{"id":1150,"date":"2025-12-04T20:00:00","date_gmt":"2025-12-04T20:00:00","guid":{"rendered":"https:\/\/www.chr.org.uk\/anddidthosefeet\/?p=1150"},"modified":"2025-12-04T20:37:51","modified_gmt":"2025-12-04T20:37:51","slug":"december-4th-a-winters-poem","status":"publish","type":"post","link":"https:\/\/chr.org.uk\/anddidthosefeet\/december-4th-a-winters-poem\/","title":{"rendered":"Winter Song by William Shakespeare December 4th"},"content":{"rendered":"\n
\"\"
Winter. Photo by Harriet Salisbury of Abney Park Cemetary, Hackney, London<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

When icicles hang by the wall,
    And Dick the shepherd blows his nail,
And Tom bears logs into the hall,
    And milk comes frozen home in pail,
When blood is nipp\u2019d and ways be foul,
Then nightly sings the staring owl,
                Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.

When all aloud the wind doth blow,
    And coughing drowns the parson\u2019s saw,
And birds sit brooding in the snow,
    And Marion\u2019s nose looks red and raw,
When roasted crabs hiss in the bowl,
Then nightly sings the staring owl,
                Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.

William Shakespeare - Love's Labours Lost<\/strong><\/pre>\n\n\n\n
Winter Song by William Shakespeare – Love’s Labours Lost (LLL V.ii.901)<\/p>\n\n\n\n
Winter Song is near the end of the play.  By way of the conclusion, two works are composed for the King of Navarro in praise of the Cuckoo and the Owl. One read by a representation of the Spring and the other, shown above, by ‘Hiems’ the representation of winter.<\/p>\n\n\n\n
Is it very Shakespearean?  No, not if you are expecting ‘sweet and honeyed words’ but it brings us deep into the heart of cold winter. With the icicles on the wall, the fouled muddy roads, the cold wind, the nip in the air, and the outbreak of winter colds.<\/p>\n\n\n\n
The focus is either from a working-class perspective or from a member of the gentry looking at his servants.  The owl and Greasy Joan stirring the food ends each verse. Roasted crabs are crab apples.  The apples were heated in the oven then thrown into a dish of beer where they would hiss.  So there is a hint of winter conviviality.<\/p>\n\n\n\n
The nail means warming your fingers by blowing on them.  Alternatively, it means twiddling your fingers. Greasy Joan is probably a cook or kitchen maid, and she is cooling the pot by stirring it.   But some suggest that ‘Greasy Joan’ might refer to a prostitute.  But it doesn’t really fit the poem? Although the spring part of the poem, narrated by Cuckoo refers to cuckolding. Tu-whit, tu-whoo is, in fact, two tawny owls calling to each other, the female calling first and the male answering. John Lyly first used the call in 1595. Some suggested it can also be read ‘To it, to who?’ In Shakespeare’s day. To go ‘to it’ was a sexual reference, but then he also uses that phrase mostly innocently. The parson’s saw is a reference to the the parson’s sermon.  The coughing in the cold nave of the Parish Church makes it difficult to hear.<\/p>\n\n\n\n
This is a YouTube piece setting the poem to  music by Ralph Vaughan Williams<\/p>\n\n\n\n
\n