Martinmas – Festival of Winter’s Beginning November 11th

Statue of St Martin at Ligugé

So, this is All Saints Day, Old style, also known as St Martin’s Day, one of the most important Christian festivals of the medieval world.

Father Francis Weiser in the Handbook of Christian Feasts and Customs suggests this was the Thanksgiving of Medieval Europe:

It was a holiday in Germany, France, Holland, England and in Central Europe. People first went to Mass and observed the rest of the day with games, dances, parades, and a festive dinner, the main feature of the meal being the traditional roast goose (Martin’s goose). With the goose dinner, they drank “Saint Martin’s wine,” which was the first lot of wine made from the grapes of the recent harvest. Martinmas was the festival commemorating filled barns and stocked larders.

It was celebrated with Bonfires in Germany, and with St Martins Beef and Mumming plays in England, but, following the Reformation, its place in the Calendar has been taken by Bonfire Day and Halloween.

St. Martin of Tours (died AD397) was a soldier in the Roman Army who would not fight because of his Christian beliefs. When he met a beggar, he cut his cloak in half and shared his cloak. He rose in the hierarchy of the Gallic Church and became Bishop of Tours. He is one of the few early saints not to be martyred and is the saint of soldiers, beggars and the oppressed. Furthermore, he stands for holding beliefs steadfastly and helping those in need. According to legend, his barge on the River Loire was accompanied by flowers and birds.

Early 20th Century Image of Trafalgar Sq. St Martin’s is in the top right-hand corner.

There are two famous Churches dedicated to St Martin in Central London with possible early origins. St Martin’s in the Fields, near Trafalgar Square, has been the site of excavations where finds show a very early settlement, with early sarcophagi. It is the one place where a convincing case can be made for continuity between the Roman and the Anglo-Saxon period. It is possible, that the Church was founded soon after St Martin’s death (397AD). A settlement grew up near it, and this expanded to become Lundenwic, the successor settlement to Londinium.

Old Print of London c1540 showing St Pauls, with St Martin's by the wall to the left of the photo
Old Print of London c1540 showing St Pauls, with St Martin’s by the wall to the left of the photo

The other St Martins is St Martins Within, just inside the Roman Gate at Ludgate. Many early churches are found at or indeed above Gates and this one also has legendary links to burial places for King Lud, and for King Cadwallo, or Cadwallon ap Cadfan, one of the last British Kings to have any chance of recovering Britain from the Anglo-Saxons. Geoffrey of Monmouth says that Cadwallo was buried here in a statue of a Bronze Horseman, and thereby to protect London as a ‘Palladium’ (see for more about Palladiums of London. It has been suggested by John Clark, Emeritus Curator at the Museum of London, that Geoffrey of Monmouth might have used the discovery of a Roman Equestrian Statue as an inspiration for the story.

St Martin was also the saint of Travellers, and this might explain the location of the Church near the gate. Although there is nothing but legendary ‘evidence’, it would make sense for an early church to be built near Ludgate, which is the Gate that leads to St Pauls which was founded in 604AD. Although the City might have been mostly empty, the presence of St Pauls means that Ludgate was most likely still in use or at least restored around this period. It also leads, via Fleet Street and Whitehall, almost directly to the other St Martin.

St Martin’s Day was also the time of year when lime plaster was renewed because lime needs to be kept moist when renewed. It takes three to four days to form the calcite crystals that make it waterproof.

(Originally, posted 11 Nov 2021, revised 2022, 2023 and 2024)

Remember, Remember, the 5th of November

Old print showing the plotters for the Gunpowder plot
The Gunpowder Plotters

Soon, after the discovery of the Gunpowder Plot, Parliament legislated for an annual commemoration of the Catholic Plot. The date was chosen as it was the anniversary of finding Guy Fawkes with a lantern next to piles of barrels of Gunpowder on the occasion of the State Opening of Parliament, 5th November 1605.

Guy Fawkes Lantern at the Ashmolean Museum

The Ashmolean Lantern was given by Robert Heywood in 1641, and he got it from his brother, Peter, who was a Westminster Magistrate who was among the party who arrested Guy Fawkes in the cellar. Peter Heywood, took the lantern from Guy Fawkes to stop him setting fire to the pile of gunpowder barrels. Or at least that is the story Robert Heywood told.

A commemoration of fireworks and bonfires was clearly appropriate given that it has been estimated that the amount of gunpowder in the barrles would have killed the king, the Royal Family, the House of Lords and the House of Commons and devastated a huge area around Westminster. But some suggest that the nature of the commemoration draws some elements from Halloween – use of bonfires and dressing up. Halloween was frowned upon by puritans, but they supported Guy Fawkes Day as it was anti-catholic.

Banner in Lewes

The anti-catholic nature of the celebration is a fact, but it really isn’t something we think about today. There is little anti-Catholic prejudice in Britain (except in certain places). Irish friends are amazed we still celebrate it, but for the vast majority of people in Britain it is really just Fireworks night, nothing to do with anti-catholic sentiment.

Traces of the original anti-catholic nature of it do continue in places like Lewes, which is one of the most traditional Fireworks Nights. This consists of clubs who organise a parade through the town, and then the burning of an effigy of the Pope and, more recently, other unpopular figures on the contemporary scene. Click here for more on Lewes.

Procession in Lewes

Ottery St Mary continues the tradition of using Tar Barrels. These are wooden barrels in which tar and tinder are set on fire. The Barrels are either rolled through the Town, or down a hill, or, as in Ottery, carried on the shoulders of volunteers (see video below). This has a pedigree which goes back before 1605 as there are references to tar barrels and displays in Protestant processions to celebrate the accession to the throne of Edward VI and Elizabeth 1

Tar Barrels in Ottery St Mary
Stephen and Claire – 2 Zany Brits on YouTube

Discovering the Plot

King James 1 took credit for discovering the plot as he is said to have deciphered the warning given in a letter, written to William Parker, 13th Baron Morley, 4th Baron Monteagle at his house in Hoxton, London (commemorated by a plaque in Hoxton Street near where I live) which warned against turning up at Parliament but was not explicit as to the nature of the threat.

Letter Lord Monteagle passed on to King James 1

My lord, out of the love I beare to some of youere frends, I have a care of youre preservacion, therefore I would aduyse you as you tender your life to devise some excuse to shift youer attendance at this parliament, for God and man hath concurred to punishe the wickedness of this tyme, and thinke not slightly of this advertisement, but retire yourself into your country, where you may expect the event in safety, for though there be no apparance of anni stir, yet I saye they shall receive a terrible blow this parliament and yet they shall not seie who hurts them this cowncel is not to be contemned because it may do yowe good and can do yowe no harme for the dangere is passed as soon as yowe have burnt the letter and i hope God will give yowe the grace to mak good use of it to whose holy proteccion i comend yowe.

National Archives

James realised this sentence: ‘they shall receive a terrible blow this parliament and yet they shall not seie who hurts them ‘ implied an explosion. His father, Lord Darnley, was killed in a Gunpowder Plot in Edinburgh, so perhaps he was particularly attuned to the threat. On the other hand, there is a possibility that the King’s Secret Service were aware of the plot and arranged matters, so the King could receive the credit for its discovery.

The Fifth of November

    Remember, remember!
    The fifth of November,
    The Gunpowder treason and plot;
    I know of no reason
    Why the Gunpowder treason
    Should ever be forgot!
    Guy Fawkes and his companions
    Did the scheme contrive,
    To blow the King and Parliament
    All up alive.
    Threescore barrels, laid below,
    To prove old England’s overthrow.
    But, by God’s providence, him they catch,
    With a dark lantern, lighting a match!
    A stick and a stake
    For King James’s sake!
    If you won’t give me one,
    I’ll take two,
    The better for me,
    And the worse for you.
    A rope, a rope, to hang the Pope,
    A penn’orth of cheese to choke him,
    A pint of beer to wash it down,
    And a jolly good fire to burn him.
    Holloa, boys! holloa, boys! make the bells ring!
    Holloa, boys! holloa boys! God save the King!
    Hip, hip, hooor-r-r-ray!

English Folk Verse (c.1870)

First published 5th November 2021, revised 2024

Myths, Legends & Halloween Virtual Tour October 31st 2024

Bran's head taken to Tower Hill
King Bran’s head buried at Tower Hill

Virtual Walk: Thurs 31st October 2024 8.00pm

On Thursday, I am doing my first London Walk Virtual Tour of the winter season.

The walk tells the story of London’s myths and legends and the Celtic origins of Halloween.

The walk will tell the story of London’s Myths and Legends, beginning with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Belinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries.

As we around the City, we also look at the origins of Halloween celebrations and how they may have been celebrated in early London


The virtual route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls.

To book:

REVIEWS (from London Walks website)
“Kevin, I just wanted to drop you a quick email to thank you ever so much for your archaeological tours of London! I am so thrilled to have stumbled upon your tours! I have wanted to be an archaeologist since 1978 at the ripe old age of 8 years,… I was told for years that I could not be an archaeologist [for any number of reasons, which I now realise are completely ridiculous!], so I ended up on a different course of study. And now at the age of 50, it is my one great regret in life. So, I am thoroughly enjoying living vicariously through you, the digs you’ve been on, and the history you bring to life for us! British archaeology would have been my specific area of study had I pursued it. ?? Thank you SO MUCH for these! I look forward to them more than you can imagine, and honestly, I’ll be sad if you get them down to 1.5 hours! They’re the best 2 hours of my week! 🙂 Best, Sue

The London Museum Pigeon & Splat!

Screenshot concerning the new Logo of the Museum of London

I was quite surprised to see the image above appear in an email to my inbox. The London Museum (was the Museum of London) announced the Pigeon and Splat as the new logo to replace the old Dick Whittington one. I received the email on the 27th July 2024.

Is this a breath of fresh air? An unfussy humourous joke which 5 year old will love? Is a Pigeon uniquely London? Is the Splat too clever by half, or is it completely daft?

I’ll leave it to you to decide. However, a visit to the London Museum Website on 15/08/24 reveals the Pigeon logo displayed without the Splat!

Screenshot of London Museum’s new logo without the Splat!

Further down the page, is an article on the history of Pigeons and London, where there is a vestigial splat!

It seems to me there has been a climb down since I received the email on 27th July. Or are they phasing the Splat! in? Comments please.

For more on the new logo look at the Museums Associations’s Web site here. ‘The pigeon was chosen to symbolise the brand as “an impartial and humble observer of London life”, the museum said in a blog post on the redesign.’

Screenshot from the London Museum Web site with image of a Pigeon with a vestigial Splat!

‘The Parrot’ an 18th Exposé Republished

My WordPress system decided to publish my notes upon the Parrot rather than reminding me to finish off the page. So, here is the updated post again.

The Parrot was republished for free on August 4th 2024 by the York St Johns University Critical Editions team, and they have enabled you to get your free copy by following the link at the bottom of the post.

Published in 1746 ‘The Parrot’  by Elizabeth Haywood was a satire on the male-dominated London Society of the time.   It was published in 9 parts. The name comes from the viewpoint from a Parrot’s perch in a wealthy London house. The Parrot is an enslaved creature that has travelled the world, observer to its follies. The bird wonders why people should dismiss opinions simply on the basis of A Parrot’s green colour.

The introduction to the author by the team says:

Eliza Haywood (c. 1693-1756) was one of the first generation of writers to “live by her pen.” Throughout her career, Haywood adopted many roles: she was an actress, playwright, novelist and prolific essayist. However, she always used her platform to celebrate and advocate for women.

Here is the Guardian’s description of the book https://www.theguardian.com:

It was launched on Sunday 4th August and is available to download at:

https://blog.yorksj.ac.uk/ysjucriticaleditions/read-eliza-haywoods-the-parrot/

The Last Supper April 2nd

Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK
(Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)

April 2nd, 2026 is the day before Good Friday. It was on the Wednesday or the Thursday that the Last Supper took place. So I have relocated my ‘Sandals of the Saints’ post to here.

Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).

Detail of the RA copy of the Last Supper

Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!

Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.

Discovering Mary Beale in Pall Mall, Flaming June in Piccadilly March 26th

Philip Mould Galley,Bond Street.The home of painter Mary Beale

The painter Mary Beale was born on March 26th 1633 in Barrow.

Last year, I was asked to do two Jane Austen’s London walks.  The walk explores Mayfair, where her brother, Henry lived and had his Bank, and where Austen placed the central drama of Sense and Sensibility. I decided to use the time between the walks to look for a shopping mall which dates back to Jane Austen’s time, but I got diverted as I saw a sign for a free exhibition on Mary Beale in Pall Mall. 

Mary Beale is that rare beast; a professional female artist of the 17th Century (1633-1699). So, I double-checked the ‘free entry’ notice because this was a posh West End private art gallery and the name Philip Mould was familiar.  I went in and realised that this was something special. I returned to the entrance to ask the very friendly staff whether I could take photographs.  ‘Yes, of course, they said.’ much to my surprise.

Mary Beale Exhibition sign.

Downstairs, the art of Mary Beale was beautifully displayed, and the exhibition had a very interesting story to tell, which was well-told, using excellent labels and a film narrated by Philip Mould.  He was, as I thought, the co-presenter of ‘Fake or Fortune’ (with Fiona Bruce, newsreader and anchor of the BBC’s Antiques Roadshow). This is a BBC art programme which is in its 12th Series. The conceit of the show is that they investigate dubious paintings to find out whether they are genuine or not.

The film revealed that Philip Mould opened his Art Gallery here over a decade ago, but research has recently discovered that this is the very address where Mary Beale had her studio.

Scene shot of Philip Mould in the Mary Beale Exhibition in his short film shot in his Art Gallery.

Her career is not only remarkable in itself, but it was recorded in great detail by her husband. She was the bread winner.  He was her partner, and in effect the studio manager. In correspondence, he describes her as his ‘dearest heart’. 

Self-Portrait of Mary, with her husband and son

It was a family business and their children also worked as painting assistants, doing draperies and other background details.   Her paintings gave them an income of around £200 a year, which is not riches but, by comparison, a labourer got about £30 a year.

She was associated with Sir Peter Lely, the Court painter who succeeded Van Dyke. Mary Beale made copies of many of his paintings.  She also painted many pictures of her family.

Mary Beale’s painting after Sir Peter Lely’s portrait of Charles II

There are several excellent short films about Mary Beale on the Gallery’s web site, which is well worth a visit. The exhibition ends on the 19th July, but there is also, for you to see, Tate Britain’s exhibition ‘Now you see us’ which is the story of British female artists from the 1520’s to 1920.

On continued this walk to the Royal Academy when I encountered the painting ‘Flaming June’ by Lord Leighton – I removed the content to its own page which you can see here

May Posts & Medieval Royal Horses

Medieval illumination of a medieval tournament

I’ve been taking groups around Britain from London to Edinburgh and have fallen behind on my postings.

So, I am going to post a few posts today to put them on my Almanac of the Past. They will be brief, and will be worked up for a re-publication in greater length next year.

Archaeological Discoveries at Elverton St. Westminster

Near the site of the medieval jousting arena in Westminster, London at Elverton St, archaeologists, nearly 30 years ago, excavated a Cemetery which contained the remains of horses. The University of Exeter has recently revealed the results of their analysis of the horses’ bones. The 15 animals studied were found to be above average in height, and marked by a life where they had been worked hard. Analysis of their teeth suggested they came from as far afield as Scandinavia, the Alps, Spain, and Italy.

Three of the animals are the largest found in England at the time. The findings suggest they might be from a Royal Stud farm, providing war, jousting or hunting animals for the elite.

For more details read: https://www.bbc.co.uk/news/uk-england-london-68632099

Boating adventure & the Second Best Modernist Building in London

The Hoover Building in Perivale NW London, photo Kevin Flude

I published this piece in April, but for some reason to do with the fact that I published the posts from my phone rather than my computer, no email was sent to subscribers.

So, here is a chance to see it.

What makes owning a narrow boat so wonderful, apart from enjoying living amidst nature, is the accidental discovery of undreamt of wonders.  Last week, I moved my narrow boat from Westbourne Park, on the Grand Union Canal, to Perivale.  A 3-hour boat trip of less than 10 miles to a frankly uninspiring suburb.  But, as so often, mooring in an uninspiring place uncovered surprises that transform the mundane to the delightful.

Paddington branch of the Grand Union Canal heading west from Westbourne Park.  Photo Harriet Salisbury

We set off on a beautifully sunny April morning to move the boat the requisite distance to satisfy licence terms. Rain at 12 prompted a premature end to the trip.  We trudged to Perivale Underground Station, bemoaning our failure to get to Southall, to enjoy a Dosa In London’s Little India.

The road to Perivale is dull suburbia.  But we stopped at a library boasting a cafe, which turned out to be a really nice bit of early 20th Century library architecture, with a cheerful volunteer explaining they were keeping the library from closure due to council cost-cutting.

Perivale Library photo Kevin Flude

They had made the library really cosy with sofas and comfortably sitting areas. Sadly, the promised Café was not open.

Perivale Library. Interior. Photo Kevin Flude

The volunteer pointed us in the direction of a sandwich at the Tesco in the Hoover Building. I had no idea this icon of Modernism was a short walk away, so we jumped at the chance to see, at close range, one of my favourite London buildings. 

The Hoover Building (photo K Flude)

I regularly point it out to the groups I take to Oxford.  But I have never seen it up close nor standing still. Not only is the building a fabulous cream and green, but it has a backstory of interest to London’s history.  As road transport began to remake the geography of London in the early 20th Century, factories in Hackney, Tower Hamlets, Southwark, Lambeth, and other Inner London Boroughs closed, and new factories were constructed on the roads out of London, mostly manufacturing consumer goods.  Park Royal, Greenford, Slough and Staines were among the areas to develop as consumerism powered the 20th Century with the production of irons, kettles, hairdryers, radios, washing machines, vacuum cleaners and suchlike delights for the workers and families. The fields around were turned into rows of semi-detached houses to mortgage to the workers.

The Hoover Building is a Grade II* listed building of Art Deco architecture[1] designed by Wallis, Gilbert and Partners located in Perivale in the London Borough of Ealing. The site opened in 1933 as the UK headquarters, manufacturing plant and repairs centre for The Hoover Company.[2]‘ (Wikipedia). It has been converted to apartments and a Tesco occupies the Factory Floor.

What made this trip even more special was that one of the original buildings has become a Hotel, in which we discovered a massive Indian Restaurant.  There, we found it full of about 500 people eating a fast-breaking Eid dinner. £26 to eat as much as you can, all self-service, with scores of chefs serving their delicious tureens of Asian food. Such a great cultural experience, and rather better than the tasteless Tesco sandwich we were expecting.

If I’m passing the factory on a tour, I tend to read to my group Sir John Betjeman’s patronising poem ‘Slough’ which is about the horror of the new consumer society.   ‘Slough’ is wonderful to read and, yet, also, awful, not just the Oxbridge author looking down his long privileged nose at the lower classes but going to the extreme of suggesting Slough would be better off bombed to smithereens.

Guernica was bombed on 26th April 1937 and ‘Slough appeared’ in a Betjeman collection called ‘Continual Dew’ in the same year (I havent located a reference with the actual date of publication).  Bad taste in the extreme, hardly mitigated by the fact that it was originally written in 1928 and was about trading estates in general rather than Slough in particular.  Still, despite all it is still one of my favourite poems for the insight it gives to attitudes of the British class system.

So, here it is.

Slough

Come friendly bombs and fall on Slough!
It isn’t fit for humans now,
There isn’t grass to graze a cow.
Swarm over, Death!

Come, bombs and blow to smithereens
Those air-conditioned, bright canteens,
Tinned fruit, tinned meat, tinned milk, tinned beans,
Tinned minds, tinned breath.

Mess up the mess they call a town-
A house for ninety-seven down
And once a week a half a crown
For twenty years.

And get that man with double chin
Who’ll always cheat and always win,
Who washes his repulsive skin
In women’s tears:

And smash his desk of polished oak
And smash his hands so used to stroke
And stop his boring dirty joke
And make him yell.

But spare the bald young clerks who add
The profits of the stinking cad;
It’s not their fault that they are mad,
They’ve tasted Hell
.

It’s not their fault they do not know
The birdsong from the radio,
It’s not their fault they often go
To Maidenhead

And talk of sport and makes of cars
In various bogus-Tudor bars
And daren’t look up and see the stars
But belch instead.

In labour-saving homes, with care
Their wives frizz out peroxide hair
And dry it in synthetic air
And paint their nails.

Come, friendly bombs and fall on Slough
To get it ready for the plough.
The cabbages are coming now;
The earth exhales.

850 new factories were built in Slough before the outbreak of world war two, and the Trading Estate was first seen here. And yes, they are bleak, and Slough is even now, not the most exciting or architecturally sophisticated of towns.  But to imagine bombing a town in a time when there was a real fear of mass destruction from the air?

I particularly object to the line about tinned food because I was brought up on tinned beans, peas, steak and kidney pudding, pineapple chunks, peaches, and rhubarb.  And exactly what is wrong with a hair-dryer?

Before I read Slough, I recount an experience I had years ago with an American group who suddenly started laughing for no reason.  I enquired, and they pointed to a huge advertising hoarding with a poster about the Electrolux Vacuum Cleaner.  Its location near the Hoover building, I imagine might have been deliberate, but what made the Americans laugh was the slogan:

‘Nothing sucks like an Electrolux’

To a British person, the slogan works in a positive sense and we appreciate the wit.  For the Americans, it made them all laugh with shock as to why anyone would pay to say their vacuum cleaner was complete pants.

Oh, and second best? Well, the best Modernist Building in London is the Daily Express Building, Fleet Street.

Archaeology discoveries, February 2024

Sketch of a Roman skull of a man who was crucified.
Archaeology discoveries. The Image is a sketch of the ‘Facial Reconstruction, Impossible Factual/BBC’

Interesting Archaeology discoveries.

The following discoveries were reported in Salon IFA the newsletter of the Society of Antiquaries of London in Salon: Issue 526  7 February 2024, which you can see here:

Pliny the Elder’s Villa found near Vesuvius?

The 1st Century seafront villa, with views of the Bay of Naples and of Mount Vesuvius, has been excavated at the town of Bacoli, which was the port of Misenum. Pliny commanded the fleet as ‘Praefectus classis Misenensis’. Pliny tried to rescue his friends and family, ignoring warnings saying ‘Fortune favours the brave’, ‘Audentes Fortuna luvat’. It didn’t and he died, at Stabiae, by toxic fumes. Read more about the villa here:

Face Reconstructed for a Victim of Roman Crucifixion

A male skeleton found, 4 years ago, in a Roman cemetery in Fenstaton in Cambridgeshire was found with a 2-inch nail through his heel bone. BBC 4 has made a documentary about the recent reconstruction of the man’s face by, as Salon reports it:

‘US forensic artist Joe Mullins, of George Mason University, Virginia. He usually works with law enforcement agencies, reconstructing the faces of modern-day crime victims. ‘

To follow the details, read more here, or watch the BBC documentary, ‘The Cambridgeshire Crucifixion’, which can be viewed on BBC iPlayer.

For more archaeology read my post: https://www.chr.org.uk/anddidthosefeet/london-before-london-and-dna/

Published in February 2024, revised 2025