Category: Greece

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December 21 – Reflections on the Solstice

The Solstice and the East Pediment of the Parthenon

British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles

At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.

Pediment Sculptures Photo by Nicole Baster on Unsplash

At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.

Next figure is Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.

Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.

Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.

Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus's head
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head

Her back story is that her dad, Zeus eats her mum, Metis, who is pregnant with her. Sometime later, he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head with an axe to clear the headache. Zeus gives birth to a fully formed Athena through the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.

Hestia, Dione, Aphrodite, Horse of Selene’s chariot

To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.

The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.

Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.

So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.

Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.

Sculptures from the east pediment of the Parthenon
Sculptures from the east pediment of the Parthenon

I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. However, what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.

For a look at the Winter Solstice in general, look at my post here:

Originally written in 2022 and revised 2024, 2025

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Grecian Winter – Hesiod’s Works & Days December 15th

Abney Park cemetary in winter
Abney Park cemetery in winter photo by Harriet Salsibury

Hesiod is a contemporary of Homer, and therefore one of the first European poets, writing about 700BC. One of the first commentators on Greek life, thought, religion, mythology, farming and time keeping. Hesiod’s Works & Days ‘ is his Farmers Almanac and therefore long overdue an appearance on my Almanac of the Past.

Hesiod’s poems also introduce the idea of the epoch. Past glorious epochs of Gold and Bronze with a further descent to his own epoch which was of the base metal age of Iron. His so-called Myth of Five Ages, starts with a Golden Age, in which Humans don’t need to work. Followed by a Silver Age where they live to one hundred years, but live a life of strife. The Bronze Age follows which is an even tougher age as the bronze armoured men are thoroughly violent. The Age of Heroes follows which is the age of the Trojan War. There follows the Iron Age which is Hesiod’s age a time of toil and misery!

.In the 19th Century, European antiquarians, imbued with a humanist belief in Progress, developed the idea of Stone, Bronze and Iron Ages, an almost direct opposite of Hesiod’s, downhill-all-the-way to the present day idea.

Hesiod also brings in early references to Prometheus and Pandora, two of the great myths of the flaws of humanity.

Hesiod and Winter

This is what he says of Winter. It is from a translation by Christopher Kelk, available to download here (I have added line breaks after full stops, just for ease of reading.)

Excerpt from Hesiod’s Works & Days

…. you should make
A detour during winter when the cold
Keeps men from work, for then a busy man
May serve his house. Let hardship not take hold,
Nor helplessness, through cruel winter’s span,
Nor rub your swollen foot with scrawny hand.

An idle man will often, while in vain
He hopes, lacking a living from his land,
Consider crime. A needy man will gain
Nothing from hope while sitting in the street
And gossiping, no livelihood in sight.

Say to your slaves in the midsummer heat:
“There won’t always be summer, shining bright –
Build barns.” Lenaion’s evil days, which gall
The oxen, guard yourself against. Beware
Of hoar-frosts, too, which bring distress to all
When the North Wind blows, which blasts upon the air
In horse-rich Thrace and rouses the broad sea,
Making the earth and woods resound with wails.

He falls on many a lofty-leafed oak-tree
And on thick pines along the mountain-vales
And fecund earth, the vast woods bellowing.
The wild beasts, tails between their legs, all shake.

Although their shaggy hair is covering
Their hides, yet still the cold will always make
Their way straight through the hairiest beast.

Straight through
An ox’s hide the North Wind blows and drills
Through long-haired goats. His strength, though, cannot do
Great harm to sheep who keep away all chills
With ample fleece. He makes old men stoop low
But soft-skinned maids he never will go through –
They stay indoors, who as yet do not know
Gold Aphrodite’s work, a comfort to
Their darling mothers, and their tender skin
They wash and smear with oil in winter’s space
And slumber in a bedroom far within
The house, when in his cold and dreadful place
The Boneless gnaws his foot (the sun won’t show
Him pastures but rotate around the land
Of black men and for all the Greeks is slow
To brighten).

That’s the time the hornèd and
The unhorned beasts of the wood flee to the brush,
Teeth all a-chatter, with one thought in mind –
To find some thick-packed shelter, p’raps a bush
Or hollow rock. Like one with head inclined
Towards the ground, spine shattered, with a stick
To hold him up, they wander as they try
To circumvent the snow.

As I ordain,
Shelter your body, too, when snow is nigh –
A fleecy coat and, reaching to the floor,
A tunic. Both the warp and woof must you
Entwine but of the woof there must be more
Than of the warp. Don this, for, if you do,
Your hair stays still, not shaking everywhere.

Be stoutly shod with ox-hide boots which you
Must line with felt. In winter have a care
To sew two young kids’ hides to the sinew
Of an ox to keep the downpour from your back,
A knit cap for your head to keep your ears
From getting wet.

It’s freezing at the crack
Of dawn, which from the starry sky appears
When Boreas drops down: then is there spread
A fruitful mist upon the land which falls
Upon the blessed fields and which is fed
By endless rivers, raised on high by squalls.

Sometimes it rains at evening, then again,
When the thickly-compressed clouds are animated
By Thracian Boreas, it blows hard. Then
It is the time, having anticipated
All this, to finish and go home lest you
Should be enwrapped by some dark cloud, heaven-sent,
Your flesh all wet, your clothing drenched right through.

This is the harshest month, both violent
And harsh to beast and man – so you have need
To be alert. Give to your men more fare
Than usual but halve your oxen’s feed.
The helpful nights are long, and so take care.

Keep at this till the year’s end when the days
And nights are equal and a diverse crop

Keep at this till the year’s end when the days
And nights are equal and a diverse crop
Springs from our mother earth and winter’s phase
Is two months old and from pure Ocean’s top
Arcturus rises, shining, at twilight.

Hesiod’s Works and Days: Translation Christopher Kelk
Roman Bust of Hesiod (Wikipedia photo by Yair Hakla) Neues Museum

Acturus is not seen in winter, and in the Northern Hemisphere its rising (50 days after the winter solstice) and has always been associated with the advent of spring.

Boreas was the winged God of the North wind, which bore down from the cold Mountains of Thrace (north of Macedonia). One of his daughters, Khione, was the Goddess of Snow. Lenaion was associated with January one of the festivals of Dionysus, and a theatrical season in Athens particularly for comedy.

To see more of Hesiod see my post hesiod-and-a-grecian-spring/

First published 15th December 2022, republished December 2023, 2024,2025

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Ashmolean Advent Calendar, William Burges & the Singing Pierides December 12th

The Great Bookcase by William Burges Ashmolean Museum (Photo K. Flude)

The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting.

The Great Bookcase by William Burges & the Singing Pierides

In 2022 The Ashmolean featured the Great Bookcase by William Burges. Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters. He asked 14 of them to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).At the bottom of the Wardrobe are the Singing Pierides painted by Henry Stacy Marks. The Pierides were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won., As punishment for their vanity, they turned the Pierides into songbirds. Let this be a warning to all those who overrate their own talents!

‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.

Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’

Antoninus Liberalis‘ Metamorphoses (wikipedia)

Burges & the International Exhibition of 1862

Engraving of the International exhibition of 1862, Cromwell Road
Print of the International Exhibition of 1862, South Kensington

The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition, South Kensington, London. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in what were then the Royal Horticultural Society’s gardens (now the Science, Natural History Museum, Imperial College etc.)

Raphael

This year, they posted a Raphael drawing of an angle. I show a screen shot below. But to have a real look click here.

The Nuragi

Last year it was a nuragi bronze age stature of a shepherd, a screen shot of which I show below. 2023 December 12th’s choice was a netsuke.

Nuragi statue of a Shepberd

I discovered the Nuragi on a University Field trip, with my students, to the Capital of Sardinia, Cagliari. The Nuragic culture is not well known. However they have amazing Bronze sculptures which give the viewer a really vivid view of their lives and fashions in the Bronze Age. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean, or they may not.

Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum, look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di Bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really brings the people to life depicted in the statues. They are mostly warriors, but also there are ‘normal trades’ such as shepherds and bakers which are depicted as well.

Here is my slight adaption of one of the drawings. It is of a shepherd similar to the one photo’d above.

A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis

What you can see is some detail of the clothes and the knife belt around the torso. Not to mention the sheep around his neck! The drawing brings a living person from the Bronze Age before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture. You can see a wonderful collection of nuragi bronzes and their homes on this website.here.

Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024 and Raphael added in 2025

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Halloween October 31st

From the Perpetual Almanack of Folklore by Charles Kightly

I began my perpetual Almanac of the Past four years ago on the 31st October 2021. This was the first line:

‘This blog is to celebrate the Year. I will post, hopefully, once a day, so we can follow the seasons, as they happen naturally, and as people in Britain and Ireland have responded to the changes in the year.’

It was inspired by Charles Kightly’s book, which is a pot-pourri of folklore taken mostly from old Almanacs. I haven’t managed, yet to create a post for every day of the year, nearly managed it in the winter but falling behind in the Summer when I take Road Scholar groups around the UK. My plan is to fill in the gaps, improve posts and get rid of typos. Another aim is to add more London-specific content.

Cover of Charles Knightly's Perpetual Almanac
Cover of Charles Kightly’s Perpetual Almanac

I started on Halloween because Samhain (pronounced Sow-in) was the beginning of the year for the Celtic world. It may mean Summer’s End. In Wales, it is Calan Gaeaf (first day of winter) and Kala Goafiv (beginning of November in Brittany).

Why did the Celts start their year at such an unlikely time? A clue is that they began the next day at dusk. The Sun dies at dusk so it is the end of the day, and the next day begins with the death of the old day. 

So the New Year begins with the Death of the Old Year. Now that might suggest the Winter Solstice as the best time to start the year as this celebrates the death of the old Sun. (see my winter solstice post here :) But, the end of October has, perhaps a better claim. The harvest is in, the fruits in the trees and the nuts are harvested, all the growth of the Summer is over and collected.  Plants are mostly dead or dormant, except some evergreens. It is the end of the growing year. The seeds have fallen from the trees and shrubs and are nestling in the soil, ready to begin their cycle again. All is over and all is ready for the new year. Makes sense?

The Celtic way also explains eves; Christmas Eve, New Year’s Eve, May Eve, All Hallow’s Eve.  They are not the night before the day, they are the beginning of the day.  This is when you begin the celebration.

For the Romans, today is the day that Adonis is injured hunting a wild boar. Against his lover’s (Venus)  advice, he descends to the underworld. Nature withers and dies until he returns from the underworld. His blood stains a flower and was transformed into the Crimson Anemone. There is a similar story in Babylon of Ishtar and Tammuz.

By Alexander Marshall, crimson and other anemones
Binyon 1898-1907 / Catalogue of drawings by British artists, and artists of foreign origin working in Great Britain (5(c))

Adonis comes back on May Day when he meets Venus again, so the world flourishes and is bright and warm.

Julius Caesar says the Gauls venerated the God Dis Pater on this day – an aspect of Pluto, the God of the Underworld, ruler of the Dead. There was a Roman Festival on the Kalends of November dedicated to Pomona, the goddess of the fruit of trees. This may influence the use of Apples, which are prominent in Halloween festivities.

For more about the origins of Halloween, please look at my post on All Hallows Day here:

First written in 2021, and revised 2023, 4 and 5.

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John Goodricke and the Variable Star. September 17th 1764

John Goodricke and the Variable Star

Newton

What I really admire are people who, through their sheer brain power, can change our views of the world.  The first example that comes to mind is Newton’s insight that if the universe were infinite, the night sky would not be dark as everywhere there would be tiny pinpricks of starlight.  So, we don’t live in a infinite universe. Another one is Einstein’s thought experiment that proves that time is relative. But see below for a description of that.  But, now to John Goodricke and the Variable Star. (for Newton and the Maypole see my post here).

Goodricke

Last year in York, near the Minster, I saw the blue sign above. I thought, what on earth are ‘variable stars’?  Behind me, I heard two women say something like. ‘Here it is,”variable stars”‘.  I turned around and asked them what was a variable star?

‘Donno’ they said, ‘we’ve ‘just doing this escape room walk around York.’  They showed me a booklet they had received on the internet,. This is what I would call a treasure trail. Sadly, they showed no interest in finding out what a variable star is!

Aristotle and ancient philosophers held that the universe was unchanging and eternal. The first breach in that theory was the identification in 1638 of star Omicron Ceti. Johannes Holwarda discovered that the star pulsed on an 11-month cycle.  This and the discovery, of supernovae (first observed in 1572), proved that the ‘The starry sky was not eternally invariable’. But there was, as yet, no explanation for the phenomena.

John Goodricke was educated at Thomas Braidwood‘s Academy, school for deaf pupils in Edinburgh, and Warrington Academy. He returned to live with his parents, who rented an apartment at the Treasurer’s Hall. This is near the Minister in York. He used a friend’s personal observatory to look for variable stars. He found two of the first 10, and was the first to propose a solution. This was that two stars orbited each other causing eclipses between them and the observer. Thus creating a variation in the light emitted. To be able to extrapolate from a simple observation, and provide an explanation which necessitates a complete rethink about the nature of the universe seems, to me, to be awesome.

Einstein’s Thought Experiment

Back to Einstein, his thought experiment was something like this:

A train is travelling through a station. There is an observer on the train towards the front, another on the platform as the train goes through. There are two simultaneous lighting strikes at either end of the train. The observer on the platform sees the strikes as simultaneous. Why? Because she is in the middle between the two lighting strikes and light travels at the same speed. The observer on the train who is near the front of the train will see the lighting strike at the front of the train before the light from the strike at the back of the train can reach him. It has further to go.

This means that time is not a constant, it is relative to the observer. And yet, we think of time as a constant, something that remorselessly ticks forward and which we cannot alter. But it isn’t.

For a better explanation, see https://en.m.wikipedia.org/wiki/Relativity_of_simultaneity

First written 2024, revised 2025

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September – ‘Winter’s Forewarning and Summer’s Farewell’

Kalendar of Shepherds illustration of September showing harvesting grapes and the astrological signs for Virgo (August 23 – September 22) and Libra (September 23 – October 22)

It is that time of the year when you say ‘Where has the Summer gone? It can’t be September already?’ But, meteorology, speaking, Autumn starts today. September 1st was chosen on a numerical basis for ease of measuring rather than any profound floral, agricultural or solar reason. So, there are three Gregorian Calendar months for each season, and each season starts on the first of the month. Autumn: September, November and December.

Autumn, Harvest, Fall

Autumn comes from Latin (autumnus) which went into French and then into English. The season was also called Harvest (which went into Dutch herfst, German Herbst, and Scots hairst -Wikipedia) or from the 16th Century: the ‘fall of the year’ or ‘fall of the leaf’ which spread to America as Fall.

Summer’s Ending

It still feels like summer. In England, we often have a glorious September, and what we can an ‘Indian’ Summer, an unexpectedly warm period in mid-September to October.

Solar Autumn

Of course, for the real Autumn, we have to wait for the Equinox, the beginning of Astronomical or Solar Autumn. This year, it is on Monday, September 22nd, 2025, 7:19 pm.

Astrological September

The star signs for astrological September are: Virgo which is linked to Aphrodite (Venus) the Goddess of Love and Libra which is linked to Artemis (Diana), virgin goddess of many things, including hunting, wild animals, children, and birth.

Star signs for September

September

September gets its name from the Romans, for whom it was the 7th Month of the year (septem is Latin for seven). Later, they added two new months so it became our 9th Month. (For more on the Roman year, look at my post here).

It is called Halegmonath in the early English language, or the holy month, named because it is the month of offerings, because of the harvest, and the mellow fruitfulness of September? Medi in Welsh is the month of reaping, and An Sultuine in Gaelic which means the month of plenty.

Roman personification of Autumn from Lullingstone mosaic

Early Modern September and the autumn of Life

Here is an early 17th Century look at September from the Kalendar of Shepherds – for more on the Kalendar, look at my post here.

From the Kalendar of Shepherds

The Kalendar has an additional shorter look at September (see below). And it continues with its theme, linking the 12 months of the year with the lifespan of a man – 6 years for each month. So September is a metaphor for man at 56 years of age, in their prime and preparing for old age.

September from the Kalendar of Shepherds. The last sentence beginning ‘and then is man’ shows the link between September and the beginning of the autumn of life.

Season of ‘mists and mellow fruitfulness‘

John Keats (1795 – 1821) wrote a great poem called ‘To Autumn’:

Season of mists and mellow fruitfulness,
  Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
  With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
  And fill all fruit with ripeness to the core;
    To swell the gourd, and plump the hazel shells
  With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
    For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
  Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
  Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
  Drowsed with the fume of poppies, while thy hook
    Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
  Steady thy laden head across a brook;
  Or by a cider-press, with patient look,
    Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
  Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
  And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
  Among the river sallows, borne aloft
    Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
  Hedge-crickets sing; and now with treble soft
  The redbreast whistles from a garden-croft,
    And gathering swallows twitter in the skies.

Written September 19, 1819; first published in 1820. This poem is in the public domain and available here:

First published September 2024, revised 2025

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Twin, Twins – Festival of Castor and Pollux July 15th

The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia

The Divine Twins, aka the Dioscuri, were horsemen. Patrons of calvary, athletes and sailors, one of many Indo-European twin gods.   They had many adventures including sailing with Jason and the Argonauts.

And are they well connected?! Pollux is the son of Zeus  His twin brother has a different and mortal father, the King of Sparta.  But the boys share the same mother, Leda.  She was raped by Zeus in the guise of a swan.

This makes them examples of heteropaternal superfecundation as Mary Poppins didn’t sing.  But their different paternity had consequences. The most important is that one was (is?) therefore immortal and the other wasn’t. 

According to some version of the story, Castor (the mortal one) was mortally wounded. Zeus gave Pollux the option of letting his brother die while Pollux could spend eternity on Mount Olympus. The alternative was to share his immortality with his brother. Pollux did the good thing. So the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus.  Thus, they are the epitome of brotherly love.

Divine Twins or Sisters from Hell?

The Dioscuri’s sisters were no less than Helen of Troy and Clytemnestra. Never mind the Brothers, what Sisters! Helen of Troy you know. And Clytemnestra! They were also twins, Helen the divine daughter of Zeus, husband of Menelaus, lover of Paris. Sister, Clytemnestra, mortal daughter of the King of Sparta, husband of Agamemnon (brother of Menelaus).

It happened like this.  The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed.  On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.

Leda and the Swan, 16th-century copy after the lost painting by Michelangelo

Clytemnestra

She was the wife of Agamemnon, the arrogant leader of the Greeks.  On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, following his seers’ advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis.  The Gods then set the winds fair to Troy. (Read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University).

Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph, from the destruction of Troy. He brings with him his prize, the Trojan Princess, Cassandra, sister of Hector.

Cassandra has been gifted with the ability of accurate prophecy. But, as often in the case of prophecy stories, the gift came with a sting in its tale. She was also cursed with the inability to get anyone to believe her!  She prophesies disaster and that she too will be a victim.

Strutting with arrogance, Agamemnon demands Clytemnestra prepare him a bath. And, so she runs it for him, and she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe. Cassandra is butchered.

painting of Clytemnestra after she has slaughtered her husband Agamemnon _by_John_Collier,_1882 (Wikipedia Guildhall Museum)
Clytemnestra by John Collier,_1882 (Wikipedia Guildhall Museum)

Attitudes

I visit John Collier’s painting of Clytemnestra at the Guildhall, in London, regularly. I am fascinated by her grim, yet satisfied, expression.

In the 18th/19th Century, rich people were into ‘attitudes’.  For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats.  She would dress up in a flowing, revealing unstructured classical gown.  Then she would stand on a table or pedestal, and present herself as Helen or Andromache or any other classical beauty guests might fancy an eyeful of.  She would assume an appropriate facial expression and posture for everyone’s pleasure. 

Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’

Being Clytemnestra is, surely, the most difficult? I imagine Collier’s model being prompted to look both sad at the loss of the daughter. Outraged at the arrogance of the husband. Horrified at the gore of the murder. But, overall, she has to portray a grim satisfaction that the bastard got exactly what he deserved.

Dorothy Dene

Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent. It is said this inspired Bernard Shaw’s story Pygmalion, which, in turn, inspired My Fair Lady and Eliza Doolittle. 

Leighton’s model was Dorothy Dene.  She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. For more on Leighton and Dene look at my post here.

John Collier

Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog, T.H. Huxley (grandfather of Aldous Huxley).

For more on Flaming June see my blog post of 12 July 2024

European Twin Gods

It is suggested that twin male gods are a feature of Indo-European religions. The divine Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue people lost at sea.  

St Elmo’s fire was said to be the way they manifested their divinity to sailors.   Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us, in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.

First written in 2023 updated in July 24 and 25

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Cotswolds Olimpicks May 30th

screen shot from https://youtube.com/shorts/wBOPAZ2131Y?si=UEED_F8QjSb_wW6Z

I’m in Ferrara, in the Po Valley near Bologna.  Hence, falling behind on posts!  I am on holiday but attending a reunion of Archaeologists who excavated here in the 1980’s.  It was a collaboration between Italian and UK archaeologists.  The British contingent was mostly from the Museum of London.  More to follow over the next few days.

But on the 30th May I planned to tell you about the Cotswolds’ Olimpicks.  This was set up by Robert Dover on a hill near Chipping Camden, in the early 17th Century.

Inspired by the Greek Olympics, he felt the modern world could do with an infusion of the original spirit.

The Olimpicks has a collection of tradition sports such as the sack race, and the tug of war.  But the one that receives the most attention is shin-kicking.  Two contestants try to knock each other over by kicking each other in the shins!  They are not supposed to pull or push their opponent over. Or use Judo style throws.  Protective gear is supplied in the form of straw or hay packed down the socks.

For other Cotswolds content look at my posts

coopers-hill-cheese-rolling-may-26th/

campden-house-fire-sunday-march-23rd-1862/

chipping-campden-murder-august-16th-1660/

First published 1 June 2025

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Chelsea Buns, Hot Cross Buns. Long Rope Day & Good Friday

photo of three hot cross buns on a blue transfer ware plate
Good Friday Hot Cross Buns

This year, Good Friday is on Friday 18th of April, and the day we eat Hot Cross Buns. It is a simpler sort of bun than the Chelsea Bun, which was the bun to have at Easter, in London in the 18th Century. Read on to hear about the Chelsea Buns.

Hot Cross Buns Good Friday Traditions

There seem to be all sorts of dubious traditions around the origins of the Hot Cross Bun. It has been suggested that the Greeks knew how to put a cross on a bun. Also, that the Anglo-Saxons celebrated the Goddess Eostre with the crossed bun. The cross represents the four quarters of the moon, the four seasons and the Wheel of the Year. But there is very little evidence for Eostre other than the Venerable Bede’s mentioning her name. So her association with Hot Cross Buns cannot be known.

However, the cross, and the association with Easter, makes the bun powerful, so there are many superstitions on record. A piece of an Easter Hot Cross Bun given to the sick may promote a cure. It was said that a bun cooked and served at Easter will not go off for a year. This might help explain the traditions that hanging them up on a string or ribbon is a good thing. One hung in a kitchen prevents fire. On a ship prevents sinking. In East London, the Widow’s Son Pub in East London has an old bun. This remembers a sailor-son who never returned to eat it on Good Friday.

Making and Eating Hot Cross Buns

The technology of putting a cross on a Bun requires nothing more complicated than a flour and water paste so it might well be an ancient tradition. A more impressive cross can be made with shortcrust pastry. The bun itself is simply flour, milk, butter, egg, salt, spices and mixed fruit. Here is a recipe from the BBC www.bbcgoodfood.com

In my opinion, they need to be purchased from a shop. Home-made Hot Cross Bun might be better but would be strangely disappointing. It’s normally eaten toasted and buttered although I prefer the soft doughy untoasted and unbuttered bun. But then it is possible to get carried away and eat the entire pack of four.

The Good Friday Chelsea Bun

Old Chelsea Bun House Frederick Napoleon Shepherd - from a print at the Museum of London (Wikipedia)
Old Chelsea Bun House Frederick Napoleon Shepherd – from a print at the Museum of London (Wikipedia)

‘RRRRRare Chelsea Buns’ as Jonathan Swift called them in a letter to Stella in 1711.

Fragrant as honey and sweeter in taste
As flaky and white as if baked by the light
As the flesh of an infant soft, doughy and slight.

The buns were made from eggs, butter, sugar, lemon and spices. The tradition was that, on Good Friday, 18th and 19th Century Londoners would go to Chelsea to buy Chelsea Buns. Thousands of people would turn up at the Five Fields. These stretched from Belgravia to what is now Royal Hospital Street. There were swings, drinking booths, nine pins and ‘vicious events that disgraced the metropolis’. The Bun House was on Jew’s Row as Royal Hospital Street was then called. As several King Georges visited the Bun House it became known as the Royal Chelsea Bun House. It was run by the Hands family. They were said to sell 50,000 Buns on the day. Stromboli tea garden was nearby.

Chelsea Cabinets of Curiosity

Inside the Chelsea Bun House was a collection of curiosities. Chelsea became known for its collection of curiosities in the 18th Century. Of course, there was the great Hans Sloane’s collection which was the founding collection of the British Museum. And then there was Don Saltero’s which was a coffee house that had curiosities on the wall. The Bun House displayed clocks, curiosities, models, paintings, and statues on display to attract a discerning Public.

Me. I love a Chelsea Bun above all buns, But can you get them any more? The British Library Cafe was the last place I found that sold them. And that was 6 years ago. Their place has been taken first by Danish Pastries and more recently the ubiquitous Cinnamon Bun. If you see any on sale let me know.

To make yourself one follow this link. https://www.christinascucina.com/chelsea-buns-british-buns-similar-to-cinnamon-rolls/

Chelsea_bun by Petecarney wikipedia
Chelsea Bun by Petecarney wikipedia

Long Rope Day

There is a tradition of Skipping on Good Friday. I can’t say I ever saw it – in my school skipping was a perennial activity, mostly enjoyed by the girls, but the boys would sometimes be intrigued enough to join in.

There is a great article about Long Rope Day in the Guardian with a wonderful picture of a collective skip.

https://www.theguardian.com/culture/2023/apr/06/english-heritage-tradition-skipping-aeaster

More traditions here. My post on Pancake Day. For Lardy Cake read my Fat Thursday post.

First Written in 2023, and combined with the Chelsea Bun in April 2025

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As Mad as a March Hare March 28th

March Hare. Hares Boxing in Yorkshire by yorkshireroestalking

The expression ‘Mad as a March Hare’ comes from the displays of hare boxing that takes place as the Hare mating season begins. And no, it’s not the male March Hare fighting in the spirit of romantic rivalry. It is the female hares fighting off unwanted attention from the males. Hares are solitary creatures, and the mating season is, perhaps, particularly difficult for them. The Country File website has more on the subject. www.countryfile.com

Not only March Hares but March Kittens too

There are also March Kittens and March Chickens. Edward Topsell in his ‘History of Four-footed Beasts‘ 1607 says the best Kittens to keep are those born in March. ‘The Closet of Sir Kenelm Digby Opened‘ 1669 says:

‘Keep a black cock hatched in March as a protection against evil spirits: his crowing terrifies them.’

He also give a recipe for Cock Ale:

Eight gallons of Ale, a boiled March Cock, four pounds of stoned Raisins, half a pound of dates, nutmegs, mace. Beat the ingredients in a mortar, add to two quarts of Sherry. Add to the ale. Stop it in a container for 6 or 7 days. Bottle it, drink after a month.

Very weird. I challenge my readers to try it and let me know how it goes?

Was the March Hare Sacred?

But its not only March Haries, because the hare itself was a sacred animal. It was sacred to Aphrodite because of their prodigious ability to have offspring:

‘For you know, I imagine, what is said of the hare, that it possesses the gift of Aphrodite to an unusual degree. At any rate it is said of the female that while she suckles the young she has borne, she bears another litter to share the same milk; forthwith she conceives again, nor is there any time at all when she is not carrying young.’

Classical Texts Library. Philostratus the Elder, ‘Imagines’ Book 1.1-15 c 3rd Century AD. Translated by Arthur Fairbanks.

Divine Celtic & Neolithic Hares

Research reported by Exeter University suggests that hares were worshipped in pre-Roman Britain. Julius Caesar wrote:

“The Britons consider it contrary to divine law to eat the hare, the chicken, or the goose.”

‘The Battle for Gaul’ Translation by Wiseman, Anne, Wiseman, T. P. Published by Penguin Random House, 1980 ISBN 10: 0701125047 (TP Wiseman was my professor for Classical Studies at Leicester University).

In Neolithic Ireland hares were found buried with human remains at the Neolithic court tomb at Parknabinnia.

March Hares, Easter Bunnies, & Witches

illustration of a hare from 1873 fom the London Illustrated Almanac
The Hare

Hares are thought to be the original Easter Bunny. But finding good evidence before Germany in the early modern period is difficult. There is a tradition that witches can be scared away at Easter. Exactly, how this works is not at all clear to me. But it has been said that witches could take on the form of a hare. So eating Hare Pie at Easter help rid the land of the witches.

You could have a jugged hare. Jugging is cooking a whole animal in a container over water. Follow this link for a recipe for jugged wild hare. Remember, you are not allowed to shot or trap them on a Sunday or on Christmas Day! For a discussion of hares and folklore, click here:

Hare’s Feet Totems

A jointed hare’s foot was considered very lucky and a remedy against gout, stomach pains and insomnia. (The Perpetual Almanack of Folklore by Charles Kightly, which I have used several times in this piece.) You can buy one on eBay. (Don’t click the links, it’s not an advert but a picture of an advert). I remember friends having rabbit feet which they carried around with them often on key rings?

Advert for a hare's foot from ebay
Advert for a hare’s foot from ebay

Please look at my January Post of Rabbiting January-19th-kalendar-of-shepherds/

First published March 28th 2023, revised 2024, and 2025

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