
This is the Podcast which is a taster for the Roman Walk on Saturday.
To find out about the three walks this Saturday click here
The Past brought to Life
This is the Podcast which is a taster for the Roman Walk on Saturday.
To find out about the three walks this Saturday click here
Is the question that Terry Cook asked me, and this is my answer.
So the Cutty Sark is twice famous.
Her name comes from Tam O’Shanter, one of Robert Burns’ greatest poems. written in 1791. And everyone knows of Robert Burns, Scotland’s national poet. Burns night has become world famous for anyone interested in Scotland.
Figureheads on the prow of ships are very often of a semi naked women with her torso breasting the water. The sexy young witch, Nannie Dee, in Tam O’Shanter is identified as the one who is very ‘Vauntie’ and with a short shift that she wore as a child and so is now short and revealing. The poem names this garment as her ‘Cutty Sark. Sark is her shift. Cutty is dialect for short. The Cutty Sark’s figurehead shows Nannie in her shift holding the tail of Tam’s horse.
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.—
Ah! little kend thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots, (’twas a’ her riches),
Wad ever grac’d a dance of witches!
The story is that the drunken Tam on his steady horse Maggie is travelling home when he seems a devilish dance taking place in a graveyard, presided over by the devil himself. Tam is so excited when he sees the young beautiful witch that he bellows his approval and all of a sudden the merriment ends, and in deadly silence the witches turn on Tam and race to catch him.
Tam tint his reason a’ thegither,
And roars out, ‘Weel done, Cutty-sark!’
And in an instant all was dark:
And scarcely had he Maggie rallied.
When out the hellish legion sallied.
As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When ‘Catch the thief!’ resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch skreech and hollow.
They have to get across a brook before the witches because the witches cannot cross the water. The witches must get him before the brook or face burning at the stake. All depends on Maggie (Meg). The young witch in the Cutty Sark is catching up as they approach the brook. Maggie makes a magnificent leap, the witch makes a despairing grab and only can reach Maggie’s tail but Tam and his horse make it to safety leaving the witch the tail.
Ah, Tam! Ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain gray tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.
Now, follow the link below and read the whole poem but read it out loud, standing up and with gusto. Don’t worry about the pronunciation just enjoy it.
ROMAN LONDON – A LITERARY & ARCHAEOLOGICAL WALK
Saturday 30 October 20/22 11.30 am Monument Underground Station
This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.
To book
Myths, Legends & Halloween Walk
Sunday 30th October 2022 2.30pm Tower Hill Tube
The walk tells the story of London’s myths and legends and the celtic origins of Halloween
To book
Myths, Legends & Halloween Virtual Tour
MONDAY 31st October 2022 7.30pm
The tour tells the story of London’s myths and legends and the celtic origins of Halloween
To book
Love this monument in St Margaret’s Uxbridge to Dame Leonora Bennet.
She lies there resting on her arm with an insouciant air. She had three husbands before spending the rest of her life on good works. And the sculptors John and Matthew Christmas seem to me portray her as an attractive woman.
Love the contrast with the glimpse into the Charnel House below with the jumbled bones almost fighting to get out.
AKA the Elgin Marbles. All my life it seems as if we haven’t been talking to Greece about sending them home. Recently, there was a strong dismissal of any such hope. But today, I read that the British Museum is open to discussion. Statements from the Deputy Jonathan Williams and even the Chairman, ex Tory Chancellor of the Exchequer, George Osborne, have expressed optimism that there is a ‘deal to be done’.
Reading between the lines, the position appears to be based on the ‘fact’ that we own them legally, and that, by discussion of mutual loan arrangements, some, if not all, of the stones, can go home on loan, in exchange for other loans from Greece coming to the UK.
Nearly, all ‘restitution’ cases are settled by the realisation that there are mutual benefits to be had for the return of items. The Horniman is leading the way with its announcement to return 72 Benin Bronzes to Nigeria.
The statement from Nigeria suggests that mutual loans are a part of the deal here too.
Abba Tijani, director-general of Nigeria’s National Commission for Museums and Monuments (NCMM), said: “We very much welcome this decision by the trustees of the Horniman Museum & Gardens. Following the endorsement by the Charity Commission, we look forward to a productive discussion on loan agreements and collaborations between the NCMM and the Horniman.”
This is a graph by Flourish who make superb business graphics. Just watch as you see the composition of the Stoke Newington Church Street change year by year before your eyes.
Stoke Newington Church Street businesses by type 1847-2017
The Society of Antiquities newsletter ( Salon: Issue 494) reports on a restitution deal of one of the major collections of Benin bronzes back to Nigeria.
The Bronzes, which are actually Brasses, are from the Royal Palace of the Kingdom of Benin which was looted by the British during the Benin Expedition of 1897 as part of British subjection of Nigeria.
Wikipedia reports that ‘Two hundred pieces were taken to the British Museum in London, while the rest found their way to other European museums. A large number are held by the British Museum[ with other notable collections in Germany and the United States.’
The Smithsonian has recently made a similar arrangement to restore their brasses to Nigeria, and UK collection The Great North Museum: Hancock, has followed suit joining Jesus College, Cambridge and the University of Aberdeen. (The Art Newspaper)The British Museum has refused and is indeed prevented from so doing by an Act of Parliament.
An interesting sidelight on the collection is that the wealth of the Benin Kingdom benefited from income from the slave trade.
This is what The Society of Antiquities newsletter ( Salon: Issue 494) says:
Last week, Germany signed a restitution agreement with Nigeria. The agreement covers 1,100 artefacts currently held by the Linden Museum in Stuttgart, Berlin’s Humboldt Forum, the Cologne Rautenstrauch-Joest Museum, Hamburg’s Museum of World Cultures and the State Ethnographic Collections of Saxony. The agreement immediately puts these objects into Nigerian ownership; the affected Museums will then
The Society of Antiquities newsletter ( Salon: Issue 494)negotiate directly with the Nigerian Government whether they return to Nigeria, or remain in Germany under custodial agreements.
Lai Mohammed, Nigeria’s Culture Minister, described the agreement as ‘the single largest known repatriation of artefacts in the world’. It was marked by the return of two Benin Bronzes – an eighteenth century 35kg head of an oba and a 16th-century relief depicting an oba accompanied by guards or companions. German foreign minister, Annalena Baerbock, said ‘It was wrong to take the bronzes and it was wrong to keep them. This is the beginning to right the wrongs.’
Image credits: The returned Benin Bronzes, Martin Franken
I was in St Pauls yesterday on an exploration of London’s History. My group had headsets so they can hear me talking into my mic without disturbing others. We went in, sat down in the nave to find an orchestra set up in the crossing with a grey haired man, informally dressed, at the podium. I hate talking through music so wondered whether I would continue.
I began my introduction to St Pauls with a piece about Londinium and Christianity. A tremendous universe shattering cord erupted from the Orchestra deafening me. Then a pause, so I continued. I ascertained that my group could hear me, and I continued. I paused during crescendos and to some extent improvised what I was saying to the amazing drama of the atonal music. It was quite an experience and the music was amazing
This morning I had a chance to check it out and it turns out that I spoke through rehearsals of Olivier Messiaen’s Et Exspecto Resurrectionem Mortuorum. (https://www.youtube.com/watch?v=AU7gVYM5bVE)
And the grey-haired man was none other than Sir Simon Rattle conducting the LSO.
I think I have the right piece of music. They are performing in St Pauls on 23rd June
https://www.stpauls.co.uk/whats-on/london-symphony-orchestra-triomphale-gala-concert
I’m slightly shamefaced about it but on the other hand the group really enjoyed both the music and the explanation.
Arise, O Sun!
Let the Darkness of Night
Fade before the beams of your glorious Radiance
Midsummer, astronomically, is 21st June. So, summer has started. But, meteorologically speaking it has been here since the beginning of June.
In Christian London celebrations were at their height on the Church’s Midsummer’s Day, 24th June, on the Vigil and Day of St John the Baptist (23rd, 24th June). Stow points the way:
‘every mans doore being shadowed with greene Birch, long Fennel, Saint John wort, Orpin, white Lillies, and such like, garnished upon with Garlands of beautiful flowers, had also Lampes of glasse, with oyle burning in them all the night, some hung out braunches of yron curiously wrought, contayning hundreds of Lampes, light at once, which made a goodly shew, namely in new Fishstreet, Thames Streets, &c’
Survey of London, John Stow
Bonfires from the night before were smouldering, where the ‘wealthier sort’ set out tables, furnished with ‘sweete beade and drinks plentifully’ where ordinary people could rub shoulders with the rich and ‘be merrie with them in great familiaritie’. There were large processions of ‘Captains, Lieutenants, Sergeants, Corporals, &c Wilfers, Drummers, and Fifes, ….Ensign bearers, Sword Players, Trumpeters on horseback, … Gunners, …. Archers, …Pike Men, ….Pageants, and, poor people in straw hats holding cresset lamps to make a show in exchange for a wage. All accompanying the Lord Mayor, Sheriffs each with their own Giants, Henchmen and Pageants from the Little Conduit in Cheape to Aldgate, and back via Fenchurch Street.
Midsummer was a mix of May Day, Halloween and a street festival with ‘Robin Hood games’, bale fires, the ‘summer pole’ dancing, merriment and pervading sense of the uncanny.
First published in 2022, revised and reposted in June 2024
Tuesday June 21st 2022 7.30 pm Tower Hill Underground Station
(meet by the Tower Hill Tram coffee stand) |
We explore London’s History through its celebrations, festivals, calendars, almanacs and its myths and legends.
As the Sun and Moon move around our skies we look at how Londoners organised and celebrated their year throughout history.
The tour is led by Kevin Flude, a former archaeologist at the Museum of London, Curator and Lecturer
One of the most popular forms of publication in London was the Almanac. It was full of seasonal advice, of prophecy, traditional wisdom, and important events past and future. Different cultures, religions and institutions had their own methods of organisation and celebrations. We explore the varied calendars that ruled people’s lives from the prehistoric period to the present.
On the way we look at customs, and folklore of the Celts, Romans, Saxons, and into the Medieval and Modern period. We look at different calendars such as the Pagan year, the Egyptian year, the Roman, Christian, Jewish, Church and Financial years. On the route we discover the people who lived in London and walk through fascinating areas with their deep histories.
This is a London Walks Guided Walk. Look at their web site for a list of other of their amazing walks
To Book: click here