Sorry to send an additional post but coming up are a couple of fascinating Virtual Tours which I would like to remind you of!
Tonight is an exploration of early 19th Century London. It is based on the 1809 Picture of London Guide book. An original copy was given to me by someone grateful to have attended one of my lectures at the Old Operating Theatre Museum. It is a tour of what Jane Austen could have visited on her walks around London. There are Austen associations, but mainly we are looking at London in 1809.
Jane Austen’s ‘A Picture of London in 1809’ Virtual Walk Mon 7.30 27th Jan25 To book
Yesterday, I was asked to give a Cromwell’s London walk as a 75th Birthday present. I haven’t done one for at least 25 years. But I really enjoyed the research. So added a guided walk and a virtual tour to my programme. This is the first time I have done this VT and it is a cracking story.
The Civil War, Restoration and the Great Fire of London Virtual Tour 7:30pm Thurs 30th Jan25To book
Finally, April is the month we go on pilgrimages, as Chaucer said (in Old English). So, in addition to my Chaucer Walks, I have added a Virtual tour so we can go all the way to Canterbury.
Chaucer’s London To Canterbury Virtual Pilgrimage 7.30pm Friday 18th April 25 To book
I may add one or two more before the Sun comes back
This was 5 years after his death. It is now celebrated around the world, making clear the importance of Robert Burns.
Burns himself would have been astonished at the spread of Burn’s Night. He was modest about his attainments, saying, in his introduction to the Commonplace Book:
‘As he was but little indebted to scholastic education, and bred at a plough-tail, his performance must be strongly tinctured with his unpolished rustic way of life. ‘
Fair fa’ your honest, sonsie face, Great Chieftain o’ the Puddin-race! Aboon them a’ ye tak your place, Painch, tripe, or thairm: Weel are ye wordy of a grace As lang ‘s my arm.
The groaning trencher there ye fill, Your hurdies like a distant hill, Your pin wad help to mend a mill In time o’ need, While thro’ your pores the dews distil Like amber bead.
His knife see Rustic-labour dight, An’ cut ye up wi’ ready slight, Trenching your gushing entrails bright, Like onie ditch; And then, O what a glorious sight, Warm-reekin, rich!
Often bypassed by the tourists on a visit to the wonderful City of Edinburgh is the Writer’s Museum. It is in one of those remarkable Tower houses which seem unique to the High Street in Edinburgh. Inside, it gives a great introduction to the great writers of Scotland.
‘Is it not strange’ wrote philosopher David Hume in 1757 ‘that a time when we have lost our Princes, our Parliament, Independent Government …..that we shou’d really be the people most distinguish’d for literature in Europe?’ (source: Museum display panel)
Edinburgh Writer’s Museum Burns, Scott, Stevenson.
A Visual for Burn’s Night ‘Window in the Writer’s Museum, Edinburgh’ Photo by K Flude
Writer’s Museum photo K. Flude
First published Jan 2023, republished Jan 2024, 2025
Scene from the Eve of St Agnes & Keats poem. Porphyro looking at the sleeping Madeline by Edward Henry Wehnert (1813-68) Scanned image and text by Simon Cooke https://victorianweb.org/art/illustration/wehnert/8.html
January 20th is the Eve of St Agnes & Keats wrote a poem on the subject. The poem is one of his most important and was written in 1819 and published in 1820. Folklore held that a maid would dream of her future lover on St Agnes Eve if she took certain precautions. In particular, they had to go to bed without supper, and transfers pins from a pincusion to their sleeve while reciting the Lord’s Prayer. John Keats used this tradition in his epic poem.
St Agnes was a martyr who, at 13 years old, refused to marry a pagan. She was martyred by being stabbed in the throat. Agnes is well attested and on a list of martyrs dating to AD345. She is the patroness of young women and of chastity. Her feast day is January 21st. I wrote about St Agnes and the Fraternity of St Anne and St Agnes on Distaff Sunday.
The Eve of St Agnes & Keats
The poem begins with a great description of winter.
St. Agnes’ Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp’d trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman’s fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem’d taking flight for heaven, without a death, Past the sweet Virgin’s picture, while his prayer he saith.
Keats sets up the drama with a poetic description of the folklore:
They told her how, upon St. Agnes’ Eve, Young virgins might have visions of delight, And soft adorings from their loves receive Upon the honey’d middle of the night, If ceremonies due they did aright; As, supperless to bed they must retire, And couch supine their beauties, lily white; Nor look behind, nor sideways, but require Of Heaven with upward eyes for all that they desire.
In the poem, the maid Madelaine goes to sleep to dream of her love Porphyro. He risks everything to visit the young girl, and watches her while she sleeps. She dreams of him. Waking up and seeing him, Madelaine lets him into her bed thinking she is still dreaming.
She realises her mistake and tells him she cannot blame him for taking advantage as she loves him so much. But if he leaves her, she will be like “A dove forlorn and lost / With sick unpruned wing”.
The two lovers escape and run away together.
Keats
Keats was born in a livery inn in Moorgate. He lived in Cheapside, later in Hampstead, and was published in Welbeck Street in the West End. He trained as a surgeon at Guys Hospital, Southwark. But he never practised, although he did consider a post as a Ship’s Surgeon.
One wet, cold February he went home to Hampstead on the roof of a stage coach. But. he had forgotten his coat, so he got soaked and chilled to the bone. That night, he coughed up blood. His medical and family experience led him to believe it was a fatal sign of consumption. He had lived in a small house with his brother and mother, who both died of TB. Keats had helped nurse them.
Later on, however, he consulted a doctor. He was told his illness was psychosomatic. And his thwarted love for his next door neighbour, Fanny Brawne, was contributing to his illness.
He was advised to go to a warmer climate. So, he embarked at Tower Pier by the Tower of London. He transferred to a small sailing ship at Gravesend called the Maria Crowther. On the ship to Italy, he shared a cabin with another consumptive. The two consumptives, had opposite ideas as to whether the portholes needed to be open or closed for their health. Letters he wrote makes it clear he was desperate to stop himself thinking about Fanny Brawne. He got to Rome where he died, achieving, he felt, nothing worthwhile in his life. His memorial stone proclaimed:
“Here lies One Whose Name was writ in Water.”
First written in January 23, republished on January 20th 2024, 2025
January from Nicholas Breton’s ‘Fantasticks 1626 from the Kalendar of Shepherds (digitised by Internet Archive)
The Kalendar of Shepherds was printed in 1493 in Paris and provided ‘Devices for the 12 Months.’ I use a modern (1908) reconstruction of it using wood cuts from the original French and adding various text from English 16th and 17th Century sources. The text of the month (as shown above) is provided from a 17th Century source. It gives an interesting view of the countryside in January. To see the full Kalendar, look here:
Nicholas Breton, the writer of the text above, concludes that January:
‘is a time of little comfort, the rich man’s charge, and the poore man’s misery.’
The rich man is burdened by having to help out all the poor people who depending upon him to get through the shortages of winter. The image for January shows that January is best spent indoors by a roaring fire, eating pies.
The Kalendar introduces a ‘conceit’ which is that the year mirrors our lives, and we can forecast what will happen in our lives by looking at the months.
Kalendar of Shepherds, January text
So our lives, which are of 72 years, can be divided into 12 ages of man, each of 6 years. So, January represents the first 6 years of a person’s life. And as you can see, that during these first 6 years, the child is ‘without witte, strength, or cunning, and may do nothing that profiteth‘. As the year changes every month, so, ‘a man change himself twelve times in his life’. At three times 6 (18 or March) a child becomes a man, and 6 times 6 (36 or June) man is at his best and highest. And at 12 times 6 (72 or December) man is at the end of his allotted span.
Shakespeare numbered the Ages of Man as seven, in the great speech of Jacques in ‘As You Like it’ I dealt with this and other Ages of the World in my post:
Bereton tells us that, in January, the ‘coney is so ferreted that she cannot keep in her borough’. To put that is modern speech, ‘the rabbit is so hunted with the aid of ferrets that she cannot keep in her burrow’. The London Illustrated Almanac of 1873 chose the Rabbit as its wild animal of the month.
January from London Illustrated Almanac of 1873
To have luck for a month, you are supposed to say ‘Rabbit, Rabbit’. No less a person than FD Roosevelt used to say this. No one knows why. Rabbit’s feet are lucky too. I remember some of my friends had them in our Surrey village in the early 60s. Some of Dad’s nieghbours kept ferrets, and I remember dead Rabbits hanging from walls. The history.com website gives an idea, possibly exaggerated view, of the merits of the feet which depended upon how they were collected:
“A 1908 British account reports rabbits’ feet imported from America being advertised as ‘the left hind foot of a rabbit killed in a country churchyard at midnight, during the dark of the moon, on Friday the 13th of the month, by a cross-eyed, left-handed, red-headed bow-legged Negro riding a white horse,’
As to why, no one really knows. But Pliny the Elder in 71AD reported that cutting off the foot of a live hare could cure gout. There are European traditions of rabbit and other animal’s feet amulets curing all sorts of ailments. There are associations with witches, who could shape-shift into a rabbit. So a rabbit’s foot would be witchy and therefore powerful. In March, I reported on the Hare, and their, similar, associations with witches:
For lovers of Music, Chas and Dave’s hit song ‘Rabbit’ has a chorus of ‘Rabbit, Rabbit’.According to the Cockney’s singers (they do love a Knee’s Up) it comes from the Cockney Rhyming Slang expression: Rabbit and Pork. This means ‘Talk’ because it rhymes with ‘Talk’. To hear the song, its gestation and Royal connections, click here.
Now, I must stop rabbiting on. Time to get things done.
First, published in 2023, revised in January 2024, 2025
‘Negroland and Guinea with the European Settlements, Explaining what belongs to England, Holland, Denmark, etc’. By H. Moll Geographer (Printed and sold by T. Bowles next ye Chapter House in St. Pauls Church yard, & I. Bowles at ye Black Horse in Cornhill, 1729, orig. published in 1727) Source Wikicommons.
Note to the receivers of emails. I published the last couple of days from my laptop but the emails did not get posted. So here is one of the backlog and others to follow.
The Royal Africa Company
The Royal Africa Company was set up with a monopoly on trade with the west coast of Africa in:
“redwood, elephants’ teeth, negroes, slaves, hides, wax, guinea grains, or other commodities of those countries”
On January 10th. 1663 King Charles II affirmed the new charter for the Company that, above all else, was responsible for British continuing involvement in enslavement. Shareholders included his nephew, Prince Rupert, Samuel Pepys, and much of the British Establishment, Aristocracy, and City Merchants. Its headquarters were in Cornhill, not far from the East India Company’s HQ. The company was closed in 1752.
Guineas
Gold from the Gold Coast in Guinea was used to make coins, which became known as ‘guineas’. They were originally made from one quarter of an ounce of gold. Below is a sketch of a two guinea coin from the reign of Charles II. Note the elephant at the bottom of the coin.
Sketch of a two guinea coin from the reign of Charles II showing an elephant below the image of the King.
The guinea was original worth 1 pound but fluctuated with the price of Gold. Pepys records it at 24 or 25 shillings. It was eventually phased out, but it became a posh way of expressing value. Ordinary goods would be priced in pounds, but expensive ones in Guineas. By then valued at 21 shillings. (£1 pound 5 pence). Wikipedia suggests it was used for ‘prices of land, horses, art, bespoke tailoring, furniture, white goods and other “luxury” items‘. I remember going shopping with my parents in London and wondering at the fur coats being priced in Guineas. It died out, as a practice, in the 70s.
Enslavement, Government & the Royal Africa Company
There are many sites giving a history of slavery, and the British involvement with it. But, here, I would just like to point out how involved the British Royal Family was in the trade. One of the instigators of the Trade, in the 16th Century was John Hawkins. He secured investment in his second slaving expedition from: Queen Elizabeth I, Robert Dudley, Edward Clinton, Lord Burghley amongst others. Royal involvement in the foundation of the Royal Africa Company was only one of many connections between Royalty and Slavery.
It should be noted that the British education system has emphasised the role of Britain in the abolition of slavery. We are more reluctant to highlight our involvement in setting it up and continuing it. This has begun to change. A new generation of school children in London can visit the excellent London: Sugar & Slavery Gallery at the Museum of London in Docklands.
Compensation for Slavery & Reparations
University College, London has undertaken a profound project where they took the records of compensation payments to:
The slaves, you are thinking?
No, to the slave owners!
The compensation of £20m pounds was provided by a loan to the Governemt by Rothschilds Bank in the City of London. It probably represents around £16billion in modern terms. I have been unsure of the case for historic ‘reparations’. But when ‘we’ compensated the slave owners, it makes the case for compensation overwhelming. The least we can do is to fund projects to correct the educational and life disadvantages of people and countries impacted by slavery. And £16 billion seems like the right amount.
Legacies of British Slave-ownership project
UCL have created a resource where you can click on the streets of London and other areas, to find out the holders of slaves who were compensated in that street.
I looked at the UCL resource looking for the closest slave owner in my area of the East End of London. The nearest person lived about 500 yards away from me. Here are the abridged details from the database. It is very simple to use. Have a go by following this link.
Solomon Nunes Flamengo of Kingston, living at Mutton Lane in Hackney when he wrote his will in 1778. Merchant. Estate probated in Jamaica in 1779. Slave-ownership at probate: 6 of whom 2 were listed as male and 4 as female. 4 were listed as boys, girls or children. Total value of estate at probate: £21356.26 Jamaican currency of which £332.5 currency was the value of enslaved people.
I guess the value of his compensation was £332.5. Solomon was Jewish, which is unusual for the records, by far the majority being Christian. I chose Solomon simply because he was the closest to my house. The UCL website is at https://www.ucl.ac.uk/lbs/.
Britain began regulating the Slave trade in the late 18th Century, abolished the Slave Trade in 1807. Slavery, with the compensation to slave owners in 1833, was abolished but they replaced slavery with apprenticeship – in effect bound labour. This was ended in 1838. For more details look at https://www.parliament.uk/
Slavery or Enslavement
Finally, I have seen several exhibitions and TV documentares in recent months where victims of the pernicious trade are referred to as ‘enslaved’ and not slaves.
It is a profound difference. The victims did not make themselves slaves, they did not identify as slaves. They were forced into lt by violence, kidnap. rape, murder, torture, imprisonment, trafficking, forced exile. They were enslaved.
‘Drawing for Twelfth Cake’ at St. Annes Hill ’12th Night Cruikshank, Isaac, 1756-1811 printmaker. Published Janr. 10, 1807 by Thomas Tegg, 111 Cheapside’
Twelfth Night
Yesterday was Twelfth Night for the modern Church of England, but today is Twelfth Night for the Catholic Church and in England in former times. It is also Epiphany or Three Kings Day and because of calendrical differences, Christmas Eve for the Orthodox Church. In Ireland, it is Nollaig na mBan. This is Women’s Little Christmas; when Women get to rest and let men do the work. This is a typical Saturnalia-style reversal of roles.
I used the print above, three years ago for my post on New’s Day, then moved it to Twelth Night. I also use it for lectures on Christmas and Jane Austen. But the focus of my presentation is explaining the Twelfth Night Cake and the game that was played. But in fact, this is a very political satirical cartoon. More of that, later, let’s begin with the more trivial aspect of the print above.
Twelfth Night and Christmas Cake
It used to be the big party night, featuring the famous Twelfth Night Cake and theatrical entertainments; mumming and wassailing. The cake has disappeared from current Christmas celebration, probably because it transmuted into our present Christmas Cake. This, I regret. I have had a lifetime when a very heavy Christmas Dinner is followed first, by Christmas Pudding. Then, overloading with food, the Christmas Cake is brought out. No one, in their right mind, wants a slice of heavy Christmas Cake at that time. Many of my American friends disparage fruit cake, but they are mistaken. Good Christmas Cake is something to be thoroughly enjoyed, but on the days following Christmas Day.
I gave a recipe for the Twelfth Night Cake in another post, (here it is). But the important point is that it had a bean and a pea in it. The one who got the bean was selected as King for night and the pea the Queen. Traditionally, the women draw a card from a ‘reticule’ (bag) and the men’s from a hat. But there are no women at this satirical party. The cards detailed a role they were to play for the rest of the night. The card began with an introductory speech, or rhyme, for the person to speak. The King and Queen led the way, and for the rest of the evening the party members adopted their persona. They might be an aristocrat, a soldier, a cook, a parson, a dairy maid etc. The French do something similar with their Galette des Rois. The bean is called the feve, and may be replaced by a porcelain model. Other places have a King’s Cake for epiphany.
Twelfth Night Satire
So, as I was rushing to get the original Twelfth Night post done, I failed to examine it in any detail. I assumed the cards gave them satirical occupations which would be funny to the contemporary audience in 1807. But then, I noticed the title mentioned St Anne’s Hill. I looked it up and discovered myself down a deep and very enjoyable research rabbit hole.
St Anne’s Hill & Charles James Fox
Now, let’s go down that rabbit hole and look a little deeper.
The caption mentions St Anne’s Hill. I believe this refers to St Anne’s Hill, near Chertsey (SW of London on the River Thames). Here, there was a grand house which was owed by Charles James Fox. He was the leader of the Whigs, a persistent opponent of King George III. He was a supporter of the American and French Revolutions. This explains the red bonnet used to pull out the cards in the illustration.
The central figure is then, Fox. But he died in September,. 1806. The print is dated January 1807. Just before he died, his Foreign Slave Trade Bill of 1806 began the dismantling of this pernicious trade in the British Empire. He was Foreign Minister who assumed a couple of civil chats with the French would end the long-standing war. But he soon discovered that Napoleon was not to be trusted in negotiations. The war went on for another 9 or so years.
Charles James Fox was a mercurial figure with many radical views. He was also a notorious gambler and loved the high life. One of his many lovers was Georgiana, Duchess of Devonshire. He eventually married, Elizabeth Armistead, an ex-mistress of the Prince of Wales. St Anne’s Hill was her house. I am pleased to report that she is credited with calming his life-style. He now spent more time at St Anne’s where they would ‘read, garden, explore the countryside and entertain friends’ (Wikipedia).
Isaac Cruikshank’s ‘Drawing for Twelfth Cake’ at St. Annes Hill
Cruikshank’s illustration is, of course, not designed to document quaint Twelfth Night customs but is a political satire and I discovered that the British Museum has the original version of this print, and. It is dated to 1799 which makes much more sense!
At the back right of the print is a notice which says:
‘Rules to be observed at this Meeting 1. That the Cake be decorated with appropriate insignia 2 That the tickets be deposited in a Bonnet Rouge and drawn in Rotation 3 That the Old Fashioned Game of King and Queen be exploded & Catch as Catch can Substituted in its stead.’
The bonnet rouge is defined by the Collins Dictionary as a ‘redcap worn by ardent supporters of the French Revolution’ or ‘an extremist or revolutionary’. The last point relates to Fox’s opposition to the King, and the expression Catch as Catch Can refers to a free form of wrestling without rules.
The characters in the scene (all men) are all political figures. They are associated with the opposition to the very right-wing Government of William Pitt. During the war with France, the opposition was led by a supporter of the French Revolution. For those on the right, which included Pitt’s government, supporting the French Revolution was tantamount to treason. Pitt suspended many civil liberties in ‘Pitt’s Reign of Terror’. He arrested and indeed executed leading members of those demanding political change. The Government even suspended Habeas Corpus to make it easier to arrest their opponents,
Fox is seen drawing a 12th Night Game ticket which is marked ‘Perpetual Dictator’. To his right is Frances Burdett. He was a radical politician, who supported universal male suffrage, equal electoral districts, vote by ballot, and annual parliaments. Note that this is well before these aims became the core of the Chartists campaign for electoral reform. (for other people in the illustration look at the British Museum notes on the print. )
Frances Burdett, Edward and Catherine Despard
Burdett is shown holding a ticket saying ‘Keeper of the Prison in Cold Bath Fields’. This is a satirical reference to a serious political crisis. The Cold Baths Fields was the site of a medical spring in Clerkenwell, London. This was where a prison was situated where radicals were imprisoned. They were held in poor conditions despite the recent rebuilding under the aegis of the prison reformer, John Howard. Burdett exposed the scandalous conditions in the House of Commons. He began a campaign against the magistrates involved in the arrests.
One of the prisoners was Edward Despard who had associations with many radical groups. These included the London Corresponding Society, the United Irishmen and United Britons. Despard was married to Catherine, the daughter of a free black woman from Jamaica. She, with Burdett, led the campaign against these arrests without trial. Catherine wrote a letter to the Attorney General who replied in a demeaning manner:
‘it was a well-written letter, and the fair sex would pardon him, if he said it was a little beyond their style in general’
He did not comment on her colour. She described the imprisonment of her husband as being :
“in a dark cell, not seven feet square, without fire, or candle, chair, table, knife, fork, a glazed window, or even a book”
Execution of Edward Despard
Despard was freed in 1802, went to Ireland. But returned to London, where he was arrested again. But this time he was accused of a being the ringleader of a plot to assassinate the King. There was little real evidence. Horatio Nelson was a character witness, and appealed to the King for clemency. It was given. But only in so far as Despard was not disembowelled but ‘only ‘Hanged and Drawn’ at Horsemonger Lane Gaol (1803). This was the last time someone was drawn through the streets at the tail of a horse before execution for treason. These are his last words:
Fellow Citizens, I come here, as you see, after having served my Country faithfully, honourably and usefully, for thirty years and upwards, to suffer death upon a scaffold for a crime which I protest I am not guilty. I solemnly declare that I am no more guilty of it than any of you who may be now hearing me. But though His Majesty’s Ministers know as well as I do that I am not guilty, yet they avail themselves of a legal pretext to destroy a man because he has been a friend to truth, to liberty, and to justice
(a considerable huzzah from the crowd)
and because he has been a friend to the poor and to the oppressed. But, Citizens, I hope and trust, notwithstanding my fate, and the fate of those who no doubt will soon follow me, that the principles of freedom, of humanity, and of justice, will finally triumph over falsehood, tyranny and delusion, and every principle inimical to the interests of the human race.
(a warning from the Sheriff)
I have little more to add, except to wish you all health, happiness and freedom, which I have endeavoured, as far as was in my power, to procure for you, and for mankind in general.
https://en.wikipedia.org/wiki/Edward_Despard
After his death, his family denied that Catherine was his wife but merely his ‘house-keeper.’ I assume, was because they wanted the inheritance rather than, or perhaps, as well as naked prejudice.
Francis Burdett married into the fabulously rich banking family the Coutts. His daughter was the famous Angela Burdett Coutts who was a philanthropist who collaborated extensively with Charles Dickens.
@Phew! This is what I love about what I do, you find things out that link disparate parts of your knowledge, creating an ever-interwining web of history.
On the ninth day of Christmas, my true love sent to me Nine ladies dancing, Eight maids a-milking, Seven swans a-swimming, Six geese a-laying, Five golden rings, Four calling birds, Three French hens, Two turtle-doves, And a partridge in a pear tree.
Ripping up the Year
On this day in 1793 the National Convention in Revolutionary France decreed that Year II of the Republic had begun the day before. That is on New Year’s Day, January 1st. But, by October, they decided that the French Revolutionary Calendar should have begun on the Autumn Equinox. So they, retrospectively, made 22 September 1792 the first day of Year I.
By choosing a radical and rational reform of the Calendar the Revolutionaries were following Julius Caesar’s example. His Julian Calender tidied up the old Roman Calendar but kept many of the essentials in place. The French, by contrast, almost completely ripped up the calendrical rule book. For more on the Julian Calendar read my post here.
Wheezy, Sneezy and Freezy Months
Let’s start with the names of the months. The concept of the month they kept but got rid of the irrational Latin-based names. They replaced them with neologisms derived from seasonal indicators as you will see.
But it’s more fun to begin with the names as reported, satirically, by John Brady. He published these in England in 1811. The list starts with ‘October’ as the year began at the Winter Solstice. The seasons are separated by semicolons.
Wheezy, Sneezy and Freezy; Slippy, Drippy and Nippy; Showery, Flowery and Bowery; Hoppy, Croppy and Poppy.
The historian Thomas Carlyle suggested somewhat more serious English names in his 1837 work ‘The French Revolution: A History’ namely:
Each month was a rational 30 days, leaving 5 days of the solar year to be sorted out. These were given to the Sans Culottes as holidays and called complimentary days. The leap year was similarly given to the Sans Culottes; an extra day, every 4 years. It was a copy of the Egyptian year, which had inspired Caesar to make the Roman year rational.
Working flat out 10/10
And like the Egyptians, the 7-day week went out the window. The month was divided into three décades of 10 days. The tenth day, the décadi, being a day of rest. By my calculations, the ‘lucky’ Sans Culottes gained 5 days at the end of the year. But lost 16 Sundays, a net lost of 11 days over the year. I’m guessing they would have been compensated somewhere in the year? By time off to celebrate various revolutionary festivals, such as the 14th July (celebrating the storming of the Bastille)? The days were called primidi (first day) duodi (second day) tridi (third day) etc.
The hours of the day were decimalised. So each day was divided into 10 hours, rather than the 24 hours we use. The hours into 100 decimal minutes, and the minute into 100 decimal seconds. This meant that an hour was 144 conventional minutes; a minute 86.4 conventional seconds, and a second 0.864 conventional seconds.
Thank you, Napoleon?
So, had we adopted the French Revolutionary Calendar as we did the metric system this would be Tridi 13th Nivôse, Year 233. (According to the calculator at French Calendar.)
The French Revolutionary Calendar did not survive Napoleon, who recalled the conventional calendar. Time keeping returned to the Gregorian standard on 1 January 1806.
I do like the idea of the 10-day week. But I would like it to be 6 days of work and 4 days of leisure, thank you. I do wish we could rename our months: Wheezy, Sneezy and Freezy; Slippy, Drippy and Nippy; Showery, Flowery and Bowery; Hoppy, Croppy and Poppy.
Marble statue of Bacchus from the Temple of Mithras London. The inscription reads ‘hominibus vagis vitam’ Translation … (give) life to men who wander.
On the eighth day of Christmas my true love sent to me: 8 Maids a Milking; 7 Swans a Swimming; 6 Geese a Laying 5 Golden Rings 4 Calling Birds; 3 French Hens; 2 Turtle Doves and a Partridge in a Pear Tree
Closing Time
The 8th day, New Years Day, is the day of the Throbbing Head. In ‘Closing Time’ Leonard Cohen wrote about drinking to excess. I like to think he refers to Christmas and New Year’s Day:
‘And the whole damn place goes crazy twice And it’s once for the devil and it’s once for Christ But the boss don’t like these dizzy heights We’re busted in the blinding lights of closing time.
Trouble is the song mentions summer. Oh well. You can enjoy the official video on YouTube below:
Hangover Cure
So what you need is a hangover cure. Nature provides many plants that can soothe headaches. And in the midst of the season of excess, let’s start with a hangover cure.
Common ivy Photo by Zuriel Galindo from unsplash
Ivy and Bacchus
Ivy, ‘is a plant of Bacchus’…. ‘the berries taken before one be set to drink hard, preserve from drunkenness…. and if one hath got a surfeit by drinking of wine, the speediest cure is to drink a draft of the same wine, wherein a handful of ivy leaves (being first bruised) have been boiled.’
Culpeper Herbal 1653 quoted in ‘the Perpetual Almanac’ by Charles Kightly
The image of Bacchus, at the top of the post, is from a fascinating article by the Museum of London on wine making in Roman Britain. Bacchus is often shown with an ivy crown around his head as Romans were wont to wear them to fend of hangovers.
Skullache, and Willow,
Crack Willow Trees on the Oxford Canal, August 2021
One of the best documented folk hangover cure is willow bark. It could be used for headaches, earaches and toothaches. Here is a record of how simple it was to use:
‘I am nearly 70 years old and was born and bred in Norfolk… My father, if he had a ‘skullache’ as he called it, would often chew a new growth willow twig, like a cigarette in the mouth.’
‘A Dictionary of Plant Lore by Roy Vickery (Pg 401)
In the 19th Century, Willow was found to contain salicylic acid from which aspirin was derived. As a child I remember chewing liquorice sticks in a similar way. However, we chewed, supposedly for the pleasure and the sweetness not for the medicinal virtues of the plant.
Country Weather
January 1st’s weather on the 8th Day of Christmas was warm and wet all day. So, according to Gervase Markham, the 8th Month, August, will be similarly warm and drenched. (source: ‘The English Husbandman’ of 1635.)
On this Day
It was the Day of Nymphs in Greece dedicated to Artemis, Andromeda, Ariadne, Ceres. (according to the Goddess Book of Days by Diane Stein.)
Here are listed the public guided walks and tours I have currently got in my diary. I will be adding others all the time.
A Virtual Tour of Jane Austen’s Bath 7.30pm 10th Feb 25 To book Tudor London – The City of Wolf Hall 11.30am Sat 22nd Feb 25To book Myths, Legends, Archaeology and the Origins of London 2.30pm Sat 22nd Feb 25 To book Roman London – Literary & Archaeology Walk 11.30am Sat Mar 8th 25 To book Jane Austen’s London Anniversary Walk 2.30pm Sat 8th Mar 25 To book The Decline And Fall Of Roman London Walk 11.30 Sat 22nd March 2025 to Book London. 1066 and All That Walk Sat 2.30pm 22nd March 2025 To Book Jane Austen’s London Anniversary Walk 11.30am Sun 6th Apr 25 To book Chaucer’s Medieval London Guided Walk 2:30pm Sun 6th Apr 25 To book Chaucer’s London To Canterbury Virtual Pilgrimage 7.30pm Friday 18th April 25 To book Roman London – Literary & Archaeology Walk 11.30am Sun 27th Apr 25 To book Tudor London – The City of Wolf Hall 3:00pm Sun 27th Apr 25 To book Myths, Legends, Archaeology and the Origins of London 11.30am Sun 25th May 25 To book Charles I and the Civil War. Martyrdom Anniversary Walk Jan 30th 2026 To book For a complete list of my guided walks for London Walks in 2025 look here
Monday 1st January 2025 7.00 pm On this Virtual Walk we look at how London has celebrated the New Year over the past 2000 years.
The New Year has been a time of review, renewal, and anticipation of the future from time immemorial. The Ancient Britons saw the Solstice as a symbol of a promise of renewal as the Sun was reborn. As the weather turns to bleak mid winter, a festival or reflection and renewal cheers everyone up. This idea of renewal was followed by the Romans, and presided over by a two headed God called Janus who looked both backwards and forwards. Dickens Christmas Carol was based on redemption and his second great Christmas Book ‘The Chimes’ on the renewal that the New Year encouraged.
We look at London’s past to see where and how the New Year was celebrated. We also explore the different New Years we use and their associated Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other Winter Festival and New Year London traditions and folklore.
At the end, we use ancient methods to divine what is in store for us in 2023.
The virtual walk finds interesting and historic places in the City of London to link to our stories of Past New Year’s Days. We begin, virtually, at the Barbican Underground and continue to the Museum of London, the Roman Fort; Noble Street, Goldsmiths Hall, Foster Lane, St Pauls, Doctors Commons, St. Nicholas Colechurch and on towards the River Thames.
The Civil War, Restoration and the Great Fire of London Virtual Tour
The Great Fire of London looking towards StPauls Cathedral from an old print
7:30pm Fri 30th January 2026
January 30th is the Anniversary of the execution of Charles I and to commemorate it we explore the events and the aftermath of the Civil War in London.
Along with the Norman Conquest of 1066 and winning the World Cup in 1966 the Great Fire in 1666 are the only dates the British can remember!
And we remember the Great Fire because it destroyed one of the great medieval Cities in an epic conflagration that shocked the world.
But it wasn’t just the Great Fire that made the 17th Century an epic period in English History. There was a Civil War, beheading of the King, a Republic, a peaceful Restoration of the Monarch, the last great plague outbreak in the UK, the Glorious Revolution and the Great Wind.
The Virtual Walk puts the Great Fire in the context of the time – Civil War, anti-catholicism, plague, and the commercial development of London. The walk brings to life 17th Century London. It starts with the events that lead up to the Civil War concentrating on Westminster and ends with a vivid recreation of the drama of the Fire as experienced by eye-witnesses. Route includes: Westminster, Fish Street Hill, Pudding Lane, Monument, Royal Exchange, Guildhall, Cheapside, St Pauls, Amen Corner, Newgate Street, Smithfield.
Roman London – Literary & Archaeology Walk
11.30 am Sun 27th April 2025 Monument Underground Station
London Roman Riverside Wall o
This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.
This is a walking tour that features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.
Our Guides will be Publius Ovidius Naso and Marcus Valerius Martialis who will be helped by Kevin Flude, former Museum of London Archaeologist, Museum Curator and Lecturer.
We disembark at the Roman Waterfront by the Roman Bridge, and then explore the lives of the citizens as we walk up to the site of the Roman Town Hall, and discuss Roman politics. We proceed through the streets of Roman London, with its vivid and cosmopolitan street life via the Temple of Mithras to finish with Bread and Circus at the Roman Amphitheatre.
Zinger Read: Talk about a high-quality one-two punch. This walk investigates the groundbreaking archaeological discoveries of Roman London. And then it reconstructs life in a provincial Roman capital using archaeological and literary sources. Discoveries – insights – like flashes of lightning in a cloud. We begin at the site of the Roman bridge. We might be decent young Roman citizens in togas, having this and that bit of explained to us as we make our way towards the Roman Town Hall. From there we head to the site of the excavation called ‘the Pompeii of the North.’ Followed by the Temple of Mithras. We finish with a walk along the Roman High Street in order to end at the site of the Roman Amphitheatre. So, yes, welcome to London as it was 2,000, 1,900, 1,800, 1,700 and 1,600 years ago. And, yes, the walk’s guided by a real expert, the distinguished emeritus Museum of London archaeologist Kevin Flude. That means you’ll see things other people don’t get to see, delve into London via fissures that aren’t visible, let alone accessible, to non-specialists.
REVIEWS “Kevin, I just wanted to drop you a quick email to thank you ever so much for your archaeological tours of London! I am so thrilled to have stumbled upon your tours! I look forward to them more than you can imagine! They’re the best 2 hours of my week! 🙂 Best, Sue
To Book: https://www.walks.com/our-walks/roman-london-a-literary-archaeological-walk/
Jane Austen’s London Anniversary Guided Walk
2.30 pm Sunday 9th Feb 2025
Green Park underground station, Green Park exit, by the fountain To book
Also
9 February 2025
Sunday
2.30 pm
4.30 pm
8 March 2025
Saturday
2.30 pm
4.30 pm
6 April 2025
Sunday
11.30 am
1.30 pm
2025 is the 250th Anniversary of Jane Austen’s Birth in Steventon, Hampshire. We celebrate her fictional and real life visits to Mayfair, the centre of the London section of Sense & Sensibility and where Jane came to visit her brother
“It is a truth universally acknowledged, that a Jane Austen devotee in possession of the good fortune of a couple of free hours today must be in want of this walk.”
People associate Jane Austen and her characters with a rural setting. But London is central to both Jane Austen’s real life and her literary life. So, this tour will explore Jane’s connections with London and give the background to Sense and Sensibility, a good part of which is based in this very area. We begin with the place Jane’s coach would arrive from Hampshire, and then walk the streets haunted by Willougby; past shops visited by the Palmers, the Ferrars; visit the location of Jane Austen’s brother’s bank and see the publisher of Jane’s Books. The area around Old Bond Street was the home of the Regency elite and many buildings and a surprising number of the shops remain as they were in Jane Austen’s day.
Jane Austen’s ‘A Picture of London’ in 1809 Virtual Walk
With the help of a contemporary Guide Book, Jane Austen’s letters, and works we explore London in 1809.
‘The Picture of London for 1809 Being a CORRECT GUIDE to all the Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects in and near London.’
This Guide Book to London might have been on Henry Austen’s shelf when his sister, Jane, came to visit him in London. But it enables us to tour the London that Jane Austen knew in some detail. We will look at the Curiosities as well as the shopping, residential, theatres areas as well as the Port, the Parks and the Palaces.
The guided walk is a thank you to Alix Gronau, who, having been to one of my lectures in 1994, wanted the book to come to me. I have had the book restored and am using it to explore London in 1809.
Jane Austen’s London Anniversary Walk
Jane Austen’s London Anniversary Walk 2.30 pm Sunday 9th February 25 To book
