Digital Heritage and the Wayback Machine

360 degree Image of the Herb Garret (4th December 2000) at the Old Operating Theatre Museum. Click on the VR label to go full screen, and use the mouse to navigate.

Digital Heritage Is a subject I had a very early interest in.  My, very minor claim to fame, is that I set up the Museum of London’s and the Victoria and Albert’s first computer systems. I then co-authored one of the earliest hyperlinked digital histories (on the history of London), and set up the first web sites for various museums and organisations such as the Old Operating Theatre Museum, Brunel Engine House, Garden History Museum, Royal Bethlem Museum etc..

But that was a long time ago so long that most of the Museums have changed their names! Despite the desire to do so, I have not had the time to keep up with developments.

So, I’m going to spend a little time investigating online heritage sites, and at the same time, maybe, look back at my part in the history of digital heritage.

Firstly, the principles of the study. Early on I came to the conclusion that the Internet should allow access to Museums for all those people who could not afford, or did not have the time, to visit in person. So, I’m looking for online/virtual visits that have something about them almost as good as a physical visit. Secondly, I’m looking for online exhibitions that provide an enjoyable experience that works in a similar way to a real exhibition. This means for me that the technology does not get in the way, and is not too complex to access and use. I also have an interested in digital guided walking tours.

I must admit that 40 years after I began to see the potential in digital I rarely see virtual visits or exhibitions that I want to spend time with. When I use websites for data and information, which I do all the time. I search, I find, I read but I don’t often linger for pleasure and. I rarely go back.

Yes we have Virtual Reality, Augmented Reality and the Metaverse, but they don’t really impact positively on my experience of heritage, history and museums. This might well be because I haven’t looked very hard, or spent much time on the subject in recent years, or because I don’t enjoy digital experiences that much, But, I’m going to have a good look around to see what is on offer, and I hope you will join me.

My starting point is the Old Operating Theatre Museum web site. I was in charge of the Museum for 30 years from the mid 80s onwards. In the early days of my management of the Museum I set up a very early web site designed to give those who could not visit a real idea of the Museum. This was achieved by the usual set of information pages but also with 360 degree annotated panoramic photos of the museum spaces linked together. This gave a simple and informative tour of the museum. which was easy to use, did not take long to see and did not depend on complicated technology on the part of the user. Later we added an online database of the collection to give access to the collection.

Thanks to the Wayback Machine – which is an amazing internet archive, no the internet archive, which archives old web sites, I have been able to retrieve a version of the site, dated to 2000AD so you can have a look at it. As you will see below it is very wordy but I think a really nice design by Highway 57 and Chris Sansom, who is also a composer, and now heading up an innovative jazz band called ‘Perfect Stranger’ .

Unfortunately, good though the Wayback Machine might be it does not have the technology to show the 360degree panoramas. So to get an idea of how they worked please have a look at the image at the top of the page, and imagine the addition of ‘hotspots’ which you could click to see further information or click through to the next panoramic view. Please note this is the second iteration of the site and so far I have been unable to find my original self-designed site.

Early web site of The Old Operating Theatre Museum - www.thegarret.org.uk in 2000, retrieved from the Wayback Machine
The Old Operating Theatre Museum – www.thegarret.org.uk in 2000, retrieved from the Wayback Machine

https://web.archive.org/web/20001204183100/http://www.thegarret.org

So, I think the interactive tour of the museum gave a pretty good, simple and enjoyable tour of the Museum. I should say that the Old Operating Theatre Museum is one of the most amazing Museums. It is in the roof space of a Church and was a store for herbal medicines, and an operating theatre/emergency room for female surgical patients used before anaesthesia and antiseptic surgery.

Its now 23 years later. The website has been completely redesigned since I left, and it opens with a very good video that gives an excellent introduction to the museum. Click on the link to have a look at the video on the home page @ https://oldoperatingtheatre.com/

Inside the website is a huge amount of information, some very good videos, there is a ‘virtual tour’ which does not work on my browser for some reason, interactive games and a clickable image to explore the Old Operating Theatre itself. Its use of media is much, much better than in the 2000s, and the information is composed now into interesting stories rather than dry information. So a pretty good job of putting the Museum’s stories to the public in an engaging way. I would say however, that perhaps it was a little easier to find out the basic information about the Museum, the Operating Theatre, and the Herb Garret before than it now is. But you can ignore that as my vanity.

I have chosen one of the stories to include here and this is an object that I bought at an auction for the Museum. I remember the excitement well, and the great interest in the medicines that were included in the medical chest.

https://oldoperatingtheatre.com/featured-object-domestic-medicine-chest%ef%bf%bc/

March 8th International Women’s Day

The Harper Road Burial Southwark a photo of a skeleton in a museum case with grave goods.
The Harper Road Burial Southwark (museum of London web site)

I’ve had a draft of a piece on he Harper Road Burial awaiting a suitable occasion to publish it. And today, International Women’s Day is, perhaps, that occasion. International Women’s Day began, as an idea within Socialist organisations in 1909/1910. Following the February Revolution in Russia and women gaining the vote, March 8th was chosen as the day to celebrate. The wider feminist movement adopted it in the 1960’s followed by the UN in 1977; since when it has been a day to celebrate women’s achievements and campaigns.

The Soviet Union 1949 CPA 1368 stamp (International Women’s Day, March 8. (Wikipedia)

My post was about the Harper’s Road burial, which came up in Dominic Perring’s new book ‘London in the Roman World.’ He uses it to establish that Southwark was a place where people lived both before and after the Roman Conquest in 43AD. The burial was found in the 1970s’ dated to 50 – 70 AD but recent scientific analysis has shown that the burial was of a woman (21 – 38 years of age) with brown eyes and black hair who was brought up in Britain. She was of some wealth by her grave goods. She had both imported Roman pottery and British made objects: a bronze necklace (a torc possibly of Catevalaunian or Trinovantian origin) and a mirror. Dr Rebecca Redfern & Michael Marshall (Human Osteology Curator & Museum of London Archaeology) on the Museum of London’s website make a case for her being: a ‘Powerful women in late Iron Age London’. It’s well worth reading. They make a case for the mirror being ‘used by women for divination and magic, and were a source of knowledge that only women could command. Being able to use and read the mirror meant that the woman was highly regarded by her community.’

https://www.museumoflondon.org.uk/discover/powerful-women-late-iron-age-london-harper-road-burial

Iron age burials are often found either with a sword or a mirror and the thinking is that the mirror reflects an equivalent status to a sword. I think we can say that the finds do reflect someone of standing, but as to the use of the mirror that must be speculation. Divination using a mirror is called ‘scrying’ and the British Museum has John Dee’s scrying apparatus. You can buy scrying mirrors on etsy. https://www.etsy.com/uk/market/scrying_mirror.

Melanie Giles & Jody Joy in ‘Mirrors in the British Iron Age: performance, revelation and power published in 2007 (and available to read here) conclude:

‘Iron Age mirrors, whether made of iron or bronze were beautiful,  powerful, and potentially terrifying or dangerous objects. They were used in the  preparation and presentation of the body and prestigious displays, but may also have been associated with powers of augury and insight into the past, or access to ancestral or spiritual worlds.’

The evidence we have for iron communities is for a powerful role for women in contrast to the Romans. The Romans dismissed women when they wrote that Boudicca was ‘uncommonly intelligent for a women’. In fact, she nearly forced the Romans to abandon their conquest of Britain. We also know that Queen Cartimandua of the Brigantes had executive power in the North of Britain. The Britons also worshipped the three Mother Goddesses, which focussed on the value of woman as maidens, mothers, and grand-mothers.

A book to order today is ‘Patriarchs’ in which Angela Saini investigates when the Patriarchy took over. I heard her talk about it and it seems an excellent summary.

https://www.theguardian.com/books/2023/mar/08/the-patriarchs-by-angela-saini-review-the-roots-of-male-domination

February 20th The Sun Enters the House of Pisces

Attributes of Pisceans selfless, mystical compassionate imaginative sensitive

pisces from the zodiac from kalendar of shepherds
From the zodiac from Kalendar of Shepherds

A man born on a Pisces shall be a great goer, a fornicator, a mocker and covetous.: he will say one thing and do another. He shall trust is his sapience, he shall have good fortune: He will be a defender of widows and orphans. He shall be fearful on water: he shall soon pass all adversities and live 72 years after nature.

The woman shall be delicious, familiar in jests, pleasant of courage, fervent, a great drinker. She shall have sickness of her eyes and be sorrowful by shame, needlessly. Her husband will leave her and she shall have much trouble with strangers. She shall travel much, have pain in his stomach and live seventy-seven years.

Both man and woman shall live faithfully.

Kalendar of Shepheardes, 1604 (from the Perpetual Almanac by Charles Kightly

What surprises me about the above is that it has to be nearly always wrong as the predictions are too specific.

Now, the Old Moore’s 2023 Almanac has a page on Liz Truss of all people, clearly written before she imploded as Prime Minister, and it is clear they think she has a real chance of being PM. They say she has ‘an almost steely determination and plenty of apparent ambition. …. She has every astrological requirement necessary to keep her nose clean and at this moment in time is certainly among the main contenders.‘. So yes they are right about her being among the main contenders but absolutely no hint of the disaster that her PMship was. Similarly the 2022 Old Moore’s Almanac had no hint of the Ukraine war.

British Recapture trenches near St Eloi February 15th 1915

The Ypres Salient. St Eloi is just behind the ‘line’ above HOLLEBEKE
. Downloaded from http://www.gutenberg.org/ebooks/15480 wikipedia

I wanted to find something about the winter as experienced in World War 1. Why? Because I watched a very moving film about World War 1 by Derek Jarman called ‘War Requiem’, which puts images to the music by Benjamin Britten. I also listened to a radio piece on ‘Spring Offensives’ to give a long view on what was happening in Ukraine.

I found this war poem which vividly sets a winter war scene:

Searchlight
F. S. Flint

There has been no sound of guns,
No roar of exploding bombs;
But the darkness has an edge
That grits the nerves of the sleeper.

He awakens;
Nothing disturbs the stillness,
Save perhaps the light, slow flap,
Once only, of the curtain
Dim in the darkness.

Yet there is something else
That drags him from his bed;
And he stands in the darkness
With his feet cold against the floor
And the cold air round his ankles.
He does not know why,
But he goes to the window and sees
A beam of light, miles high,
Dividing the night into two before him,
Still, stark and throbbing.

The houses and gardens beneath
Lie under the snow
Quiet and tinged with purple.

There has been no sound of guns,
No roar of exploding bombs;
Only that watchfulness hidden among the snow-covered houses,
And that great beam thrusting back into heaven
The light taken from it.

My search also showed that, on this day in 1915, the British retook trenches at St Eloi. St Eloi was just behind the Southern edge of the Ypres Salient, a bulge of allied territory surrounded on three sides by German forces and the site of the five battles of Ypres. Fighting continued here from 1914 through into 1918 when the Germans were finally pushed out of the Salient.

World War I destruction in Ypres (wikipedia)

St Eloi struck a bell as St Eloy, is mentioned in the Canterbury Tales as he was a very popular saint in the medieval period. The Saint was also responsible for converting Flanders to Christianity in the 7th Century. Properly called St. Eligius he is the patron saint of horses and cattle, farriers, blacksmiths, metalworkers, goldsmiths, and therefore of mechanics in general (including the Royal Electrical and Mechanical Engineers, forerunners of whom fought at Ypres).

According to legend Eligius was having trouble shoeing a horse, which he thought was possessed. So he cut the horse’s leg off, re-shoed the amputated leg and then reattached the leg back on the horse, which trotted off none the worse for the experience. St Eloy was noted for refusing to swear an oath, and it is ironic that the Prioress swears, according to Chaucer, by St Eloy. His Saints Day is 1 December.

Jane Austen Walks

I have set up my year of Jane Austen walks.

Jane Austen’s London Walks

Georgian female engraving


Sat 2.30 pm Green Park underground station, London (north exit, on the corner)

on the following dates in 2023: 2 April. 11 June. 9 September. 12 November.

And a Special Christmas version on 23 December 2023

An exploration of Mayfair, the centre of the London section of Sense & Sensibility and where Jane came to visit her brother

“It is a truth universally acknowledged, that a Jane Austen devotee in possession of the good fortune of a couple of free hours today must be in want of this walk.”

People associate Jane Austen and her characters with a rural setting. But London is central to both Jane Austen’s real life and her literary life. So, this tour will explore Jane’s connections with London and give the background to Sense and Sensibility, a good part of which is based in this very area. We begin with the place Jane’s coach would arrive from Hampshire, and then walk the streets haunted by Willougby; past shops visited by the Palmers, the Ferrars; visit the location of Jane Austen’s brother’s bank and see the publisher of Jane’s Books. The area around Old Bond Street was the home of the Regency elite and many buildings and a surprising number of the shops remain as they were in Jane Austen’s day.

This is a London Walk Guided Walk lead by Kevin Flude

To Book:

Christmas With Jane Austen Virtual London Tour

12th Night


Saturday 23 December 2023 7.30pm

We look at how Jane Austen spent Christmas and at Georgian Christmas traditions and amusements.

“It is a truth universally acknowledged, that a Jane Austen devotee in possession of the good fortune of a couple of free hours must be in want of this virtual walk.”

This is a special walk, which looks at the traditions of Christmas during the Regency period and how Jane Austen might have celebrated it. It will give some background to Jane Austen’s life and her knowledge of London. We used her novels and her letters to find out what she might have done at Christmas, but also at how Christmas was kept in this period, and the range of ‘Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects in and near London available to enjoy.

This is a London Walks Guided Walk by Kevin Flude, Museum Curator and Lecturer.

Review: ‘Thanks, again, Kevin. These talks are magnificent!’

To Book:

Googling yourself to find your book is no 4 in a list of ‘Top Ten History Books’ of 2015!

Now here is the sort of thing you find out about yourself only if you

a. google yourself
b. go down to page 8

And there I find that thebookbag had my book as no 4 in its top ten history books of 2015, with Mary Beard at no 2.

And this is their review:

‘Divorced, Beheaded, Died…: The History of Britain’s Kings and Queens in Bite-Sized Chunks by Kevin Flude

4.5star.jpg

History lives. Proof of that sweeping statement can be had in this book, and in the fact that while it only reached the grand old age of six, it has had the dust brushed off it and has been reprinted – and while the present royal incumbent it ends its main narrative with has not changed, other things have. This has quietly been updated to include the reburial of Richard III in Leicester, and seems to have been re-released at a perfectly apposite time, as only the week before I write these words the Queen has surpassed all those who came before her as our longest serving ruler. Such details may be trivia to some – especially those of us of a more royalist bent – and important facts to others. The perfect balance of that coupling – trivia and detail – is what makes this book so worthwhile.’

135,000 copies to date in 7 editions and formats. I did suggest a new updated edition to add a section on King Charles III but they said ‘they had no plans.’

http://www.thebookbag.co.uk/reviews/Top_Ten_History_Books_2015

The Great Museum of London Reunion! (and closure)

The Great Museum of London Reunion

The Museum of London is reverting to its ‘original name’ the London Museum and moving to Smithfield. The problem is that they have decided to close the old Museum while they build the new one, which I think, sucks. To my mind a Museum’s job is to present its collection to the public: some of the objects are unique and need to be seen. To hide them all for four years because of convenience and cost savings is, I think, an abrogation of its duty. Of course, the Museum also runs the Museum of London in Docklands which is some compensation but all the same – four whole years!

So, today, it closes its doors. Then in the evening it hosts, what I imagine will be a ravening hoard of archaeologists and museum staff, for the greatest of all reunions. I’m very excited. I will be looking out for 2 wives, several ex-girlfriends and loads of old friends and colleagues many of whom I have not met for a very long time. I split up with Julie, my first wife, in our first few months as archaeologists at the Museum and a few years later met Poppy, the mother of our children, who worked as a Conservator at the Museum.

As I was a trade union representative while at the Museum, and co-edited the scurrilous archaeological ‘fanzine’ called ‘Radio Carbon’ I was, therefore, more often than most archaeologists to be found at the Museum. There I got to know quite a few of the Museum staff. So its going to be a blast. The original invitation was for a 2 hour event, which was then increased to 3 hours, and yesterday it was increased to 4 hours with live showing of England’s world cup game.

Radio Carbon (the author is to the left with finger up his nose)

Photos: Left: Kevin Flude in the Museum’s Library, One of my few claims to fame is that I introduced computers to the Museum of London (and the V&A)

Centre: Archaeologists at the GPO site (near St Pauls) the author in the front row with glasses surrounded by so many friends!

Right: Dig Party held at Trig Lane with home made fairground attractions and cocktails such as the Portaloo Flush (as I remember it vodka dyed blue with added raisins.) The author is in the foreground to the left. (photo Derek Gadd)

The original museum for London was called the Guildhall Museum, founded in 1826 and the repository for treasures found in the ‘City of London and suburbs’, and founded by the City Corporation. The foundation of the London County Council changed the balance of power in the metropolis and in 1912, the ‘suburbs’ struck out on their own and the London Museum was founded as a museum of the whole of London. It was encouraged by the Royal Family, particularly Queen Mary, and found a home in the Royal Palace of Kensington.

the London Museum (I think!)

In 1965 an Act of Parliament merged the two museums from which emerged the Museum of London which was purpose built, and it was to be funded one third each by the Government, the City and the Greater London Council. This was changed when Mrs Thatcher abolished the London Council and the funding was swapped to 50% City and 50% the Government.

In the interim before the new museum was built, the Guildhall Museum set up a temporary display at the Royal Exchange, and then moved into a building on the new Barbican High Walk. (thanks John Clark for information on the information on the merger.) The new museum was opened in December 1976, in a brand new building designed by Philip Powell and Hidalgo Moya. Instead of rooms with multiple exits, it was designed to allow only one route through – from the Prehistoric, through to the Romans, and then through a dark tunnel to the Dark Ages, and medieval, then downstairs down a ramp with a ceiling that echoed the Crystal Palace into Modern London. Its ethos was always to tell the story of London rather than highlight the ‘treasures’ and had people friendly, narrative driven displays of great clarity.

It will be much missed.

Aftermath

The Great Reunion was very noisy with competing sound systems and was very jolly. So great to see so many old faces (and still recognise them!) and sorry to miss so many who could not, for one reason or another, attend.

An Oxford Booklist

Gaudy Night by Dorothy L. Sayer

I lived and worked in Oxford for three years, working at Keble College as a Research Assistant in an archaeological science Laboratory. I lived first in a farmhouse in the Oxfordshire countryside and then right in the centre of Oxford in a room formerly lived in by Benazir Bhutto. The flat was in St Michael’s Street just by the Anglo-Saxon Church of St Michael’s Church. This where the North Gate used to be and where Archbishop Thomas Cranmer was imprisoned before being burnt at the stake. My room overlooked the Oxford Union where so many politicians have cut their teeth in debate.

St Michael’s Church, Cornmarket, Oxford

Now, from time to time I moor my narrow boat in Oxford either on the Thames or on the Oxford Canal; and take occasional groups of Road Scholars around the City of Dreaming Spires. Sometimes, people ask me for a booklist. So, this is my shortlist of books.

And it must begin with Evelyn Waugh’s ‘Brideshead Revisited: The Sacred & Profane Memories Of Captain Charles Ryder ‘ published in 1945, it is a beautifully written book, and, so, a pleasure to read. But it also gives a vivid insight into the English ruling classes attending Oxford University. The narrator, Charles Ryder is at Trinity College while the beautiful Sebastian Flyte is at Christ Church. It has, of course, been filmed in several versions but perhaps most notably is the 11-part mini-series by Granada Television in1981.

Once you understand a little about the Oxford experience and the English class system you might begin to have an insight into Boris Johnson. So it is time to dive straight into Simon Kuper’s ‘Chums: How A Tiny Caste Of Oxford Tories Took Over The UK’‘ 2022. As you consider the power of the English public schools, and Oxbridge to propel a talentless privileged elite to run(down) this once great country (if you will forgive a personal opinion), you might like to remember Prime Minister Asquith’s belief that his Oxford education gave him the ‘consciousness of effortless superiority’. For a more balanced view of this great University you might like to read Lawrence Brockliss’ ‘University Of Oxford: A Brief History, ‘ 2018

But its time to get off my high horse and wallow in the joys of a good read. So if you really enjoy the murder mystery, my suggestion is that you spend your time in Oxford with Dorothy L. Sayers and ‘Gaudy Night’ 1935 which is set in one of the early Colleges for female students. Harriet Vane has invited Lord Peter Wimsey’s to investigate strange goings on in Harriet’s alma mater, the all-female Shrewsbury College, Oxford (based on Sayers’ own Somerville College). The events centre around the annual Gaudy celebrations which is the Oxford name for a College festivity.

This brings us to Inspector Morse. My best advice is to stick to the ground-breaking TV series staring the sublime John Thaw, or one of the post-Thaw TV series. Because, frankly, I have been reading Colin Dexter for the first time for this reading list, and am surprised how one-dimensional and dated the novels are. Having said that, Dexter does have the skill to put together a murder mystery which is enjoyable to escape into and reminds us that the writer’s art is not about all about beautiful writing but is grounded in the ability to keep the reader’s nose in a book while lost in an engaging story.

So, you can safely ignore my disdain and enjoy a guilty read of: ‘The Daughters Of Cain‘ 1994, where Morse investigates the death of a College academic. Its a good one to choose as it gives an introduction to 1990s life in an Oxford College with most of the action in the centre of Oxford. Although, surely, even Dexter must think its not a good idea for the investigating Detective to have a (reciprocated) crush on one of the suspects?

As a lover of the Canal system, my second choice is ‘The Wench Is Dead‘ 1990 where Morse is in hospital (where all the nurses, the Sister, and a young female visitor inexplicably fall for the unhealthy, sick and close to retirement Detective). Morse amuses himself by solving an historic case where a woman is found murdered on the Victorian Oxford Canal, and the climax comes on a trip where he can both solve the crime and enjoy a one-night stand with the Sister. She is one of those characters who shakes her hair loose, takes off her metaphorical glasses and is transformed from a harridan into a beautiful woman.

Better written are my next two choices: Max Beerbohm’s ‘Zuleika Dobson: Or, An Oxford Love Story’ 1911 where the devastatingly attractive Zuleika leads an Edwardian satire of Oxford University life in the early 20th Century. A good example of an Oxford mystery is Iain Pears delightful ‘An Instance Of The Fingerpost‘ 1998 based in post Civil War Oxford.

A real treat is to read Philip Pullman’s books ‘His Dark Materials’ trilogy and ‘The Book of Dust’ trilogy. At the centre of the alternative universes is a curious steam punk Oxford, where a dictatorial Church oppresses the people. Perhaps the best to read for Oxford content are ‘Northern Lights‘ 1995 (retitled The Golden Compass in the US) where we are first introduced to Lara from Jordan College (based on Exeter College which Pullman attended) and ‘La Belle Sauvage’ (2017) where the baby Lara is rescued by Malcolm who lives at the Trout (a real pub on the river Thames, mentioned in Brideshead, frequented by Morse and Lewis and outside which I love to moor by boat).

The Trout, River Thames. Oxford

Finally, for a birthday treat buy or to borrow from your library Alan Crossley’s sumptuous volume of maps illustrating the history of Oxford., ‘British Historic Towns Atlas Volume VII: Oxford [hardback] ‘ Historic Towns Trust : 2021

Front Cover, British Historic Towns Atlas Volume VII

Other book lists to follow.

MISUNDERSTANDING THE ROMAN WALL AT TOWER HILL

Roman and Medieval Town Wall at Tower Hill, London
Roman and Medieval Town Wall at Tower Hill, London

Yesterday I had a meeting with a couple of archaeologists at Tower Hill to discuss my recent letter to the London Archaeologist which suggests a piece of conservation of the wall was wrong and based on an misunderstanding of the physical remains. To my relief they agreed with my assessment of the wall and we agreed to follow it up.

It is a complex issue and I will try to upload a copy of the report at the bottom of this page. But briefly. at some point in the past the inner face of part of the wall collapsed (the piece closest to the camera). You can see that only the bottom Roman tile courses continue to the camera end of the wall – the ones above were swept away in the collapse on the inner face, they survived on the outer face.

The section just visible at the front used to show this collapse graphically because only half of the width of the tile courses survived (i.e. on the outer face not the inner face.) At some point someone in the 1980s picked up some fragments of the tile and stuck them superficially on the wall to complete the tile courses. This shows a complete lack of understanding of the archaeology of the wall and ignores the collapse. You can just see the end of that false tile course a few feet above the bottom genuine Roman tile course.

Not a great nor important bit of history but the Wall Walk plaque is wrong on this matter too so it would be good to get that changed.

Its difficult to date the original collapse but the wall at the top looks clearly medieval.

What was even more exciting is that while waiting for the archaeologists to turn up I was looking from afar at the section above. If you look very carefully at the wall nearest the camera you will see a few feet above the bottom of the wall a string of stones which are aligned to the Roman tile course and it seems that whoever recreated this section of the Roman wall after the collapse tried to copy the Roman wall but did not have any tiles so did it in stone. This part of the ‘repair’ is clearly different in style to the medieval repair above (although I had not noticed the difference in 40 years of looking at this wall).

I was very excited about this and thought maybe this is Post Roman work, because it is different to the section above which is medieval, and mimicking or continuing the Roman design the Roman. Identifying a pre-Medieval repair to the wall would be, I think, unique.

I pointed it out to Jane Sidell and Jenny Hall, and they were also interested in this finding. Jane pointed out that it seems that whoever did this seems to have been copying the Roman core of the wall just to the left, rather than copying the original Roman inner face which you can see at the end of the wall away from the camera. She thought it was more likely to have been a 19th or 20th Century repair. But we are following it up.

Here is the letter as published in London Archaeologist Vol.16 No. 2 / Autumn 2020

A longer and more extensively illustrated version is available to see here: