Daffodils & Narcissus, the Fabulous Boy February 11th

Daffodils & Narcissus. Dr. Otto Wilhelm Thomé; Flora von Deutschland, Österreich und der Schweiz Flora von Deutschland, Österreich und der Schweiz — in Wort und Bild für Schule und Haus

In 2023, I saw my first Daffodil in Hackney in a Council Estate on 12 January. My first daffodil in 2024 was outside my first floor window in early February. In 2025, I can see the shoots of Daffodils in my garden but nothing blooming. However, there are the first daffodils in my area by the side of a different Council Estate. They bring such joy and hope for the return of the Sun.

12 Jan 2023. Hackney, London, the first Daffodil.

Narcissus the Flower

Their formal name is Narcissus. The Roman natural historian, Pliny tells us that the plant was:

‘named Narcissus from narkē not from the fabulous boy.’

Narkē is the Greek word from which we derive the word narcotic. It is a reference to the narcotic properties of the narcissus. An extract of the bulb applied to open wounds produced numbness of the whole nervous system and paralysis of the heart. The flowers are also slightly poisonous. So, they were used as an emetic. They brought on vomiting when it was felt necessary that the stomach be emptied. It was used to treat hysteria and epilepsy. They treated children with bronchial catarrh or epidemic dysentery. Among Arabian doctors, it was used to cure baldness and as an aphrodisiac. (Source: A Modern Herbal by Mrs M Grieve.) Please remember these are not recommendations for use medicinally, but are historic uses and may be dangerous.

Daffodils & Narcissus the Fabulous Boy

The fabulous boy, mentioned by Pliny, was Narcissus. He, according to the Roman Poet Ovid, met the nymph Echo, and she fell in love with the beautiful boy. He spurned her, and she faded until all that remained of her was her voice – the echo we hear.

Nemesis, the Goddess of Revenge (the one with the fiery sword) decided on revenge upon the handsome boy. She lured the thirsty youth to a fountain, where he saw an image of a breathtakingly handsome boy. He fell instantly in love with such beauty. But it was an image of himself. Realising he would never meet anyone as fabulous as himself, he faded from life. He eventually metamorphised into a white and yellow flower, which was named after him.

Nemesis from the painting on the Staircase at Hampton Court by Antonio Verrio, Photo K Flude

Daffodils & Shakespeare

Daffodils are mentioned in a list of Spring Flowers by Shakespeare in the pastoral play The Winter’s Tale:

(Please note that as you read Shakespeare’s words below that Prosperpina is the wife of Pluto, the God of the Underworld, Dis, is another name for him, Cytherea is the Goddess of Beauty and Love. Phoebus is the Sun God. And the Spring Flowers are Daffodils, violets, primroses, oxlips(primula), Crown Imperial (Fritillaria imperialis), Lilies, flower-De-luce (Iris)

Perdita to Camillo

Out, alas!
You’d be so lean that blasts of January
Would blow you through and through.
(To Florizel)
I would I had some flowers o’th’ spring, that might
Become your time of day –
(to the Shepherdesses)
That wear upon your virgin branches yet
Your maidenheads growing. O Proserpina,
For the flowers now that, frighted, thou let’st fall
From Dis’s waggon! Daffodils,
That come before the swallow dares, and take
The winds of March with beauty; violets, dim,
But sweeter than the lids of Juno’s eyes
Or Cytherea’s breath; pale primroses,
That die unmarried ere they can behold
Bright Phoebus in his strength – a malady
Most incident to maids; bold oxlips and
The crown imperial; lilies of all kinds,
The flower-de-luce being one: O, these I lack
To make you garlands of, and my sweet friend
To strew him o’er and o’er!WT IV.iv.110.2

The reference to Daffodils suggests that for Shakespeare they are around to withstand the March Winds before the Swallows arrive in April. With selective breeding, early flowering species have been developed. Now February and even January are within the scope of the glorious bulb. (here is a post on winter flowering varieties)

Below is the text of Ovid’s Echo and NarcissusTranslated by Brookes Moore

NARCISSUS AND ECHO, THE HOUSE OF CADMUS

Once a noisy Nymph, (who never held her tongue when others spoke, who never spoke till others had begun) mocking Echo, spied him as he drove, in his delusive nets, some timid stags.—For Echo was a Nymph, in olden time,—and, more than vapid sound,—possessed a form: and she was then deprived the use of speech, except to babble and repeat the words, once spoken, over and over. Juno confused her silly tongue, because she often held that glorious goddess with her endless tales, till many a hapless Nymph, from Jove’s embrace, had made escape adown a mountain. But for this, the goddess might have caught them. Thus the glorious Juno, when she knew her guile; “Your tongue, so freely wagged at my expense, shall be of little use; your endless voice, much shorter than your tongue.” At once the Nymph was stricken as the goddess had decreed;—and, ever since, she only mocks the sounds of others’ voices, or, perchance, returns their final words.

One day, when she observed Narcissus wandering in the pathless woods, she loved him and she followed him, with soft and stealthy tread.—The more she followed him the hotter did she burn, as when the flame flares upward from the sulphur on the torch. Oh, how she longed to make her passion known! To plead in soft entreaty! to implore his love! But now, till others have begun, a mute of Nature she must be. She cannot choose but wait the moment when his voice may give to her an answer. Presently the youth, by chance divided from his trusted friends, cries loudly, “Who is here?” and Echo, “Here!” Replies. Amazed, he casts his eyes around, and calls with louder voice, “Come here!” “Come here!” She calls the youth who calls.—He turns to see who calls him and, beholding naught exclaims, “Avoid me not!” “Avoid me not!” returns. He tries again, again, and is deceived by this alternate voice, and calls aloud; “Oh let us come together!” Echo cries, “Oh let us come together!” Never sound seemed sweeter to the Nymph, and from the woods she hastens in accordance with her words, and strives to wind her arms around his neck. He flies from her and as he leaves her says, “Take off your hands! you shall not fold your arms around me. Better death than such a one should ever caress me!” Naught she answers save, “Caress me!” Thus rejected she lies hid in the deep woods, hiding her blushing face with the green leaves; and ever after lives concealed in lonely caverns in the hills. But her great love increases with neglect; her miserable body wastes away, wakeful with sorrows; leanness shrivels up her skin, and all her lovely features melt, as if dissolved upon the wafting winds—nothing remains except her bones and voice—her voice continues, in the wilderness; her bones have turned to stone. She lies concealed in the wild woods, nor is she ever seen on lonely mountain range; for, though we hear her calling in the hills, ’tis but a voice, a voice that lives, that lives among the hills.

Thus he deceived the Nymph and many more, sprung from the mountains or the sparkling waves; and thus he slighted many an amorous youth.—and therefore, some one whom he once despised, lifting his hands to Heaven, implored the Gods, “If he should love deny him what he loves!” and as the prayer was uttered it was heard by Nemesis, who granted her assent.

There was a fountain silver-clear and bright, which neither shepherds nor the wild she-goats, that range the hills, nor any cattle’s mouth had touched—its waters were unsullied—birds disturbed it not; nor animals, nor boughs that fall so often from the trees. Around sweet grasses nourished by the stream grew; trees that shaded from the sun let balmy airs temper its waters. Here Narcissus, tired of hunting and the heated noon, lay down, attracted by the peaceful solitudes and by the glassy spring. There as he stooped to quench his thirst another thirst increased. While he is drinking he beholds himself reflected in the mirrored pool—and loves; loves an imagined body which contains no substance, for he deems the mirrored shade a thing of life to love. He cannot move, for so he marvels at himself, and lies with countenance unchanged, as if indeed a statue carved of Parian marble. Long, supine upon the bank, his gaze is fixed on his own eyes, twin stars; his fingers shaped as Bacchus might desire, his flowing hair as glorious as Apollo’s, and his cheeks youthful and smooth; his ivory neck, his mouth dreaming in sweetness, his complexion fair and blushing as the rose in snow-drift white. All that is lovely in himself he loves, and in his witless way he wants himself:—he who approves is equally approved; he seeks, is sought, he burns and he is burnt. And how he kisses the deceitful fount; and how he thrusts his arms to catch the neck that’s pictured in the middle of the stream! Yet never may he wreathe his arms around that image of himself. He knows not what he there beholds, but what he sees inflames his longing, and the error that deceives allures his eyes. But why, O foolish boy, so vainly catching at this flitting form? The cheat that you are seeking has no place. Avert your gaze and you will lose your love, for this that holds your eyes is nothing save the image of yourself reflected back to you. It comes and waits with you; it has no life; it will depart if you will only go.

Nor food nor rest can draw him thence—outstretched upon the overshadowed green, his eyes fixed on the mirrored image never may know their longings satisfied, and by their sight he is himself undone. Raising himself a moment, he extends his arms around, and, beckoning to the murmuring forest; “Oh, ye aisled wood was ever man in love more fatally than I? Your silent paths have sheltered many a one whose love was told, and ye have heard their voices. Ages vast have rolled away since your forgotten birth, but who is he through all those weary years that ever pined away as I? Alas, this fatal image wins my love, as I behold it. But I cannot press my arms around the form I see, the form that gives me joy. What strange mistake has intervened betwixt us and our love? It grieves me more that neither lands nor seas nor mountains, no, nor walls with closed gates deny our loves, but only a little water keeps us far asunder. Surely he desires my love and my embraces, for as oft I strive to kiss him, bending to the limpid stream my lips, so often does he hold his face fondly to me, and vainly struggles up. It seems that I could touch him. ‘Tis a strange delusion that is keeping us apart. Whoever thou art, Come up! Deceive me not! Oh, whither when I fain pursue art thou? Ah, surely I am young and fair, the Nymphs have loved me; and when I behold thy smiles I cannot tell thee what sweet hopes arise. When I extend my loving arms to thee thine also are extended me—thy smiles return my own. When I was weeping, I have seen thy tears, and every sign I make thou cost return; and often thy sweet lips have seemed to move, that, peradventure words, which I have never heard, thou hast returned. No more my shade deceives me, I perceive ‘Tis I in thee—I love myself—the flame arises in my breast and burns my heart—what shall I do? Shall I at once implore? Or should I linger till my love is sought? What is it I implore? The thing that I desire is mine—abundance makes me poor. Oh, I am tortured by a strange desire unknown to me before, for I would fain put off this mortal form; which only means I wish the object of my love away. Grief saps my strength, the sands of life are run, and in my early youth am I cut off; but death is not my bane—it ends my woe.—I would not death for this that is my love, as two united in a single soul would die as one.”

He spoke; and crazed with love, returned to view the same face in the pool; and as he grieved his tears disturbed the stream, and ripples on the surface, glassy clear, defaced his mirrored form. And thus the youth, when he beheld that lovely shadow go; “Ah whither cost thou fly? Oh, I entreat thee leave me not. Alas, thou cruel boy thus to forsake thy lover. Stay with me that I may see thy lovely form, for though I may not touch thee I shall feed my eyes and soothe my wretched pains.” And while he spoke he rent his garment from the upper edge, and beating on his naked breast, all white as marble, every stroke produced a tint as lovely as the apple streaked with red, or as the glowing grape when purple bloom touches the ripening clusters. When as glass again the rippling waters smoothed, and when such beauty in the stream the youth observed, no more could he endure. As in the flame the yellow wax, or as the hoar-frost melts in early morning ‘neath the genial sun; so did he pine away, by love consumed, and slowly wasted by a hidden flame. No vermeil bloom now mingled in the white of his complexion fair; no strength has he, no vigor, nor the comeliness that wrought for love so long: alas, that handsome form by Echo fondly loved may please no more.

But when she saw him in his hapless plight, though angry at his scorn, she only grieved. As often as the love-lore boy complained, “Alas!” “Alas!” her echoing voice returned; and as he struck his hands against his arms, she ever answered with her echoing sounds. And as he gazed upon the mirrored pool he said at last, “Ah, youth beloved in vain!” “In vain, in vain!” the spot returned his words; and when he breathed a sad “farewell!” “Farewell!” sighed Echo too. He laid his wearied head, and rested on the verdant grass; and those bright eyes, which had so loved to gaze, entranced, on their own master’s beauty, sad Night closed. And now although among the nether shades his sad sprite roams, he ever loves to gaze on his reflection in the Stygian wave. His Naiad sisters mourned, and having clipped their shining tresses laid them on his corpse: and all the Dryads mourned: and Echo made lament anew. And these would have upraised his funeral pyre, and waved the flaming torch, and made his bier; but as they turned their eyes where he had been, alas he was not there! And in his body’s place a sweet flower grew, golden and white, the white around the gold.

First published in February 2023, revise and republished in February 2024, 2025

St Apollonia’s Day. A Day to Cure the Toothache February 9th

Saint Apollonia. Woodcut. Saint of Toothache Wellcome Collection. Public Domain Mark. She is shown with forceps and extracted tooth and the martyr’s palm.

The 9th of February is St Apollonia’s Day. She was martyred at Alexandria in 249 AD during the persecution of Emperor Decius. She was attacked during an anti-Christian riot and struck around the face knocking her teeth out. Then, she was taken to a bonfire and told they would throw her in if she did not renounce her faith. So, without waiting, she spoke a prayer and walked into the fire. This information is recorded in a near-contemporary letter from St Dionysius of Alexandria. This is rare well documented martyrdom. Because her teeth were knocked out she is, therefore, Saint of Toothache.

Cloves for Toothache

I can remember my Grandmother prescribing cloves for me when I had toothache. And this was, and is, a common remedy. In my case, we would keep a clove or two in the mouth close to the site of the pain. According to Natural Ways to Sooth an Toothache cloves contain

‘Eugenol, a natural form of anaesthetic and antiseptic that helps get rid of germs. Eugenol is still used in dental materials today’

Dr John Hall, Shakespeare’s son-in-law, tended to use a pill to soothe sore gums. He also used an oil from a wood called ‘Ol. Lig. Heraclei’ which may be oil from the Bay Tree. (‘John Hall and his Patients’ by Joan Lane). Most of his tooth cases seem to be sore gums. This suggests to me Dr John Hall did not generally do dental work.

Death by Toothache

To get a tooth drawn you could go to a Barber Surgeon, a Blacksmiths or specialist Tooth Drawer. It would be terrifyingly painful. Probably only done when the pain was unbearable. Just think what a premium you would pay for a really competent drawer? The drawers would probably not have any formal training, but the skills would be passed on by the drawer to his apprentice or assistant. ‘Teeth’ was a common cause of death – most likely from infection or an abscess.

A bill of mortality for London 1665, showing 11 deaths caused by 'teeth' (as opposed to 353 for 'feaver'
List of causes of death, London during the plague of 1665. Teeth killed 11 people

Magic and Toothache

John Aubrey, an erudite and educated 17th Century writer, reports on the use of Magick for tooth care. When he relates these unlikely cures he often provides information that the person who told him the story is worthy of belief. So he seems to give some credence to the efficacy of these magical ‘cures’. But, judge for yourself; this is what he wrote:

To Cure the Tooth-ach.

Take a new Nail, and make the Gum bleed with it, and then drive it into an Oak. This did Cure William Neal, Sir William Neal’s Son, a very stout Gentleman, when he was almost Mad with the Pain, and had a mind to have Pistoll’d himself.

To Cure the Tooth-ach, out of Mr. Ashmole’s Manuscript Writ with his own Hand.

Mars, hur, abursa, aburse.
Iesu Christ for Marys sake,
Take away this Tooth-ach.

Write the words, Three times; and as you say the Words, let the Party burn one Paper, then another, and then the last.

He says, he saw it experimented, and the Party immediately Cured

John Aubrey’s Miscellanies 1695

May, Williams and Bishop at the Old Bailey accused of murder in pursuit of bodysnatching

Teeth and the Body-Snatchers

In 1832, in London Bishop, Williams and May were accused of bodysnatching. After killing the Italian Boy ( wonderful book by Sarah Wise ‘The Italian Boy‘) they jemmied out his teeth. Then, took the teeth to a South London Dentist. with whom they bargained for a good price. (They used the term ‘cheapened’ – I cheap, you cheap, we are cheapening: meaning to barter). The dentist wanted to use the dead boy’s teeth for false teeth for his patients. If memory serves, he paid £1 for them.

The teeth were used as evidence in the trial of the murderers. When the trial was over and the accused punished, the dentist asked for the teeth back! Two of the murderers were hanged but the third freed for turning King’s Evidence. Thereafter, the teeth were released back to the Dentist. He promptly put them in the window of his surgery as an advert for his professional skills!

Earlier, one of the Borough Boys Resurrectionist gang (based in Southwark, London) toured the battlefields of the Peninsular Wars collecting teeth. He made a substantial sum selling them to dentists as false teeth. They became known as Waterloo Teeth.

When I first wrote this in I added ‘How things have changed!’ But in recent years there have been reports of people undertaking their own dental work, if they cannot get access to an NHS dentist. Effectively, it seems that the Conservative Government was allowing dentistry to slip out of the NHS just like it did with eye health. For a study in what has happened to Dentistry in the UK in recent years, please look at this report here.

First written February 2023, revised February 2024, 2025

The Martyrdom of Charles I & ‘Get Back’ January 30th

Banqueting Hall and Execution of Charles I
Banqueting Hall and the Martyrdom of Charles I

January 30th is the anniversary execution of King Charles I. Today, he was beheaded as a murderer and traitor. Or as a Royalist would see it, it is the anniversary of the Martyrdom of Charles I.

Thousands came to see the execution, amongst them Samuel Pepys. They crowded around the scaffold outside a window of Inigo Jones’s magnificent Banqueting Hall, in Whitehall, London. Charles was brought to the Banqueting House and must have looked up at the magnificent Peter Paul Reubens’ ceiling. Charles had ordered it the depiction of the Apotheosis of his father, James I. It was the symbol of the Divine Right of the King to rule. I

I doubt he saw the irony. It is more likely he thought on going to heaven in glory as a Martyr to his religion. He walked outside, through the window, into the cold January air. Two of his bloodstained shirts still exist probably to stop him shivering. He would want to to be seen as going fearless to his death not shivering with fear. Then, he made a short speech exonerating himself. He spoke without stammering for the first time in his public life. All the Rooftops around were lined with spectators. Black cloth framed the scaffold. As the executioner axe fell, there was a dull grown from the crowd (most could not see the axe falling).

This was on January 30th, 1648. But, if you look at a history book, it will tell you it was in 1649. This was before our conversation to the Gregorian calendar. Then the year number changed not as we do on January 1st but on March 25th. This was the day the Archangel Gabriel revealed to the Virgin Mary that she was pregnant. For more on the importance of March 25th look at my Almanac entry here:

Revenge for the Martyrdom of Charles I

On the same day, twelve years later, in 1660 Oliver Cromwell and his chief henchmen were dug up from their splendid Westminster Abbey tombs. Their bodies were abused by official command. Cromwell’s head was stuck on the top of Westminster Hall. There it remained until it was blown off in the Great Fire of 1703 (or 1672, or 1684). It was picked up and taken to Cambridge, Sidney Sussex College, which Cromwell attended. It was buried somewhere which is said to be known only to the Head Porter. (According to someone who came on my Oliver Cromwell Walk at the weekend.) Whether it is his head or not is disputed. The ins and outs of that tale are told in detail here.

The Royalist, John Evelyn, said in his diary:

This day (oh the stupendous, and inscrutable Judgements of God) were the Carkasses of that arch-rebel Cromwel1, Bradshaw, the Judge who condemned his Majestie and Ireton, sonn in law to the usurper, dragged out of their superb Tombs (in Westminster among the Kings) to Tybourne, and hanged on the Gallows there from 9 in the morning till 6 at night, and then buried under that fatal and ignominious Monument in a deep pit. Thousands of people (who had seen them in all their pride and pompous insults) being spectators .

Samuel Pepys records by contrast:

…do trouble me that a man of so great courage as he was should have that dishonour, though otherwise he might deserve it enough…

Pepys served the Parliamentary side before the restoration of Charles II, when he adroitly, swapped over to the Royalist side.

Today, I am doing a Guided Walk and a Virtual Tour on Charles I and the Civil War. Look here for details.

On This Day

1969 Get Back to Where you Once Belonged – This is also the anniversary of the rooftop concert in Saville Row where the Beatles played ‘Get Back’.

YouTube Clip with scenes from the Roof Top Concert

First published in 2023, revised on January 29th 2024, and 2025

News of Virtual Tours

Sorry to send an additional post but coming up are a couple of fascinating Virtual Tours which I would like to remind you of!

Tonight is an exploration of early 19th Century London. It is based on the 1809 Picture of London Guide book. An original copy was given to me by someone grateful to have attended one of my lectures at the Old Operating Theatre Museum. It is a tour of what Jane Austen could have visited on her walks around London. There are Austen associations, but mainly we are looking at London in 1809.

Jane Austen’s ‘A Picture of London in 1809’ Virtual Walk Mon 7.30 27th Jan25 To book

Yesterday, I was asked to give a Cromwell’s London walk as a 75th Birthday present. I haven’t done one for at least 25 years. But I really enjoyed the research. So added a guided walk and a virtual tour to my programme. This is the first time I have done this VT and it is a cracking story.


The Civil War, Restoration and the Great Fire of London Virtual Tour 7:30pm Thurs 30th Jan25To book

Finally, April is the month we go on pilgrimages, as Chaucer said (in Old English). So, in addition to my Chaucer Walks, I have added a Virtual tour so we can go all the way to Canterbury.


Chaucer’s London To Canterbury Virtual Pilgrimage 7.30pm Friday 18th April 25 To book

I may add one or two more before the Sun comes back

To see all my walks see this page.

Hawthorn January 23rd

 Photo by Timo C. Dinger on Unsplash
photo of hawthorn flowers
Photo by Timo C. Dinger on Unsplash Hawthorn hedge flowers

Hawthorn Hedges

Many plants can be used for hedges, but hawthorn is the most common. It can be planted as bare-root from Autumn to Spring, so January is as good a time as any. It can also be grown from the seeds from its red berries. But this takes 18 months to achieve. Interspersed along the hedge should be trees—either trees for timber, or crab-apples or pear-stocks. Trees were also useful as markers. Before modern surveys, property would be delineated by ancient trees. Hedges could be removed. Trees were more difficult to eradicate.

Hawthorn hedges are an oasis for insects, mammals and migrating birds (who eat the berries). It is a lovely plant for May. In fact, it is often called May, or the May Flower or May Tree and also whitethorn. The berries are called ‘haws’ hence hawthorn. For more on this, look at https://whisperingearth.co.uk.

Hawthorns & Folklore

Hawthorn produces white flowers in Spring. So, it is one of the great pagan fertility plants, its flowers forming the garlands on May Eve. One of the chemicals in the plant is the same as one given out in decay of flesh. It is, therefore, associated with death in folklore, and not to be brought into the house.

It was also said to be the thorn in the Crown of Thorns, so sacred. A crown from the helmet of the dead King Richard III was found on a hawthorn bush at the Battle of Bosworth Field. The victorious Henry VII adopted it for a symbol. . For more on the plant, https://www.woodlandtrust.org.uk

a triangle of stained glass on a black background.
A 'Quarry' of Stained Glass showing the Crown, a hawthorn Bush and initials representing Henry VII and his, Queen, Elizabeth of York.  Possibly from Surrey. Early 16th Century and from the Metropolitan Museum of Art (Public Domain).
A ‘Quarry’ of Stained Glass showing the Crown, a hawthorn Bush and initials representing Henry VII and his, Queen, Elizabeth of York. Possibly from Surrey. Early 16th Century and from the Metropolitan Museum of Art (Public Domain).

The virtues of Hawthorn

John Worlidge, wrote in 1697

‘And first, the White-thorn is esteemed the best for fencing; it is raised either of Seeds or Plants; by Plants is the speediest way, but by Seeds where the place will admit of delay, is less charge, and as successful, though it require longer time, they being till the Spring come twelvemonth ere they spring out of the Earth; but when they have past two or three years, they flourish to admiration.’

Systema Agriculturae 1697

Hawthorn is an excellent wood for burning, better than oak. It has the hottest fire so that its charcoal could melt pig-iron without the need of a blast. It is also good for making small objects such as boxes, combs, and tool-handles. It takes a fine polish, so also used for veneers and cabinets. For advice on the best wood to burn read my post.

Hawthorn has many medicinal benefits according to herbalists. Mrs Grieve’s Herbal suggests it was used as a cardiac tonic, to cure sore throats and as a diuretic. But don’t try any of these ancient remedies without medical advice!

What to plant in late January

This is the time, according to Moon Gardeners, to plant and sow plants that develop below ground. So rhubarb and garlic, fruit trees, bushes, bare-root plants and hedging plants.

First Published in January 2023, revised in January 2024

On This Day

1785 – ‘Boys play on the Plestor at marbles & peg-top. Thrushes sing in the Coppices. Thrushes & blackbirds are much reduced.’ From Gilbert White’s Garden Kalendar in Gilbert White’s Year. the Plestor is the village green. peg-top is a spinning top game. For more on Gilbert White, the inspirer of Darwin, see my post.

1940 – The coldest day since the Great Freeze of February 12th 1895. The Thames froze over for the first time since 1880. Lovely photo here of skaters on the Serpentine.

Weather Lore: ‘If on January 12th the sun shine, it foreshows much wind.’

Abney Park cemetary in winter
Winter at Abney Park Cemetery photo by Harriet Salisbury

Or so says the Shepherd’s Almanac for 1676. Until the 12th Night we were predicting that the weather on each of the 12 days will match the month of the same number. But having past Twelfth Night we have to find turn to other methods of weather lore.

Weather lore seems convinced of the undesirability of a warm January

‘January warm, the Lord have mercy’.

‘January commits the fault and May bears the blame.’

If Birds begin to Whistle in January, frosts to come’

‘When gnats swarm in January, the peasant become a beggar’

Most of the sayings about January quoted in Richard Inwards ‘Weather Lore’ first published in 1893, have this as their main focus. And the contrary (cold January good growing season) also generally holds:

‘When oak trees bend with snow in January, good crops may be expected.’

‘A cold January, a feverish February, a dusty March, a weeping April , and a windy May presage a good year and gay.’

The Weather according to Animals

So much for long range forecasts. Let’s see how Weather Lore helps us use animals to determine whether it will rain today.

If animals crowd together, rain will follow.’

When dogs eat grass it will be rainy

When a cat sneezes, it is a sign of rain

‘If young horses do rub their backs against the ground, if is a sign of great drops of rain to follow.’

The only weather lore repeated in my family was ‘Cows sitting down means it will rain.’ (And of course ‘red sky at night, shepherd’s delight’ etc).

Meteorology Office on weather lore.

A survey by the Met Office in 2017 found that a surprisingly large number of people (75%) use ‘folklore’ to predict weather and 55% think they are useful methods of predictions. Here is a quote from their post.

  • Red sky at night, shepherd’s delight – used by 70% of UK adults – CORRECT
  • It can be too cold to snow – used by 49% – PROBABLY NOT IN THE UK
  • Cows lie down when it is about to rain – used by 44% – NOT CORRECT
  • Pine cones open up when good weather is coming – used by 26% CORRECT
  • If it rains on St Swithin’s day, it will rain on each of the next 40 days – used by 22% Not Correct. In factt since records began in 1861, there has never been a record of 40 dry or 40 wet days following St Swithin’s Day

Met Office 2017 do-cows-really-lie-down-when-its-about-to-rain and BBC Newsround

For more folk forecasting read my post on St Swithin’s Day

How to Keep Apples & if the frost be very extreame January 9th

Gervase Markham was born in 1568, in Nottinghamshire, and was a prolific writer. Today, prompted by the Perpetual Almanac by Charles Kightly, I am looking through Markham’s eyes at Apples. Apples were an important source of joy as well as nutrition through a cold winter, as fresh produce became unavailable.

Markham wrote detailed books for use by the householders, the Husbands and the Housewives. And with the coming of frost, the survival of food in your food store might depend upon reading Markham’s books. When the frosts hit, as they are now doing in the UK, you had to look after your store of apples. They were an important sweet food source over the winter.

For the women, he wrote the English Housewife, published in 1615. Here is his recipe for Apple Tart.

For the Housewife How to Make Apple-tart

Take apples and peel them and slice them thin from the core into a pan with white wine, good store of sugar, cinnamon and rosewater, and so boil it all shall it be thick. Then cool it and strain it, and beat it very well together with a spoon, and then put it into your coffin or crust and bake it. It carrieth with the colour red.

Gervais Markham, the English Housewife 1683 version (quoted by Charles Kightly).

For the Husband, How to Keep Apples in Frost

Lots of apples in a pile Photo by sydney Rae on Unsplash
Photo by sydney Rae on Unsplash

For the men, he wrote the English Husbandsman, published in 1613 and ‘Printed by T. S. for Iohn Browne, and are to be sould at his shop in Saint Dunstanes Church-yard.’ This is the St Dunstan’s in Fleet Street, I think (near Sweeney Todds, the Barbers.) The book is available on Project Gutenberg (Gervase Markham the English Husbandman. Project Gutenberg).

So to the frost – Markham ends his extensive piece on the best way to store apples as follows:

To keepe Fruit in frost. If the frost be very extreame, and you feare the indangering your fruit, it is good to couer them somewhat thicke with fine hay, or else to lay them couered all ouer either in Barley-chaffe, or dry Salte: as for the laying them in chests of Iuniper, or Cipresse, it is but a toy, and not worth the practise: if you hang Apples in nettes within the ayre of the fire it will kéepe them long, but they will be dry and withered, and will loose their best rellish.

I remember my Grandmother would store her excess apples from the tree, wrapped in paper and stored in cupboards in the pantry or outbuilding. They were often wrinkled but always delicious, and I think were Russets, which remain my favourite apple.

At the bottom of the piece, I include the rest of Markham’s advice for storing apples. To summarise it: Don’t store them near the ground. Place them on shelves ordered by variety based on which variety lasts longest. So at the back will be the long-lived species such as Russets and Pippins, to eat as spring approaches. The front the ones you need to eat now such as the ‘Costard, Pome-water, Quéene-Apple‘ varieties.

Marocco, Pocahontas and the Rhino – performing at the Bell Savage

Markham wrote many books, including one on the famous performing horse Marocco. He starred in shows at the Bell Savage, just outside Ludgate in the City of London. The horse would whinny in triumph with the naming of an English King. But snort with derision with the naming of a Pope. He could also count and add up. He was rumoured to have been burnt at the stake as a witch in Edinburgh. But this does not appear to be true. Also, appearing at the Bell Savage in the 17th Century was a Rhinoceros, other prodigies and Pocahontas.

How to Keep Apples extended version

For a more modern text on what to do with excess apples from your tree, have a look here. However, do read on to get an insight into life and the varieties of Apples that were eaten in the 17th Century.

The place where you shall lay your fruit must neither be too open, nor too close, yet rather close then open, it must by no meanes be low vpon the ground, nor in any place of moistnesse: for moisture bréedes fustinesse, and such naughty smells easily enter into the fruit, and taint the rellish thereof, yet if you haue no other place but some low cellar to lay your fruit in, then you shall raise shelues round about, the nearest not within two foote of the ground, and lay your Apples thereupon, hauing them first lyned, either with swéet Rye-straw, Wheate-straw, or dry ferne: as these vndermost roomes are not the best, so are the vppermost, if they be vnséeld, the worst of all other, because both the sunne, winde, and weather, peircing through the tiles, doth annoy and hurt the fruit: the best roome then is a well séeld chamber, whose windowes may be shut and made close at pleasure, euer obseruing with straw to defend the fruit from any moist stone wall, or dusty mudde wall, both which are dangerous annoyances.

The seperating of Fruit. Now for the seperating of your fruit, you shall lay those nearest hand, which are first to be spent, as those which will last but till Alhallontide, as the Cisling, Wibourne, and such like, by themselues: those which will last till Christmas, as the Costard, Pome-water, Quéene-Apple, and such like: those which will last till Candlemas, as the Pome-de-roy, Goose-Apple, and such like, and those which will last all the yéere, as the Pippin, Duzin, Russetting, Peare-maine, and such like, euery one in his seuerall place, & in such order that you may passe from bed to bed to clense or cast forth those which be rotten or putrefied at your pleasure, which with all diligence you must doe, because those which are tainted will soone poyson the other, and therefore it is necessary as soone as you sée any of them tainted, not onely to cull them out, but also to looke vpon all the rest, and deuide them into thrée parts, laying the soundest by themselues, those which are least tainted by themselues, and those which are most tainted by themselues, and so to vse them all to your best benefit.

Turning your Fruit

Now for the turning of your longest lasting fruit, you shall know that about the latter end of December is the best time to beginne, if you haue both got and kept them in such sort as is before sayd, and not mixt fruit of more  earely ripening amongst them: the second time you shall turne them, shall be about the end of February, and so consequently once euery month, till Penticost, for as the yéere time increaseth in heate so fruit growes more apt to rot: after Whitsontide you shall turne them once euery fortnight, alwayes in your turning making your heapes thinner and thinner; but if the weather be frosty then stirre not your fruit at all, neither when the thaw is, for then the fruit being moist may by no meanes be touched: also in wet weather fruit will be a little dankish, so that then it must be forborne also, and therefore when any such moistnesse hapneth, it is good to open your windowes and let the ayre dry your fruit before it be turned: you may open your windowe any time of the yéere in open weather, as long as the sunne is vpon the skye, but not after, except in March onely, at what time the ayre and winde is so sharpe that it tainteth and riuelleth all sorts of fruits whatsoeuer.

Gervase Markham the English Husbandman Project Gutenberg

January 9th 2024, revised 2025

Archive of Guided Walks/Events for 2025

Every year I keep a list of my guided walks, and tours on my blog the ‘Almanac of the Past’. Here are the walks I have so far done in 2025.

Here is my ‘Almost Complete List of Guided Walks, Study Tours, Lectures’

Ring in the New Year Virtual Guided Walk

Old New Year Card

Monday 1st January 2025 7.00 pm
On this Virtual Walk we look at how London has celebrated the New Year over the past 2000 years.

The New Year has been a time of review, renewal, and anticipation of the future from time immemorial. The Ancient Britons saw the Solstice as a symbol of a promise of renewal as the Sun was reborn. As the weather turns to bleak mid winter, a festival or reflection and renewal cheers everyone up. This idea of renewal was followed by the Romans, and presided over by a two headed God called Janus who looked both backwards and forwards. Dickens Christmas Carol was based on redemption and his second great Christmas Book ‘The Chimes’ on the renewal that the New Year encouraged.

We look at London’s past to see where and how the New Year was celebrated. We also explore the different New Years we use and their associated Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other Winter Festival and New Year London traditions and folklore.

At the end, we use ancient methods to divine what is in store for us in 2023.

The virtual walk finds interesting and historic places in the City of London to link to our stories of Past New Year’s Days. We begin, virtually, at the Barbican Underground and continue to the Museum of London, the Roman Fort; Noble Street, Goldsmiths Hall, Foster Lane, St Pauls, Doctors Commons, St. Nicholas Colechurch and on towards the River Thames.

The Civil War, Restoration and the Great Fire of London Virtual Tour

The Great Fire of London looking towards StPauls Cathedral from an old print
The Great Fire of London looking towards StPauls Cathedral from an old print


7:30pm Fri 30th January 2026


January 30th is the Anniversary of the execution of Charles I and to commemorate it we explore the events and the aftermath of the Civil War in London.

Along with the Norman Conquest of 1066 and winning the World Cup in 1966 the Great Fire in 1666 are the only dates the British can remember!

And we remember the Great Fire because it destroyed one of the great medieval Cities in an epic conflagration that shocked the world.

But it wasn’t just the Great Fire that made the 17th Century an epic period in English History. There was a Civil War, beheading of the King, a Republic, a peaceful Restoration of the Monarch, the last great plague outbreak in the UK, the Glorious Revolution and the Great Wind.

The Virtual Walk puts the Great Fire in the context of the time – Civil War, anti-catholicism, plague, and the commercial development of London.
The walk brings to life 17th Century London. It starts with the events that lead up to the Civil War concentrating on Westminster and ends with a vivid recreation of the drama of the Fire as experienced by eye-witnesses. Route includes: Westminster, Fish Street Hill, Pudding Lane, Monument, Royal Exchange, Guildhall, Cheapside, St Pauls, Amen Corner, Newgate Street, Smithfield.


Roman London – Literary & Archaeology Walk

11.30 am Sun 27th April 2025 Monument Underground Station

Roman Riverside Wall being built
London Roman Riverside Wall o



This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.

This is a walking tour that features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.

Our Guides will be Publius Ovidius Naso and Marcus Valerius Martialis who will be helped by Kevin Flude, former Museum of London Archaeologist, Museum Curator and Lecturer.

We disembark at the Roman Waterfront by the Roman Bridge, and then explore the lives of the citizens as we walk up to the site of the Roman Town Hall, and discuss Roman politics. We proceed through the streets of Roman London, with its vivid and cosmopolitan street life via the Temple of Mithras to finish with Bread and Circus at the Roman Amphitheatre.

Zinger Read: Talk about a high-quality one-two punch. This walk investigates the groundbreaking archaeological discoveries of Roman London. And then it reconstructs life in a provincial Roman capital using archaeological and literary sources. Discoveries – insights – like flashes of lightning in a cloud. We begin at the site of the Roman bridge. We might be decent young Roman citizens in togas, having this and that bit of
explained to us as we make our way towards the Roman Town Hall. From there we head to the site of the excavation called ‘the Pompeii of the North.’ Followed by the Temple of Mithras. We finish with a walk along the Roman High Street in order to end at the site of the Roman Amphitheatre. So, yes, welcome to London as it was 2,000, 1,900, 1,800, 1,700 and 1,600 years ago. And, yes, the walk’s guided by a real expert, the distinguished emeritus Museum of London archaeologist Kevin Flude. That means you’ll see things other people don’t get to see, delve into London via fissures that aren’t visible, let alone accessible, to non-specialists.

REVIEWS
“Kevin, I just wanted to drop you a quick email to thank you ever so much for your archaeological tours of London! I am so thrilled to have stumbled upon your tours! I look forward to them more than you can imagine! They’re the best 2 hours of my week! 🙂 Best, Sue

To Book:
https://www.walks.com/our-walks/roman-london-a-literary-archaeological-walk/

Jane Austen’s London Anniversary Guided Walk

Georgian female engraving

2.30 pm Sunday 9th Feb 2025

Green Park underground station, Green Park exit, by the fountain To book

Also
9 February 2025Sunday2.30 pm4.30 pm
8 March 2025Saturday2.30 pm4.30 pm
6 April 2025Sunday11.30 am1.30 pm

2025 is the 250th Anniversary of Jane Austen’s Birth in Steventon, Hampshire. We celebrate her fictional and real life visits to Mayfair, the centre of the London section of Sense & Sensibility and where Jane came to visit her brother

“It is a truth universally acknowledged, that a Jane Austen devotee in possession of the good fortune of a couple of free hours today must be in want of this walk.”

People associate Jane Austen and her characters with a rural setting. But London is central to both Jane Austen’s real life and her literary life. So, this tour will explore Jane’s connections with London and give the background to Sense and Sensibility, a good part of which is based in this very area. We begin with the place Jane’s coach would arrive from Hampshire, and then walk the streets haunted by Willougby; past shops visited by the Palmers, the Ferrars; visit the location of Jane Austen’s brother’s bank and see the publisher of Jane’s Books. The area around Old Bond Street was the home of the Regency elite and many buildings and a surprising number of the shops remain as they were in Jane Austen’s day.


Jane Austen’s ‘A Picture of London’ in 1809 Virtual Walk

sam_syntax-cries-of-london-1820s_gentle-author_03-hot-plum-pudding-seller


7.30 27th January 2025

With the help of a contemporary Guide Book, Jane Austen’s letters, and works we explore London in 1809.

‘The Picture of London for 1809 Being a CORRECT GUIDE to all the Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects in and near London.’

This Guide Book to London might have been on Henry Austen’s shelf when his sister, Jane, came to visit him in London. But it enables us to tour the London that Jane Austen knew in some detail. We will look at the Curiosities as well as the shopping, residential, theatres areas as well as the Port, the Parks and the Palaces.

The guided walk is a thank you to Alix Gronau, who, having been to one of my lectures in 1994, wanted the book to come to me. I have had the book restored and am using it to explore London in 1809.

Jane Austen’s London Anniversary Walk

Jane Austen’s London Anniversary Walk 2.30 pm Sunday 9th February 25 To book


A Virtual Tour of Jane Austen’s Bath

Poster for the most socereign restorative Bath Water

7.30pm 10th February 2025 To book


Here are previous archive of guided walks and events

Archive of Events/Walks 2024
Archive of events/Walks 2023
Archive of Events/Walks 2022
Archive of Recent Walks (2021)
Archive of Resent Walks (2019-2020)

Stage Coach Travel Misery December 22nd

As the Sun enters the House of Capricorn remember the poor Coachman travelling all day everyday in all weathers. Washington Irving in his ‘Old Christmas’ (Originally ‘The Sketch Book of Geoffrey Crayon’ pub. 1819) describes him with a broad red face, a broad body widened by drinking beer; swathed with any numbers of layers of coats trying to keep the cold out. He has many worries on his mind as he has a coach full not only of people who need looking after but also a lot of parcels and commissions that need to be carried out in the many stops along the way. He is delivering parcels, turkeys, geese, presents, children, you name it he is responsible for its safe delivery.

Feel sorry for the people crowded inside the carriage but even sorrier for those sitting on the roof. They have umbrellas in a vain attempt to keep dry, but the umbrella tines will be poking you in your ear, and the run off from the canopy of the umbrella might trickle down your neck. There might be 6 people inside and up to 10 on the roof. 3d for travelling inside and half of that for the roof. voach

Inside, you are next to a large man who is not very salubrious looking, nor too worried about pressing his thighs against you.

John Keats blamed his consumption on his journey on the roof of a stage-coach travelling from London to Hampstead on a cold wet day in February.

Stage coaches became regular sights on the road during the 17th Century and were quite dangerous as the roads were in such a poor condition. It was suggested that passengers made their wills before travelling! From the late 17th and with Parliament increasingly used to set up not-for-profit toll road, the roads got better, and ‘Flyers’ and mail coaches could get up to the tremendous speed of 10 miles an hour, and averaging 7. This happened because improved roads meant improved suspensions, and wheels, and more and faster horses could be harnessed.

This revolutionized travel. It used to take 5 days in around 1700 to get to Manchester from London, by the mid 18th Century the time taken was reduced to 24 hours, and there were many more scheduled coaches, The mail coaches had priority, the coach had a blunderbuss and two pistols to deter highway men, and the guard had a post-horn with which to warn other vehicles to give clear passage, to alert tollgate keepers to open gates, and to announce arrival at a stop. Extra horses would be harnessed to help get up steep hills which, in some cases, like Broadway in the Cotswolds, might mean an additional 10 horses. Passengers might be asked not only to get off the coach to lighten the load but also to push if the going got boggy. On mail coaches, the passengers were not allowed to get off when the horses were changed, and only 4 were allowed inside the coach.

London was ringed by Coaching Inns, which were coach terminals and hotels. The most famous ones, remaining, are in Southwark on the approach road to London Bridge. The Tabard where the Chaucer’s Canterbury Tales started, The White Hart where Dickens’ Sam Wheeler is the Bootboy, and the George, which although not quite so literary is at least still half intact.

Pilgrims leaving the Tabard for the Canterbury Pilgrimage
Pilgrims leaving the Tabard Inn for the Canterbury Pilgrimage
George Inn,Southwark
George Inn,Southwark (photo Kevin Flude)

Capricorn

‘The man born under Capricorn shall be iracundious and a fornicator; a liar, and always labouring.

....The woman shall be honest and fearful, and have children of three men, she will do many pilgrimages in her youth and after have great wit.’

From Kalendar of Shepheards 1604 quoted in ‘The Perpetual Almanac of Folklore by Charles Kightly’.

iracundious is first mentioned in a work published by Caxton in the 15th Century and pretty much obselete by the 17th Century. It means easily angered or irritable.

First published in 2023 and revised in 2024

St Lucy’s Festival of Light December 13th

Saint Lucy, by Francesco del Cossa (c. 1430 – c. 1477) (Wikipedia User:Postdlf)

The name Lucy is from the same Latin origin (Lucidus) as lucent, lux, and lucid. It means to be bright, to shine or be clear. It is similar to the Ancient Greek λευκός (leukós, “white, blank, light, bright, clear”. Luke has the same origins (bright one, bringer of light and light of the sacred flame) and is very appropriate for the most literate of the evangelists.

I am just noticing how dim the daylight is even before noon. So, at this time of the year, we are in need of a festival with bright lights to cheer us up! And St Lucy’s Day is the beginning of the winter festival that culminates with the Solstice, where the old sun dies, and the new one is born. December the 13th was the Solstice until Pope Gregory reformed the Calendar in the 16th Century, as nine days were lopped off the year of transition.

The festival of Sankta Lucia is particularly popular in Sweden, where Dec 13th is thought to be the darkest night. In recent years, the Swedish community in the UK has had a service to Lucia in St Pauls. But this year it is in Westminster Cathedral. But as usual, it is sold out by the time I get around to thinking of going!

St Stephens Church by Christopher Wren (Photo K Flude) a rare view during building work.

I found out about Sankta Lucia from a Swedish choir who hired me to do a tour of the City of London some years ago. I took them into Christopher Wren’s marvellous St Stephen’s Church and, under the magnificent Dome, they fancied the acoustics and spontaneously sang. I recorded a snatch of it, which you can hear below

Swedish Choir singing in St Stephen’s London
St Stephens Church at night by Christopher Wren (Photo K Flude)

Watch the procession in St Pauls on youtube below.

Sankta Lucia at St Paul’s Cathedral (2011)

Recent medical research has shown the importance of light, not only to our mental health but to our sleep health, and recommends that work places have a decent light level with ‘blue light’ as a component of the lighting. It is also an excellent idea to help your circadian rhymes by going for a morning walk, or morning sun bathing, even on cloudy days.

St Lucy is from Syracuse in Sicily, said to be a victim of the Diocletian Persecution of Christians in the early 4th Century. She is an authentic early martyr, although details of her story cannot be relied upon as true. She was said to be a virgin, who was denounced as a Christian by her rejected suitor, miraculously saved from serving in a brothel, then, destruction by fire, but did not escape having her eyes gouged out. Finally, her throat was cut with a sword. Her connection to light (and the eye gouging) makes her the protectress against eye disease, and she is often shown holding two eyes as you can see above. Other symbols include a palm branch which represents martyrdom and victory over evil She can also be seen with lamp, dagger, sword or two oxen. She appears in Dante’s Divine Comedy, as the messenger to Beatrice whose job is to get Virgil to help Dante explore Heaven, Hell and Heaven. Beatrice takes over as the guide around Paradise because Virgil is a pagan and so cannot enter it.

St. Aldhelm (died in 709) puts St Lucy in the list of the main venerated saints of the early English Church, confirmed by the Venerable Bede (died in 735). Her festival was an important one in England ‘as a holy day of the second rank in which no work but tillage or the like was allowed’.

First Posted on December 13th, 2022, updated on December 13th 2023 and 2024