Here are some fascinating links with a seasonal theme, and at the end of the post the December posts I have reviewed, revised and reposted. And to remind you, I have a Winter Solstice Virtual Tour on Friday, and a Jane Austen Virtual Tour taking place on Saturday.. Follow the links on the www.chr.org.uk to find out more or book.
The wintery landscapes of Utagawa Hiroshige | with Alfred Haft |
This is a short video of an event held for British Museum members. It’s on YouTube, so it should be available for non-members. It shows, with some animation, beautiful snowy landscapes by the great Hiroshige. It is 12 minutes long.
Santa Claus’ Elitist Origins
I came across Ben Tumin’s conversation with Professor Stephen Nissenbaum on Santa Claus’ Elitist Origins in Tumin’s Skipped History Substack posts. Nissebnaum wrote a highly rated book called the ‘Battle for Christmas’, which pointed out that, before the 19th Century, Christmas was largely outdoors, and a riotous time of debauchery, gluttony, and drunkenness. The ruling classes managed in the 19th Century to change this for a quieter, indoor, family-based experience. Well worth a listen.
Almost ‘one in three women have been subjected to physical and/or sexual violence at least once in their life.’ says the UN on its page Ending Violence Against Women Day.
In writing my Almanac of the Past, I have been struck by how violent are most of the stories of the Saints of the early Catholic Church. At the bottom of this post, you will find an essay touching upon this thorny subject. And click here for research on violence against women. Their results are not good news countries that speak English. South Africa is the worst, the USA 7th, Australia 11th, UK 12th, and New Zealand 15th. They admit the figures are difficult to interpret as what is being counted is reported crimes. It is likely that the worst countries are those where women do not feel free to report sexual violence.
Today is St Catherine of Alexandria’s Day, which makes an appropriate Saint for the UN Day. So I have updated this very interesting story and republished it today. Have a read.
I was interested in this site because it was one of the many palaces owned by Henry VIII, and it began as a moated manor house before a transition into a small red brick courtyarded Palace, as seen above. Henry had, if my memory serves me well, approximately 57 Palaces and Manor Houses. 16 in the London area and 11 along the River Thames
But what I really liked when I visited the website was the charm of this lovely video by the Enfield Archaeology Society. Now those who know the wonderful TV Sitcom called the ‘Detectorists’ starring Toby Jones, Mackenzie Crook, Diana Rigg and others, will recognise the styling of the amateur archaeologists – all looking like rumpled would be Indiana Jones’s! Very English.
Electric Mountain Dinorwig Power Station, Llyn Peris (photo: K Flude)
I have revised the post on All Souls’ Day. If you follow the link you will read about ‘Souling’, Purgatory, and English, Mexican and Polish Customs for 2nd November.
But this post is prompted by an interesting article in the Guardian about the Dinorwig Power Station in North Wales. It’s a place I visit regularly. The photograph is from a Medieval Welsh Castle, Dobaldarn Castle, near the National Slate Museum in the new Unesco World Heritage Site of the Slate Landscape of North West Wales. The photo above gives an idea of the majesty of the destructive power of quarrying for slate.
Dobaldarn Castle, North Wales (photo by K Flude)
The Power Station is remarkable. It is a huge cavern in the mountain. When the National Grid has a lot of cheap energy, water is pumped to the top, and when electricity is in short supply, the water runs turbines to provide extra power. It is, in effect, a giant battery, and what makes it even more worthy of a part in a James Bond film is that it has the capability of initiating a Black Start to the Grid. If some cosmic catastrophe turns off the entire grid, Dinorwig can restart the Grid.
The article in the Guardian has some great pictures of it and the text is very interesting. You might want to start reading a third of the way down the article which has a long preamble.
I published the following post about Hardy’s Tree on 28th December 2022. Here, follows the original post and an update which suggests the tree and the gravestones were not erected by Thomas Hardy.
This is the day that Herod ordered the slaughter of the Innocents, or Childermas, and I am glad to see that my Grandson is now older than Herod’s prescription.
Hardy’s Tree in St Pancras Church, Camden, London has fallen down. Hardy was an architect and worked in London for a while, where one of his jobs was to supervise the clearance of the graveyard. Several poems of Hardy refer to the removal of graves from their original positions and in this case, the gravestones were set around an Ash tree that inspires many, including my Central St Martin’s students who used it in a project recently. So, I was shocked to read a Guardian article (since deleted) which noted the sad demise of the Tree.
Extracts from one of several Hardy Poems about moving graves and gravestones follow, but I need to update the post about the connection to Hardy. The Guardian has now got an article which suggests the connection with Hardy is a more recent one than previously thought (Guardian article).
I (and I think the Guardian) were alerted to this by the work of Lester Hillman, who wrote a Churchyard Guide and a recent pamphlet about the Tree, which is reported in ‘Context ISSN 1462-7574’. This is the Journal of the City of London Archaeological Society. Evidence proves that the Ash Tree dates to the 1930s, and that the mound of gravestones is from burials relocated from St Giles in the Fields, and therefore unlikely to have been in St Pancras at the time Hardy was responsible for clearing it.
So it is not ‘the’ Hardy Tree, but then nor was the tree at Sycamore Gap anything to do with Robin Hood. What it was, was a beautiful piece of nature, in a poignant setting. May she rest in peace.
The Levelled Churchyard Thomas Hardy
O Passenger, pray list and catch Our sighs and piteous groans, Half stifled in this jumbled patch Of wrenched memorial stones!
We late-lamented, resting here, Are mixed to human jam, And each to each exclaimed in fear, I know not which I am.
Where we are huddled none can trace, And if our names remain, They pave some path or porch or place Where we have never lain!
Edinburgh from Arthur’s Seat. Castle to the left, St Giles the ’rounded’ spire in the middle, and Salisbury Crags to the right
This is a poem which is ‘printed’ on the side of the Scottish Parliament.
by Hugh MacDiarmid
But Edinburgh is a mad god’s dream Fitful and dark, Unseizable in Leith And wildered by the Forth, But irresistibly at last Cleaving to sombre heights Of passionate imagining Till stonily, From soaring battlements, Earth eyes Eternity
Cotswold Cottage relocated to Dearborn, Michigan, Jan 1931. The Dog is called Rover.
Following my post where I introduced the story of Henry Ford and his visits to Broadway; my subscriber from Paris sent me details that led me to a really comprehensive description of Ford’s activities in the Cotswolds. He loved it so much, as the post from the Henry Ford Museum reveals, that he sent to the US not only a complete Cottage, but also the Barn, Stables and dry stone walling. He then went to stay in the Lygon Arms in Broadway; visited nearby Snowshill, where a dilapidated Blacksmith Shop dating to the 1600s with all its tools was purchased and sent to the Museum in Michigan.
Snowshill Blacksmith shop dating to the 1600s taken to the Henry Ford Museum, Dearborn, Michigan
Here is the post – it has lots of interesting photos.
Screen Shot of the Virtual Tour of the Sir John Soane Museum
The Sir John Soane Museum is my second favourite London Museum. It’s the place I choose to take people who don’t know London. What I like about it is the atmosphere. It’s not a place I go because of the collection, it’s a place I go because I’m just awestruck when I enter the doors.
Architect Soane, made a Museum of his house, filling it with architectural and sculptural pieces but also some stupendous Art, particularly paintings by William Hogarth. But that isn’t my motivation to keep going back. It’s the Picture Room (and the domed ceilings). Soane had a great collection of paintings, but not enough walls. What he did was to design the Paintings Room. When you visit you go in, admire the paintings on the wall, and the attendant comes in, opens a shutter, and behind the great paintings are another wall of great paintings. And then he opens another set of shutters, and there, is another feast for your eyes.
Now, they have made high quality digital images of the rooms, and put them together using photogrammetry into a digital model which you can explore.
So, feast your eyes on it here: (choose Picture Room from the three options).
It’s not quite as user-friendly as it might be. Firstly, when the tour delivers you to the Picture Room, you have to take over control to go in and explore the 360 degree image of the room. Unfortunately, the pictures are not clickable, so you cannot get information about them from here. Also, the ‘hot spots’ which allow you to open the shutters, only reveal themselves, on my computer, if you approach them at a certain angle.
But don’t let this put you off, I’m sure you will find your way around. So go into the Room, look around, move the cursus, and you will see little signs pop up which open and close the shutters. Really, do try it! There are a couple of other rooms to explore too.
Oh, and the Dome Ceilings? Soane was a specialist in buildings that didn’t want windows in normal places. He was the architect of the Bank of England where windows in the walls were a security risk, and also of London’s first purpose built art gallery – the Dulwich Picture Gallery. Windows reduced the space for paintings, so he designed special low domed ceilings, and the Soane Museum is full of his experimentation in the form.
Scara Brae Three D Model
Another delight is the 3D model of Scara Brae which allows you to explore the Neolithic village, and walk around it. There are labels on this one, so you do get information too.
360 Degree Panorama Virtual Tours. My part in their development.
I was an early adopter of this form of virtual reality, setting up virtual tours of the Old Operating Theatre Museum in the 1990’s. I have a draft post of this which I have been awaiting time to finish, which I hope to finish soon….
Thanks to the Museum’s Journal article on Photogrametry of May/June 2022 for the two examples above.
Dust jacket of fifth reprint of first edition, copyright 1973. Publisher Blond & Briggs. Jacket design by Andrew Sinc (wikipeidia)
It was, probably, mid 70s when I came across this book and, I think I can say, it had a lasting effect on my opinions. The book is about many things, but what it did for me was introduce sustainable development and the beauty of small scale innovation. Schumacher believed that resources were limited, that pollution represents an ever-increasing danger to society, and that appropriate scale innovation offered the best hope to create a fairer world.
He helped set up ‘the Intermediate Technology Development Group’, but found a better title in ‘Small is Beautiful’ for his book outlining his philosophy. ITDG became Practical Action, which is a charity that works around the world finding innovative solutions to real world problems.
To see Schumacher’s legacy have a look at the Practical Action web site or follow this link to see what it is doing, for example, in promoting ‘regenerative agriculture.’
I donate regularly, and maybe you might enjoy reading positive stories of human ingenuity in action around the world.
Replica of the Stone of Destiny at Scone Palace, Photo Kevin Flude
A study of the Stone of Destiny, the Stone of Scone, the Coronation Stone, has revealed new information. Firstly, it has some markings which look like three X’s and something like a V – perhaps Roman Numerals or more likely, crosses.
The Stone also revealed traces of copper alloy showing that a metal object had been attached to the Stone for a considerable time. The most obvious suggestion would be a relic associated with a Saint, and a Bell is one possibility.
Traces of gypsum suggested someone sometime made a plaster copy of the stone. No one knows when or why, and it has not been found.
Historic Environment, Scotland has released this fascinating 3-D scan of the stone for the public to view – it is annotated too.
You can read more at the links below, and thank you to Jean Kelly of the Britarch mailing list for alerting me to this.
The Stone has been moved from its permanent home at Edinburgh Castle for the first time since 1996, to be placed under the Coronation Chair for Charles’s May 6 Coronation at Westminster Abbey.
Coronation Chair, with Stone of Scone under the seat.
The Stone was kept at Scone before it was stolen by Edward 1 of England, who placed it under the Coronation Chair, at Westminster, to sanctify English Kings and to make the point that he was the overlord of the Scottish. In the 1950’s Scottish students stole it back, hid it for a few weeks and then left it at Arbroath Abbey. They did this because the so-called Declaration of Arbroath (1320) is a letter to the Pope asking for his endorsement of Scotland’s claim to be independent of England. The Pope agreed.
The Stone was recovered from Arbroath taken back to Westminster. The Labour Party under Tony Blair, granted Scotland back their own Parliament and as a symbol of their regained independence, the Stone of Destiny was taken back to Scotland.
Newspaper cutting showing the Stone being taken from Arbroath Abbey
To my mind it should be in Scone, which is where Macbeth and most other Scottish Kings were crowned, but perhaps they thought it should be in the Capital and in the safety of the Castle. At Scone, the Stone was placed on a mound of earth which was said to be made up of the dust from the feet of those attending Coronations symbolising the consent of all of Scotland for the new King.
