for Ovid in the Search box.

First Published in January 2023, republished in January 2024, 2025


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News from the Almanac of the Past January 22nd

News from the Almanac showing readership/viewership of the site.

I have been waiting for a day when I haven’ t got a post to publish. Why? To update readers about the Almanac of the Past. And with a bit of manoeuvring today is the day.

What is the News from the Almanac of the Past?

The plan is to have a post for each day. I am virtually there for November to March, but a way away for the warmer months.

In the winter months, I have been revising, improving, developing and adding content to previously published pages. For those of you who have been here a while, you will have been receiving posts you have seen before. Next year, you might be seeing some for the third time. I’m not sure what to do about this except improve posts and add content. But I am considering stopping automatically posting repeated posts to subscribers. Maybe from next November? Feed back would be good – please email me at kpflude at chr . org . uk (I’ve slightly scrambled the email to stop the robots).

What is the planned content for the Almanac of the Past?

The nature of an almanac is to be a pot-pourri. They are about seasons, time, folklore, history, important events, and anniversaries. I also like to cover history, famous people and discoveries. Gods, Goddesses, Saints, sinners, and archaeology. What I want it to be is something that makes us more mindful about the passing of the year. How seasons and time change the way people see their world. My focus is mostly on the UK, but also on Rome and Greece. With occasional excursions to other places. I am trying to find more content that is London-based, but not to the exclusion of everything else. I also have an ambition to add more important news of discoveries that change our view of the past. If I get the formula right, I will attempt to get a publication from it, otherwise it will remain online.

Developments for the Almanac

It takes quite a lot of time for me to keep it up. You will see, from the graph above, that the readership is yearly making progress. Particularly, last year. But then it’s a steady progress from a small base, rather than Kardashian viral.

This is, at least, partially because I would rather not spend my time marketing. I want to be writing. But, I have decided I need to spend a little more time marketing the site. When I ran the Old Operating Theatre Museum, I had the skills to get our web site to first place on google searches. But this was in the pioneering days of the World Wide Web. Now, it’s more difficult, but I am taking a ‘Search Engine Optimisation’ (SEO) course. I have also loaded some ‘plugins’ to WordPress which help with SEO. I thought you might be interested in some of the consequences.

The plugins ‘parse’ the site and give recommendations for improvements. This should, get the site further up the Google landing page. I have no doubt that it involves or will involve AI. The ‘Yoast’ plugin I am using as I type this, tells me words like ‘however’ are a ‘complex’ word and so they down grade my ‘readability’ quotient. It also tells me that that last sentence was too long. So, it wants simple sentences, and words that join sentences together. And not too many sentences in a paragraph and a proper scattering of headings.

It also assesses the SEOness of the text. So I have to tell it what the main subject of the page is. And it wants that word or phrase in:

the title:
the first paragraph
the image
the meta description tag
and scattered, but not too densely (because Google will punish the site for playing the algorithm) through the text.

Hence, you will see the phrase ‘News from the Almanac’ scattered more than I would normally like through this text. Of course, I know no one really will be searching for ‘News from the Almanac. So I should change the SEO phrase just to Almanac. But, then I’m not really interested in attracting non-readers to this page. I see this as between me and my email subscribers!

After writing that paragraph I realised that I would want people to land up here if they typed in ‘Almanac of the Past’. So you will see, I’ve editing the text scattering that phrase here and thereabouts.

In effect, I am being trained by a slightly stupid tutor who has no particular understanding of the needs of a writer of history! And you can’t answer back, you just get downgraded!

And it seems to be working as my numbers are getting better more quickly.

Any problems for the Almanac of the Past?

Obviously, my terrible proofreading is a concern! Maybe that’s one-way republishing helps. A year later, it’s easier to see the typos, the ugly writing, and issues with the content.

But there is another issue with the emails, which I have been trying to solve for about 6 months. The links in the emailed posts don’t work. But they do work if you visit the almanac on the web. This is nuts as I always use the full URL. For example: https://www.chr.org.uk/anddidthosefeet/december-29th-st-thomas-wassailing/.

So, this is very much a technical issue, one might say a bug in the system. I think it stems from the fact that my blog was stored not in https:/public_html/ but in https://public_html/anddidthosefeet. This seemed a logical choice at the time, as the blog shared space with other things. I haven’t managed to convince the tech guys at either the internet provider or WordPress that this is a bug. So, the alternative is to move the blog. But I am reluctant to do this in case it completely messes everything up.

Change the content of the newsletter, you might think. But I can find nothing that allows me to alter or add anything to the email version of the post. As I write this, I think I will temporarily add a line at the bottom of the post which says:

if the links are not working, copy and paste this URL https://www.chr.org.uk/anddidthosefeet/whateverkevinsalmanacpageiscalled

to your browser. This, will get you to the Almanac of the Past on the web where all the links will work.

And this will allow you to easily copy or link to the webpage and send the Almanac of the Past to your friends and followers. (I’m hoping you are Taylor Swift). You willalso be able to comment easily and maybe even like the post?

Another advantage of visiting the web version is that you get a better version to read. This is because I often find howling typos when I read the emailed post. I correct them, with a red embarrassed face.

If you are reading this on the web, then all the above must have been very annoying to read! Maybe I will move it down to the bottom of the post! (which I did).

Trying new things on the Blog

Do you want to make a comment?

Please leave me a comment – its great to hear what you think.

First Written and Published on 22nd January 2025

Mulled WIne and Blue Monday Posts

In order to clear January 22nd I moved the previous January 22nd post to December 10th. As its all about Mulled Wine, Glugg, and Gluwein., its better at the beginning of the Christmas Season than in late January.

To see it click here: or cut and past this url https://www.chr.org.uk/anddidthosefeet/january-22-22-time-to-mull-it-over/

I also didn't tell you Monday was Blue Monday because I had already sent you one post on the 20th. So this is the Blue Monday Post. https://www.chr.org.uk/anddidthosefeet/january-13th-18th-blue-monday-wolf-moon-start-of-lambing-and-twelfth-night-old-style/

Blue Monday January 20th

If the links are not working on the email version of this post then:

copy and paste this URL https://www.chr.org.uk/anddidthosefeet/news-from-the-almanac-of-the-past-january-22nd/

To your browser. This, will get you to the Almanac of the Past on the web where all the links will work. (I hope).

First Written and Published on 22nd January 2025

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St Distaff’s Day & the Triple Goddesses, January 7th

Spinning
Spinning—showing the distaff in the left hand and the spindle or rock in the right hand

I’m not sure what the Three Kings were doing on the day after Epiphany. But, the shepherds, if they were like medieval English farmworkers, would still be on holiday. They went back to work, traditionally, next Monday, which is Plough Monday. By contrast, the women, according to folk customs, went back to work St. Distaff’s Day, the day after Epiphany. In an ideal world, St Distaff’s Day is the Sunday after Epiphany (January 6th), and Plough Monday is the next day. Of course, it doesn’t always work out that way. I am not sure the woman going back to work on the 7th January, would be happy with the men lounging about until Plough Monday,. This year on the 13th January.

A distaff is ‘a stick or spindle on to which wool or flax is wound for spinning’. Because of its importance in the medieval and early modern economy, it became a synecdoche for women. St Distaff is a ‘canonisation’ of this use of the word. So, a day to celebrate working women.

We know that medieval and early modern women were a vital part of the work force, despite the demands of childcare. Many women took on apprenticeships, even more continued their husband’s work after he died. Some professions like silk became a female speciality. Plus, London was full of female servants and nurses. Many women had several jobs. The exhibition at the British Library on Medieval Women. In Their Own Words, indicated that most of the sex workers had two or more other jobs. In the house, the wife was the mistress of a formidable range of technologies. Baking, Brewing, Cooking, Laundry, Gardening, Dairy, Medicine (including distillation), horticulture, spinning, sewing and embroidery. Even, aristocratic women did embroidery of the finest quality, and it often made an important financial contribution to the household.

St Distaff’s Day and Plough Monday

Robert Herrick (1591–1674), born in Cheapside, London, a Goldsmith, priest, Royalist and Poet wrote in ‘Hesperides’.

Partly work and partly play
You must on St. Distaff’s Day:
From the plough, soon free your team;
Then come home and fother them;
If the maids a-spinning go,
Burn the flax and fire the tow.
Bring in pails of water then,
Let the maids bewash the men.
Give St. Distaff all the right;
Then bid Christmas sport good night,
And next morrow every one
To his own vocation.

Here he links the plough team with St Distaff’s Day. This implies that the ploughs would be out on the next day. So as St Distaff’s Day is not always on a Sunday, perhaps Plough Monday is not always on a Monday? He certainly suggests everyone goes back to work on the day after St Distaff’s Day.

This image has an empty alt attribute; its file name is Screenshot-2022-01-07-18.53.35.png

Saints & Goddesses of the Distaff Side

In London, the Fraternity of St Anne and St Agnes met at the Church dedicated to the saints. It is by a corner of the Roman Wall on the junction of Gresham Street and Noble Street. St Agnes is the patron saint of young girls, abused women and Girl Scouts. St Anne is the mother of the mother of the Son of God. So, she represents the three generations of women: maidens, mothers, and grandmothers.

This image has an empty alt attribute; its file name is romanmoreb0029.jpg
The Three Mother Goddesses (and someone else) “Limestone relief depicting four female figures sitting on a bench holding bread and fruit, a suckling baby, a dog and a basket of fruit’ the Museum of London

This trinity of women were worshipped by the Celts. Archaeologists discovered the sculpture above while investigating the Roman Wall a few hundred yards away at Blackfriars. Scholars believe it depicts the Celtic Three Mother Goddesses. The fourth person is a mystery, maybe the patron of a nearby temple. The relief sculpture was removed perhaps from a temple, or the temple was trashed at some point. Then the sculpture was used as rubble and became part of the defences of London.

The idea of triple goddesses is a common one. In Folklore and History they have been referred to as Maiden, Mother, and Crone, or even Maiden, Mother and Hag. They come in Roman, Greek, Celtic, Irish, and Germanic forms. Their names include the Norns, the Three Fates, the Weird Sisters, the Mórrígan and many more. The Three Fates, the Goddess Book of Days says, were celebrated during the Gamelia. This is the Greco/Roman January Festival to the marriage of Zeus and Juno. The Festival also gives its name to the Athenian month of January.

The use of the terms Hag and Crone for the third Goddess is rare now, but was common. It does a great disservice to the importance of the Grandmother figure. (Although the original meaning of the words were less pejorative. For example, Hag may have meant diviner, soothsayer.) The three phases of womanhood are equally as important to the continuation of the species. They provide love, support, and experience through the generations. Compare these three generations of supportive deities with Ouranos (Uranus), Cronus (Saturn) and Zeus (Jupiter). Saturn castrated and deposed his father, Uranus. Later, he tried to eat his son, Jupiter. But then, Jupiter is nobody’s idea of an ideal father. As one example, he eats his lover, Metis, to avoid her giving birth. (See my post on the birth of Athena.)

Recent work on human evolution has suggested that the role of the Grandmother is crucial to our species’ ability to live beyond the age of fertility. Because, in evolutionary terms, once an individual cannot procreate, their usefulness for the survival of the genes is finished. So what’s the point of putting resources into grandma’s survival? The theory is the Grandmother has such an impact on the survival of the next generation, that longevity. for the female, beyond fertility makes evolutionary sense.

Have a look at this site for more information.

Natural History Museum, Oxford, K Flude photo.

There was a theory widely held that the original Deities, dating before the spread of farming, were mother goddesses. The idea is that the hunter-gather goddesses (perhaps like the Venus of Willendorf) were overthrown by the coming of farmers. These patriarchal societies worshipped the male gods, which destroyed the ancient Matriarchy. Jane Ellen Harrison proposed an ancient matriarchal civilization. Robert Graves wrote some interesting, but no longer thought to be very scientific studies, on the idea. Neopaganism has taken these ideas forward.

More information on St Agnes in this post below:

St Agnes Eve January 20th

One This Day

1845. Today is the anniversary of the breaking of the fabulous Portland Vase by a drunken visitor to the British Museum. It looks immaculate despite being smashed into myriad pieces, a wonder of the conservator’s art. To see the vase and read its story, go to the BM web site here:

wedgwood catalogue of its copy of the portland vase

In the orthodox church, дед Мороз  (Ded Moroz= father of frost), accompanied by Cнегурочка (Snieguroshka= fairy of the snow) brings gifts on New year’s eve, (which is on January 7th). He travels with a horse drawn troika.

Today’s Interesting link

Medieval Sin and the Pointy Shoe — for details, read the BBC’s interesting article.

First Published in 2022, and revised in January 2024 and 2025

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The Lord of Misrule & London, December 30th

black and white illustration of John Stow memorial in St Andrew's Church
John Stow memorial in St Andrew’s Church

On the sixth day of Christmas

My true love sent to me
6 Geese a Laying;
5 Golden Rings;
4 Calling Birds; 3 French Hens; 2 Turtle Doves
and a Partridge in a Pear Tree

The Lord of Misrule, Masters of the Revels, and Boy Bishops

The Roman festival of Saturnalia, held between 17th and 23rd of December, included reversing rules so that slaves, ruled and masters served. In the medieval period, the disorder of Christmas was continued with the election of Lords of Misrule, Masters of the Revels, and Boy Bishops.

John Stow’s, Survey of London

He was London’s first great historian, wrote of the Lord of Misrule in London. In this section, Stow begins the role of the Lords of Misrule at Halloween and continues it until Candlemas, in erly February. See my post here for more details on Candlemas. This is what Stow says:

Now for sports and pastimes yearly used.

First, in the feast of Christmas, there was in the king’s house, wheresoever he was lodged, a lord of misrule, or master of merry disports, and the like had ye in the house of every nobleman of honour or good worship, were he spiritual or temporal. Amongst the which the mayor of London, and either of the sheriffs, had their several lords of misrule, ever contending, without quarrel or offence, who should make the rarest pastimes to delight the beholders.

These lords beginning their rule on Alhollon eve, continued the same till the morrow after the Feast of the Purification, commonly called Candlemas day. In all which space there were fine and subtle disguisings, masks, and mummeries, with playing at cards for counters, nails, and points, in every house, more for pastime than for gain.

Against the feast of Christmas every man’s house, as also the parish churches, were decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green. The conduits and standards in the streets were likewise garnished; (…) , at the Leaden hall in Cornhill, a standard of tree being set up in midst of the pavement, fast in the ground, nailed full of holm and ivy, for disport of Christmas to the people…

John Stow, author of the ‘Survey of London‘ first published in 1598. Available at the wonderful Project Gutenberg: ‘https://www.gutenberg.org/files/42959/42959-h/42959-h.htm’

Cover page of The Survey of London by John Stow from Project Gutenberg

Holm is an evergreen oak called Quercus ilex. John Stow talks about the Tree in Leadenhall Street being destroyed in the great wind of 1444 which you can read about here. You might also like to see the following posts, which include information about John Stow and London’s customs, and churches.

Childermas, Santa Nicklaus & Boy Bishops December 6th

Festival of St John the Baptist June 24th

St Andrew’s Day November 30th

First Published on December 30th 2023 and revised in 2024,2025

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December 21 – Reflections on the Solstice

The Solstice and the East Pediment of the Parthenon

British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles

At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.

Pediment Sculptures Photo by Nicole Baster on Unsplash

At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.

Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.

Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.

Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.

Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus's head
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head

So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.

Hestia, Dione, Aphrodite, Horse of Selene’s chariot

To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.

The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.

Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.

So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.

Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.

Sculptures from the east pediment of the Parthenon
Sculptures from the east pediment of the Parthenon

I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.

Originally written in 2022 and revised 2024

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Myths, Legends & Halloween Virtual Tour October 31st 2024

Bran's head taken to Tower Hill
King Bran’s head buried at Tower Hill

Virtual Walk: Thurs 31st October 2024 8.00pm

On Thursday, I am doing my first London Walk Virtual Tour of the winter season.

The walk tells the story of London’s myths and legends and the Celtic origins of Halloween.

The walk will tell the story of London’s Myths and Legends, beginning with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Belinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries.

As we around the City, we also look at the origins of Halloween celebrations and how they may have been celebrated in early London


The virtual route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls.

To book:

Register on Eventbrite

REVIEWS (from London Walks website)
“Kevin, I just wanted to drop you a quick email to thank you ever so much for your archaeological tours of London! I am so thrilled to have stumbled upon your tours! I have wanted to be an archaeologist since 1978 at the ripe old age of 8 years,… I was told for years that I could not be an archaeologist [for any number of reasons, which I now realise are completely ridiculous!], so I ended up on a different course of study. And now at the age of 50, it is my one great regret in life. So, I am thoroughly enjoying living vicariously through you, the digs you’ve been on, and the history you bring to life for us! British archaeology would have been my specific area of study had I pursued it. ?? Thank you SO MUCH for these! I look forward to them more than you can imagine, and honestly, I’ll be sad if you get them down to 1.5 hours! They’re the best 2 hours of my week! 🙂 Best, Sue