‘The Parrot’ an 18th Exposé Republished

My WordPress system decided to publish my notes upon the Parrot rather than reminding me to finish off the page. So, here is the updated post again.

The Parrot was republished for free on August 4th 2024 by the York St Johns University Critical Editions team, and they have enabled you to get your free copy by following the link at the bottom of the post.

Published in 1746 ‘The Parrot’  by Elizabeth Haywood was a satire on the male-dominated London Society of the time.   It was published in 9 parts. The name comes from the viewpoint from a Parrot’s perch in a wealthy London house. The Parrot is an enslaved creature that has travelled the world, observer to its follies. The bird wonders why people should dismiss opinions simply on the basis of A Parrot’s green colour.

The introduction to the author by the team says:

Eliza Haywood (c. 1693-1756) was one of the first generation of writers to “live by her pen.” Throughout her career, Haywood adopted many roles: she was an actress, playwright, novelist and prolific essayist. However, she always used her platform to celebrate and advocate for women.

Here is the Guardian’s description of the book https://www.theguardian.com:

It was launched on Sunday 4th August and is available to download at:

https://blog.yorksj.ac.uk/ysjucriticaleditions/read-eliza-haywoods-the-parrot/

August – Octavian’s Month

August Sextilis, Lúnasa, Awst,  Wēodmōnaþ

Kalendar of Shepherds, August
Kalendar of Shepherds, August

August was originally ‘sextilis’ or the 6th Month of the ten-month Roman Calendar. It became the 8th Month with the addition of January and February (by tradition during the reign of King Numa Pompilius). It was changed from a 29-day month to a 31-day month in the reforms of Julius Caesar. It was subsequently renamed August by a sycophantic Senate trying to flatter the divine Octavian, Emperor Augustus. (more about the Roman Calendar here)

In modern Irish, it is Lúnasa, which means the month of the festival of Lughnasa. In Welsh, it is Awst which comes from the Latin. In Anglo-Saxon: the Venerable Bede, writing in the 8th Century, says August is Wēodmōnaþ or the Weed Month, named, he says, because of the proliferation of weeds. Why does that seem such an unsatisfactory name for August? An early Kentish source calls the month Rugern – perhaps the month of the harvest of Rye? (Winters in the World by Eleanor Parker).

The 15th Century illustration in the Kalendar of Shepherds, above, shows that the Harvest is the main attribute of the Month, and the star signs, Leo and Virgo.

The 16th/17th Century text in the Kalendar of Shepherds gives an evocative insight into the month. (more about the Kalendar here)

For the Anglo-Saxons, August brings in the harvest period, the most important months of the year, where the bounty of the earth needs to be carefully collected, enjoyed but not wasted. It begins with the festival of Lammas, which derives from the English words for bread and mass, when bread made from the first fruits of the harvest is blessed.

In Ireland, it is one of the great Celtic quarter days, named Lughnasa, the festival of the God Lugh, celebrated with games, fairs, ceremonies. Called Calan Awst in Wales, it is the festival of August.

The quarter days, are halfway between the Solstices and Equinoxes and are: Samhain (1 Nov) Imbolc (1 Feb), Beltane (1 May) and Lughnasa (1 Aug) and all are, or can be seen as, a turning point in the farming year.

The Gallic Coligny ‘Celtic’ Calendar records August as a ‘great festival month’. The stone-carved Calendar was found near Lyon, whose Roman name was Lugodunum. The town is named after the Gaulish God Lugos, to whom, the Irish Lugh and the Welsh Llew Llaw Gyffes are probably related. He has an unstoppable fiery spear, a sling stone, and a hound called Failinis. The Romans associate Lugos with Mercury, and the Church with St Michael.

Lughnasa, (meaning the festival of Lugh) was founded by the God himself to honour his foster mother Tailtiu at Brega Co. Meath. Tailtiu became one of Ireland’s greatest festivals, springing from the horse races and marital contests set up by Lugh. In Gaelic Scotland it is called Lunasuinn, and Laa Luanistyn in the Isle of Man.

The festival is a harvest festival, celebrating the ripening of wheat, barley, rye, and potatoes. It is 6 months after Imbolc and records the ending of lactation of lambs and the beginning of the tupping season. It can be celebrated by climbing hills, visiting springs, wells, lakes and eating bilberries. (Myths and Legends of the Celts. James MacKillop).

St Germanus Day & Original Sin July 31st

St Germanus of Auxerre, Window in St Paul’s parish church, Morton, Lincolnshire, made by Sir Edward Burne-Jones and William Morris in 1914. Photo by Jenny of Jules & Jenny from Lincoln, UK (CC BY 2.0 Wikimedia Photo by Jenny of Jules & Jenny from Lincoln, UK)

St Germanus is the source of one of the few contemporary references to Britain in the 5th Century (the Dark Ages). One of his followers wrote his life story. The Saint, a Bishop in France, was sent to Britain because the Pelagian Heresy was endangering the Catholic version of Christianity. Pelagius was a highly educated British (or possibly Irish) priest who moved to Rome in the late 4th Century. He lived by a strict moral code, attacking Catholic laxity and opposing St Augustine of Hippo’s theory of Divine Grace. By contrast, Pelagius promoted human choice in salvation and denied the doctrine of original sin. Wikipedia tells us that he:

considered it an insult to God that humans could be born inherently sinful or biased towards sin, and Pelagius believed that the soul was created by God at conception, and therefore could not be imbued with sin as it was solely the product of God’s creative agency.

17th Century print of Pelagius

Germanus was sent to Britain, where he confronted Pelagian converts in a public debate which is thought to have taken place in a disused Roman amphitheatre. The author is not interested in Britain, per se, so does not tell us which town it was, but, it is mostly assumed to be St Albans, although London is possible.

In the stadium, the Saint and his acolytes confound the heretics and, so, convert the town’s people sitting watching the debate. St Germanus goes to a nearby shrine of St Alban to thank God, falls asleep in a hut, and is miraculously saved from a fire. He then comes across a man called a Tribune, and helps defeat a Saxon army in the ‘Alleluia’ victory. The importance of all this is that it, in about 429AD, gives us a few glimpses of Britain two decades after the Romans have left, and that Britain stayed in the Catholic fold.

The British Bishops were led in their heresy by someone called Agricola. The writer describes these bishops as ‘conspicuous for riches, brilliant in dress and surrounded by a fawning multitude’. The use of the title ‘Tribune’ in the story suggests Roman administrative titles are still in use 19 years after the date of the ‘formal’ end of Roman Britain, 410AD. The Alleluia victory over the Saxons also gives us an early date for Saxon presence in the country as an enemy.

St Albans is the favoured choice for the location of the event because, Bede tells us St Albans was born, martyred and commemorated in Verulamium, now called St Albans. Archaeology shows possible post Roman occupation of the town. And it has a famous Amphitheatre.

However, Gildas, who is writing 200 years or more before Bede, tells us St Alban was born in Verulamium but martyred in London, which makes sense as London was the late Roman Capital and more likely to be the site of a martyrdom. There is also a church dedicated to St Albans close to the Roman Amphitheatre, where Gildas tells us the execution took place. The Church cannot, unfortunately, be, archaeologically dated back to 429AD.

Bede’s account of the martyrdom of St Albans is also somewhat farcical, as God divides the waters of the River Ver for Alban to get to his martyrdom more quickly. The bridge was said to be full of people walking to witness Alban’s execution, and blocking Albans path to Heaven. But the Ver is but a piddle, and it would be easy to walk over without needing wellington boats, let along a miracle to get to the otherside. This story is much more impressive,in Gildas’ version who has the miraculous crossing over the River Thames.

Had Pelegius won and the Roman Church had a more optimistic view of the human spirit, would it have made any difference? It’s a big question, but maybe it would have left less room for pessimism and guilt?

Frances Marsden on Quora wrote:

What were the effects of original sin? …. it damaged our relationship with God. He seemed distant, we became mistrustful. We lost sanctifying grace. The weakening of the will, making us more prone to temptation. The darkening of the intellect. Increased vulnerability to sickness and disease. Spiritual death.

Germanus died in Ravenna.

For more on Nick Fuentes and his theories on St Germanus, St Patrick and King Arthur click here:

For St Germanus and St Genevieve click here:

First written in January 2023, copied to its own page in July 2024.

Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods.   Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda.  So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.

One is therefore immortal and the other isn’t.   They had many adventures including sailing with Jason as Argonauts.

According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend  eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus.  Thus, they are the epitome of brotherly love.

Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.

It happened like this.  The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed.  On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

Leda and the Swan, 16th-century copy after the lost painting by Michelangelo

Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks.  On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum)
Clytemnestra_by_John_Collier,_1882 (Wikipedia Guildhall Museum)

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.

Cassandra prophesizes that she too will be a victim.  She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.

I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.

In the 18th/19th Century rich people were into ‘attitudes’.  For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats.  She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of.  She would assume an appropriate facial expression and posture for everyone’s pleasure. 

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is difficult! I imagine Collier’s model being  prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle. 

Leighton’s model was Dorothy Dene.  She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895.  Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.

I have one of those half million prints on my bedroom wall.

Print of Flaming June by Lord Leighton

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue  people lost at sea.   St Elmo’s fire was said to be the way they manifested their divinity to sailors.   Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24.

Sandals of the Saints

Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK
(Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)

Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).

Detail of the RA copy of the Last Supper

Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!

Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.

Discovering Mary Beale in Pall Mall, Flaming June in Piccadilly

Philip Mould Galley,Bond Street.The home of painter Mary Beale

Yesterday, I was asked to do two Jane Austen’s London walks.  The walk explores Mayfair, where her brother, Henry lived and had his Bank, and where Austen placed the central drama of Sense and Sensibility. I decided to use the time between the walks to look for a shopping mall which dates back to Jane Austen’s time, but I got diverted as I saw a sign for a free exhibition on Mary Beale in Pall Mall. 

Mary Beale is that rare beast; a professional female artist of the 17th Century (1633-1699). So, I double-checked the ‘free entry’ notice because this was a posh West End private art gallery and the name Philip Mould was familiar.  I went in and realised that this was something special. I returned to the entrance to ask the very friendly staff whether I could take photographs.  ‘Yes, of course, they said.’ much to my surprise.

Mary Beale Exhibition sign.

Downstairs, the art of Mary Beale was beautifully displayed, and the exhibition had a very interesting story to tell, which was well-told, using excellent labels and a film narrated by Philip Mould.  He was, as I thought, the co-presenter of ‘Fake or Fortune’ (with Fiona Bruce, newsreader and anchor of the BBC’s Antiques Roadshow). This is a BBC art programme which is in its 12th Series. The conceit of the show is that they investigate dubious paintings to find out whether they are genuine or not.

The film revealed that Philip Mould opened his Art Gallery here over a decade ago, but research has recently discovered that this is the very address where Mary Beale had her studio.

Scene shot of Philip Mould in the Mary Beale Exhibition in his short film shot in his Art Gallery.

Her career is not only remarkable in itself, but it was recorded in great detail by her husband. She was the bread winner.  He was her partner, and in effect the studio manager. In correspondence, he describes her as his ‘dearest heart’. 

Self-Portrait of Mary, with her husband and son

It was a family business and their children also worked as painting assistants, doing draperies and other background details.   Her paintings gave them an income of around £200 a year, which is not riches but, by comparison, a labourer got about £30 a year.

She was associated with Sir Peter Lely, the Court painter who succeeded Van Dyke. Mary Beale made copies of many of his paintings.  She also painted many pictures of her family.

Mary Beale’s painting after Sir Peter Lely’s portrait of Charles II

There are several excellent short films about Mary Beale on the Gallery’s web site, which is well worth a visit. The exhibition ends on the 19th July, but there is also, for you to see, Tate Britain’s exhibition ‘Now you see us’ which is the story of British female artists from the 1520’s to 1920.

On the way back from the Gallery, I popped into the Royal Academy to renew an old acquaintance with ‘Flaming June’ by Lord Leighton, a copy of which hangs on my bedroom wall, and which is on one of its rare visits to the UK. There is also the statue of the Sluggard and it’s all free to view.

Flaming June by Lord Leighton
The Sluggard by Lord Leighton

It is days like this, that you realise what a wonderful thing it is to live in London. All this superb art, and all without laying out a penny (travelling on my free travel pass too!).

I wrote about Flaming June in a post you can read here.

July Julius Caesar’s Month

July – Kalendar of Shepherds 15th Century

July is named for Julius Caesar. Originally, the Roman Month was called Quintilis, as it was the fifth month of the Roman calendar, which originally started in March. Caesar reformed the calendar in 44BC and the Senate renamed the month after him.

It is called Lúil in Irish and Gorffennaf in Welsh. In Anglo Saxon July was Æfteraliða, or “after-mild;”, Liða, means “mild” or “gentle,” or the period of warm weather around Midsummer. June is Arraliða, or “before-mild”.

It is on average the warmest month in most of the Northern Hemisphere, where it is the second month of summer. The star signs for July are: Cancer (until July 22) and Leo (July 23 onwards),

July is the month of Haymaking, as you can see from the July image (above from in the Kalendar of Shepherds). To find out more, wait for the next post.From the Kalendar of Shepherds comes this description of July.

First published, in 2023 and republished in 2024.

World’s First ATM Honoured. Digital Heritage June 27th 1967

Screenshot from Londonist Web Page

On the 10th April 2023, Heritage England announced on its webpage, that they had listed a Bank which contained the world’s first ATM Machine. Barclays Bank chose its Enfield Branch for this honour which opened on 27th June 1967. Above, you will see local celebrity, Reg Varney (in hat), a star of a very popular and ‘corny’ sitcom called ‘On the Buses.’ opening the new machine. It miraculously delivered a £10 note without any human intervention, and offered access to money after banking hours.

1967 Ten pound note

Barclay’s had previously launched the UK’s first credit card, and selected Enfield to be the place where they launched an automatic machine to dispense money – nicknamed ‘money machines’ in the UK. The customer was issued a ‘punched card’ and had to enter a PIN for the magic to be initiated. Barclays were developing the idea of a magnetic strip on a card at the same time.

Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)
Google Street View image of the Enfield Barclays Bank (screenprinted 15/07/23)

The building, which has a plaque and a gold-painted modern ATM, is Grade II listed and so should be protected from development in future. The building itself is an interesting, almost typical, late Victorian red brick commercial building, with fine details in the Flemish Renaissance style by William Gilbee Scott. Scott lived in Enfield.

I look forward to visiting it on my next visit to Enfield Lock on my narrow boat Mrs Towser.

First published in June 2023 and republished in 2024

Festival of St John the Baptist June 24th

The Feast Days of St John the Baptist (June 24th) and of St Peter and Paul (29th June) What is remarkable is the scale and the expense of the celebrations.

These Saints are some of the most important in the Christian Calendar. John being the forerunner to Jesus and his cousin, and Peter and Paul being the apostles who, more than anyone else, created the Christian Church.

There are also pagan rituals associated with the Feast of St John. Here is an example of French pagan solstice fires:

“They were lit at the crossroads in the fields to prevent witches and sorceresses from passing through during the night; herbs gathered on Saint John’s Day were sometimes burned to ward off lightning, thunder and storms, and it was thought that these fumigations would ward off demons and tumults.”

For more information, have a look at ‘French Moments’ here:

The Feast of St John is often described as being on the Summer Solstice, it isn’t by modern reckoning, but nor is December 25th the Winter Solstice. But they were celebrated as such by Christians, and the Solstice can be thought of as spread over 3 or 4 days (or more if taking into account Solstice Old style). The major events of the sun and the moon were linked into Christian theology and symbolism. Jesus, son of God, would clearly have arrived at the auspicious time of the Winter Solstice. His cousin, John the Baptist, came to tell the world about the coming of Jesus and so his birthday was exactly 6 months before the Summer Solstice.

St John is also special as most Saint’s Days are linked to the day of their death, but June 24th is the birthday of St John. His beheading by Herod is commemorated on 29th August.

St John the Baptist upon Walbrook in the City of London is first mentioned in the 12th Century, burnt down and not rebuilt after the Great Fire of London. The parish was, later, united with St Antholin, Budge Row, The Graveyard survived until 1884 when the District Line destroyed most of the Graveyard and the bones were reinterred below a monument, which can still be seen in Cloak Lane.

Here is what John Stow tells us about the processions on the night before the feast of St John (24th June) and St Peter and Paul (29th June):

On the vigil of St. John the Baptist, and on St. Peter and Paul the Apostles, every man’s door being shadowed with green birch, long fennel, St. John’s wort, orpin, white lilies, and such like, garnished upon with garlands of beautiful flowers, had also lamps of glass, with oil burning in them all the night; some hung out branches of iron curiously wrought, containing hundreds of lamps alight at once, which made a goodly show, namely in New Fish street, Thames street, etc.

Then had ye besides the standing watches all in bright harness, in every ward and street of this city and suburbs, a marching watch, that passed through the principal streets thereof, to wit, from the little conduit by Paule’s gate to West Cheape, by the stocks through Cornhill, by Leaden hall to Aldgate, then back down Fenchurch street, by Grasse church, about Grasse church conduit, and up Grasse church street into Cornhill, and through it into West Cheape again.

Grasse Church Street is Gracechurch Street.

The whole way for this marching watch extendeth to three thousand two hundred tailor’s yards of assize; for the furniture whereof with lights, there were appointed seven hundred cressets, five hundred of them being found by the companies, the other two hundred by the chamber of London.

Note a cresset is: a ‘metal container of oil, grease, wood, or coal set alight for illumination and typically mounted on a pole’ (Wikipedia).

Besides the which lights every constable in London, in number more than two hundred and forty, had his cresset: the charge of every cresset was in light two shillings and four pence, and every cresset had two men, one to bear or hold it, another to bear a bag with light, and to serve it, so that the poor men pertaining to the cressets, taking wages, besides that every one had a straw hat, with a badge painted, and his breakfast in the mornings amounted in number to almost two thousand.

The marching watch contained in number about two thousand men, part of them being old soldiers of skill, to be captains, lieutenants, serjeants, corporals, etc., wiflers, drummers, and fifes, standard and ensign bearers, sword players, trumpeters on horseback, demilances on great horses, gunners with hand guns, or half hakes, archers in coats of white fustian, signed on the breast and back with the arms of the city, their bows bent in their hands, with sheaves of arrows by their sides, pike-men in bright corslets, burganets, etc., halberds, the like bill-men in almaine rivets, and apernes of mail in great number;

there were also divers pageants, morris dancers, constables, the one-half, which was one hundred and twenty, on St. John’s eve, the other half on St. Peter’s eve, in bright harness, some overgilt, and every one a jornet of scarlet thereupon, and a chain of gold, his henchman following him, his minstrels before him, and his cresset light passing by him, the waits of the city, the mayor’s officers for his guard before him, all in a livery of worsted, or say jackets party-coloured, the mayor himself well mounted on horseback, the swordbearer before him in fair armour well mounted also, the mayor’s footmen, and the like torch bearers about him, henchmen twain upon great stirring horses, following him.

The sheriffs’ watches came one after the other in like order, but not so large in number as the mayor’s; for where the mayor had besides his giant three pageants, each of the sheriffs had besides their giants but two pageants, each their morris dance, and one henchman, their officers in jackets of worsted or say, party-coloured, differing from the mayor’s, and each from other, but having harnessed men a great many, etc

John Stow, author of the ‘Survey of London‘ first published in 1598. Available at the wonderful Project Gutenberg: ‘https://www.gutenberg.org/files/42959/42959-h/42959-h.htm’

A Day Off for Anglo Saxon Freemen

In the the Laws of King Alfred the Great, this day was a day off for freemen.  I will be writing about Days off in the Anglo Saxon Calender on august 15th.

First published june 2023 republished in 2024

Midsummer June 21st

A gentle reminder – Facebook post.

Midsummer Solstice is the 21st of June, but the Celtic version of it began when the Celtic Day begun, on June 20th, which we would call Midsummer Eve. Midsummer is a fire festival, dedicated to the Celtic Fire God, Belinus. His name might mean Powerful One or Shining One, and he is linked to Apollo, one of the Greco-Roman Sun Gods. His main festival is Beltane, May Day, but many of the attributes of May celebrations and indeed Halloween celebrations are also carried out in Midsummer.

In the early medieval period, the Church hijacked Midsummer’s Day and transferred it to June 24th St John the Baptist’s Day. John was born 6 months before Jesus. John Aubrey in the 17th Century writes:

‘Still in many places on St John’s Night they make Fires on the Hills: but the Civil Warres coming on have putt all these Rites or customes quite out of fashion.’

John Aubrey, Miscellanies, 1695

Like May Fires, the fire should be made from wood donated from all farms in the area, and using a range of trees, ideally collected by 9 men and from 9 different trees. Blazing branches should be carried sunwise around the fields to bless the crops, and it was good luck to jump over the ashes of the fire.

To prepare for Midsummer remember that it is, like Halloween, a uncanny period when Hobgoblins, Fairies and Sprites, are, like in Shakespeare’s Play, Midsummer’s Night’s Dream, all abroad making mischief.

First in the line of defence against the infernal is St John’s Wort, known as Chasse-diable, Demon Chaser, Fuga Daemonum (amongst many other appellations) It was used to keep demons away, and to exorcise haunted houses. John Aubrey in ‘Miscellanies’ talks about a haunted London house which was cured by a Doctor who put St John’s Wort under the pillow of the bed at night. Bankes Herbel 1525 says:

‘The virtue of St John’s Wort is thus. If it be put in a man’s house, there shall come no wicked sprite therein.’

Vervain, yarrow, corn marigold, and orpins were also used often woven into garlands, and hung around the necks of cows, or on door lintels as protection. If the St John’s Wort withered, the picker was to die or at least endure disappointment. If orpins entwined themselves on Midsummer’s Night, marriage would follow.

A girl seeking love should walk around the Church seven or twelve times (accounts vary!) at midnight scattering hempseed, and singing:

Hempseed I sow
Hempseed I hoe
Let him that is my true love
Come after me and mow

In the South West of England, there was a custom to watch the church porch on Midsummer Evening, when the spirits of all the living people of the village could be seen entering the church. Those not seen coming out again would surely die, as would any watcher foolish enough to fall asleep.

Orpine, (Sedum Telephium) aka Live Long, or Life Everlasting was valued for the length of time it remained fresh after being gathered. Medicinally, it was considered good to use outwardly to cool scaldings, inflammations, and wounds.

Sedum_telephium by Bernd Haynold wikipedia

St John’s Wort has a reputation for helping with depression, menopausal symptoms, ADHD, anxiety and other conditions.

St John’s Wort Photo by Lex Melony on Unsplash

Thanks to the ‘Customs and Ceremonies of Britain’ by Charles Kightly.

First written in June 2023, and revised and republished in June 2024