Queen Elizabeth 1 Coronation. Litter at her royal entry, accompanied by footmen and Gentlemen Pensioners. Unidentified engraver. (Wikipedia)
Queen Elizabeth 1 Accession
Queen Elizabeth 1 ascended the throne on 17 Nov 1558. Her accession was greeted with an outbreak of joy by the Protestant population. But the supporters of her dead sister Mary 1 did not want a Protestant monarch. On hearing the news of the death, Elizabeth rushed to occupy the Tower of London. She even risked shooting London Bridge, such was her haste. (see my post of the accession of Queen Elizabeth I)
She consulted lawyers about the legal position. Elizabeth, and her sister Mary, were declared bastards by two Succession Acts passed during Henry VIII’s ‘troubled’ married life. The Third Succession Act of 1543/44, following Henry’s marriage to Katherine Parr, restored Mary and Elizabeth to the Royal line. But it did not restore their legitimacy. Rather than tackle the complex legislation, Sir Nicholas Bacon, the Lord Keeper of the Great Seal, advised:
“the English laws have long since pronounced, that the Crown once worn quite taketh away all Defects whatsoever“. (Wikipedia)
Which, when you think about it, basically legitimises any successful ‘coup’! And, from a legal perspective, she was still, arguably, illegitimate.
Queen Elizabeth 1 Coronation
Her courtiers immediately began work on the Coronation, scheduled for January 15th 1559. In terms of Coronations, this was rushed. The precise date was, in fact, chosen by the Royal Astrologer. John Dee, a famous mathematician and credulous astrologer, found a date that the celestial bodies deemed propitious. But it needed to be sooner rather than later because Elizabeth’s position was so insecure.
Queen Elizabeth 1 Coronation Procession
The Coronation began with a procession from the Whitehall Palace in Westminster. Then back to the Tower of London for the Vigil. Followed by a Royal Procession through the City of London to Westminster Abbey for the Coronation service. After the Coronation, there was the traditional Coronation Banquet at Westminster Hall.
The Vigil Procession was on the Thames where she was escorted to the Tower by ‘ships, galleys, brigantines‘ sumptuously decorated. The Royal Entry consisted of 5 Pageants and 11 Triumphal Arches.
The first pageant showed the Queen’s descent from Henry VII and his marriage to Elizabeth of York. This marriage effectively ended the Wars of the Roses by linking the House of York and the House of Lancaster. The pageant also emphasised her ‘Englishness’ as opposed to the Spanish affiliations of Mary. The second pageant demonstrated that the Queen would rule by the four virtues of True Religion, Love of Subjects, Wisdom and Justice. At the same time she was shown trampling on Superstition, Ignorance and other vices.
The Procession at Cheapside
The third pageant, at the upper end of Cheapside near the Guildhall, provided the opportunity for the City to give Elizabeth a handsome present. This was a crimson purse with 1000 marks of gold, showing the closeness of the City and the Crown. The fourth pageant, contrasted a decaying country during the time of Mary with a thriving one under Elizabeth. It featured the figure of Truth, who was carrying a Bible written in English and entitled ‘the Word of Truth’. The Bible was lowered on a silken thread to the Queen. The Queen kissed it and laid it on her breast to the cheers of the crowd. She promised to read it diligently. The final pageant was Elizabeth portrayed as Deborah, the Old Testament prophet. Deborah rescued Israel and ruled for 40 years. So she was an ideal role model for Elizabeth. (For more details, look here.)
‘All the houses in Cheapside were dressed with banners and streamers, and the richest carpets, stuffs and cloth of gold tapestried the streets’.
British History.ac.uk Vol 1 pp315 -332
Queen Elizabeth 1 Coronation in Westminster Abbey
The Coronation was traditional – in Latin and presided by a Catholic Bishop, but there were significant innovations. Important passages were read both in Latin and in English. The Queen added to the Coronation Oath the promise that she would rule according to the:
‘true profession of the Gospel established in this Kingdom.’
This showed the path Queen Elizabeth was going to take. She would introduce innovation gradually into tradition, but emphasizing that the fundamentals had indeed changed. This was going to be a Protestant reign.
Can I remind you that I wrote a best-selling book on the Kings and Queens of Britain? It has sold over 130,000 copies, has been reprinted several times and in several editions and is available here.
The World’s Best Cities report makes London the top City followed closing by New York and Paris. London has had top spot for 10 years. The Report is based on core statistics plus a survey of visitors and residents. It is created by Resonance, a consultancy group working in real estate, tourism, and economic development. They are based in Vancouver.
“Navigating the complexities of a post-Brexit era, geopolitical uncertainties and economic challenges, London’s resilient spirit and unmatched global appeal have solidified its place at the pinnacle of our annual ranking,“
AFAR gives a good analysis of Resonance’s methods on its web site:
‘England’s capital snagged the top spot for the 10th year in a row, continuing to draw students, investors, and tourists alike. A $305 million upgrade of the Gatwick Airport and new metro stops on the Elizabeth line are a few of the developments that indicate the city’s focus on improving infrastructure. Resonance particularly spotlights the building of the Camden Highline, a mile-long greenway inspired by New York’s High Line, as a project that demonstrates “London’s dedication to enhancing quality of life for both residents and visitors.”
London No 1. Really?
Or is it a fix? It was a bit of a surprise to me given the hit Brexit has given to the City. But, London’s dominance for ten years may be because of the consultancy’s focus on real estate as well as tourism and economic development. This gives London a head start as it has long been considered a very safe place to invest in property. London, New York, Paris, Tokyo, Singapore as 1-5 also suggests the report writers might have a bias to the big hitters.
What London offers is its status as one of the world’s leading financial/business capitals. Supported by outstanding creative and services industries. At the same time, it has a superb cultural offering and, consequently, high figures for tourism. It is a City that seems to have a deep past behind it and an equally important future ahead.
The future might depend on the growing Knowledge Quarter around Kings Cross. (British Museum & Library, Wellcome Institute, Crick Institute, UCL, Central St. Martins, Google etc.) With Silicone Roundabout and the wealth of investments from the nearby City of London, providing London with a leading place in AI, the Knowledge economy, and Fintech. London also has a very high value on the internet as far as hashtags, and internet searches are concerned.
Spinning—showing the distaff in the left hand and the spindle or rock in the right hand
I’m not sure what the Three Kings were doing on the day after Epiphany. But, the shepherds, if they were like medieval English farmworkers, would still be on holiday. They went back to work, traditionally, next Monday, which is Plough Monday. By contrast, the women, according to folk customs, went back to work St. Distaff’s Day, the day after Epiphany. In an ideal world, St Distaff’s Day is the Sunday after Epiphany (January 6th), and Plough Monday is the next day. Of course, it doesn’t always work out that way. I am not sure the woman going back to work on the 7th January, would be happy with the men lounging about until Plough Monday,. This year on the 13th January.
A distaff is ‘a stick or spindle on to which wool or flax is wound for spinning’. Because of its importance in the medieval and early modern economy, it became a synecdoche for women. St Distaff is a ‘canonisation’ of this use of the word. So, a day to celebrate working women.
We know that medieval and early modern women were a vital part of the work force, despite the demands of childcare. Many women took on apprenticeships, even more continued their husband’s work after he died. Some professions like silk became a female speciality. Plus, London was full of female servants and nurses. Many women had several jobs. The exhibition at the British Library on Medieval Women. In Their Own Words, indicated that most of the sex workers had two or more other jobs. In the house, the wife was the mistress of a formidable range of technologies. Baking, Brewing, Cooking, Laundry, Gardening, Dairy, Medicine (including distillation), horticulture, spinning, sewing and embroidery. Even, aristocratic women did embroidery of the finest quality, and it often made an important financial contribution to the household.
St Distaff’s Day and Plough Monday
Robert Herrick (1591–1674), born in Cheapside, London, a Goldsmith, priest, Royalist and Poet wrote in ‘Hesperides’.
Partly work and partly play You must on St. Distaff’s Day: From the plough, soon free your team; Then come home and fother them; If the maids a-spinning go, Burn the flax and fire the tow. Bring in pails of water then, Let the maids bewash the men. Give St. Distaff all the right; Then bid Christmas sport good night, And next morrow every one To his own vocation.
Here he links the plough team with St Distaff’s Day. This implies that the ploughs would be out on the next day. So as St Distaff’s Day is not always on a Sunday, perhaps Plough Monday is not always on a Monday? He certainly suggests everyone goes back to work on the day after St Distaff’s Day.
Saints & Goddesses of the Distaff Side
In London, the Fraternity of St Anne and St Agnes met at the Church dedicated to the saints. It is by a corner of the Roman Wall on the junction of Gresham Street and Noble Street. St Agnes is the patron saint of young girls, abused women and Girl Scouts. St Anne is the mother of the mother of the Son of God. So, she represents the three generations of women: maidens, mothers, and grandmothers.
The Three Mother Goddesses (and someone else) “Limestone relief depicting four female figures sitting on a bench holding bread and fruit, a suckling baby, a dog and a basket of fruit’ the Museum of London
This trinity of women were worshipped by the Celts. Archaeologists discovered the sculpture above while investigating the Roman Wall a few hundred yards away at Blackfriars. Scholars believe it depicts the Celtic Three Mother Goddesses. The fourth person is a mystery, maybe the patron of a nearby temple. The relief sculpture was removed perhaps from a temple, or the temple was trashed at some point. Then the sculpture was used as rubble and became part of the defences of London.
The idea of triple goddesses is a common one. In Folklore and History they have been referred to as Maiden, Mother, and Crone, or even Maiden, Mother and Hag. They come in Roman, Greek, Celtic, Irish, and Germanic forms. Their names include the Norns, the Three Fates, the Weird Sisters, the Mórrígan and many more. The Three Fates, the Goddess Book of Days says, were celebrated during the Gamelia. This is the Greco/Roman January Festival to the marriage of Zeus and Juno. The Festival also gives its name to the Athenian month of January.
The use of the terms Hag and Crone for the third Goddess is rare now, but was common. It does a great disservice to the importance of the Grandmother figure. (Although the original meaning of the words were less pejorative. For example, Hag may have meant diviner, soothsayer.) The three phases of womanhood are equally as important to the continuation of the species. They provide love, support, and experience through the generations. Compare these three generations of supportive deities with Ouranos (Uranus), Cronus (Saturn) and Zeus (Jupiter). Saturn castrated and deposed his father, Uranus. Later, he tried to eat his son, Jupiter. But then, Jupiter is nobody’s idea of an ideal father. As one example, he eats his lover, Metis, to avoid her giving birth. (See my post on the birth of Athena.)
Recent work on human evolution has suggested that the role of the Grandmother is crucial to our species’ ability to live beyond the age of fertility. Because, in evolutionary terms, once an individual cannot procreate, their usefulness for the survival of the genes is finished. So what’s the point of putting resources into grandma’s survival? The theory is the Grandmother has such an impact on the survival of the next generation, that longevity. for the female, beyond fertility makes evolutionary sense.
There was a theory widely held that the original Deities, dating before the spread of farming, were mother goddesses. The idea is that the hunter-gather goddesses (perhaps like the Venus of Willendorf) were overthrown by the coming of farmers. These patriarchal societies worshipped the male gods, which destroyed the ancient Matriarchy. Jane Ellen Harrison proposed an ancient matriarchal civilization. Robert Graves wrote some interesting, but no longer thought to be very scientific studies, on the idea. Neopaganism has taken these ideas forward.
1845. Today is the anniversary of the breaking of the fabulous Portland Vase by a drunken visitor to the British Museum. It looks immaculate despite being smashed into myriad pieces, a wonder of the conservator’s art. To see the vase and read its story, go to the BM web site here:
In the orthodox church, дед Мороз (Ded Moroz= father of frost), accompanied by Cнегурочка (Snieguroshka= fairy of the snow) brings gifts on New year’s eve, (which is on January 7th). He travels with a horse drawn troika.
‘Drawing for Twelfth Cake’ at St. Annes Hill ’12th Night Cruikshank, Isaac, 1756-1811 printmaker. Published Janr. 10, 1807 by Thomas Tegg, 111 Cheapside’
Twelfth Night
Yesterday was Twelfth Night for the modern Church of England, but today is Twelfth Night for the Catholic Church and in England in former times. It is also Epiphany or Three Kings Day and because of calendrical differences, Christmas Eve for the Orthodox Church. In Ireland, it is Nollaig na mBan. This is Women’s Little Christmas; when Women get to rest and let men do the work. This is a typical Saturnalia-style reversal of roles.
I used the print above, three years ago for my post on New’s Day, then moved it to Twelth Night. I also use it for lectures on Christmas and Jane Austen. But the focus of my presentation is explaining the Twelfth Night Cake and the game that was played. But in fact, this is a very political satirical cartoon. More of that, later, let’s begin with the more trivial aspect of the print above.
Twelfth Night and Christmas Cake
It used to be the big party night, featuring the famous Twelfth Night Cake and theatrical entertainments; mumming and wassailing. The cake has disappeared from current Christmas celebration, probably because it transmuted into our present Christmas Cake. This, I regret. I have had a lifetime when a very heavy Christmas Dinner is followed first, by Christmas Pudding. Then, overloading with food, the Christmas Cake is brought out. No one, in their right mind, wants a slice of heavy Christmas Cake at that time. Many of my American friends disparage fruit cake, but they are mistaken. Good Christmas Cake is something to be thoroughly enjoyed, but on the days following Christmas Day.
I gave a recipe for the Twelfth Night Cake in another post, (here it is). But the important point is that it had a bean and a pea in it. The one who got the bean was selected as King for night and the pea the Queen. Traditionally, the women draw a card from a ‘reticule’ (bag) and the men’s from a hat. But there are no women at this satirical party. The cards detailed a role they were to play for the rest of the night. The card began with an introductory speech, or rhyme, for the person to speak. The King and Queen led the way, and for the rest of the evening the party members adopted their persona. They might be an aristocrat, a soldier, a cook, a parson, a dairy maid etc. The French do something similar with their Galette des Rois. The bean is called the feve, and may be replaced by a porcelain model. Other places have a King’s Cake for epiphany.
Twelfth Night Satire
So, as I was rushing to get the original Twelfth Night post done, I failed to examine it in any detail. I assumed the cards gave them satirical occupations which would be funny to the contemporary audience in 1807. But then, I noticed the title mentioned St Anne’s Hill. I looked it up and discovered myself down a deep and very enjoyable research rabbit hole.
St Anne’s Hill & Charles James Fox
Now, let’s go down that rabbit hole and look a little deeper.
The caption mentions St Anne’s Hill. I believe this refers to St Anne’s Hill, near Chertsey (SW of London on the River Thames). Here, there was a grand house which was owed by Charles James Fox. He was the leader of the Whigs, a persistent opponent of King George III. He was a supporter of the American and French Revolutions. This explains the red bonnet used to pull out the cards in the illustration.
The central figure is then, Fox. But he died in September,. 1806. The print is dated January 1807. Just before he died, his Foreign Slave Trade Bill of 1806 began the dismantling of this pernicious trade in the British Empire. He was Foreign Minister who assumed a couple of civil chats with the French would end the long-standing war. But he soon discovered that Napoleon was not to be trusted in negotiations. The war went on for another 9 or so years.
Charles James Fox was a mercurial figure with many radical views. He was also a notorious gambler and loved the high life. One of his many lovers was Georgiana, Duchess of Devonshire. He eventually married, Elizabeth Armistead, an ex-mistress of the Prince of Wales. St Anne’s Hill was her house. I am pleased to report that she is credited with calming his life-style. He now spent more time at St Anne’s where they would ‘read, garden, explore the countryside and entertain friends’ (Wikipedia).
Isaac Cruikshank’s ‘Drawing for Twelfth Cake’ at St. Annes Hill
Cruikshank’s illustration is, of course, not designed to document quaint Twelfth Night customs but is a political satire and I discovered that the British Museum has the original version of this print, and. It is dated to 1799 which makes much more sense!
At the back right of the print is a notice which says:
‘Rules to be observed at this Meeting 1. That the Cake be decorated with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.’
The bonnet rouge is defined by the Collins Dictionary as a ‘redcap worn by ardent supporters of the French Revolution’ or ‘an extremist or revolutionary’. The last point relates to Fox’s opposition to the King, and the expression Catch as Catch Can refers to a free form of wrestling without rules.
The characters in the scene (all men) are all political figures. They are associated with the opposition to the very right-wing Government of William Pitt. During the war with France, the opposition was led by a supporter of the French Revolution. For those on the right, which included Pitt’s government, supporting the French Revolution was tantamount to treason. Pitt suspended many civil liberties in ‘Pitt’s Reign of Terror’. He arrested and indeed executed leading members of those demanding political change. The Government even suspended Habeas Corpus to make it easier to arrest their opponents,
Fox is seen drawing a 12th Night Game ticket which is marked ‘Perpetual Dictator’. To his right is Frances Burdett. He was a radical politician, who supported universal male suffrage, equal electoral districts, vote by ballot, and annual parliaments. Note that this is well before these aims became the core of the Chartists campaign for electoral reform. (for other people in the illustration look at the British Museum notes on the print. )
Frances Burdett, Edward and Catherine Despard
Burdett is shown holding a ticket saying ‘Keeper of the Prison in Cold Bath Fields’. This is a satirical reference to a serious political crisis. The Cold Baths Fields was the site of a medical spring in Clerkenwell, London. This was where a prison was situated where radicals were imprisoned. They were held in poor conditions despite the recent rebuilding under the aegis of the prison reformer, John Howard. Burdett exposed the scandalous conditions in the House of Commons. He began a campaign against the magistrates involved in the arrests.
One of the prisoners was Edward Despard who had associations with many radical groups. These included the London Corresponding Society, the United Irishmen and United Britons. Despard was married to Catherine, the daughter of a free black woman from Jamaica. She, with Burdett, led the campaign against these arrests without trial. Catherine wrote a letter to the Attorney General who replied in a demeaning manner:
‘it was a well-written letter, and the fair sex would pardon him, if he said it was a little beyond their style in general’
He did not comment on her colour. She described the imprisonment of her husband as being :
“in a dark cell, not seven feet square, without fire, or candle, chair, table, knife, fork, a glazed window, or even a book”
Execution of Edward Despard
Despard was freed in 1802, went to Ireland. But returned to London, where he was arrested again. But this time he was accused of a being the ringleader of a plot to assassinate the King. There was little real evidence. Horatio Nelson was a character witness, and appealed to the King for clemency. It was given. But only in so far as Despard was not disembowelled but ‘only ‘Hanged and Drawn’ at Horsemonger Lane Gaol (1803). This was the last time someone was drawn through the streets at the tail of a horse before execution for treason. These are his last words:
Fellow Citizens, I come here, as you see, after having served my Country faithfully, honourably and usefully, for thirty years and upwards, to suffer death upon a scaffold for a crime which I protest I am not guilty. I solemnly declare that I am no more guilty of it than any of you who may be now hearing me. But though His Majesty’s Ministers know as well as I do that I am not guilty, yet they avail themselves of a legal pretext to destroy a man because he has been a friend to truth, to liberty, and to justice
(a considerable huzzah from the crowd)
and because he has been a friend to the poor and to the oppressed. But, Citizens, I hope and trust, notwithstanding my fate, and the fate of those who no doubt will soon follow me, that the principles of freedom, of humanity, and of justice, will finally triumph over falsehood, tyranny and delusion, and every principle inimical to the interests of the human race.
(a warning from the Sheriff)
I have little more to add, except to wish you all health, happiness and freedom, which I have endeavoured, as far as was in my power, to procure for you, and for mankind in general.
https://en.wikipedia.org/wiki/Edward_Despard
After his death, his family denied that Catherine was his wife but merely his ‘house-keeper.’ I assume, was because they wanted the inheritance rather than, or perhaps, as well as naked prejudice.
Francis Burdett married into the fabulously rich banking family the Coutts. His daughter was the famous Angela Burdett Coutts who was a philanthropist who collaborated extensively with Charles Dickens.
@Phew! This is what I love about what I do, you find things out that link disparate parts of your knowledge, creating an ever-interwining web of history.
On this Day
Harold Godwinson was crowned King of England on January 6, 1066, the same day as the funeral of the previous king, Edward the Confessor. m.
My true love sent to me 6 Geese a Laying; 5 Golden Rings; 4 Calling Birds; 3 French Hens; 2 Turtle Doves and a Partridge in a Pear Tree
The Lord of Misrule, Masters of the Revels, and Boy Bishops
The Roman festival of Saturnalia, held between 17th and 23rd of December, included reversing rules so that slaves, ruled and masters served. In the medieval period, the disorder of Christmas was continued with the election of Lords of Misrule, Masters of the Revels, and Boy Bishops.
John Stow’s, Survey of London
He was London’s first great historian, wrote of the Lord of Misrule in London. In this section, Stow begins the role of the Lords of Misrule at Halloween and continues it until Candlemas, in erly February. See my post here for more details on Candlemas. This is what Stow says:
Now for sports and pastimes yearly used.
First, in the feast of Christmas, there was in the king’s house, wheresoever he was lodged, a lord of misrule, or master of merry disports, and the like had ye in the house of every nobleman of honour or good worship, were he spiritual or temporal. Amongst the which the mayor of London, and either of the sheriffs, had their several lords of misrule, ever contending, without quarrel or offence, who should make the rarest pastimes to delight the beholders.
These lords beginning their rule on Alhollon eve, continued the same till the morrow after the Feast of the Purification, commonly called Candlemas day. In all which space there were fine and subtle disguisings, masks, and mummeries, with playing at cards for counters, nails, and points, in every house, more for pastime than for gain.
Against the feast of Christmas every man’s house, as also the parish churches, were decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green. The conduits and standards in the streets were likewise garnished; (…) , at the Leaden hall in Cornhill, a standard of tree being set up in midst of the pavement, fast in the ground, nailed full of holm and ivy, for disport of Christmas to the people…
Holm is an evergreen oak called Quercus ilex. John Stow talks about the Tree in Leadenhall Street being destroyed in the great wind of 1444 which you can read about here. You might also like to see the following posts, which include information about John Stow and London’s customs, and churches.
As the Sun enters the House of Capricorn remember the poor Coachman travelling all day everyday in all weathers. Washington Irving in his ‘Old Christmas’ (Originally ‘The Sketch Book of Geoffrey Crayon’ pub. 1819) describes him with a broad red face, a broad body widened by drinking beer; swathed with any numbers of layers of coats trying to keep the cold out. He has many worries on his mind as he has a coach full not only of people who need looking after but also a lot of parcels and commissions that need to be carried out in the many stops along the way. He is delivering parcels, turkeys, geese, presents, children, you name it he is responsible for its safe delivery.
Feel sorry for the people crowded inside the carriage but even sorrier for those sitting on the roof. They have umbrellas in a vain attempt to keep dry, but the umbrella tines will be poking you in your ear, and the run off from the canopy of the umbrella might trickle down your neck. There might be 6 people inside and up to 10 on the roof. 3d for travelling inside and half of that for the roof. voach
Inside, you are next to a large man who is not very salubrious looking, nor too worried about pressing his thighs against you.
John Keats blamed his consumption on his journey on the roof of a stage-coach travelling from London to Hampstead on a cold wet day in February.
Stage coaches became regular sights on the road during the 17th Century and were quite dangerous as the roads were in such a poor condition. It was suggested that passengers made their wills before travelling! From the late 17th and with Parliament increasingly used to set up not-for-profit toll road, the roads got better, and ‘Flyers’ and mail coaches could get up to the tremendous speed of 10 miles an hour, and averaging 7. This happened because improved roads meant improved suspensions, and wheels, and more and faster horses could be harnessed.
This revolutionized travel. It used to take 5 days in around 1700 to get to Manchester from London, by the mid 18th Century the time taken was reduced to 24 hours, and there were many more scheduled coaches, The mail coaches had priority, the coach had a blunderbuss and two pistols to deter highway men, and the guard had a post-horn with which to warn other vehicles to give clear passage, to alert tollgate keepers to open gates, and to announce arrival at a stop. Extra horses would be harnessed to help get up steep hills which, in some cases, like Broadway in the Cotswolds, might mean an additional 10 horses. Passengers might be asked not only to get off the coach to lighten the load but also to push if the going got boggy. On mail coaches, the passengers were not allowed to get off when the horses were changed, and only 4 were allowed inside the coach.
London was ringed by Coaching Inns, which were coach terminals and hotels. The most famous ones, remaining, are in Southwark on the approach road to London Bridge. The Tabard where the Chaucer’s Canterbury Tales started, The White Hart where Dickens’ Sam Wheeler is the Bootboy, and the George, which although not quite so literary is at least still half intact.
Pilgrims leaving the Tabard Inn for the Canterbury PilgrimageGeorge Inn,Southwark (photo Kevin Flude)
Capricorn
‘The man born under Capricorn shall be iracundious and a fornicator; a liar, and always labouring.
....The woman shall be honest and fearful, and have children of three men, she will do many pilgrimages in her youth and after have great wit.’
From Kalendar of Shepheards 1604 quoted in ‘The Perpetual Almanac of Folklore by Charles Kightly’.
iracundious is first mentioned in a work published by Caxton in the 15th Century and pretty much obselete by the 17th Century. It means easily angered or irritable.
The Solstice and the East Pediment of the Parthenon
British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles
At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.
At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.
Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.
Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.
Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head
So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.
Hestia, Dione, Aphrodite, Horse of Selene’s chariot
To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.
The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.
Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.
So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.
Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.
Sculptures from the east pediment of the Parthenon
I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.
On Thursday, I am doing my first London Walk Virtual Tour of the winter season.
The walk tells the story of London’s myths and legends and the Celtic origins of Halloween.
The walk will tell the story of London’s Myths and Legends, beginning with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Belinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries.
As we around the City, we also look at the origins of Halloween celebrations and how they may have been celebrated in early London
The virtual route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls.
REVIEWS (from London Walks website) “Kevin, I just wanted to drop you a quick email to thank you ever so much for your archaeological tours of London! I am so thrilled to have stumbled upon your tours! I have wanted to be an archaeologist since 1978 at the ripe old age of 8 years,… I was told for years that I could not be an archaeologist [for any number of reasons, which I now realise are completely ridiculous!], so I ended up on a different course of study. And now at the age of 50, it is my one great regret in life. So, I am thoroughly enjoying living vicariously through you, the digs you’ve been on, and the history you bring to life for us! British archaeology would have been my specific area of study had I pursued it. ?? Thank you SO MUCH for these! I look forward to them more than you can imagine, and honestly, I’ll be sad if you get them down to 1.5 hours! They’re the best 2 hours of my week! 🙂 Best, Sue
Screenshot concerning the new Logo of the Museum of London
I was quite surprised to see the image above appear in an email to my inbox. The London Museum (was the Museum of London) announced the Pigeon and Splat as the new logo to replace the old Dick Whittington one. I received the email on the 27th July 2024.
Is this a breath of fresh air? An unfussy humourous joke which 5 year old will love? Is a Pigeon uniquely London? Is the Splat too clever by half, or is it completely daft?
I’ll leave it to you to decide. However, a visit to the London Museum Website on 15/08/24 reveals the Pigeon logo displayed without the Splat!
Screenshot of London Museum’s new logo without the Splat!
Further down the page, is an article on the history of Pigeons and London, where there is a vestigial splat!
It seems to me there has been a climb down since I received the email on 27th July. Or are they phasing the Splat! in? Comments please.
For more on the new logo look at the Museums Associations’s Web site here. ‘The pigeon was chosen to symbolise the brand as “an impartial and humble observer of London life”, the museum said in a blog post on the redesign.’
Screenshot from the London Museum Web site with image of a Pigeon with a vestigial Splat!
My WordPress system decided to publish my notes upon the Parrot rather than reminding me to finish off the page. So, here is the updated post again.
The Parrot was republished for free on August 4th 2024 by the York St Johns University Critical Editions team, and they have enabled you to get your free copy by following the link at the bottom of the post.
Published in 1746 ‘The Parrot’ by Elizabeth Haywood was a satire on the male-dominated London Society of the time. It was published in 9 parts. The name comes from the viewpoint from a Parrot’s perch in a wealthy London house. The Parrot is an enslaved creature that has travelled the world, observer to its follies. The bird wonders why people should dismiss opinions simply on the basis of A Parrot’s green colour.
The introduction to the author by the team says:
‘Eliza Haywood (c. 1693-1756) was one of the first generation of writers to “live by her pen.” Throughout her career, Haywood adopted many roles: she was an actress, playwright, novelist and prolific essayist.However, she always used her platform to celebrate and advocate for women.‘
