My true love sent to me 6 Geese a Laying; 5 Golden Rings; 4 Calling Birds; 3 French Hens; 2 Turtle Doves and a Partridge in a Pear Tree
The Lord of Misrule, Masters of the Revels, and Boy Bishops
The Roman festival of Saturnalia, held between 17th and 23rd of December, included reversing rules so that slaves, ruled and masters served. In the medieval period, the disorder of Christmas was continued with the election of Lords of Misrule, Masters of the Revels, and Boy Bishops.
John Stow’s, Survey of London
He was London’s first great historian, wrote of the Lord of Misrule in London. In this section, Stow begins the role of the Lords of Misrule at Halloween and continues it until Candlemas, in erly February. See my post here for more details on Candlemas. This is what Stow says:
Now for sports and pastimes yearly used.
First, in the feast of Christmas, there was in the king’s house, wheresoever he was lodged, a lord of misrule, or master of merry disports, and the like had ye in the house of every nobleman of honour or good worship, were he spiritual or temporal. Amongst the which the mayor of London, and either of the sheriffs, had their several lords of misrule, ever contending, without quarrel or offence, who should make the rarest pastimes to delight the beholders.
These lords beginning their rule on Alhollon eve, continued the same till the morrow after the Feast of the Purification, commonly called Candlemas day. In all which space there were fine and subtle disguisings, masks, and mummeries, with playing at cards for counters, nails, and points, in every house, more for pastime than for gain.
Against the feast of Christmas every man’s house, as also the parish churches, were decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green. The conduits and standards in the streets were likewise garnished; (…) , at the Leaden hall in Cornhill, a standard of tree being set up in midst of the pavement, fast in the ground, nailed full of holm and ivy, for disport of Christmas to the people…
Holm is an evergreen oak called Quercus ilex. John Stow talks about the Tree in Leadenhall Street being destroyed in the great wind of 1444 which you can read about here. You might also like to see the following posts, which include information about John Stow and London’s customs, and churches.
As the Sun enters the House of Capricorn remember the poor Coachman travelling all day everyday in all weathers. Washington Irving in his ‘Old Christmas’ (Originally ‘The Sketch Book of Geoffrey Crayon’ pub. 1819) describes him with a broad red face, a broad body widened by drinking beer; swathed with any numbers of layers of coats trying to keep the cold out. He has many worries on his mind as he has a coach full not only of people who need looking after but also a lot of parcels and commissions that need to be carried out in the many stops along the way. He is delivering parcels, turkeys, geese, presents, children, you name it he is responsible for its safe delivery.
Feel sorry for the people crowded inside the carriage but even sorrier for those sitting on the roof. They have umbrellas in a vain attempt to keep dry, but the umbrella tines will be poking you in your ear, and the run off from the canopy of the umbrella might trickle down your neck. There might be 6 people inside and up to 10 on the roof. 3d for travelling inside and half of that for the roof. voach
Inside, you are next to a large man who is not very salubrious looking, nor too worried about pressing his thighs against you.
John Keats blamed his consumption on his journey on the roof of a stage-coach travelling from London to Hampstead on a cold wet day in February.
Stage coaches became regular sights on the road during the 17th Century and were quite dangerous as the roads were in such a poor condition. It was suggested that passengers made their wills before travelling! From the late 17th and with Parliament increasingly used to set up not-for-profit toll road, the roads got better, and ‘Flyers’ and mail coaches could get up to the tremendous speed of 10 miles an hour, and averaging 7. This happened because improved roads meant improved suspensions, and wheels, and more and faster horses could be harnessed.
This revolutionized travel. It used to take 5 days in around 1700 to get to Manchester from London, by the mid 18th Century the time taken was reduced to 24 hours, and there were many more scheduled coaches, The mail coaches had priority, the coach had a blunderbuss and two pistols to deter highway men, and the guard had a post-horn with which to warn other vehicles to give clear passage, to alert tollgate keepers to open gates, and to announce arrival at a stop. Extra horses would be harnessed to help get up steep hills which, in some cases, like Broadway in the Cotswolds, might mean an additional 10 horses. Passengers might be asked not only to get off the coach to lighten the load but also to push if the going got boggy. On mail coaches, the passengers were not allowed to get off when the horses were changed, and only 4 were allowed inside the coach.
London was ringed by Coaching Inns, which were coach terminals and hotels. The most famous ones, remaining, are in Southwark on the approach road to London Bridge. The Tabard where the Chaucer’s Canterbury Tales started, The White Hart where Dickens’ Sam Wheeler is the Bootboy, and the George, which although not quite so literary is at least still half intact.
Pilgrims leaving the Tabard Inn for the Canterbury PilgrimageGeorge Inn,Southwark (photo Kevin Flude)
Capricorn
‘The man born under Capricorn shall be iracundious and a fornicator; a liar, and always labouring.
....The woman shall be honest and fearful, and have children of three men, she will do many pilgrimages in her youth and after have great wit.’
From Kalendar of Shepheards 1604 quoted in ‘The Perpetual Almanac of Folklore by Charles Kightly’.
iracundious is first mentioned in a work published by Caxton in the 15th Century and pretty much obselete by the 17th Century. It means easily angered or irritable.
The Solstice and the East Pediment of the Parthenon
British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles
At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.
At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.
Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.
Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.
Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head
So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.
Hestia, Dione, Aphrodite, Horse of Selene’s chariot
To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.
The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.
Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.
So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.
Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.
Sculptures from the east pediment of the Parthenon
I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.
This post failed to publish on the 7th November, so here it is:
As we are between Halloween, and Halloween Old Style the chances of bewitchment are high what with all those spirits being out and about on this – the most uncanny of all times. So, you might want to look at ‘Doctor Lilly’s Last Legacy’ of 1683 which gives a cure for those who have been bewitched at Halloween.
Take two horseshoes, beat them red-hot and nail one on the threshold of the door, but Quench the other in the Urine of the party bewitched: then set the urine over the fire in a pot or Pipkin and put the horseshoe into it. Make the urine boil with a little salt put onto it, and three horseshoe nails until it is almost all consumed: what is not boiled away cast into the fire. Keep then your horseshoes and nails in a clean paper or cloth and use the same manner three times. It will be the more effectual if is done at the change or full of the Moon.
Doctor Lilly’s Last Legacy, Online at the Wellcome Collection, although you will need a login to view it. I found it first in my favourite source, Perpetual Almanac of the Year by Charles Kightly.
Doctor Lilly’s Last legacy ‘Being the poor man’s physician, the sick man’s friend, and the country-man’s doctor’.
Items like this make me wonder about the gullibility of the human being, but I guess we are surrounded by examples of the lack of sense of a large proportion of our species. Perhaps I should rephrase this, I think most people make sensible decisions about their day-to-day life, but many do not have the critical thinking skills to evaluate the bigger issues.
For more on keeping witches away, witches’ marks etc. have a look at this post of mine.
St Martin was one of the most important in the Medieval Calendar of Saints. We will have a look at him tomorrow on his Saint’s Day.
But it is also Halloween or it would be if the Calendar had not been change in 1752. So for traditionalists this is the actual Halloween. It gives another chance to look into the future and to celebrate Halloween traditions.
If Martinmas ice will bear a duck Then look for a winter of slush and muck.
i.e. it will be a mild winter. From my experience, this will only have any validity if used in the North.
Today is also for Kali, Indian destroyer of Evil, and also for the Fate, the Norns, the Furies, the Morrigan and Persephone.
Bhai Dooj is the day sisters and brothers celebrate a meal together to eat their favourite disches. often including their favourite dishes/sweets. Last year it was on November 15th. This year 2024 3rd November. October 23rd 2025
It is part of Diwali which is a 5 day festival of lights, honouring the New Year. It honours Lakshmi, the goddess of wealth and consists of lamps, fireworks and gatherings to exchange gifts and enjoy food together, and honouring community.
First published Nov 6 2021, revised Nov 15th 2023, 2024
A day when it is ‘certain to rain heavily’. Well, that wasn’t true last year. On this day you, supposing you want to find who your true lover is, must:
Carefully peel an apple in one piece. Turn round three times with the peel in your right hand Drop the peel over your left shoulder See what shape letter the peel forms on the ground, and this will be the first letter of your true love’s name. And if it breaks into pieces, you are doomed, probably, to never finding your true love. To make this work, you also have to recite:
St Simon and St Jude, on you I intrude By this paring I hold to discover Without any delay, to tell me this day The first letter of my own true love.
Jude is the Saint of:
Lost Causes Desperate causes Hopeless causes And if that is not enough also the Hopeless and the Despairing.
So maybe the apple peel isn’t going to work for you (although Jude is also the Patron Saint of the Impossible!)
Jude aka Thaddeus was martyred with an axe. Simon the Zealous was martyred by being sawn in half, and is, of course, therefore, the patron saint of woodcutters and lumberjacks. They are linked by the same Saint’s day because they went to Syria together to preach where they were met their fates, and they are also associated with woodworking.
WikipediaBy Bruce Andersen – Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=1855844
There are at least four Judes. One of them may have been Jesus’ brother. He or another Jude wrote the Epistle of St. Jude.
There are plenty of people who believe that eclipses can be predicted by Stonehenge. And it certainly can be used that way, but this doesn’t mean it was. A series of stones, and posts in concentric circles with sight lines to innumerable features on the horizon offers many ways of making calculations which combined with observations over a long period COULD predict, predictable celestial phenomena. Doesn’t mean they were. So it is very difficult to say what they were capable of, and only the most obvious alignments can be certainly confirmed.
This Washington Post article below suggests the Loughcrew Cairns near Dublin were built about the time of a total eclipse, and that one of the stones with complicated carvings on may show a lunar eclipse. If you look at the sketch of the stone above, you will see the biggest circle, near the middle, may represent the moon, and it obscures the circle behind it which may represent the sun. Read this for the details: https://www.washingtonpost.com/news/wonk/wp/2017/08/18/this-5000-year-old-stone-carving-may-be-the-worlds-first-drawing-of-an-eclipse/
What is striking is how can they say it was built around the time of a total eclipse and make that seem significant because there is no way archaeological dating is accurate enough to give any idea whether it was built for a particular day. Also, there are many more circles and objects on the large stone, and to pick two out to prove what you want it to prove, is not proof. We are left with the intriguing possibility, but it is no more than that.
I am finishing my post on September, and using the Kalendar of Shepherds. As you may have noticed, I often use the Kalendar of Shepherds to provide an insight into how the seasons were seen in the past. Mostly, I use it for the posts at the beginning of each month. I have created this page as a placeholder to put information on the Kalendar for anyone who is eager to explore it more or to make use of it. Each month I will link to it, so I do not have to repeat the basic information about the Kalendar. Much of this text was contained in the December post, and I have used this month as my example. Tomorrow, you will get the September version.
About the Kalendar of Shepherds.
The Kalendar was printed in 1493 in Paris and provided ‘Devices for the 12 Months.’ The version I’m using is a modern (1908) reconstruction of it. It uses wood cuts from the original 15th Century version and adds various texts from 16th and 17th Century sources. (Couplets by Tusser ‘Five Hundred Parts of Good Husbandrie 1599. Text descriptions of the month from Nicholas Breton’s ‘Fantasticks of 1626.) This provides an interesting view of what was going on in the countryside every month.
The Kalendar of Shepherds has an illustration for each month (December above) which shows typical activities for the time of year, and has inserts to identify the astrological signs of the month. So, in December they are baking and collecting firewood. The star signs are Sagittarius (November 22 – December 21) and Capricorn(December 22 – January 19).
The text below gives a vivid description of December weather and then elaborates on the last six years of a man’s life, with hair going white, body ‘crooked and feeble’. The conceit here is that there are twelve months of the year, and a man’s lot of ‘Six score years and ten’ is allocated six years to each month. So December is not just about the 12th months of the Year but also the last six years of a person’s allotted span. The piece allows the option of living beyond 72, ‘and if he lives any more, it is by his good guiding and dieting in his youth.’ Good advice, as we now know. But living to 100 is open to but few.
Kalendar of Shepherds
The longer description of December (shown below) is by Breton (1626) and gives a detailed look at the excesses of Christmas, who is on holiday, and who working particularly hard. But it concludes it is a costly month.
