St Sepulchre-without-Newgate, Musician’s Chapel, St Cecilia window. 17 August 2022, Andy Scott
November 17th is St Cecilia’s Day She is the patron saint of musicians and was martyred in Rome in the Second or Third Century AD. The story goes that she was married to a non-believer, and during her marriage ceremony she sang to God in her heart (hence her affiliation with musicians). She then told her husband, that she was a professed Virgin, and that if he violated her, he would be punished by God. Ceclia told him she was being protected by an Angel of the Lord who was watching over her. Valerian, her husband, asked to see the Angel. ‘Go to the Third Milestone along the Appian Way’ he was told where he would be baptised by Pope Urban 1. Only then would he see the Angel. He followed her advice, was converted and he and his wife were, later on, martyred.
The Church in Rome, Santa Cecilia in Trastevere, is said to be built on the site of her house, and has 5th Century origins. My friend, Derek Gadd, recently visited and let me use these photographs:
St Cecilia in London
There is a window dedicated to her in the Holy Sepulchre Church-without-Newgate, In London, opposite the site of the infamous Newgate Prison. Henry Wood, one of our most famous conductors and the founder of the Promenade Concerts, played organ here when he was 14. In 1944, his ashes were placed beneath the window dedicated to St Cecilia and, later, the Church became the National Musician’s Church.
This window is dedicated to the memory of Sir Henry Wood, C.H., Founder and for fifty years Conductor of THE PROMENADE CONCERTS 1895-1944. He opened the door to a new world Of sense and feeling to millions of his fellows. He gave life to Music and he brought Music to the People. His ashes rest beneath.
The Concerts are now called the BBC Proms and continue an 18th and 19th Century tradition of, originally, outdoor concerts, and then indoor promenade concerts. At the end of the 19th Century, the inexpensive Promenade Concerts were put on to help broaden the interest in classical music. Henry Wood was the sole conductor.
Czech conductor Jiří Bělohlávek described the Proms as “the world’s largest and most democratic musical festival”.
The Eight-week Festival is held at the Royal Albert Hall. It moved here during World War 2 after the original venue, the Queen’s Hall, was destroyed in the Blitz in May 1941.
First Published on November 17th 2023 and revised in November 2024
The Mexican Day of the Dead, in fact, the second day of El Dia de Muertos. Here is a video from Mexico, which you will enjoy for its Latin song and images of the Day of the Dead in Mexico. (It’s on Facebook, so may not work unless you have a login). And here is a YouTube explanation of celebrations in Mexico.
Today is the day to celebrate all those loved ones who have passed away. To keep them in mind, to remind you, you still care about them. It is the third day of the season of Allhallowstide, following All Hallows Evening (Halloween), and All Saint’s Day.
Beata, who comes from Poland, tells me that, November the 1st is the day when relatives visit the cemeteries of the dead loved ones bringing chrysanthemums to decorate the graves. It’s a happy day for the dead because they are being remembered and visited by their loved ones. Today, November 2nd, is a more sombre day – a day to stay at home and think of the loved one’s perhaps looking through albums of photographs.
In England, it was the time of year in which ‘Souling’ used to take place. Households made soul-cakes, children or people in need of food come to visit and are given soul cakes in exchange for praying for the dead.
Soul, soul, for a souling cake. I pray good Missus for a souling cake. Apple or pear, plum or cherry. Anything good to make us merry.
Traditional rhyme from Shropshire and Cheshire
This is based upon the idea of Purgatory, and the belief that intervention on Earth can influence the amount of time an ancestor spends in purgatory for their sins.
John Aubrey (1626 – 1697), antiquarian, collector of folklore and writer, mentions a custom in Hereford which shows a variant of the idea.
In the County of Hereford was an old Custom at Funerals, to hire poor people, who were to take upon them all the Sins of the part deceased. One of them I remember (he was a long, lean, lamentable poor rascal). The manner was that when a Corpse was brought out of the house and laid on the Bier; a Loaf of bread was brought out and delivered to the Sin-eater over the corps, as also a Mazer-bowl full of beer, which he was to drink up, and sixpence in money, in consideration whereof he took upon him all the Sins of the Defunct, and freed him (or her) from Walking after they were dead.v
John Aubrey, Remains of Gentilism 1688
John Aubrey (Wikipedia)
This belief in the power of action in the Here and Now to lubricate passage through Purgatory to the Ever After was a major part of fund-raising for Catholic Institutions before the Reformation. For example, in the records of St Thomas Hospital, Southwark, a wealthy widow called Alice (de Bregerake – if I remember the spelling correctly) left her wealth to the hospital in return for an annual Rose rent; lifetime accommodation in the Hospital in Southwark, and for the monks and nuns to pray for her soul and the souls of her ancestors.
Ludovico Carracci: English: An Angel Frees the Souls of Purgatory 1610 (Wikipedia)
One of London’s most beautiful churches is dedicated to All Souls. It is All Souls, Langham Place. It is just near the BBC HQ and on a wonderful site, as it is on a bend in Regent’s Street which shows it to great advantage. The architect was John Nash (1824) as part of his transformation of the West End with his boulevard from Regent’s Park south to Westminster. As he could not get all the property owners on the alignment of the road to sell him the land, he disguised this enforced bend with a magnificent Church.
All Souls Langham Place By David Castor (dcastor) – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=6516081Regent’s Street looking north to All Souls (photo Kevin Flude)
Chrysanthemums Flowers for the Dead (the author’s back garden)
How the Celtic festival that marked the beginning of Winter became All Hallows is not clear. Some say the Church set up its own festival independent of the Northern European traditions, but it is as likely that the Church adopted existing pagan festivals, and gave them a Christian spin.
Samhain, on October 31st, was, for Celtic religions, not only the beginning of Winter but also the beginning of the Year. As I noted on my Halloween post the Festivities began on the evening before the day because Celtic and Germanic traditions began their day at Dusk. So Halloween is not, in fact, the evening before, it is the start of the day of the festival.
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The Church adopted the Roman tradition of the day beginning not at Dusk but at Midnight. So the festival of All Hallows is on November 1st not October 31st. But the Church mimicked the old ways of doing things by celebrating the evening before as the Vigil of All Hallows’ Day which was called All Hallows Evening or Halloween.
In London there is a Church called All Hallows, which was associated with Barking Abbey which was founded in the 9th Century. It is known as All Hallows Barking or All Hallows by the Tower. It has a prominent position on Tower Hill, which would have been visible from boats coming up the Thames. It has the earliest Post Roman arch in a Church in the City of London which is made of reused Roman bricks and in the crypt were Roman tessellated floors.
The Roman floors look domestic rather than from a Roman temple or church but its position on the hill would have made it a good position for a Roman temple. In the 6th Century Pope Gregory wrote to St Augustine suggesting to him that he should adapt pagan practices into Christian ones, so a temple should not be wrecked but should be converted to a Church and a sacrifice of an ox into a feast dedicated to God. Is this what happened at All Hallows? Here is what the Pope wrote:
Now, I don’t want to be shot down in flames because there is no evidence that there was a Roman Temple here, nor indeed a Roman or immediately Post Roman Church. But it is one of the earliest Churches in the City of London, and there must have been Christian Churches in Roman London, and this would be on my list of candidates. It is simply that the attribution to All Hallows provides a possible link to Celtic festivals.
For the Celts Samhain was an uncanny day when all the sprites and spirits are alive and in the world. The Church took that, and span in on its heads, so it became a ‘hallowed’ holy day when all Saints are celebrated and alive to us, and celebrated on October 31st and November 1st.
A celebration of All Saints was originally in May in the Church but was changed to the 1st November in the 7th Century by Pope Boniface, later swapped back to May, and in the 9th Century fixed on the 1st November. It is followed on the 2nd by All Souls’ Day.
So on the 1st November, those celebrating the pagan festival would be in full swing after a hard night of celebration. The embers of the Fire would be still burning, stones left around the fire would be inspected for the prophecy they told of the future. Each person had a stone, and if it was still intact it was good luck, if it had disappeared the future was not good.
In France, All Hallows or All Saints is called La Toussaint, and flowers such as Chrysanthemums, which blossom in late October, were put on the graves.
In Spain, it is Dia de Todo Los Santos and is a national holiday upon which people put flowers on the graves of the dead.
In Mexico, Dia de los Muertos celebrates Holy Innocents on the 1st – Dia de los Inocentes. People create altars to the lost ones, with their favourite flowers, toys, food stuffs,, photographs. People argue about the pre-colombian aspects of the festival as there are similarities to European All Saints Days celebrations but Quecholli, was a celebration of the dead that honoured Mixcóatl – the god of war. It was celebrated between October 20th and November 8th.
My correspondent in Mexico has sent back these pictures of the festivities in Mexico.
Day of the Dead in Mexico. Photos by Sylvie Morice
The female figure to the left is La Catrina. This image was popularised by an early 20th Century design by José Guadalupe Posada and developed in a mural by Diego Rivera. For more details click here.
A Day Off for the English
In the the Laws of King Alfred the Great, this day was a day off for freemen. I will be writing about Days off in the Anglo Saxon Calender on august 15th.
First published in 2022, revised in 2023 and 2024.
September 17th/18th sees a partial lunar eclipse. In London, the peak of the eclipse will be visible around 3:45 a.m. BST on September 18, while it was on the 17th September in the USA.. And it’s also a supermoon when the moon is at its closest to the Earth.. Sorry, you are unlikely to get this on time!
There are plenty of people who believe that eclipses can be predicted by Stonehenge. And it certainly can be used that way, but this doesn’t mean it was. A series of stones, and posts in concentric circles with sight lines to innumerable features on the horizon offers many ways of making calculations which combined with observations over a long period COULD predict, predictable celestial phenomena. Doesn’t mean they were. So it is very difficult to say what they were capable of, and only the most obvious alignments can be certainly confirmed.
This Washington Post article below suggests the Loughcrew Cairns near Dublin were built about the time of a total eclipse, and that one of the stones with complicated carvings on may show a lunar eclipse. If you look at the sketch of the stone above, you will see the biggest circle, near the middle, may represent the moon, and it obscures the circle behind it which may represent the sun. Read this for the details: https://www.washingtonpost.com/news/wonk/wp/2017/08/18/this-5000-year-old-stone-carving-may-be-the-worlds-first-drawing-of-an-eclipse/
What is striking is how can they say it was built around the time of a total eclipse and make that seem significant because there is no way archaeological dating is accurate enough to give any idea whether it was built for a particular day. Also, there are many more circles and objects on the large stone, and to pick two out to prove what you want it to prove, is not proof. We are left with the intriguing possibility, but it is no more than that.
The Master of St Giles, National Gallery. ‘St Giles and the Hind’ This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
Today, is St Giles’ Feast Day. His story is mostly unknown, but he was thought to be a hermit who had a pet Hind in the Arles District of France perhaps in the 9th Century. The hounds of King Wamba (a Visigothic King) were chasing the deer, and shot an arrow into the undergrowth. The King and his men followed to discover Giles wounded by the arrow, protecting the hind, who he held in his arms. The hounds were miraculously stayed motionless as they leaped towards the hind. Wamba apparently means ‘Big paunch’ in Gothic. He was also called Flavius. Giles was injured in the leg, although the image above shows the arrow in his hand.
St Giles is, therefore, the patron saint of disabled people. He was very popular in medieval Britain, with over 150 churches dedicated to him, including four in London. Perhaps the two most famous are St Giles Without Cripplegate in London and St Giles Cathedral in Edinburgh.
St Giles Cripplegate, photographed by the Author at night from the Barbican Centre.
St Giles Cripplegate was built in the 11th Century, and rebuilt in the 14th Century and again in 1545-50 after nearly being destroyed by fire. It survived the Great Fire of London, being just beyond the extent of the Fire. It was badly damaged in the Blitz, but the Tower and the outer walls survived. Oliver Cromwell married Elizabeth Bourchier here. John Foxe of the Book of Martyrs, John Speed, the Cartographer, Martin Frobisher and John Milton were buried here. Milton’s coffin was opened in 1793 and he was said to have looked as if he had just been buried. One of those present, then tried to pull Milton’s teeth out, which a bystander helped by hitting them with a stone. The few teeth Milton had left in his head were divided between the men, who also took a rib bone and locks of his hair. The Caretaker then opened the coffin for anyone who wanted to see the corpse!
From the London City Wall Trail.
Cripplegate, one of the Gates in the City Wall (originally the North Gate of the Roman Fort) may be named because it was a good place to gather for those trying to beg alms for their disabilities. Although it has also been said that there was an underground tunnel from the Gate’s Barbican to the Gate which in Anglo Saxon is a Crepel. Or because of the cure of cripples when Edmund the Martyr’s remains passed through the gate in 1010.
The Corner Tower of the London City Wall, the Barbican in the background, and the tower of St Giles’ Church behind the Tower. Photo by the author
The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia
The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods. Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda. So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.
One is therefore immortal and the other isn’t. They had many adventures including sailing with Jason as Argonauts.
According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus. Thus, they are the epitome of brotherly love.
Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.
It happened like this. The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed. On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.
Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks. On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)
Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.
Cassandra prophesizes that she too will be a victim. She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.
I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.
In the 18th/19th Century rich people were into ‘attitudes’. For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats. She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of. She would assume an appropriate facial expression and posture for everyone’s pleasure.
Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’
Being Clytemnestra is difficult! I imagine Collier’s model being prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.
Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle.
Leighton’s model was Dorothy Dene. She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895. Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.
I have one of those half million prints on my bedroom wall.
Print of Flaming June by Lord Leighton
Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).
For more on Flaming June see my blog post of 12 July 2024
European Twin Gods
It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue people lost at sea. St Elmo’s fire was said to be the way they manifested their divinity to sailors. Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.
Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK (Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)
Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).
Detail of the RA copy of the Last Supper
Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!
Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.
One of the joys of my Spring & Summer is revisiting places I know and love in my role as a Course Director for Road Scholar. Sunday, I was in Broadway, once considered the most beautiful village in Britain. It was also the model for Riseholme in the wonderful ‘Mapp and Lucia’ books by E. F. Benson (made into a TV series by the BBC starring Prunella Scales, Geraldine McEwan and Nigel Hawthorne).
This weekend was the:
The artists register in the morning and have their paper or canvas stamped, or given a block of Maltese stone. They then go off to create a work of art in the village. At 3pm or so, they are judged. At 5pm, the art works are exhibited and often on sale in the Marquee on the village green.
Another artist participating Artist in the ‘Great Broadway Paint off’
It’s always a delight walking around Broadway in the sun, but with an artist and easel every 50 yards or so even more enjoyable. By the tent on the village green were about 10 sculptors chipping away at identical blocks of stone.
Sculptors at the Great Broadway Paint off
I believe ceramic, textile, and artists in other media are also willing to have a go at making art in a limited timescale.
The appellation of most beautiful village, came in the late 19th Century. Broadway, once made rich by selling wool and then as a stop off on the stage coach route from Aberystwyth to Worcester, Oxford and London, fell on hard times with the arrival of Brunel’s Great Western Railway to the Cotswolds. Half the village, the Broadway Museum says, moved away as their livelihood serving the coaching trade died.
@dawnjordanart
But artists, led by Americans Frances Millet and Edwin Abbey, turned Broadway into a much sort-after country retreat. Visitors included Oscar Wilde, J. M. Barrie, Singer-Sargeant, William Morris, Edward Burne-Jones, Gabriel Dante Rossetti, American actress, Mary Anderson, Edward Elgar, E. F, Benson. Mark Twain visited for Millet’s marriage.
J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)
What made the visit particularly interesting was the story told to me by the Volunteer at the Gordon Russell Museum in Broadway. (More about Gordon Russell in a future post) This is the story as I understood it:
The Russells restored the Lygon Arms in Broadway using Arts And Crafts architects. They also restored antique furniture. The son, Gordon Russell, became a leading designer of modernist Furniture and so advertised to passengers on the Cunard Line in order to attract the attention of rich American visitors. One, Henry T Ford, was interested, came to Broadway, staying at the Lygon arms. He asked for help to purchase a Cotswold Cottage. He was taken to nearby village Snowshill, where Ford bought a complete Blacksmith’s workshop, and shipped them back stone by numbered stone to Brentford on the Thames, then to the London Docks and across the Atlantic to set them up in a Museum in Michigan where they still are!
Research suggests it’s a little more complicated, in so far as he purchased his first Cottage before coming to Broadway, but it still leaves a delightful story about American ideas of Quintessential English village life. More on this story here:
By the way, Frances Millet planned to return to the States on the Titanic. He was one of the 1500 who drowned, but a letter he wrote while on the ship was posted, probably in France and is on display in the Broadway Museum.
First Published in June 2023, Republished in June 2024
St Columba Stained Glass window in St Margaret’s Chapel Edinburgh Castle by Graham van der Wielen Wikipedia CC BY 2.0
St Columba, or Colmcille is one of the most important saints for the early transmission of Christianity. He was born in 521 and said to be a descendent of the possibly legendary Irish King Niall of the Nine Hostages. (The Hostages were a token of Niall’s power as they came from the five provinces of Ireland, which are Ulster, Connacht, Leinster, Munster, andMeath. The other four represented Scotland, the Saxons, the Britons, and the Franks). Columba was sent at an early age to be brought up as a Monk, and went on to set up Monasteries in Ireland at Derry and Durrow.
In 563, he left Ireland, possibly because he got involved in a dispute that had a deadly outcome. He went into exile to Scotland and set up the famous Monastery on the island of Iona, Inner Hebrides, off the coast of what would one day be called Scotland. At the time, it was under the control of the Kingdom of Dál Riata, which was nominally Christian and controlled parts of Ulster and Western Scotland.
From Iona, Columba led the conversion of the Picts to Christianity, which helped towards the unification of the Gaels, the Picts and the Britons, eventually into the Kingdom of Alba which became Scotland. Iona became the traditional burial place of early Scottish Kings such as Macbeth (Mac Bethad mac Findlaích). Kings who were crowned at Scone and buried in Iona.
Much of the events of this part of Columba’s life are recorded by St. Adamnan in The Life of Saint Columba written in the 7th Century, much of which is apocryphal. One notable story tells how he came across a group of Pagan Picts who were mourning a child killed by a monster in the River Ness. St Columba revived the child. He then sent one of the Brothers to swim across the Loch to fetch a boat. The “water beast” pursued the Monk and was about to attack him when St Columba told the monster to stop, and so it did, retreating to the depths of Loch Ness. Thus began the legend of the Loch Ness monster.
St Columba died in 597AD. Iona continued to prosper and in, 634AD sent St Aidan from Iona to found the Monastery at Lindisfarne, which is on the Eastern coast of Britain in the Anglo-Saxon Kingdom of Northumbria, which was one of the most powerful at the time. Lindisfarne was instrumental in the conversion of the Kingdom of Northumbria. This tradition of evangelism took hold in the British Isles, and it was from here that much of the German-speaking world was converted to Christianity.
This is St Columba’s legacy.
There is a developing understanding among scholars that this Irish inspired form of Christianity took a leading role in ritual, art, scholarship in the Roman Catholic world at this time. Just stop and think about that sentence for a moment. The north-western extreme of the Islands off the coast of Europe took a leading role in the development of Western Christianity. This was highlighted in a recent exhibition of Anglo-Saxon art at the British Library.
British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude
A look at the Lindisfarne Gospel and the Book of Kells showcases the amazing art of this period. For a real treat, look through this scrollable virtual copy of the Lindisfarne Gospel. (Currently this is unavailable, I suspect since the BL was hacked) The Book itself has been missing from the displays of the British Museum for a couple of years, and was on display in Northumberland in 2022. I’m not sure whether it is yet back on display at the British Museum. I hope so, but the scrollable version almost compensates for its absence. You can see the Book of Kells at Trinity College, Dublin or look at their online offering here: Not quite as joyous an experience as the online Lindisfarne but beautiful enough.
Carpet Page from the Lindisfarne Gospel Photo Wikiepedia Eadfrith – Lindisfarne evangeliarium, tapijtbladzijde op f26v, Matteüsevangelie
Rood screen in St. Helen’s church, Ranworth, Norfolk by Maria CC BY-SA 3.0
Roodmas is celebrated on May 3rd and September 14th, although the Church of England aligned itself with the Catholic Church’s main celebration on September 14th.
Rood is another word for the Cross. Parish Churches used to have a Rood Screen separating the holy Choir from the more secular Nave. This screen was topped with a statue of the Crucified Jesus nailed to a Rood.
The two dates of Roodmas reflects that it commemorates two events:
The Discovery of the Holy Cross in Jerusalem in 326 by Queen Helena, wife of Constantius Chlorus and mother of Constantine the Great. In Jerusalem, Queen Helena found the Cross with the nails, and the crown of thorns. She authenticated the Cross by placing it in contact with a deathly sick woman who was revived by the touch of Cross. She had most of the Cross sent back to the care of her son, Constantine the Great.
The part of the Holy Cross that was left behind in Jerusalem was taken by Persians but recovered by the Byzantine Emperor Heraclius in 628 in a peace treaty.
Over the years, the Cross was shivered into ever smaller pieces as Emperors, Kings, Queens, Dukes, Counts, Popes, Bishops, Abbots, and Abbesses swapped relics with each other. The fragments were cased in beautiful reliquaries and had enormous power for those of faith and those who could be helped by healing by faith.
The Duke of Buckingham had a piece in his collection, which he kept at York House in the early 17th Century. How he got it, I don’t know, but I think he must have acquired it from the aftermath of the destruction of the Reformation. John Tradescant, who looked after the Duke’s collection (before Buckingham was murdered), had a wonderful collection of curiosities which he kept in the UK’s first Museum in Lambeth. Tradescant’s Ark, as his museum was called, also had a piece of the True Cross. Again, I suspect (without any evidence) that he got it from Buckingham. Did he acquire it after the murder? Or shiver off a timber fragment hoping no one would notice?
The Chapel that Shakespeare’s Father controlled as Bailiff of Stratford on Avon, was dedicated to the Legend of the True Cross, to find out more click here:
Last year, I was just finishing this piece when I came across this astonishing story in the Shropshire News!
It seems two pieces of the True Cross were given to Charles III by the Pope! They have been put into a cross called the Welsh Cross which took part in the Coronation Procession, and then the King is giving the Cross (I assume with the pieces of the Holy Cross) to the Church in Wales. Let the Shropshire News tell the story:
