Scene from the Eve of St Agnes & Keats poem. Porphyro looking at the sleeping Madeline by Edward Henry Wehnert (1813-68) Scanned image and text by Simon Cooke https://victorianweb.org/art/illustration/wehnert/8.html
January 20th is the Eve of St Agnes & Keats wrote a poem on the subject. The poem is one of his most important and was written in 1819 and published in 1820. Folklore held that a maid would dream of her future lover on St Agnes Eve if she took certain precautions. In particular, they had to go to bed without supper, and transfers pins from a pincusion to their sleeve while reciting the Lord’s Prayer. John Keats used this tradition in his epic poem.
St Agnes was a martyr who, at 13 years old, refused to marry a pagan. She was martyred by being stabbed in the throat. Agnes is well attested and on a list of martyrs dating to AD345. She is the patroness of young women and of chastity. Her feast day is January 21st. I wrote about St Agnes and the Fraternity of St Anne and St Agnes on Distaff Sunday.
The Eve of St Agnes & Keats
The poem begins with a great description of winter.
St. Agnes’ Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp’d trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman’s fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem’d taking flight for heaven, without a death, Past the sweet Virgin’s picture, while his prayer he saith.
Keats sets up the drama with a poetic description of the folklore:
They told her how, upon St. Agnes’ Eve, Young virgins might have visions of delight, And soft adorings from their loves receive Upon the honey’d middle of the night, If ceremonies due they did aright; As, supperless to bed they must retire, And couch supine their beauties, lily white; Nor look behind, nor sideways, but require Of Heaven with upward eyes for all that they desire.
In the poem, the maid Madelaine goes to sleep to dream of her love Porphyro. He risks everything to visit the young girl, and watches her while she sleeps. She dreams of him. Waking up and seeing him, Madelaine lets him into her bed thinking she is still dreaming.
She realises her mistake and tells him she cannot blame him for taking advantage as she loves him so much. But if he leaves her, she will be like “A dove forlorn and lost / With sick unpruned wing”.
The two lovers escape and run away together.
Keats
Keats was born in a livery inn in Moorgate. He lived in Cheapside, later in Hampstead, and was published in Welbeck Street in the West End. He trained as a surgeon at Guys Hospital, Southwark. But he never practised, although he did consider a post as a Ship’s Surgeon.
One wet, cold February he went home to Hampstead on the roof of a stage coach. But. he had forgotten his coat, so he got soaked and chilled to the bone. That night, he coughed up blood. His medical and family experience led him to believe it was a fatal sign of consumption. He had lived in a small house with his brother and mother, who both died of TB. Keats had helped nurse them.
Later on, however, he consulted a doctor. He was told his illness was psychosomatic. And his thwarted love for his next door neighbour, Fanny Brawne, was contributing to his illness.
He was advised to go to a warmer climate. So, he embarked at Tower Pier by the Tower of London. He transferred to a small sailing ship at Gravesend called the Maria Crowther. On the ship to Italy, he shared a cabin with another consumptive. The two consumptives, had opposite ideas as to whether the portholes needed to be open or closed for their health. Letters he wrote makes it clear he was desperate to stop himself thinking about Fanny Brawne. He got to Rome where he died, achieving, he felt, nothing worthwhile in his life. His memorial stone proclaimed:
“Here lies One Whose Name was writ in Water.”
First written in January 23, republished on January 20th 2024, 2025
Hermes the ram-bearer, Roman 1st BCE copy of 5th Greek statue
Lambing
If a lamb be born sick and weak, the Shepherd shall fold it in his cloak, blow into the mouth of it and then, drawing the Dam’s dog, shall squirt milk into the mouth of it. If an Ewe grow unnatural, and will not take her Lamb after she has yeaned it, you shall take a little of the Clean of the Ewe (which is the bed in which the Lamb lay) and force the Ewe to eat it, or at least chew it in her mouth and she will fall to love a Lamb naturally. But if an Ewe have cast her Lamb, and you would have her take to another Ewe’s Lamb, you shall take the Lamb which is dead, and with it rub and daub the live Lamb all over, and so put it to the Ewe, and she will take to it as naturally as if it were her own.
Gervase Markham, ‘Cheap and Good Husbandry’ 1613 (quoted in the Perpetual Almanac by Charles Kightly).
All about Lambing
Lambing can begin in the second part of Janauary in the south-west of the UK. But it gets progressively later as you travel north. Itinerant shearers, now often from New Zealand, travel the country shearing sheep. They will begin in the south and then progress north.
March and April are peak lambing time in the UK. But the season runs from February to April. Some farmers even lamb before Christmas (and it is not unknown to lamb in November). If ewes are tupped in October, they will lamb in March. www.nationalsheep.org.uk
The country expression is ‘in with a bang and out with the fool’ which suggests an ideal time to tup, is November 5th, on Fireworks Night. So that the lambs will be born, 5 months later, around the 1st of April.
A litter is normally one or two but occasionally more. Ewe’s get fed depending on how many lambs they will be having.
Thomas Hardy & the Reddle Man
In the ‘Return of the Native’, Thomas Hardy has a character called Diggory Venn, he is a reddle man. He travels the country in a little pony and trap selling reddle. This is a red ochre dye with which shepherds mark their flock. Part of the plot is about the reluctance of women to marry a man whose red, reddle-stained face, makes him look like a devil.
The reddle is used to mark sheep, particularly before lambing. The ram is given a collar or girdle with a marker full of reddle in it. When he mounts the ewe, she will have a red mark on her back. When she has been tupped twice, she will have two red marks on her back. She will then be taken out of the field, to encourage the ram to impregnate the others. Reddle and other dyes can be used to mark lambs chosen for slaughter, or dipping, or weighing etc
(Tup is a country verb: I tup. You tup. We are tupping etc., and means what happens when the ram ‘covers’ the ewe)..
1779 – Peter Mark Roget, physician, scholar, thesaurus creator was born, brought into this world, popped out, brought forth, sprogged, engendered, begat
Run by the London Wild Life Trust. The web site says:
Celebrate Wassail Day with us on Saturday 18th January.
London Wildlife Trust welcomes the local community to awaken the apple trees to ensure a good harvest of fruit in autumn in a traditional Wassailing event.
Activities on the day will include apple inspired crafts, bird feeders, warming bread on the fire (weather permitting), pinning toast to trees (this apparently helps with a good harvest!) and more!
First, published Jan 2023, republished Jan 2024, 2025
Marble statue of Bacchus from the Temple of Mithras London. The inscription reads ‘hominibus vagis vitam’ Translation … (give) life to men who wander.
On the eighth day of Christmas my true love sent to me: 8 Maids a Milking; 7 Swans a Swimming; 6 Geese a Laying 5 Golden Rings 4 Calling Birds; 3 French Hens; 2 Turtle Doves and a Partridge in a Pear Tree
Closing Time
The 8th day, New Years Day, is the day of the Throbbing Head. In ‘Closing Time’ Leonard Cohen wrote about drinking to excess. I like to think he refers to Christmas and New Year’s Day:
‘And the whole damn place goes crazy twice And it’s once for the devil and it’s once for Christ But the boss don’t like these dizzy heights We’re busted in the blinding lights of closing time.
Trouble is the song mentions summer. Oh well. You can enjoy the official video on YouTube below:
Hangover Cure
So what you need is a hangover cure. Nature provides many plants that can soothe headaches. And in the midst of the season of excess, let’s start with a hangover cure.
Common ivy Photo by Zuriel Galindo from unsplash
Ivy and Bacchus
Ivy, ‘is a plant of Bacchus’…. ‘the berries taken before one be set to drink hard, preserve from drunkenness…. and if one hath got a surfeit by drinking of wine, the speediest cure is to drink a draft of the same wine, wherein a handful of ivy leaves (being first bruised) have been boiled.’
Culpeper Herbal 1653 quoted in ‘the Perpetual Almanac’ by Charles Kightly
The image of Bacchus, at the top of the post, is from a fascinating article by the Museum of London on wine making in Roman Britain. Bacchus is often shown with an ivy crown around his head as Romans were wont to wear them to fend of hangovers.
Skullache, and Willow,
Crack Willow Trees on the Oxford Canal, August 2021
One of the best documented folk hangover cure is willow bark. It could be used for headaches, earaches and toothaches. Here is a record of how simple it was to use:
‘I am nearly 70 years old and was born and bred in Norfolk… My father, if he had a ‘skullache’ as he called it, would often chew a new growth willow twig, like a cigarette in the mouth.’
‘A Dictionary of Plant Lore by Roy Vickery (Pg 401)
In the 19th Century, Willow was found to contain salicylic acid from which aspirin was derived. As a child I remember chewing liquorice sticks in a similar way. However, we chewed, supposedly for the pleasure and the sweetness not for the medicinal virtues of the plant.
Country Weather
January 1st’s weather on the 8th Day of Christmas was warm and wet all day. So, according to Gervase Markham, the 8th Month, August, will be similarly warm and drenched. (source: ‘The English Husbandman’ of 1635.)
On this Day
It was the Day of Nymphs in Greece dedicated to Artemis, Andromeda, Ariadne, Ceres. (according to the Goddess Book of Days by Diane Stein.)
Here are listed the public guided walks and tours I have currently got in my diary. I will be adding others all the time.
Jane Austen’s London Anniversary Walk 2.30 pm Saturday 25th Jan25 To book Jane Austen’s ‘A Picture of London in 1809 Virtual Walk Mon 7.30 27th Jan25 To book Charles I and the Civil War. Martyrdom Anniversary Walk Booking details to follow The Civil War, Restoration and the Great Fire of London Virtual Tour 7:30pm Thurs 30th Jan25To book Roman London – Literary & Archaeology Walk 11.30 am Sat Feb 9th 2025 To Book Jane Austen’s London Anniversary Walk 2.30 pm Sunday 9th February 25 To book A Virtual Tour of Jane Austen’s Bath 7.30pm 10th February 2025 To book Roman London – Literary & Archaeology Walk To book Jane Austen’s London Anniversary Walk 2.30 pm Saturday 8th March 25 To book Jane Austen’s London Anniversary Walk 11.30 pm Sunday 6th April 25 To book Chaucer’s Medieval London Guided Walk Sun 2:30pm 6 April 2025 to Book Chaucer’s London To Canterbury Virtual Pilgrimage 7.30pm Friday 18th April 25 To book Roman London – Literary & Archaeology Walk 2.30 am Sat May 4th 2025 To book For a complete list of my guided walks for London Walks in 2025 look here
Monday 1st January 2025 7.00 pm On this Virtual Walk we look at how London has celebrated the New Year over the past 2000 years.
The New Year has been a time of review, renewal, and anticipation of the future from time immemorial. The Ancient Britons saw the Solstice as a symbol of a promise of renewal as the Sun was reborn. As the weather turns to bleak mid winter, a festival or reflection and renewal cheers everyone up. This idea of renewal was followed by the Romans, and presided over by a two headed God called Janus who looked both backwards and forwards. Dickens Christmas Carol was based on redemption and his second great Christmas Book ‘The Chimes’ on the renewal that the New Year encouraged.
We look at London’s past to see where and how the New Year was celebrated. We also explore the different New Years we use and their associated Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other Winter Festival and New Year London traditions and folklore.
At the end, we use ancient methods to divine what is in store for us in 2023.
The virtual walk finds interesting and historic places in the City of London to link to our stories of Past New Year’s Days. We begin, virtually, at the Barbican Underground and continue to the Museum of London, the Roman Fort; Noble Street, Goldsmiths Hall, Foster Lane, St Pauls, Doctors Commons, St. Nicholas Colechurch and on towards the River Thames.
The First Day of Christmas, my true love sent to me a Partridge in a Pear Tree
Nebra Sun disc from Stonehenge Exhibition British Museum (photo Kevin Flude) The Disc shows the Sun, the Moon, the Pleides, and illustrates the Summer and Winter Solstice movements of the Sun.
On the 25th December were born Jesus, Mithras, Attis, Saturn, Apollo, and the Invincible Sun.
The Sun Gods have quite a complicated interrelationship. Zeus, and Apollo are both also considered to be Sun Gods. Apollo is particularly interrelated to Helios, the Greek God who drives the Chariot that carries the Sun across the skies every day. The Romans had a God called Sol who some say was a deity who declined to be of minor importance, until the transexual Emperor Elagabalas and then Aurelian in 274 AD revived the cult. Sol Invictus was the focus of Constantine the Great, and has been suggested as a response of the Romans to a trend towards monotheism in the later Roman period. Sol for Constantine was a gateway God to Christianity.
It is also notable that early worship of Jesus is full of solar metaphors, Jesus being, for example, the light of the world. Churches are also virtually all orientated East West, aligned with the rising and setting suns. The Altar is always at the East End, and effigies on tombs face the East.
Did the Celts have a sun-god? Belenos is a contender, but linguists are proposing his name does not come from words meaning bright but from strong. The God Lugh’s name is suggested to mean ‘shining’ but his attributes are more of a warrior than a sun god. Taranis is probably the best candidate, but he is more of a sky or thunder god than specifically a sun god. However, his symbol is a wheel and the wheel is symbolic of the turning of the year.
The Golden Wheel from Haute Marne in France, (Public Domain, Wikipedia)
His 8 spoked wheel is said to be symbolic of the Sun and it represents the division of the year by the 4 quarterly sun festivals (Winter Solstice, Spring Equinox, Summer Solstice and Autumn Equinox) and the 4 cross-quarter festivals, (Samhain or Halloween, Imbolc or Candlemas, Beltane or May Day, Lughnasa or Harvest Festival).
December 25th is a few days after our reckoning of the Solstice but it was the date of the Roman Solstice.
Christmas Cake
Today, you might be tucking into a Christmas Cake (originally eaten on Twelfth Night). Now, I know many Americans have a bizarre belief that fruit cake is the cake of the devil, something you receive as a gift and give away to someone else, as most Americans hate it. More fool them for missing out on one of the delights of the Christmas period, that and cold turkey sandwiches. Christmas Cake is made on stir up Sunday, the last Sunday in November, to let the ingredients develop their flavour. They are then covered with marzipan and decorative icing.
19th Century Christmas Cake, generally now the icing continues down the side of the cake.
In Germany, they also eat a fruit bread called Stollen or Weihnachtsstollen. The tradition is said to have been started in the 15th Century, when the Pope gave dispensation to allow the use of butter in the fasting period of Advent. The Germans had to use oil to replace the banned butter, but they could only make oil from turnips, so eventually the Pope allowed the use of butter, with which they made bread with added dried fruits.
Stollen By Gürgi – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=3720379
In Italy, they eat Panettone, a fruit bread/cake. It is a sourdough, and a cross between a brioche and a cake. It often comes in a beautiful decorative tin, and is delicious. The centre of panettone production is Milan and this year is the 200th Anniversary of Milan’s famous Marchesi 1824 which makes artisanal Panettone from ‘fine ingredients such as six-crown sultanas, naturally candied fruit, Bourbon vanilla from Madagascar, Italian honey and eggs from free-range hens, blended in a slow-rising dough with the exclusive use of Marchesi 1824 sourdough starter‘. Thank you, Mara from Milan, for the heads-up.
Screen shot from website – does not click through to sales!
Which is best? The only way to find out is to eat several slices of each. America, you don’t know what you are missing.
For stir up sunday see the second half of this post of mine.
As the Sun enters the House of Capricorn remember the poor Coachman travelling all day everyday in all weathers. Washington Irving in his ‘Old Christmas’ (Originally ‘The Sketch Book of Geoffrey Crayon’ pub. 1819) describes him with a broad red face, a broad body widened by drinking beer; swathed with any numbers of layers of coats trying to keep the cold out. He has many worries on his mind as he has a coach full not only of people who need looking after but also a lot of parcels and commissions that need to be carried out in the many stops along the way. He is delivering parcels, turkeys, geese, presents, children, you name it he is responsible for its safe delivery.
Feel sorry for the people crowded inside the carriage but even sorrier for those sitting on the roof. They have umbrellas in a vain attempt to keep dry, but the umbrella tines will be poking you in your ear, and the run off from the canopy of the umbrella might trickle down your neck. There might be 6 people inside and up to 10 on the roof. 3d for travelling inside and half of that for the roof. voach
Inside, you are next to a large man who is not very salubrious looking, nor too worried about pressing his thighs against you.
John Keats blamed his consumption on his journey on the roof of a stage-coach travelling from London to Hampstead on a cold wet day in February.
Stage coaches became regular sights on the road during the 17th Century and were quite dangerous as the roads were in such a poor condition. It was suggested that passengers made their wills before travelling! From the late 17th and with Parliament increasingly used to set up not-for-profit toll road, the roads got better, and ‘Flyers’ and mail coaches could get up to the tremendous speed of 10 miles an hour, and averaging 7. This happened because improved roads meant improved suspensions, and wheels, and more and faster horses could be harnessed.
This revolutionized travel. It used to take 5 days in around 1700 to get to Manchester from London, by the mid 18th Century the time taken was reduced to 24 hours, and there were many more scheduled coaches, The mail coaches had priority, the coach had a blunderbuss and two pistols to deter highway men, and the guard had a post-horn with which to warn other vehicles to give clear passage, to alert tollgate keepers to open gates, and to announce arrival at a stop. Extra horses would be harnessed to help get up steep hills which, in some cases, like Broadway in the Cotswolds, might mean an additional 10 horses. Passengers might be asked not only to get off the coach to lighten the load but also to push if the going got boggy. On mail coaches, the passengers were not allowed to get off when the horses were changed, and only 4 were allowed inside the coach.
London was ringed by Coaching Inns, which were coach terminals and hotels. The most famous ones, remaining, are in Southwark on the approach road to London Bridge. The Tabard where the Chaucer’s Canterbury Tales started, The White Hart where Dickens’ Sam Wheeler is the Bootboy, and the George, which although not quite so literary is at least still half intact.
Pilgrims leaving the Tabard Inn for the Canterbury PilgrimageGeorge Inn,Southwark (photo Kevin Flude)
Capricorn
‘The man born under Capricorn shall be iracundious and a fornicator; a liar, and always labouring.
....The woman shall be honest and fearful, and have children of three men, she will do many pilgrimages in her youth and after have great wit.’
From Kalendar of Shepheards 1604 quoted in ‘The Perpetual Almanac of Folklore by Charles Kightly’.
iracundious is first mentioned in a work published by Caxton in the 15th Century and pretty much obselete by the 17th Century. It means easily angered or irritable.
So, the old Sun is dying, and if the Sun keeps going down we are all going to die. To keep our anxiety to a minimum with all of nature seeming to be dying or hibernating, evergreens are a symbol of a promise/proof that life will continue through the dark days. So, with its bright-green leaves and its luminous berries, Holly is the ideal evergreen for the Solstice. And as the prickles symbolise Christ’s Crown of Thorns, and the berries the red blood of Jesus, the symbolism works, too, for Christians.
‘Ivy’ says Culpeper in his Herbal of 1653, says its winter-ripening berries are useful to drink before you ‘set to drink hard’ because it will ‘preserve from drunkenness’. And, moreover, the leaves (bruised and boiled) and dropped into the same wine you had a ‘surfeit’ of the night before provides the ‘speediest cure’. (The Perpetual Almanac of Charles Kightly)
Henry Mayhew (editor of Punch) in his ‘London Labour and London Poor’ (1851–62) talks of Christmasing for Laurel, Ivy, Holly, and Mistletoe. He calculated that 250,000 branches of Holly were purchased from street coster mongers every Christmas. He says that every housekeeper will expend something from 2d to 1s 6d, while the poor buy a pennyworth or halfpennyworth each. He says that every room will have the cheery decoration of holly. St Pauls Cathedral would take 50 to a 100 shillings worth.
He also calculates that 100,000 plum puddings are eaten. Mistletoe he believes is less often used than it used to be, and he hopes that ‘No Popery’ campaigners will not attack Christmassing again.
Hot plum pudding seller from Sam Syntax Cries of London, 1820s from the Gentle Author Spitalfields Life website
Culpeper on Ivy (1814 edition):
It is so well known to every child almost, to grow in woods upon the trees, and upon the stone walls of churches, houses, &c. and sometimes to grow alone of itself, though but seldom.
Time. It flowers not until July, and the berries are not ripe until Christmas, when they have felt Winter frosts.
Government and virtues. It is under the dominion of Saturn. A pugil of the flowers, which may be about a dram, (saith Dioscorides) drank twice a day in red wine, helps the lask, and bloody flux. It is an enemy to the nerves and sinews, being much taken inwardly, out very helpful to them, being outwardly applied. Pliny saith, the yellow berries are good against the jaundice; and taken before one be set to drink hard, preserves from drunkenness, and helps those that spit blood; and that the white berries being taken inwardly, or applied outwardly, kills the worms in the belly. The berries are a singular remedy to prevent the plague, as also to free them from it that have got it, by drinking the berries thereof made into a powder, for two or three days together. They being taken in wine, do certainly help to break the stone, provoke urine, and women’s courses. The fresh leaves of Ivy, boiled in vinegar, and applied warm to the sides of those that are troubled with the spleen, ache, or stitch in the sides, do give much ease. The same applied with some Rosewater, and oil of Roses, to the temples and forehead, eases the head-ache, though it be of long continuance. The fresh leaves boiled in wine, and old filthy ulcers hard to be cured washed therewith, do wonderfully help to cleanse them. It also quickly heals green wounds, and is effectual to heal all burnings and scaldings, and all kinds of exulcerations coming thereby, or by salt phlegm or humours in other parts of the body. The juice of the berries or leaves snuffed up into the nose, purges the head and brain of thin rheum that makes defluxions into the eyes and nose, and curing the ulcers and stench therein; the same dropped into the ears helps the old and running sores of them; those that are troubled with the spleen shall find much ease by continual drinking out of a cup made of Ivy, so as the drink may stand some small time therein before it be drank. Cato saith, That wine put into such a cup, will soak through it, by reason of the antipathy that is between them.
There seems to be a very great antipathy between wine and Ivy; for if one hath got a surfeit by drinking of wine, his speediest cure is to drink a draught of the same wine wherein a handful of Ivy leaves, being first bruised, have been boiled.
Happy Eponalia
Roman Horse from Bunwell, Norfolk. Illustration by Sue Walker.
In 2021 I posted about Eponalia for the 18th Dec but I have now added it here and this is what I said:
I’ve been too busy working on my Jane Austen and Christmas Virtual Tour (I have just done that again this year) to post over the last few days. And I have, therefore, shamelessly stolen this post off my Facebook friend Sue Walker, who is a talented archaeological illustrator, artist and a very good photographer.
She wrote: ‘the 18th December is the festival of the Celtic goddess Epona, the protector of horses, she was adopted by the Romans and became a favourite with the cavalry. This finely sculpted bronze horse with a head dress and symbol on its chest is 37mm high – found in Bunwell #Norfolk #Archaeology’
Trotty Veck 1889 Dickens The Chimes by Kyd (Joseph Clayton Clarke)
As Christmas looms, seasonal publications have a mixture of wonder and joy at the coming family reunions and festivities mingled with an awareness that, for some, Christmas will depend on the Food Bank or the Charity Shelter. The weather is now cold, living costs continue to rise at the very time extra spending is needed to unlock the joy of the Season, and to counter the dark, the cold and the spectre of death which, in fact, has always been central to the season of winter.
Charles Dickens’ Christmas Books epitomise this dichotomy and adding an element of the supernatural, provided a vehicle for joy and hope, but with a forceful political message that the authorities and the rich were not doing their Christian duty to alleviate poverty. Christmas Carol contrasts the wealth of a mean rich Stockbroker with the family of his poor employee Bob Cratchit, and provides a powerful tale of redemption.
But in this post I want to concentrate on his second Christmas Book, ‘The Chimes’. It was published on December 16th, 1844. It tells the story of the stick-thin Trotty Veck who is an aged City messenger, nicknamed Trotty because of his habit of keeping himself warm by running on the spot. He is afraid to let his daughter, Meg, to marry as he has so little hope for the future. While he is worrying, he, Meg and her intended Richard are approached by Alderman Cute and Mr Filer.
Cute represents the financial industries in the City of London and the Law. Filer the new breed of political economists. These, working with the idea of Malthus and the new science of Statistics, had proved, that generous support for the poor would, inevitably, lead to a country full of poor people and no rich people. And thus, they justified the Poor Law Amendment Act of 1832 which Dickens observed as a Parliamentary reporter (1831-1834). This set up the cruel Workhouse system which provided the lowest possible level of support offering separation from family, meagre food, and sparse comforts to encourage them to stop being lazy and get back out there to earn their own living and allow taxes to fall. (brilliantly satirised by Dickens’ Oliver Twist, asking for ‘More’).
Meg, Richard, Mr Filer, Gentleman, Alderman Cute and Trotty Veck. Probably located by the door of St Nicholas, Colechurch, City of London.
Below, I enclose the scene from the Chimes, which satirises the attitude of the governing classes.
‘And you’re making love to her, are you?’ said Cute to the young smith.
‘Yes,’ returned Richard quickly, for he was nettled by the question.
‘And we are going to be married on New Year’s Day.’
‘What do you mean!’ cried Filer sharply?Enough ‘Married!’
‘Why, yes, we’re thinking of it, Master,’ said Richard. ‘We’re rather in a hurry, you see, in case it should be Put Down first.’
‘Ah!’ cried Filer, with a groan. ‘Put that down indeed, Alderman, and you’ll do something. Married! Married!! The ignorance of the first principles of political economy on the part of these people; their improvidence; their wickedness; is, by Heavens! enough to—Now look at that couple, will you!’
...
‘A man may live to be as old as Methuselah,’ said Mr. Filer, ‘and may
labour all his life for the benefit of such people as those; and may heap up facts on figures, facts on figures, facts on figures, mountains high and dry; and he can no more hope to persuade ’em that they have no right or business to be married, than he can hope to persuade ’em that they have no earthly right or business to be born. And that we know they haven’t. We reduced it to a mathematical certainty long ago!’
Alderman Cute was mightily diverted, and laid his right forefinger on the side of his nose, as much as to say to both his friends, ‘Observe me, will you! Keep your eye on the practical man!’—and called Meg to him.
...
‘Now, I’m going to give you a word or two of good advice, my girl,’ said the Alderman, in his nice easy way. ‘It’s my place to give advice, you know, because I’m a Justice. ...
‘You are going to be married, you say,’ pursued the Alderman. ‘Very
unbecoming and indelicate in one of your sex! But never mind that.
After you are married, you’ll quarrel with your husband and come to be a distressed wife. You may think not; but you will, because I tell you so. Now, I give you fair warning, that I have made up my mind to Put distressed wives Down. So, don’t be brought before me.
You’ll have children—boys. Those boys will grow up bad, of course, and run wild in the streets, without shoes and stockings. Mind, my young friend! I’ll convict ’em summarily, every one, for I am determined to Put boys without shoes and stockings, Down. Perhaps your husband will die young (most likely) and leave you with a baby. Then you’ll be turned out of doors, and wander up and down the streets. Now, don’t wander near me, my dear, for I am resolved, to Put all wandering mothers Down. All young mothers,of all sorts and kinds, it’s my determination to Put Down. Don’t think
to plead illness as an excuse with me; or babies as an excuse with me;
for all sick persons and young children (I hope you know the
church-service, but I’m afraid not) I am determined to Put Down.
And if you attempt, desperately, and ungratefully, and impiously, and
fraudulently attempt, to drown yourself, or hang yourself, I’ll have no pity for you, for I have made up my mind to Put all suicide Down! If there is one thing,’ said the Alderman, with his self-satisfied smile, ‘on which I can be said to have made up my mind more than on another, it is to Put suicide Down. So don’t try it on. That’s the phrase, isn’t it? Ha, ha! now we understand each other.’
Project Gutenberg - The Chimes by Charles Dickens
It is a savage burlesque of a satire but at its core, Filer provides the economic/statistical justification. Cute enforces it by legal harassment of the poor. Dickens was writing after a recent introduction of legislation making suicide a punishable offence.
This has a contemporary resonance. During my lifetime, the first British Government to be cruel in its provision, in my opinion, for the poor was Teresa May’s Conservative Government. Her laws made getting help so difficult that people died as a result of the deliberately difficult system. ‘I, Daniel Blake’ a 2016 film by Ken Loach brilliantly captured the essence of this system. That government’s treatment of the Windrush generation was a similar example of bureaucratic cruelty. And the continual decline of the benefit system over the 14 years of Conservative Government meant that the poor have borne the brunt of austerity.
The piece above reminds us what a brilliant propagandist Dickens was. Every generation of children, since he wrote Christmas Carol, has read it or seen it in popular retellings such as The Muppet Movie. I think it could be argued that the ‘More’ scene in Oliver Twist and the Christmas Carol have made the case for compassionate care and redemption far better than contemporary Christianity or political parties.
In the Chimes. these two men discourage Trotty from letting the young ones marry. He has a dream and sees the hopeless result of his decision: suicide, prostitution, crime. When he wakes up, he realises that what they do have is hope. Hope springs eternal and he lets them marry.
For more on this scene, have a look at the Victorian Web
Dickens was not a socialist. ‘Hard Times’ shows that Dickens was against strikes, despite leading a strike when he was a young newspaper man. He was a free trade Liberal; a reformer who believed that the rich needed to do their Christian duty and provide charitable support, pay decent wages and look after their dependents and servants. He thought society should care less about the dogma of Christianity but look to its essence, ‘love your neighbour like yourself’. This, alone, was sufficient to right the wrongs caused by the selfish.
First Published on December 16th 2022, republished and revised in December 2023, 2024
The Great Bookcase by William Burges Ashmolean Museum (Photo K. Flude)
The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting. Last year, December 12th’s choice was a netsuke; the year before the Singing Pierides painted by Henry Stacy Marks which you can see on the bottom of the Great Bookcase by William Burges (above).
The Nuragic culture in Sardinian is not well known. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland, and they created these marvellous bronze statuettes which give a real insight into life in the Bronze Age. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean or they may not.
Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum and look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really bring the people to life depicted in the statues. They are mostly warriors, but there are also people who seem to have more normal trades such as shepherd and baker.
Here is my slight adaption of one of the drawings
A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis
What you can see is some detail of the clothes and the knife belt around the torso and under the cloak, and a living person appears before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture and you can see some of the bronzes here.
On December 12th 2022, the Advent calendar, which you can access here, highlighted the Great Bookcase by William Burgess and in particular the paintings above which are the Singing Pierides painted by Henry Stacy Marks. The Pierides, were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won and had the Pierides turned into songbirds as a warning to all those who overrate their own talents! Watch out all you karaoke singers the Goddesses may have you in their sights!
‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.
Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’
The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in the Royal Horticultural Society’s gardens (now the Science and Natural History Museum).
Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters, 14 of whom he asked to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).
Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024
