I am finishing my post on September, and using the Kalendar of Shepherds. As you may have noticed, I often use the Kalendar of Shepherds to provide an insight into how the seasons were seen in the past. Mostly, I use it for the posts at the beginning of each month. I have created this page as a placeholder to put information on the Kalendar for anyone who is eager to explore it more or to make use of it. Each month I will link to it, so I do not have to repeat the basic information about the Kalendar. Much of this text was contained in the December post, and I have used this month as my example. Tomorrow, you will get the September version.
About the Kalendar of Shepherds.
The Kalendar was printed in 1493 in Paris and provided ‘Devices for the 12 Months.’ I’m using a modern (1908) reconstruction of it using wood cuts from the original 15th Century version and adding various text from 16th and 17th Century sources. (Couplets by Tusser ‘Five Hundred Parts of Good Husbandrie 1599, and text descriptions of the month from Nicholas Breton’s ‘Fantasticks of 1626. This provides an interesting view of what was going on in the countryside every month.
The Kalendar of Shepherds has an illustration for each month (December above) which shows typical activities for the time of year, and has inserts to identify the astrological signs of the month. So, in December they are baking and collecting firewood. The star signs are Sagittarius (November 22 – December 21) and Capricorn(December 22 – January 19).
The text below gives a vivid description of December weather and then elaborates on the last six years of a man’s life, with hair going white, body ‘crooked and feeble’. The conceit here is that there are twelve months of the year, and a man’s lot of ‘Six score years and ten’ is allocated six years to each month. So December is not just about the 12th months of the Year but also the last six years of a person’s allotted span. The piece allows the option of living beyond 72, ‘and if he lives any more, it is by his good guiding and dieting in his youth.’ Good advice, as we now know. But living to 100 is open to but few.
Kalendar of Shepherds
The longer description of December (shown below) is by Breton (1626) and gives a detailed look at the excesses of Christmas, who is on holiday, and who working particularly hard. But it concludes it is a costly month.
August was originally ‘sextilis’ or the 6th Month of the ten-month Roman Calendar. It became the 8th Month with the addition of January and February (by tradition during the reign of King Numa Pompilius). It was changed from a 29-day month to a 31-day month in the reforms of Julius Caesar. It was subsequently renamed August by a sycophantic Senate trying to flatter the divine Octavian, Emperor Augustus. (more about the Roman Calendar here)
In modern Irish, it is Lúnasa, which means the month of the festival of Lughnasa. In Welsh, it is Awst which comes from the Latin. In Anglo-Saxon: the Venerable Bede, writing in the 8th Century, says August is Wēodmōnaþ or the Weed Month, named, he says, because of the proliferation of weeds. Why does that seem such an unsatisfactory name for August? An early Kentish source calls the month Rugern – perhaps the month of the harvest of Rye? (Winters in the World by Eleanor Parker).
The 15th Century illustration in the Kalendar of Shepherds, above, shows that the Harvest is the main attribute of the Month, and the star signs, Leo and Virgo.
The 16th/17th Century text in the Kalendar of Shepherds gives an evocative insight into the month. (more about the Kalendar here)
For the Anglo-Saxons, August brings in the harvest period, the most important months of the year, where the bounty of the earth needs to be carefully collected, enjoyed but not wasted. It begins with the festival of Lammas, which derives from the English words for bread and mass, when bread made from the first fruits of the harvest is blessed.
In Ireland, it is one of the great Celtic quarter days, named Lughnasa, the festival of the God Lugh, celebrated with games, fairs, ceremonies. Called Calan Awst in Wales, it is the festival of August.
The quarter days, are halfway between the Solstices and Equinoxes and are: Samhain (1 Nov) Imbolc (1 Feb), Beltane (1 May) and Lughnasa (1 Aug) and all are, or can be seen as, a turning point in the farming year.
The Gallic Coligny ‘Celtic’ Calendar records August as a ‘great festival month’. The stone-carved Calendar was found near Lyon, whose Roman name was Lugodunum. The town is named after the Gaulish God Lugos, to whom, the Irish Lugh and the Welsh Llew Llaw Gyffes are probably related. He has an unstoppable fiery spear, a sling stone, and a hound called Failinis. The Romans associate Lugos with Mercury, and the Church with St Michael.
Lughnasa, (meaning the festival of Lugh) was founded by the God himself to honour his foster mother Tailtiu at Brega Co. Meath. Tailtiu became one of Ireland’s greatest festivals, springing from the horse races and marital contests set up by Lugh. In Gaelic Scotland it is called Lunasuinn, and Laa Luanistyn in the Isle of Man.
The festival is a harvest festival, celebrating the ripening of wheat, barley, rye, and potatoes. It is 6 months after Imbolc and records the ending of lactation of lambs and the beginning of the tupping season. It can be celebrated by climbing hills, visiting springs, wells, lakes and eating bilberries. (Myths and Legends of the Celts. James MacKillop).
St Germanus of Auxerre, Window in St Paul’s parish church, Morton, Lincolnshire, made by Sir Edward Burne-Jones and William Morris in 1914. Photo by Jenny of Jules & Jenny from Lincoln, UK (CC BY 2.0 Wikimedia Photo by Jenny of Jules & Jenny from Lincoln, UK)
St Germanus is the source of one of the few contemporary references to Britain in the 5th Century (the Dark Ages). One of his followers wrote his life story. The Saint, a Bishop in France, was sent to Britain because the Pelagian Heresy was endangering the Catholic version of Christianity. Pelagius was a highly educated British (or possibly Irish) priest who moved to Rome in the late 4th Century. He lived by a strict moral code, attacking Catholic laxity and opposing St Augustine of Hippo’s theory of Divine Grace. By contrast, Pelagius promoted human choice in salvation and denied the doctrine of original sin. Wikipedia tells us that he:
considered it an insult to God that humans could be born inherently sinful or biased towards sin, and Pelagius believed that the soul was created by God at conception, and therefore could not be imbued with sin as it was solely the product of God’s creative agency.
17th Century print of Pelagius
Germanus was sent to Britain, where he confronted Pelagian converts in a public debate which is thought to have taken place in a disused Roman amphitheatre. The author is not interested in Britain, per se, so does not tell us which town it was, but, it is mostly assumed to be St Albans, although London is possible.
In the stadium, the Saint and his acolytes confound the heretics and, so, convert the town’s people sitting watching the debate. St Germanus goes to a nearby shrine of St Alban to thank God, falls asleep in a hut, and is miraculously saved from a fire. He then comes across a man called a Tribune, and helps defeat a Saxon army in the ‘Alleluia’ victory. The importance of all this is that it, in about 429AD, gives us a few glimpses of Britain two decades after the Romans have left, and that Britain stayed in the Catholic fold.
The British Bishops were led in their heresy by someone called Agricola. The writer describes these bishops as ‘conspicuous for riches, brilliant in dress and surrounded by a fawning multitude’. The use of the title ‘Tribune’ in the story suggests Roman administrative titles are still in use 19 years after the date of the ‘formal’ end of Roman Britain, 410AD. The Alleluia victory over the Saxons also gives us an early date for Saxon presence in the country as an enemy.
St Albans is the favoured choice for the location of the event because, Bede tells us St Albans was born, martyred and commemorated in Verulamium, now called St Albans. Archaeology shows possible post Roman occupation of the town. And it has a famous Amphitheatre.
However, Gildas, who is writing 200 years or more before Bede, tells us St Alban was born in Verulamium but martyred in London, which makes sense as London was the late Roman Capital and more likely to be the site of a martyrdom. There is also a church dedicated to St Albans close to the Roman Amphitheatre, where Gildas tells us the execution took place. The Church cannot, unfortunately, be, archaeologically dated back to 429AD.
Bede’s account of the martyrdom of St Albans is also somewhat farcical, as God divides the waters of the River Ver for Alban to get to his martyrdom more quickly. The bridge was said to be full of people walking to witness Alban’s execution, and blocking Albans path to Heaven. But the Ver is but a piddle, and it would be easy to walk over without needing wellington boats, let along a miracle to get to the otherside. This story is much more impressive,in Gildas’ version who has the miraculous crossing over the River Thames.
Had Pelegius won and the Roman Church had a more optimistic view of the human spirit, would it have made any difference? It’s a big question, but maybe it would have left less room for pessimism and guilt?
What were the effects of original sin? …. it damaged our relationship with God. He seemed distant, we became mistrustful. We lost sanctifying grace. The weakening of the will, making us more prone to temptation. The darkening of the intellect. Increased vulnerability to sickness and disease. Spiritual death.
Germanus died in Ravenna.
For more on Nick Fuentes and his theories on St Germanus, St Patrick and King Arthur click here:
The Ashwini kumaras twins, sons of the sun god Surya. Vedic gods representing the brightness of sunrise and sunset Wikipedia
The Divine Twins, aka the Dioscuri, were horsemen, patrons of calvary, athletes and sailors, one of many indo-european twin gods. Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta to the same mother, Leda. So they are examples of heteropaternal superfecundation as Mary Poppins probably didn’t sing.
One is therefore immortal and the other isn’t. They had many adventures including sailing with Jason as Argonauts.
According to some version of the story Castor was mortally wounded, and Zeus gave Pollux the option of letting his brother die while Pollux could spend eternity on Mount Olympus. The alternative was to share his immortality with his brother. He did the good thing, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus. Thus, they are the epitome of brotherly love.
Their sisters were no less than Helen of Troy and Clytemnestra. They were also twins, Helen the divine daughter of Zeus and, Clytemnestra, mortal daughter of the King of Sparta.
It happened like this. The Swan was being pursued by an eagle, so Leda protected the Swan and took it to bed. On the same night she slept with her husband Tyndareus of Sparta. Two eggs were fertilised, each split in two to give two sets of twins.
Never mind the Brothers, what Sisters! Helen you know. But Clytemnestra? She was the wife of Agamemnon, the arrogant leader of the Greeks. On the way to retrieve Helen from Troy, the Greek Fleet was becalmed. So, on advice, Agamemnon sacrificed his own daughter, Iphigenia, on the island of Aulis in exchange for a fair wind to Troy. (read Iphigenia at Aulis by Aeschylus, a great play which I studied in Classical Studies at University)
Meanwhile, Queen Clytemnestra, abandoned at home, broods on her husband’s heartless fillicide. She takes a lover. After 10 years of war, Agamemnon comes back, in triumph from the destruction of Troy, with his prize, the Trojan Princess, Cassandra. Strutting with arrogance, he demands Clytemnestra prepare him a bath, and, so she does, she gives him the hottest bath possible. With the help of her lover, she hacks Agamemnon to pieces with an axe.
Cassandra prophesizes that she too will be a victim. She has been gifted with the ability of accurate prophecy, albeit twinned with the inability to get anyone to believe her! She is also slaughtered.
I visit John Collier’s painting of Clytemnestra at the Guildhall regularly and am fascinated by her grim expression.
In the 18th/19th Century rich people were into ‘attitudes’. For example, Emma Hart, later Lady Hamilton, would be invited to present an attitude in front of a dinner party of mostly male aristocrats. She would dress up in a flowing revealing unstructured classical gown and stand on a table presenting herself as: Helen or Andromache or any other classical beauty guests might fancy an eyeful of. She would assume an appropriate facial expression and posture for everyone’s pleasure.
Detail of Emma Hart modelling as Iphigenia by George Romney in ‘Cimon and Iphigenia’
Being Clytemnestra is difficult! I imagine Collier’s model being prompted to look both sad at the loss of the daughter; outraged at the arrogance of the husband; horror at the gore of the murder but overall to portray a grim satisfaction that the bastard got exactly what he deserved.
Lord Leighton had a famous model who was exceptionally skilled at adopting poses for his paintings. He determined to help her with an acting career. As part of the plan he helped improve her cockney accent, and it is said this inspired Bernard Shaw’s story Pygmalion which, in turn, inspired My Fair Lady and Eliza Doolittle.
Leighton’s model was Dorothy Dene. She became a famous actress, outstripping the fame of Ellen Terry and Lily Langtry. She modelled for the famous painting ‘Flaming June’ which sold 500,000 print copies in 1895. Lord Leighton went somewhat out of fashion and the original painting was purchased for £50 by the rather marvellously named Museo de Ponce, Puerto Rico where she still resides.
I have one of those half million prints on my bedroom wall.
Print of Flaming June by Lord Leighton
Before we finish, do have a look at John Collier’s Wikipedia because he is the most ridiculously well-connected painter you can imagine! Related to half the Cabinet and married to TWO daughters of Darwin’s Bulldog T.H.Huxley (grandfather of Aldous Huxley).
For more on Flaming June see my blog post of 12 July 2024
European Twin Gods
It is suggested that twin male gods are a feature of Indo-European religions, and that the Twins are associated with horses/chariots and are responsible for moving the Sun and the Moon. Their use of a horse above the water means that they can rescue people lost at sea. St Elmo’s fire was said to be the way they manifested their divinity to sailors. Diodorus Siculus records that the Twins were Argonauts with Heracles, Telamon, and Orpheus. Further, he tells us in the fourth book of Bibliotheca historica, that the Celts who dwelt along the ocean worshipped the Dioscuroi “more than the other gods”.
Copy of the Last Supper by Leonardo da Vinca at the Collection Gallery, Royal Academy, UK (Copy made 1515-1520, and was in the Carthusian Monsatery at Pavia in the 17th Century before being brought to the RA in the 19th Century)
Whilst visiting Flaming June at the RA, it was nice to have another look at the Last Supper. What strikes me most is their sandals (and the beautifully pressed table cloth).
Detail of the RA copy of the Last Supper
Details that bring the past to life. The shoes would surely sell today, while the table cloth really destroys the common idea that the past was dirty and smelly. It wasn’t. People took pride in their appearance and surroundings. Just look at the ironing!
Here, by way of contrast, is a medieval shoe from the 14th Century from the Museum of London. And this is a link to the Museum of London’s collections of medieval shoes, most have been collected from excavations, and it is one of the best collections.
July is named for Julius Caesar. Originally, the Roman Month was called Quintilis, as it was the fifth month of the Roman calendar, which originally started in March. Caesar reformed the calendar in 44BC and the Senate renamed the month after him.
It is called Lúil in Irish and Gorffennaf in Welsh. In Anglo Saxon July was Æfteraliða, or “after-mild;”, Liða, means “mild” or “gentle,” or the period of warm weather around Midsummer. June is Arraliða, or “before-mild”.
It is on average the warmest month in most of the Northern Hemisphere, where it is the second month of summer. The star signs for July are: Cancer (until July 22) and Leo (July 23 onwards),
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July is the month of Haymaking, as you can see from the July image (above from in the Kalendar of Shepherds). To find out more, wait for the next post.From the Kalendar of Shepherds comes this description of July.
Ovid says about the 16th February, ‘Next day is vacant.’ This is surprisingly encouraging to me because I have found it hard work finding something to say about some days. You can fill in with generalities, but the specific feels so much better. But. if Ovid can just say nought happened, then that is good enough for me. If you want to read Ovid’s almanac of the year, the ‘Fasti’, for yourself, this is the translation I am using.
Fasti is sadly unfinished because Pūblius Ovidius Nāsō was exiled by the Emperor Augustus when he was halfway through the Fasti. So the last entry is for 30th June where he says: ‘put the last touches to my undertaking’ suggesting he knew he was ending it here.
He was exiled until his death ten years later in Tomis, on the Black Sea. It is not clear exactly why he was exiled, ostensibly it was for the immorality in his book ‘The Art of Love’, but as that was published almost a decade earlier, it seems strange.
Was he involved with a plot against Augustus that saw the Emperor’s own daughter exiled? Her lover was Lullus Antonius, son of Mark Antony. Unlike Julia’s other lovers, he was forced to commit suicide.
But this also happened years before Ovid’s exile, so neither does it make any great sense of the great man’s punishing exile. However, Julia’s daughter was herself exiled closer to the time of Ovid’s exile and her husband, Lucius Aemilius Paullus, was executed for treason. Ovid said the reason for his exile was a ‘poem and a mistake’. The nature of that mistake is not recorded but he said the crime was worse than murder and more harmful than poetry.
Here is one of my favourite Ovid quotations. I quote from my own book which you can buy at the link at the bottom of the page.
‘Ovid, writing in Augustus’ reign, provides our guide to the flesh-pots of a Roman town. Here he recommends how the aspiring male should dress for a night out on the town:
Don’t torture your hair, though, with curling-iron: don’t pumice Your legs into smoothness. Leave that To Mother Cybele’s votaries, ululating in chorus With their Phrygian modes. Real men Shouldn’t primp their good looks …
… Keep pleasantly clean, take exercise, work up an outdoor Tan; make quite sure that your toga fits And doesn’t show spots; don’t lace your shoes too tightly, Or ignore any rusty buckles, or slop Around in too large a fitting. Don’t let some incompetent barber Ruin you looks: both hair and beard demand Expert attention. Keep your nails pared, and dirt-free; Don’t let those long hairs sprout In your nostrils, make sure your breath is never offensive.
Avoid the rank male stench That wrinkles noses. Beyond this is for wanton women – Or any half-man who wants to attract men.
The translation is from Green, Peter (Trans) ‘Ovid The Erotic Poems’ Penguin Classics, London 1982‘
Mother Cybele’s votaries were castrati, hence their high pitched voices. Cybele fell in love with Attys, who made her jealous, so Cybele made him mad, whereupon he castrated himself and bled to death. The Mother Goddess had him resurrected body and soul and he enjoyed divine bliss ever after. A Cybelian castration device, dredged out of the Thames, can be seen in the Roman Gallery of the British Museum.’
British Museum Castration Device from the River Thames at London Bridge Photo: K Flude
It’s quoted in In Their Own Words – A Literary Companion To The Origins Of London‘ D A Horizons, 2009. Kevin Flude
To buy Kindle version click here. To buy paperback (for £5.99) email kpflude AT anddidthosefeet.org.uk
Pancras means ‘all-powerful’ in Greek. St Pancras was a 14 year old who refused to give up his Christian Faith during the persecution of Christians by the Emperor Diocletian. He was beheaded on the Via Aurelia, traditionally, on 12 May 303 AD. His youth makes him the Patron Saint of children, but he is also the patron saint ofjobs and health, and ‘invoked’ against cramps, false witnesses, headaches, and perjury. His body was buried in the Catacombs, but his head is kept in a reliquary in the Church of Saint Pancras in Rome, where he was buried.
Pope Gregory is said to have given St Augustine relics from St Pancras when his mission came to Kent in 597AD. They built a church dedicated to St Pancras, ruins of which can be found in the grounds of what is now St Augustine’s. Canterbury.
This story is partly responsible for the claims that St Pancras Old Church (pictured above) is a very old foundation. The idea being that there was a late Roman place of worship here. But there is very little solid evidence for this. It is also argued that, if it isn’t late Roman, then it dates to just after 604AD when St Mellitus, sent by St Augustine, established St Pauls Cathedral, and St Pancras Church. St Pancras’ Church was a Prebend of St Pauls Cathedral, but this is not evidence it was established as early as the Cathedral was. (a Prebend provides the stipend (pay) to support a Canon of a Cathedral).
When the Church was restored, the architects said it was mostly Tudor work with traces of Norman architecture. However, the suggested finding of a Roman tile or two, reused in the fabric, is used as evidence to keep the legend going.
If you read the Wikipedia page you will see evidence of two strands to the contributions, one trying to play down the legends of its early foundation, and, another trying to keep hold of its place as among the ‘earliest sites of Christian worship’.
It is a lovely Church, on an impressive site, with links to Thomas Hardy, and Sir John Soane whose tomb is the design inspiration for the iconic Red Telephone Box.
Rood screen in St. Helen’s church, Ranworth, Norfolk by Maria CC BY-SA 3.0
Roodmas is celebrated on May 3rd and September 14th, although the Church of England aligned itself with the Catholic Church’s main celebration on September 14th.
Rood is another word for the Cross. Parish Churches used to have a Rood Screen separating the holy Choir from the more secular Nave. This screen was topped with a statue of the Crucified Jesus nailed to a Rood.
The two dates of Roodmas reflects that it commemorates two events:
The Discovery of the Holy Cross in Jerusalem in 326 by Queen Helena, wife of Constantius Chlorus and mother of Constantine the Great. In Jerusalem, Queen Helena found the Cross with the nails, and the crown of thorns. She authenticated the Cross by placing it in contact with a deathly sick woman who was revived by the touch of Cross. She had most of the Cross sent back to the care of her son, Constantine the Great.
The part of the Holy Cross that was left behind in Jerusalem was taken by Persians but recovered by the Byzantine Emperor Heraclius in 628 in a peace treaty.
Over the years, the Cross was shivered into ever smaller pieces as Emperors, Kings, Queens, Dukes, Counts, Popes, Bishops, Abbots, and Abbesses swapped relics with each other. The fragments were cased in beautiful reliquaries and had enormous power for those of faith and those who could be helped by healing by faith.
The Duke of Buckingham had a piece in his collection, which he kept at York House in the early 17th Century. How he got it, I don’t know, but I think he must have acquired it from the aftermath of the destruction of the Reformation. John Tradescant, who looked after the Duke’s collection (before Buckingham was murdered), had a wonderful collection of curiosities which he kept in the UK’s first Museum in Lambeth. Tradescant’s Ark, as his museum was called, also had a piece of the True Cross. Again, I suspect (without any evidence) that he got it from Buckingham. Did he acquire it after the murder? Or shiver off a timber fragment hoping no one would notice?
The Chapel that Shakespeare’s Father controlled as Bailiff of Stratford on Avon, was dedicated to the Legend of the True Cross, to find out more click here:
Last year, I was just finishing this piece when I came across this astonishing story in the Shropshire News!
It seems two pieces of the True Cross were given to Charles III by the Pope! They have been put into a cross called the Welsh Cross which took part in the Coronation Procession, and then the King is giving the Cross (I assume with the pieces of the Holy Cross) to the Church in Wales. Let the Shropshire News tell the story:
Flora on a gold aureus of 43–39 BC Wikipedia photot by АНО Международный нумизматический клуб
On the 28th of April until the Kalends (15th) of May the Romans, according to Ovid in the ‘Fasti’ Book IV, celebrated the Florialia dedicated to Flora, the Goddess of Spring, flowering, blossoming, budding, planting and fertility. She was one of the 15 Roman Deities offered a state-financed Priest. Her home in Rome, was on the lower slopes of the Aventine Hill near the Circus Maximus.
The Circus Maximus is the large long arena in the middle of Rome. Model Musee Arte et Histoire, Brussels, photo Kevin Flude
Celebrations began with theatrical performances, at the end of which the audience were pelted with beans and lupins. Then there were competitive games, and spectacles. The latter, in the reign of Galba, including a tight-rope walking – wait for it – elephant!
Incidently, Galba only survived for 7 months as Emperor – a little longer than Liz Truss’s 44 days but then she was not murdered by a rampaging mob at the end of her reign. It was the year known to history as the year of the 4 Emperors. (great description by Tacitus here:)
Juvenal records that prostitutes were included in the celebration of Flora by dancing naked, and fighting in mock gladiatorial battles. (there is a raging debate about the existence of female gladiators: a burial in Southwark has been said to be one such and Natalie Haynes has her say on the subject here🙂
Hares and goats were released as part of the ceremonies, presumably because they are very fertile and have a ‘salacious’ reputation! (Satyrs were, famously, obsessed with sex and were half man half goat. A man can still be referred to, normally behind his back, as an ‘old goat’).
