Screen Shot of the Virtual Tour of the Sir John Soane Museum
The Sir John Soane Museum is my second favourite London Museum. It’s the place I choose to take people who don’t know London. What I like about it is the atmosphere. It’s not a place I go because of the collection, it’s a place I go because I’m just awestruck when I enter the doors.
Architect Soane, made a Museum of his house, filling it with architectural and sculptural pieces but also some stupendous Art, particularly paintings by William Hogarth. But that isn’t my motivation to keep going back. It’s the Picture Room (and the domed ceilings). Soane had a great collection of paintings, but not enough walls. What he did was to design the Paintings Room. When you visit you go in, admire the paintings on the wall, and the attendant comes in, opens a shutter, and behind the great paintings are another wall of great paintings. And then he opens another set of shutters, and there, is another feast for your eyes.
Now, they have made high quality digital images of the rooms, and put them together using photogrammetry into a digital model which you can explore.
So, feast your eyes on it here: (choose Picture Room from the three options).
It’s not quite as user-friendly as it might be. Firstly, when the tour delivers you to the Picture Room, you have to take over control to go in and explore the 360 degree image of the room. Unfortunately, the pictures are not clickable, so you cannot get information about them from here. Also, the ‘hot spots’ which allow you to open the shutters, only reveal themselves, on my computer, if you approach them at a certain angle.
But don’t let this put you off, I’m sure you will find your way around. So go into the Room, look around, move the cursus, and you will see little signs pop up which open and close the shutters. Really, do try it! There are a couple of other rooms to explore too.
Oh, and the Dome Ceilings? Soane was a specialist in buildings that didn’t want windows in normal places. He was the architect of the Bank of England where windows in the walls were a security risk, and also of London’s first purpose built art gallery – the Dulwich Picture Gallery. Windows reduced the space for paintings, so he designed special low domed ceilings, and the Soane Museum is full of his experimentation in the form.
Scara Brae Three D Model
Another delight is the 3D model of Scara Brae which allows you to explore the Neolithic village, and walk around it. There are labels on this one, so you do get information too.
360 Degree Panorama Virtual Tours. My part in their development.
I was an early adopter of this form of virtual reality, setting up virtual tours of the Old Operating Theatre Museum in the 1990’s. I have a draft post of this which I have been awaiting time to finish, which I hope to finish soon….
Thanks to the Museum’s Journal article on Photogrametry of May/June 2022 for the two examples above.
Spring is time for a tansy, so I thought I would bring out again, for an outing, the many stories behind this awesome plant, not least in that the flowers display a classical Fibonacci spiral, which is two counter-rotating logarithmic spirals. But Mrs Grieve in her Modern Herbal repeats the belief that their name derives from the Greek word for immortality ‘Athanaton’, and this might be because they grow so well that in some areas they are proscribed they are so prolific. But Tansy was supposed to have been given to Ganymede by Zeus to make him immortal, and according to Ambrosius, through their use for preserving dead bodies from corruption. Tansy was placed in coffins and winding sheets and tansy wreaths placed with the dead.
Its toxicity means that it repels many insects, particularly, flies and ants, and so it was used as a medieval and early modern strewing herb. And yet there are other insects that love Tansy – it seems to have a dark side and a light side.
It was collected in August (along with meadowsweet or elder leaves) and strewn on the floors of houses (and the ‘thresh’ was held in by the threshold). But it was also placed between mattresses to keep away bugs. People rubbed meat with Tansy to keep flies off. It is now used as a natural protection for crops from insects to reduce the amount of artificial pesticides.
It was an important medical and culinary herb, said to be a substitute for nutmeg and cinnamon, and the leaves, shredded, as a flavouring for puddings and omelettes. At Easter ball games a Tansy Cake was the reward for the winners. It was symbolic of the bitter herbs eaten by the Israelites at Passover. Tansy was thought to be a very wholesome ingredient to eat after the sparsity of Lent and Winter, and voiding the body of the worms caused by eating too many fish. It was used for expelling worms from the stomachs of children. Interestingly it contains thujone, which is also in Wormwood, the other main herb for expelling intestinal worms. Thujone can cause convulsions, liver and brain damage if too much is taken.
In the 14th Century it was used for treating wounds. It was thought to be useful both to induce abortions but also to help women conceive and to prevent miscarriages. Culpepper and Gerard suggests the root was a cure for gout.
Take three pints of Cream, fourteen New-laid-eggs (seven whites put away) one pint of juyce of Spinage, six or seven spoonfuls of juyce of Tansy, a Nutmeg (or two) sliced small, half a pound of Sugar, and a little Salt. Beat all these well together, then fryit in a pan with no more Butter then is necessary. When it is enough, serve it up with juyce of Orange or slices of Limon upon it.
Sir Kenelm Digby was a Catholic and a natural philosopher of some reputation. After his death an employee published his cookery book. His father was executed after the Gunpowder Plot, and he supported Charles 1st but found a way to work with Oliver Cromwell. He made a great success of his idea of the ‘powder of sympathy’ – 29 editions of his book on the subject were sold. He found the powder in France and it was made with precise ‘astrological’ techniques. The most famous example of a suggested application for the powder was to win the competition for a method of working out longitude (in the 18th Century). Basically, a working method meant knowing the time, normally noon, in two different places. This allowed a triangle to be created between the two points and the Sun which allowed the distance between the two places to be discovered by triangulation. Clocks were not accurate enough (yet) to help so Digby’s famous powder of sympathy was suggested.
A wounded dog would be taken on board a ship, and a bandage from the wound would be left in London. At noon in London it would be sprinkled with the powder of sympathy. The dog on the ship would, perforce, yelp when the powder was administered on the bandage in London and so the Captain would know when it was noon in London! Digby was long dead when the application for the prize money was made and rejected.
‘Longitude’ by Dava Sobel tells the story of the discovery of a clock-based method of calculating longitude.
It is a simpler sort of bun than the Chelsea Bun, which was the bun to have at Easter, at least in London in the Georgian Period. To read my updated blog post on Chelsea Buns on Good Friday see below:
There seem to be all sorts of dubious traditions around the origins of the Hot Cross Bun. It has been suggested that the Greeks knew how to put a cross on a bun. Also that the Anglo-Saxons celebrated the Goddess Eostre with the crossed bun where the cross represents the four quarters of the moon, the four seasons and the Wheel of the Year. I doubt this folklore because there is very little evidence for Eostre other than the Venerable Bede’s mentioning her name, so her association with Hot Cross Buns cannot be known.
However, the addition of a cross, and the association with Easter, makes the bun powerful, so there are lots of superstitions on record. A piece of an Easter Hot Cross Bun given to the sick may promote a cure. It was said that a bun cooked and served at Easter will not go off for a year. This might help explain the traditions that hanging them up on a string or ribbon is a good thing – one hung in a kitchen prevents fire, on a ship prevents sinking, in the Widow’s Son pub in East London to remember a sailor son who never returned for his bun on Good Friday.
The technology of putting a cross on a Bun requires nothing more complicated than a flour and water paste so it might well be an ancient tradition. A more impressive cross can be made with shortcrust pastry as was traditional. The bun itself is simply flour, milk, butter, egg, salt, spices and mixed fruit.
They are, in my opinion, the sort of food that has been eaten so often after purchase from a shop that a home-made Hot Cross Bun would be strangely disappointing – better almost certainly but then just not the same. It’s normally eaten toasted and buttered although I really prefer the soft doughy untoasted and unbuttered bun. But then it is possible to get carried away and eat the entire pack of four.
There is a tradition of Skipping on Good Friday. I can’t say I ever saw it – in my school skipping was a perennial activity, mostly enjoyed by the girls, but the boys would sometimes be intrigued enough to join in.
There is a great article about Long Rope Day in the Guardian with a wonderful picture of a collective skip.
‘RRRRRare Chelsea Buns’ as Jonathan Swift called them in a letter to Stella in 1711.
T!he tradition was that on Good Friday Georgian period Londoners would go to Chelsea to buy Chelsea Buns. Thousands of people would turn up at the Five Fields which stretched from Belgravia to what is now Royal Hospital Street. There were swings, drinking booths, nine pins and ‘vicious events that disgraced the metropolis’. The Bun House was on Jew’s Row as Royal Hospital Street was then called. As several King Georges visited the Bun House it became known as the Royal Chelsea Bun House. It was run by the Hands family. They were said to sell 50,000 Buns on the day. Stromboli tea garden was nearby.
Fragrant as honey and sweeter in taste As flaky and white as if baked by the light As the flesh of an infant soft, doughy and slight.
The buns were made from eggs, butter, sugar, lemon and spices. Inside the Chelsea Bun House was a collection of curiosities. Chelsea became known for its collection of curiosities in the 18th Century. Of course, there was the great Hans Sloane’s collection which was the founding collection of the British Museum, And then there was Don Saltero’s which was a coffee house that had curiosities on the wall. The Bun house displayed clocks, curiosities, models, paintings and statues on display to attract a discerning Public.
Me. I love a Chelsea Bun above all buns, But can you get them any more? The British Library Cafe was the last place I found that sold them. And that was 6 years ago I reckon. If you see any let me know.
You may have been following my ramblings on my attempts to work out Amsterdam’s history from maps and tramping the streets. But you might want to find out more about the History of Amsterdam from your armchair. So, this is my exploration of virtual Amsterdam. But bear in mind the ideas here can be used in any town exploration.
But if you have only a little time, here are my best tips for exploring Amsterdam online.
First, below is a very good 15 minute introduction to Amsterdam history on YouTube.
Encyclopedia Britannica | Britannica – https://www.britannica.com/place/Amsterdam
I quite often edit Wikipedia pages when I come across entries which are out of date or wrong. The quality of information can be variable but mostly its good. And reading the Amsterdam Page, as long as you are prepared to follow up some of the hypertext links, such as to the ‘Canals of Amsterdam’ or the ‘Defence Line of Amsterdam’ you can get a good idea of the history. But Wikipedia, however great for humanity, is none-the-less aspiring to be an encyclopedia, and not either literature, travel-writing, non-fiction nor entertainment. It is certainly not a virtual tour, and it takes quite a lot of timeto get a good overview of the City and it is not really something I ever do for ‘enjoyment’.
Encyclopedia Britannica has been published exclusively online since 2016 and it is a better read than Wikipedia, less rambling and more to the point. Definitely a better starting point, but still a long read, and, again, something I can’t remember reading with pleasure.
YouTube
There are a number of video lectures/talks/tours on YouTube for free and I will just mention a few – please let me know if you find anything else interesting and I will add it here.
I’ve already linked to the 15 minute ‘A Quick History of Amsterdam (That Dam Guide), which is well put together and gives a good summary. Not enough about the walls in my opinion, and probably a little too much about the major drivers of historical change and not enough about the specific details of what made Amsterdam the town. That is probably asking too much for a 15 minute introduction. And, in effect, this guide is an advert for ‘That Dam Guide’ and the author’s guided virtual tours. He does live streamed 1 hour Amsterdam Tours (none on in March) Very good production values too.
Searching for ‘Amsterdam Virtual Tour’ brings me to the: The Amsterdam Drone Tour which gives a largely drone-eye view of Amsterdam, with slightly annoying music and not enough captions to really feel you are getting to know streets, areas and districts, but it does give an interesting ‘overview’. It is 9 minutes long.
A Free Virtual Tours Amsterdam is an interesting intro to Amsterdam in two 5 minute videos. It does give you some more of, what I would call, ‘structural’ analysis of the history and development of Holland/Amsterdam. It is, to an extent, complimentary to ‘That Dam Guide’. I should not be mentioning it as the ‘Free Walks’ groups are deadly rivals to ‘London Walks’, who I do my walks for. We have a fixed fee for a professional guide, while the Free Walks say they are free but put a lot of pressure on to get customers to pay up a reasonable amount (or so we think!).
Another ‘Tips based’ guide on YouTube is Tim, who gives a 20 minute free walking tour. This one is more of a real virtual walk, as it is a filmed guided walk, with all its imperfections. But, very good in terms of authenticity.
Google Earth
This uses the Google Earth satellite view of Amsterdam, with pins marking many, but by no means all, places of interest. Each place has a little information, and often, a link to Wikipedia. Clicking on the ‘more information’ tab brings up further, and sometimes an extensive number of pictures. There is also a paper aeroplane tab, and this brings up a virtual fly-past which is fun. I was looking for a tab for the Waag, which is one of the remaining gates of old Amsterdam, but I cannot find a tab for it. Nor a search button, which hinders the usefulness of the system. But it is definitely fun!
I have just gone back to Google Earth, found the search icon on the left of the screen, overflown my house, and then searched for the Waag, which I found and here it is! Follow the link to do the fly-past.
Google Earth view of the Waag, City Gate, Dissection Theatre, and now a Restaurant.My house, on google-earth, to the south of the Canal is a strip of Grass, I live at the extreme left of that strip of grass.
I would definitely use this to explore, and, if I were to be giving a guided tour of Amsterdam I would, indeed, use it in advance to consolidate my knowledge. It has the advantage that it brings to your attention things you would otherwise not know about, and gives a really clear idea of what the place is and what its environment looks like. For example it brought to my attention the houseboat museum, which is now on my must-see bucket list, previously unknown to me.
By the way, I found the Google Earth tour on this blog: www.asthebirdfliesblog.com which has other interesting tips for exploring virtual Amsterdam.
Guided Walks Apps
I thought these didn’t really count as they are designed to give a smart-phone based on location walking tour and not an armchair guide. GPSmycity.com is linked to GPS and the user can either access other people’s guided walks, or create their own. I tried it out in Stratford-on-Avon and found it remarkably easy to do. You find the places you want on the tour, and the app ‘sucks in’ the data and pictures from Wikipedia. So within a few minutes you have, a credible, guided tour and a GPS route around the City. In fact, I found it most useful just for creating my own walking routes – much easier than Google, or CityMapper, Just put in the stops and soon your SmartPhone will be dictating your route to you!
But you don’t have to access it via an app, in fact, if you are not going to Amsterdam, its better to visit the web site, and you can go to this link gpsmycity.com, scroll down and you will see a map, and the text for all the stops on the tour. Quite a good introduction, although not inspired. (Its possible you might need to login but I’m not sure as I do have a login.)
Another example is izi-travel, but this provides free and paid for audio guides. Again designed for a smart-phone app to guide around the location, but it can also be accessed on a computer at home. So here is the link to the Amsterdam tour – there are several to choose from.
I would definitely use gpsmycity on tour – I didn’t because I dropped my phone in the oily bilge of my boat, and it went insane for about 2 hours, and reset a lot of my settings, and deleted a few of my apps, including gpsmycity, before deciding to stage a recovery. Izi-travel I have had loaded for several years, and never used, but now listening to it I might have used it like a radio show to introduce me to Amsterdam. I’m also wondering about making my very many guided walks into virtual guided walks on apps like this.
Museum On Line Tours
The Amsterdam Museum should be the museum I would be pointing to for a great on line tour about Amsterdam’s History but it has a temporary Web Site while it works on opening a new Museum. The web has interesting stuff on it, and has the collection online, but nothing that pulls it together like an exhibition, or really gives you much of an introduction to the history of Amsterdam which is very disappointing.
The Van Gogh Museum, by contrast, has an excellent online collection which can be seen, as if a virtual exhibition. But this is much easier for an art museum than a history museum, for two main reasons: the art works are more immediately visually appealing that many objects in Museum Collections which often require context to understand; and art collections are much smaller than history museum collections and so easier to see as a ‘tour’.
Summary
There is nothing to beat walking around a City in the real world. There is nothing, yet, that even comes close to it. Smart Phone tours offer an easy way to tour the physical city, but its difficult to find content on line which provides a really enjoyable armchair online substitute.
The way I explore a City, after finding the walls of course(!), is to read a good guide book. Then buy a good non-fiction history of the city, and search the second hand bookshops for histories/guides/maps and that very special book that noone has heard of and no one knows about which gives unique insights/information that a good guided tour needs. Finally, I try to read a famous novel set in the City, or if in need of light relief, find a local fictional detective.
So, I have built up a story of a Medieval City Wall of Amsterdam with a moat around it and the Amstell flowing through the middle. In the 17th Century the defenses are developed and a set of concentric canals are built.
You can see the details in the schematic plan above. Defensive circuit around the outside, concentric circles of canals inside. The first doubt came to my mind when the pilot of the tourist boat we took around the canals said the concentric rings were built up outwards progressively from the 13th Century onwards.
So, this must mean the original circuit was small and the later circuits expanded the size of the City. Just have a look at a modern plan for a moment.
City plan
Therefore, the medieval circuit was the inner concentric ring and the latest 17th Century circuit was the outer ring. So at least two different defensive perimeters. Let’s look back at the earliest plan of Amsterdam.
The oldest view of Amsterdam by Cornelius Antonisz 1538
This shows the City wall, the port on the seafront at the bottom of the painting with the River Amstel running through the middle of the City, and canals running parallel. There is a moot running outside the wall circuit. This moat is not, as I previously thought, the outer circuit as shown on the modern plan, or on the grey plaque. It is, in fact, the inner circuit. I’ve just looked it up and the moat is called the Singel, originally called the Stedegracht (“City Canal”).
Look at the Google map. The inner blue circuit is the Singel, the original moat and medieval defensive wall. The word Amsterdam is written above where the Singel meets the Amstell. The outer circuit is the 17th Century defensive circuit. You’ll see the icon of Rijksmuseum on this outer canal.
Google Map of the Hiatoric Centre 0f Amsterdarm
Now, a bit of research shows that the Pilot on the boat was repeating an old tale that the canals were progressively expanded from the medieval period onwards. He suggested that as Amsterdam grew it built itself another circuit of canals. But wikipedia assures me this is wrong. What happened was that Amsterdam became so overcrowded in the 17th Century that the authorities had to do something and what they decided to do was to enlarge the City and built a grid of concentric canals linked by linear canals, with an outer circuit of defensive bastions. surrounded by a final concentric canal. The main engine of development was commercial success followed by massive immigration. Its an amazing story of foresight. It meant that Amsterdam’s merchants could all enjoy direct access to goods coming by river and sea, or to shipping if they were exporting.
Each merchant had a tall thin warehouse/workshop of 5 to 7 stories high with a gable with a pole built into it for a pulley to lift goods up from the barges moored outside the merchants house. These houses are mostly of brick although the richest have the trappings of classical columns, and staircases leading up to the first floor. And Amsterdam also had the foresight to keep these merchants houses, and not knock them down. So a large percentage of the centrum of the City is still made up of these brick merchants houses. In the prestigious areas they are banks and offices, elsewhere shops, and houses.
This is a defensive tower on the medieval circuit
Defensive tower on the Medieval Defensive CircuitExamples of Merchante Houses of the 17th/18th Century
I’m not sure if this insight into my working process is enjoyable or not. Its something I have always done because for many years I have enjoyed leading guided walks, and cultural study tours around historic towns in the UK and Europe. In order to feel confident about the tour I have to feel I know the City, and how it articulates, and developed through time. Often it isn’t just a case of reading a guide book or wikipedia. It needs quite a lot of work to understand what is happening are what are the structural elements that led to the City as we see it today. I doubt for example, I would have realised that the Pilot was wrong, had I not had an image of the 16th Century City in my mind to compare with what he was saying.
Another 16th Century view of the original core of the town (by Cornelis Antonisz
I’ve relieved of the necessity to search for the Town Walls of Amsterdam without prior research by the fact that I am here to see my daughter who has recently broken her ankle, so she has an excuse for refusing to go on forced forced marches around the City.
I haven’t yet had a good look at a map, but the pattern of Canals circuling the centre is amazing and it seems possible there was no need for walls, when the centre is protected by so many rings of water.
I don’t know much about Amsterdam, but it reminds me of the surprising fact that Holland was a major power in the 17th/18th Century. I discovered this on a visit to Kerala in India where I realised that Portugal had a vast empire which was largely taken over by the Dutch in the 17th Century and then taken over by the British in the 18th Century.
It was one of the major pivots in world history. These three countries were small peripheral seafaring nations of no great importance in Europe until the Age of Discovery. Portugal set up trading systems (perhaps rather systems of exploitation) first down the coast of Africa and then to India and beyond. The Dutch then took over the trading stations and took control of the spice routes. Then the British took over.
Previously the spice routes from the East came through Egypt, Greece, Rome, Carthage and later the Ottoman and the Venetian Empires. This made the Mediterranean the richest place in Europe, both north and southern coasts.
The new ocean routes led to a major shift in power from the Mediterranean to the North Sea, leading to the current situation where the Mediterranean is no longer the centre of the world. Greece, Southern Italy, North Africa now under performing economies. A Roman would find this hard to believe.
Portugal, then Holland followed by Britain rose to the status of world power which would, itself, have been inconceivable before the 16th Century.
Holland was in the perfect geographic position astride the trade routes that lead to the heart of Europe. The entry point was the major river systems around the Rhine/Danube axis including the Rhine, the Scheldt, the Waal, and the Amstel. Antwerp, Rotterdam and Amsterdam developed from regional trading towns to global Cities. They spawned a self confident set of merchants who set the foundations of modern capitalism with foundations in spices and slaves.
Central to this was the Dutch East India Company. The first organisation in Europe where an investor only risked their investment rather than the shirt off their back in the event of bankruptcy. This let the shackles off investment, took money out of gold in the bank vaults and multiplied it around the economy.
But not only did it take away the risks of the consequences of investment the Dutch East India Company, set up in Amsterdam in 1602, was given quasi state power, with the ability to fight wars and impose laws on subject populations. This template was copied by the British East India Company which conquered and ran India, setting the seal for the British Empire and Capitalism.
360 degree Image of the Herb Garret (4th December 2000) at the Old Operating Theatre Museum. Click on the VR label to go full screen, and use the mouse to navigate.
Digital Heritage Is a subject I had a very early interest in. My, very minor claim to fame, is that I set up the Museum of London’s and the Victoria and Albert’s first computer systems. I then co-authored one of the earliest hyperlinked digital histories (on the history of London), and set up the first web sites for various museums and organisations such as the Old Operating Theatre Museum, Brunel Engine House, Garden History Museum, Royal Bethlem Museum etc..
But that was a long time ago so long that most of the Museums have changed their names! Despite the desire to do so, I have not had the time to keep up with developments.
So, I’m going to spend a little time investigating online heritage sites, and at the same time, maybe, look back at my part in the history of digital heritage.
Firstly, the principles of the study. Early on I came to the conclusion that the Internet should allow access to Museums for all those people who could not afford, or did not have the time, to visit in person. So, I’m looking for online/virtual visits that have something about them almost as good as a physical visit. Secondly, I’m looking for online exhibitions that provide an enjoyable experience that works in a similar way to a real exhibition. This means for me that the technology does not get in the way, and is not too complex to access and use. I also have an interested in digital guided walking tours.
I must admit that 40 years after I began to see the potential in digital I rarely see virtual visits or exhibitions that I want to spend time with. When I use websites for data and information, which I do all the time. I search, I find, I read but I don’t often linger for pleasure and. I rarely go back.
Yes we have Virtual Reality, Augmented Reality and the Metaverse, but they don’t really impact positively on my experience of heritage, history and museums. This might well be because I haven’t looked very hard, or spent much time on the subject in recent years, or because I don’t enjoy digital experiences that much, But, I’m going to have a good look around to see what is on offer, and I hope you will join me.
My starting point is the Old Operating Theatre Museum web site. I was in charge of the Museum for 30 years from the mid 80s onwards. In the early days of my management of the Museum I set up a very early web site designed to give those who could not visit a real idea of the Museum. This was achieved by the usual set of information pages but also with 360 degree annotated panoramic photos of the museum spaces linked together. This gave a simple and informative tour of the museum. which was easy to use, did not take long to see and did not depend on complicated technology on the part of the user. Later we added an online database of the collection to give access to the collection.
Thanks to the Wayback Machine – which is an amazing internet archive, no the internet archive, which archives old web sites, I have been able to retrieve a version of the site, dated to 2000AD so you can have a look at it. As you will see below it is very wordy but I think a really nice design by Highway 57 and Chris Sansom, who is also a composer, and now heading up an innovative jazz band called ‘Perfect Stranger’ .
Unfortunately, good though the Wayback Machine might be it does not have the technology to show the 360degree panoramas. So to get an idea of how they worked please have a look at the image at the top of the page, and imagine the addition of ‘hotspots’ which you could click to see further information or click through to the next panoramic view. Please note this is the second iteration of the site and so far I have been unable to find my original self-designed site.
The Old Operating Theatre Museum – www.thegarret.org.uk in 2000, retrieved from the Wayback Machine
So, I think the interactive tour of the museum gave a pretty good, simple and enjoyable tour of the Museum. I should say that the Old Operating Theatre Museum is one of the most amazing Museums. It is in the roof space of a Church and was a store for herbal medicines, and an operating theatre/emergency room for female surgical patients used before anaesthesia and antiseptic surgery.
Its now 23 years later. The website has been completely redesigned since I left, and it opens with a very good video that gives an excellent introduction to the museum. Click on the link to have a look at the video on the home page @ https://oldoperatingtheatre.com/
Inside the website is a huge amount of information, some very good videos, there is a ‘virtual tour’ which does not work on my browser for some reason, interactive games and a clickable image to explore the Old Operating Theatre itself. Its use of media is much, much better than in the 2000s, and the information is composed now into interesting stories rather than dry information. So a pretty good job of putting the Museum’s stories to the public in an engaging way. I would say however, that perhaps it was a little easier to find out the basic information about the Museum, the Operating Theatre, and the Herb Garret before than it now is. But you can ignore that as my vanity.
I have chosen one of the stories to include here and this is an object that I bought at an auction for the Museum. I remember the excitement well, and the great interest in the medicines that were included in the medical chest.
I am working on a new season, and these are the walks for the first six months – but more to come.
The Archaeology Of London Walk Sunday 2nd April 2023 11:15 Exit 3 Bank Underground Station To book Jane Austen’s London Sat 2.30 pm 2nd April 2023 Green Park underground station, London (north exit, on the corner). To book Chaucer’s Medieval London Guided Walk Aldgate Tube Sunday 16 April 2023 11.30pm To book Chaucer’s London To Canterbury Virtual Pilgrimage Sunday 16th April 2023 7.30pm To book The Peasants Revolt Anniversary Guided Walk Aldgate Underground Sunday 11th June 2023 10.45am. To book The Peasants Revolt Anniversary Virtual Tour Sunday 11th June 2023 7.30pm To book
A few days ago the Hunterian Museum announced the decision to remove Charles Byrne from display. I have been watching the case for many years. It’s a fascinating story which was retold by Hilary Mantel in her excellent book ‘The Giant O’Brien’ published in 1998.
Generally, I’m all in favour of human remains on display in Museums. My own feelings is that I’d love my old bones to be displayed in a Museum in a few thousand years time. However, Byrne’s story is particularly poignant and argues the opposite case. Bryne was a giant, he just could not stop growing until he died. He died young and after making a name for himself (as the Giant O’brien) on account of his soaring height. (look at the catalogue entry in the Museum online collection for details of Byrne’s condition.)
John Hunter was the pre-eminent surgeon of the time, and was furiously collecting as many animal and human specimens as he could. Fantastically interested in anything and everything anatomical, he gives a shape to a Doctor Frankenstein figure. For example, his interest in electrical experiment – trying to get dead frogs to twitch with ‘life’ and he had a very active engagement with the Body Snatchers in order to investigate what made someone tall, small, fat, thin, ill, healthy, intelligent, thick, good, criminal and so on.
He pioneered various surgical techniques. Postillions (the people who rode on the horses pulling coaches) were prone to aneurysms as the horses kept squashing their inside leg. Hunter developed an operation to bypass the aneurysm. He tried it out successfully and then kept track of the patient somehow. When the postillion died the Resurrection Men would pay a visit to the local graveyard and dig up the body of the patient. Part of his thigh is on display in the Hunterian Museum (or at least it was the last time I looked). So you can see the success of Hunter’s ground breaking operation – one of wave of surgical developments of the 18th Century. The Hunterian Museum is the museum of the Royal College of Surgeons, and was founded by Hunter.
So, Hunter hears about the Giant O’Brien and finds out he is ill, possibly dying. He has his people keep tabs on him. Charles Byrne is determined not to end up on the anatomist’s slab. So, he organises his funeral in advance paying guards to look after his coffin. He orders a secure iron coffin and in addition, decides to be buried at sea. Because Byrne knows, as an eminent surgeon later on reported to a Commons Committee, that it wasn’t a case of whether the Body Snatchers would get a body but more how much they would have to pay for it if they really wanted it.
But, Byrne thinks he has done enough to die in peace.
Unfortunately, Hunter’s men tracked down the guarded room, and bribed the guards with what would have been a huge amount of money. Byrne was taken back to Hunter’s place, the body melted down, mounted, and was on display until the Hunterian Museum closed for refurbishment recently.
So, a step forward as he is no longer the subject of the public gaze. But in this case we absolutely know that Byrne did not want to be the property of the medical establishment. My own feeling is that he should be given his last wishes and be buried at sea.
Reference collections are very important for Science, and it is for this reason, I am sure, the Museum has not let go of Charles Byrne. But in this case, with this history, an exception should surely be made? He died on 1 June 1783
