Bronze Age Archives - And Did Those Feet

14th January 2026

Ice age Lunar Calendar in the Palaeolithic (20,000 years ago) 14th January

The Moon over 28 days, sketch from photo.

This page is about the discovery of evidence for an Ice age Lunar Calendar. The alignment of Neolithic and Bronze Age monuments shows that there was a calendar of the year in use. But in 2023, evidence of a Palaeolithic Calendar was discovered by an ‘amateur’. Furniture maker Ben Bacon studied markings in cave paintings at Lascaux, Altamira and other caves.

Sketch of 23,000 year old cave painting, below the head of the animal are dots which arethought to be lunar months of the mating season — Sketch of 23,000 year old cave painting, below the head of the animal are 4 dots which are thought to be lunar months of the mating season

He collaborated with Professors at UCL and Durham. They interpreted markings showing the use of an Ice age Lunar Calendar to mark the mating season of particular animals. A Y shaped mark he interpreted as meaning ‘giving birth’. The number of dots or dashes drawn by or in the outline of the creature coincided with their mating season. They determined this by studying the mating season of modern animals, which corresponded with the palaeolithic markings.

For further details, read the article in Cambridge Archaeology here.

At Stonehenge, there are suggestions that the alignments to Midsummer and Midwinter Solstices stretch further back into the Mesolithic period. (For more about Stonehenge see my post).

On this Day! A Whopping, whopping mallard!

1437 – Workmen discovered a giant Mallard which inaugurated ‘Mallard Day’ at All Souls, College, Oxford. It must have been colossal, as they celebrated with an annual torch lit duck hunt on the nearby River Thames.

Sadly, it is no longer annual and has been relegated to a once-a-century event. Each year, however, all they do is sing the song:

Griffin, Bustard, Turkey, Capon,
Let other hungry mortals gape on,
And on the bones their stomach fall hard,
But let All Souls men have their Mallard.
Oh! by the blood of King Edward.
Oh! by the blood of King Edward.
It was a whopping, whopping mallard.

Therefore, let us sing and dance a galliard,
To the remembrance of the mallard.
And as the mallard dives in pool,
Let us dabble, dive and duck in bowl.
Oh! by the blood of King Edward.
Oh! by the blood of King Edward.
It was a whopping, whopping mallard

Chambers. Book of Days, 1864

1872 Greyfriars Bobby died. Bobby was a Skye Terrier or Dandie Dinmont Terrier. When his master died, he spent 14 years guarding his owner’s grave in the famous Greyfriars’ graveyard in Edinburgh. There are books, there are films, there are statues. But facts are in short supply. One claim is that stray dogs have been known to find their way into graveyards, people feed them. The dog makes it their home. So Bobby may not have been related to anyone buried there, and was devoted to the food he was given. But then that ruins a good story.

Photos K Flude

1896 – First public screening of a motion picture was given in London at the Royal Photographic Society. But was it, as with most inventions, much more complex than that? So read WHO? WHAT? WHEN? WHERE? A mini chronology of the start of cinema to see how it really was.

Finale

All together now What was it? ‘A Whopping, whopping mallard!.’

First published 2023, Whopping Mallard! Introduced, 2025, Greyfriars Bobby developed 2026

12th December 202512th December 2025

Ashmolean Advent Calendar, William Burges & the Singing Pierides December 12th

**The Great Bookcase by William Burges** Ashmolean Museum (Photo K. Flude)

The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting.

The Great Bookcase by William Burges & the Singing Pierides

In 2022 The Ashmolean featured the Great Bookcase by William Burges. Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters. He asked 14 of them to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).At the bottom of the Wardrobe are the Singing Pierides painted by Henry Stacy Marks. The Pierides were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won., As punishment for their vanity, they turned the Pierides into songbirds. Let this be a warning to all those who overrate their own talents!

‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.

Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’

Antoninus Liberalis‘ Metamorphoses (wikipedia)

Burges & the International Exhibition of 1862

Engraving of the International exhibition of 1862, Cromwell Road — Print of the International Exhibition of 1862, South Kensington

The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition, South Kensington, London. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in what were then the Royal Horticultural Society’s gardens (now the Science, Natural History Museum, Imperial College etc.)

Raphael

This year, they posted a Raphael drawing of an angle. I show a screen shot below. But to have a real look click here.

The Nuragi

Last year it was a nuragi bronze age stature of a shepherd, a screen shot of which I show below. 2023 December 12th’s choice was a netsuke.

I discovered the Nuragi on a University Field trip, with my students, to the Capital of Sardinia, Cagliari. The Nuragic culture is not well known. However they have amazing Bronze sculptures which give the viewer a really vivid view of their lives and fashions in the Bronze Age. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean, or they may not.

Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum, look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di Bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really brings the people to life depicted in the statues. They are mostly warriors, but also there are ‘normal trades’ such as shepherds and bakers which are depicted as well.

Here is my slight adaption of one of the drawings. It is of a shepherd similar to the one photo’d above.

A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis

What you can see is some detail of the clothes and the knife belt around the torso. Not to mention the sheep around his neck! The drawing brings a living person from the Bronze Age before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture. You can see a wonderful collection of nuragi bronzes and their homes on this website.here.

Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024 and Raphael added in 2025

3rd March 20223rd March 2022

STONEHENGE EXHIBITION AT THE BRITISH MUSEUM

What an Exhibition! The BM has pulled together an international array of treasures from the Stonehenge era. It is stunning , the objects are amazing. Stonehenge itself is there in the labels but it is not at the forefront – the objects are left to speak for themselves. The labels are there to give some details and some context but they never dominate.

It is beautifully lit and mounted, and really a triumph. I will go back again to see how the labels and information tell their stories and report back at greater length.