My true love sent to me 6 Geese a Laying; 5 Golden Rings; 4 Calling Birds; 3 French Hens; 2 Turtle Doves and a Partridge in a Pear Tree
The Lord of Misrule, Masters of the Revels, and Boy Bishops
The Roman festival of Saturnalia, held between 17th and 23rd of December, included reversing rules so that slaves, ruled and masters served. In the medieval period, the disorder of Christmas was continued with the election of Lords of Misrule, Masters of the Revels, and Boy Bishops.
John Stow’s, Survey of London
He was London’s first great historian, wrote of the Lord of Misrule in London. In this section, Stow begins the role of the Lords of Misrule at Halloween and continues it until Candlemas, in erly February. See my post here for more details on Candlemas. This is what Stow says:
Now for sports and pastimes yearly used.
First, in the feast of Christmas, there was in the king’s house, wheresoever he was lodged, a lord of misrule, or master of merry disports, and the like had ye in the house of every nobleman of honour or good worship, were he spiritual or temporal. Amongst the which the mayor of London, and either of the sheriffs, had their several lords of misrule, ever contending, without quarrel or offence, who should make the rarest pastimes to delight the beholders.
These lords beginning their rule on Alhollon eve, continued the same till the morrow after the Feast of the Purification, commonly called Candlemas day. In all which space there were fine and subtle disguisings, masks, and mummeries, with playing at cards for counters, nails, and points, in every house, more for pastime than for gain.
Against the feast of Christmas every man’s house, as also the parish churches, were decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green. The conduits and standards in the streets were likewise garnished; (…) , at the Leaden hall in Cornhill, a standard of tree being set up in midst of the pavement, fast in the ground, nailed full of holm and ivy, for disport of Christmas to the people…
Holm is an evergreen oak called Quercus ilex. John Stow talks about the Tree in Leadenhall Street being destroyed in the great wind of 1444 which you can read about here. You might also like to see the following posts, which include information about John Stow and London’s customs, and churches.
The First Day of Christmas, my true love sent to me a Partridge in a Pear Tree
Nebra Sun disc from Stonehenge Exhibition British Museum (photo Kevin Flude) The Disc shows the Sun, the Moon, the Pleides, and illustrates the Summer and Winter Solstice movements of the Sun.
On the 25th December were born Jesus, Mithras, Attis, Saturn, Apollo, and the Invincible Sun.
The Sun Gods have quite a complicated interrelationship. Zeus, and Apollo are both also considered to be Sun Gods. Apollo is particularly interrelated to Helios, the Greek God who drives the Chariot that carries the Sun across the skies every day. The Romans had a God called Sol who some say was a deity who declined to be of minor importance, until the transexual Emperor Elagabalas and then Aurelian in 274 AD revived the cult. Sol Invictus was the focus of Constantine the Great, and has been suggested as a response of the Romans to a trend towards monotheism in the later Roman period. Sol for Constantine was a gateway God to Christianity.
It is also notable that early worship of Jesus is full of solar metaphors, Jesus being, for example, the light of the world. Churches are also virtually all orientated East West, aligned with the rising and setting suns. The Altar is always at the East End, and effigies on tombs face the East.
Did the Celts have a sun-god? Belenos is a contender, but linguists are proposing his name does not come from words meaning bright but from strong. The God Lugh’s name is suggested to mean ‘shining’ but his attributes are more of a warrior than a sun god. Taranis is probably the best candidate, but he is more of a sky or thunder god than specifically a sun god. However, his symbol is a wheel and the wheel is symbolic of the turning of the year.
The Golden Wheel from Haute Marne in France, (Public Domain, Wikipedia)
His 8 spoked wheel is said to be symbolic of the Sun and it represents the division of the year by the 4 quarterly sun festivals (Winter Solstice, Spring Equinox, Summer Solstice and Autumn Equinox) and the 4 cross-quarter festivals, (Samhain or Halloween, Imbolc or Candlemas, Beltane or May Day, Lughnasa or Harvest Festival).
December 25th is a few days after our reckoning of the Solstice but it was the date of the Roman Solstice.
Christmas Cake
Today, you might be tucking into a Christmas Cake (originally eaten on Twelfth Night). Now, I know many Americans have a bizarre belief that fruit cake is the cake of the devil, something you receive as a gift and give away to someone else, as most Americans hate it. More fool them for missing out on one of the delights of the Christmas period, that and cold turkey sandwiches. Christmas Cake is made on stir up Sunday, the last Sunday in November, to let the ingredients develop their flavour. They are then covered with marzipan and decorative icing.
19th Century Christmas Cake, generally now the icing continues down the side of the cake.
In Germany, they also eat a fruit bread called Stollen or Weihnachtsstollen. The tradition is said to have been started in the 15th Century, when the Pope gave dispensation to allow the use of butter in the fasting period of Advent. The Germans had to use oil to replace the banned butter, but they could only make oil from turnips, so eventually the Pope allowed the use of butter, with which they made bread with added dried fruits.
Stollen By Gürgi – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=3720379
In Italy, they eat Panettone, a fruit bread/cake. It is a sourdough, and a cross between a brioche and a cake. It often comes in a beautiful decorative tin, and is delicious. The centre of panettone production is Milan and this year is the 200th Anniversary of Milan’s famous Marchesi 1824 which makes artisanal Panettone from ‘fine ingredients such as six-crown sultanas, naturally candied fruit, Bourbon vanilla from Madagascar, Italian honey and eggs from free-range hens, blended in a slow-rising dough with the exclusive use of Marchesi 1824 sourdough starter‘. Thank you, Mara from Milan, for the heads-up.
Screen shot from website – does not click through to sales!
Which is best? The only way to find out is to eat several slices of each. America, you don’t know what you are missing.
For stir up sunday see the second half of this post of mine.
Helios Colossus of Rhodes, artist’s impression, 1880
Tomorrow is the Dies Natalis Solis Invicti. But as, in the Northern Tradition, the day begins at dusk, so Christmas Day really begins on Christmas Eve. So many countries celebrate the eve as much or more than the day. Also the Christian Church follows a similar tradition of beginning the celebrations on the eve. This is said to be following the Jewish tradition. In Genesis are the words;
‘And there was evening, and there was morning—the first day.’
Christian tradition holds that Jesus was born on the holy night and thus is celebrated by the midnight mass.
In Germany there is a relatively light dinner often consisting of potato salad and sausages. Gifts are exchanged afterwards.
December 24th is a day for Mothers, as tomorrow, the 25th, will be born Jesus, Mithras, Attis, Saturn, Apollo, and the Day of the Birth of the Invincible Sun, Solis Invictus. And so we think of Mary, Isis, Theia, the Three Mother Goddesses and mothers everywhere.
First Published 24th December 2022, Republished 2023,2024
The Solstice and the East Pediment of the Parthenon
British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles
At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.
At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.
Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.
Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.
Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head
So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.
Hestia, Dione, Aphrodite, Horse of Selene’s chariot
To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.
The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.
Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.
So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.
Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.
Sculptures from the east pediment of the Parthenon
I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.
Capella Palatina Palermo 12th Century Mosaics God is shown creating the firmament. ‘And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters’
We are coming up to the key days in the year. And so will be looking at calendars and counting days. But what about ages and aeons?
‘Practical Magic in the Northern Tradition’ reports that there are seven ages of the world:
The life of a yew tree is 729 years, and there are seven ages from the creation of the world until its doom.
Three wattles are the life of a hound – 9 years Three hounds are the life of a steed – 27 years Three steeds are the life of a man – 81 years Three men are the life of an eagle – 243 years Three Eagles are the life of a yew. – 729 years
The life of a yew is one age, and there are seven ages from the creation until doom, giving a life for our world of 5, 103 years.
Archbishop Usher of Armagh (1581 – 1656) calculated that the world was created in 4004 BC by counting the begettings in the Bible. If we accept his date, and apply the seven yew tree ages rule, then the world should have ended in AD 1099 (give or take a year). However, it doesn’t make sense to me to have a factor of 3 for the smaller divisions, and then to switch to a factor of seven . So, if there were nine ages of the world, then it would survive for 6561 years, which will end in approx. 535 years time. This calculation has the advantage of not yet being proved wrong! (Please note, cult owners, I have copyright on this date).
It’s notable that when a Cult declares the imminent end of the world, and they trudge up to the top of a high eminence to observe it (normally by Hampstead Pond in London). They seem quite happy to trudge back down again, and are soon up and running again with the same enthusiasm for the next ‘end of the world’ date.)
By the way, the Capella Palatina, illustrated above, is a marvel of gold mosaics and absolutely stunning. It makes a trip to Palermo a must. It’s also seems strange to find a Norman state so far south.
The Jewish tradition was for six or seven ages of 1000 years. The seventh didn’t really count because it was the age of the messiah when there was a 1000-year sort of super sabbath. Or another idea is that it was an age that ran parallel with the other six. So the world was to be 6000 years long.
With the coming of Christianity, dating the Creation, and therefore the Day of Judgement, became more important. (the Romans dated from the foundation of Rome, and the Greeks from the First Olympiad, but they had a whole mythology and creation myths about a Golden Age, preceding their base Iron age and the Bronze Age.)
An early Christian attempt to tell the age of creation was the Anno Munda‘s arrangement of the Year. This is pretty complicated and is based on a Talmudic tradition. A late Roman version uses ‘the Diocletian Years’, which is when the persecution of Christians began. It held that the world was created 5500 years before the Birth of Christ. So we are 5500BC plus 2024 years before the date of the creation. And it was supposed to have ended in 500AD, 6000 years after the Creation. so we have outlived Creation by 15024 years.
St Augustine of Hippo took the tradition of six ages and brought it into the Christian canon. These are the six ages:
The First Age “is from the beginning of the human race, that is, from Adam, who was the first man that was made, down to Noah, who constructed the ark at the time of the flood“, i.e. the Antediluvian period.
The Second Age “extends from that period on to Abraham, who was called the father indeed of all nations”.
The Third Age “extends from Abraham on to David the king”.
The Fourth Age is “from David on to that captivity whereby the people of God passed over into Babylonia”.
The Fifth Age is “from that transmigration down to the advent of our Lord Jesus Christ“
The Sixth Age: “With His [Jesus Christ’s] coming, the sixth age has entered on its process.”
As each age is 1000 years, then you can see why so many people were worried as 1000 AD approached.
Of course, six is not such a magical number as seven, and so Shakespeare ran with the idea in the Seven Ages of Man spoken by Jacques in ‘As you like it’. If there are seven ages of human life, and we have a span of six score and ten, then each age is ten years.
The Seven Ages of Man
All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse’s arms. Then, the whining school-boy with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then, a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden, and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then, the justice, In fair round belly, with a good capon lined, With eyes severe, and beard of formal cut, Full of wise saws, and modern instances, And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. (Jacques, Act 2, Scene 7)
Seven Ages of Man Statue 22-foot high cast aluminium Sculpture by Richard Kindersley, located on Queen Victoria Street, Blackfriars, near the Blackfriars. St Andrew’s by the Wardrobe in the background. Photos k. Flude
The Kalendar of Shepherds
Now, the Kalendar of Shepherds has a similar idea, but it calculates it differently. The Kalendar, based on a 15th Century French original, says there are 12 ages of man, corresponding with the 12 months of the year. Each age is 6 years long, and so our likely lifespan is 72.
Kalendar of Shepherds
Each month is allocated to one of the ages, and each month has an insight into human life for that span. So in January we note the first 6 years, if you read above you will see we have no ‘wit, strength or cunning, and we may do nothing that profiteth’.
A little harsh, and as a fond grandfather, it, I refute it, except maybe the first 6 years should not be down to profit.
How Old is a Yew Tree/Eagle
A comment by a reader has prompting me to write the following lines on the discussion of the ages given above:
‘Practical magic’ says the poem is ‘Ancient’ so it’s folklore and not science, so the ages are opinion not scientific fact.
As I understand it Yew trees live a long time but not quite as long as many people think. I base this on the Yew Tree at Steventon, Hampshire where Jane Austen was born, which has/had a plague on it saying it was 1200 years old. I used to visit it regularly and. On one visit, was told that an expert opinion suggested it was more like 700 years old (if memory serves). I do not have the details, but my source would have been one of the people associated with the Church.
The Woodland Trust (says Yew Trees get old at 900 years and cites a few which are ‘said to be’ over 2000 years old. But are they? The scientific sites I have looked at suggest that Yew Trees should be described as ‘ancient’ from 400 not 900 years, and there are problems with dendrochronology dating of yew trees, and so most methods depend upon an estimation from the width of the tree trunk. But that, itself, depends upon how much you believe in the claims for the ancient trees. So, I think it’s best to take the extreme cases with a very large pitch of salt. So 729 years is probably not so far off the mark for a Yew tree.
As to Eagles, this website on eagles says they can live to 30ish in the wild and 68 years in captivity, so the claim for 243 years is way off the mark!
On This Day
1843 – Charles Dickens published ‘A Christmas Carol’
First Published on December 18th 2022, revised and republished in December 2023, 2024
So, the old Sun is dying, and if the Sun keeps going down we are all going to die. To keep our anxiety to a minimum with all of nature seeming to be dying or hibernating, evergreens are a symbol of a promise/proof that life will continue through the dark days. So, with its bright-green leaves and its luminous berries, Holly is the ideal evergreen for the Solstice. And as the prickles symbolise Christ’s Crown of Thorns, and the berries the red blood of Jesus, the symbolism works, too, for Christians.
‘Ivy’ says Culpeper in his Herbal of 1653, says its winter-ripening berries are useful to drink before you ‘set to drink hard’ because it will ‘preserve from drunkenness’. And, moreover, the leaves (bruised and boiled) and dropped into the same wine you had a ‘surfeit’ of the night before provides the ‘speediest cure’. (The Perpetual Almanac of Charles Kightly)
Henry Mayhew (editor of Punch) in his ‘London Labour and London Poor’ (1851–62) talks of Christmasing for Laurel, Ivy, Holly, and Mistletoe. He calculated that 250,000 branches of Holly were purchased from street coster mongers every Christmas. He says that every housekeeper will expend something from 2d to 1s 6d, while the poor buy a pennyworth or halfpennyworth each. He says that every room will have the cheery decoration of holly. St Pauls Cathedral would take 50 to a 100 shillings worth.
He also calculates that 100,000 plum puddings are eaten. Mistletoe he believes is less often used than it used to be, and he hopes that ‘No Popery’ campaigners will not attack Christmassing again.
Hot plum pudding seller from Sam Syntax Cries of London, 1820s from the Gentle Author Spitalfields Life website
Culpeper on Ivy (1814 edition):
It is so well known to every child almost, to grow in woods upon the trees, and upon the stone walls of churches, houses, &c. and sometimes to grow alone of itself, though but seldom.
Time. It flowers not until July, and the berries are not ripe until Christmas, when they have felt Winter frosts.
Government and virtues. It is under the dominion of Saturn. A pugil of the flowers, which may be about a dram, (saith Dioscorides) drank twice a day in red wine, helps the lask, and bloody flux. It is an enemy to the nerves and sinews, being much taken inwardly, out very helpful to them, being outwardly applied. Pliny saith, the yellow berries are good against the jaundice; and taken before one be set to drink hard, preserves from drunkenness, and helps those that spit blood; and that the white berries being taken inwardly, or applied outwardly, kills the worms in the belly. The berries are a singular remedy to prevent the plague, as also to free them from it that have got it, by drinking the berries thereof made into a powder, for two or three days together. They being taken in wine, do certainly help to break the stone, provoke urine, and women’s courses. The fresh leaves of Ivy, boiled in vinegar, and applied warm to the sides of those that are troubled with the spleen, ache, or stitch in the sides, do give much ease. The same applied with some Rosewater, and oil of Roses, to the temples and forehead, eases the head-ache, though it be of long continuance. The fresh leaves boiled in wine, and old filthy ulcers hard to be cured washed therewith, do wonderfully help to cleanse them. It also quickly heals green wounds, and is effectual to heal all burnings and scaldings, and all kinds of exulcerations coming thereby, or by salt phlegm or humours in other parts of the body. The juice of the berries or leaves snuffed up into the nose, purges the head and brain of thin rheum that makes defluxions into the eyes and nose, and curing the ulcers and stench therein; the same dropped into the ears helps the old and running sores of them; those that are troubled with the spleen shall find much ease by continual drinking out of a cup made of Ivy, so as the drink may stand some small time therein before it be drank. Cato saith, That wine put into such a cup, will soak through it, by reason of the antipathy that is between them.
There seems to be a very great antipathy between wine and Ivy; for if one hath got a surfeit by drinking of wine, his speediest cure is to drink a draught of the same wine wherein a handful of Ivy leaves, being first bruised, have been boiled.
Happy Eponalia
Roman Horse from Bunwell, Norfolk. Illustration by Sue Walker.
In 2021 I posted about Eponalia for the 18th Dec but I have now added it here and this is what I said:
I’ve been too busy working on my Jane Austen and Christmas Virtual Tour (I have just done that again this year) to post over the last few days. And I have, therefore, shamelessly stolen this post off my Facebook friend Sue Walker, who is a talented archaeological illustrator, artist and a very good photographer.
She wrote: ‘the 18th December is the festival of the Celtic goddess Epona, the protector of horses, she was adopted by the Romans and became a favourite with the cavalry. This finely sculpted bronze horse with a head dress and symbol on its chest is 37mm high – found in Bunwell #Norfolk #Archaeology’
Abney Park cemetery in winter photo by Harriet Salsibury
Hesiod is a contemporary of Homer, and therefore one of the first European poets, one of the first commentators on Greek life, thought, religion, mythology, farming and time keeping. ‘Works and Days’ is his Farmers Almanac and therefore long overdue an appearance on my Almanac of the Past.
Hesiod’s poems also introduce the idea of the epoch, past glorious epochs of Gold and Bronze with a further descent to his own epoch which was of the base metal age of Iron. In the 19th Century, European antiquarians, imbued with a humanist belief in Progress, developed the idea of Stone, Bronze and Iron Ages, an almost direct opposite of Hesiod’s, downhill-all-the-way to the present idea.
Hesiod also brings in early references to Prometheus and Pandora, two of the great myths of the flaws of humanity.
This is what he says of Winter. It is from a translation by Christopher Kelk, available to download here (I have added line breaks after full stops, just for ease of reading.)
…. you should make A detour during winter when the cold Keeps men from work, for then a busy man May serve his house. Let hardship not take hold, Nor helplessness, through cruel winter’s span, Nor rub your swollen foot with scrawny hand.
An idle man will often, while in vain He hopes, lacking a living from his land, Consider crime. A needy man will gain Nothing from hope while sitting in the street And gossiping, no livelihood in sight.
Say to your slaves in the midsummer heat: “There won’t always be summer, shining bright – Build barns.” Lenaion’s evil days, which gall The oxen, guard yourself against. Beware Of hoar-frosts, too, which bring distress to all When the North Wind blows, which blasts upon the air In horse-rich Thrace and rouses the broad sea, Making the earth and woods resound with wails.
He falls on many a lofty-leafed oak-tree And on thick pines along the mountain-vales And fecund earth, the vast woods bellowing. The wild beasts, tails between their legs, all shake.
Although their shaggy hair is covering Their hides, yet still the cold will always make Their way straight through the hairiest beast.
Straight through An ox’s hide the North Wind blows and drills Through long-haired goats. His strength, though, cannot do Great harm to sheep who keep away all chills With ample fleece. He makes old men stoop low But soft-skinned maids he never will go through – They stay indoors, who as yet do not know Gold Aphrodite’s work, a comfort to Their darling mothers, and their tender skin They wash and smear with oil in winter’s space And slumber in a bedroom far within The house, when in his cold and dreadful place The Boneless gnaws his foot (the sun won’t show Him pastures but rotate around the land Of black men and for all the Greeks is slow To brighten).
That’s the time the hornèd and The unhorned beasts of the wood flee to the brush, Teeth all a-chatter, with one thought in mind – To find some thick-packed shelter, p’raps a bush Or hollow rock. Like one with head inclined Towards the ground, spine shattered, with a stick To hold him up, they wander as they try To circumvent the snow.
As I ordain, Shelter your body, too, when snow is nigh – A fleecy coat and, reaching to the floor, A tunic. Both the warp and woof must you Entwine but of the woof there must be more Than of the warp. Don this, for, if you do, Your hair stays still, not shaking everywhere.
Be stoutly shod with ox-hide boots which you Must line with felt. In winter have a care To sew two young kids’ hides to the sinew Of an ox to keep the downpour from your back, A knit cap for your head to keep your ears From getting wet.
It’s freezing at the crack Of dawn, which from the starry sky appears When Boreas drops down: then is there spread A fruitful mist upon the land which falls Upon the blessed fields and which is fed By endless rivers, raised on high by squalls.
Sometimes it rains at evening, then again, When the thickly-compressed clouds are animated By Thracian Boreas, it blows hard. Then It is the time, having anticipated All this, to finish and go home lest you Should be enwrapped by some dark cloud, heaven-sent, Your flesh all wet, your clothing drenched right through.
This is the harshest month, both violent And harsh to beast and man – so you have need To be alert. Give to your men more fare Than usual but halve your oxen’s feed. The helpful nights are long, and so take care.
Keep at this till the year’s end when the days And nights are equal and a diverse crop
Keep at this till the year’s end when the days And nights are equal and a diverse crop Springs from our mother earth and winter’s phase Is two months old and from pure Ocean’s top Arcturus rises, shining, at twilight.
Acturus is not seen in winter, and in the Northern Hemisphere its rising (50 days after the winter solstice) and has always been associated with the advent of spring.
Boreas was the winged God of the North wind, which bore down from the cold Mountains of Thrace (north of Macedonia). One of his daughters, Khione, was the Goddess of Snow. Lenaion was associated with January one of the festivals of Dionysus, and a theatrical season in Athens particularly for comedy.
Roman Bust of Hesiod (Wikipedia photo by Yair Hakla) Neues Museum
First published 15th December 2022, republished December 2023, 2024
So, yesterday, you, being someone worried about your eyes, might have sought out an altar dedicated to St Lucy, the patron saint of eye health. (see December 13th’s Post on St Lucy) Although you may be disappointed that there has been no miraculous cure, you might have been encouraged to do something about it. So that’s what this post is about.
Cataract operations have been carried out since 800 BC using a method called ‘couching’.
This was a last resort when the cataract was opaque and the patients nearly blind. It would mean they would need very thick lenses to see well again but, crude as it seems, it worked. But the operation, without anaesthetics must have been a considerable ordeal, and the recovery (still required today for those suffering from a displaced retina) means that the patient has to lie on their back for a week with supports on either side of the head to prevent movement. Of course, there was also a serious risk of infection, so prophylactic visits to a chapel of St Lucy would be called for.
The modern system was established in the 1940s and offers a great solution in 15 minutes surgery. Currently, the NHS has been having trouble dealing with all the cases required, (6% of surgery is for cataract operations. Before COVID-19, there was some talk about cataracts being, in practice, not readily available on the NHS. The waiting time is supposed to be 18 weeks but, for example, at NHS Chesterfield Royal Hospital the waiting time approaches almost 10 months. But waiting times vary from 10 weeks to over a year.
Pink Eye
The Perpetual Calendar of Folklore by Charles Kightly has dug up some other folk cures of interest.
For the redness of eyes, or bloodshot. Take red wine, rosewater, and women’s milk, and mingle all these together: and put a piece of wheaten bread leavened, as much as will cover the eye, and lay it in the mixture. When you go to bed, lay the bread upon your eyes calmer and it will help them.
Fairfax Household book, 17th/ 18th century.
There are many household books still, existing, which show that much of medical practice was carried out in the home, and that men and women, more often women, actively not only collected useful recipes and cures, but also tested them out and improved them.
As a matter of curiosity, there is a significant document found at the Roman Fort of Vindolanda which lists the troops of the Cohort in occupation, which notes that of the garrison of 750, 474 are absent with 276 in the fort of which 38 are sick, 10 with ‘pink eye’, probably conjunctivitis
Prevention is better than cure
Things hurtful to the eyes. Garlic, onions, radish, drunkenness, lechery, sweet wines, salt meats, coleworts, dust, smoke, and reading presently after supper.
Good for the eyes. fennel, celandine, eyebright, vervain, roses, cloves and cold water.
Whites Almanack 1627
Looking through Samuel Pepys’s eye
You will note, above, that it was considered bad for the eyes to read in low light. It is a myth and not true. Samuel Pepys was continually worried about his reading and writing habits ruining his eyesight. This is an extract from the poignant last entry in his famous diary:
And thus ends all that I doubt I should ever be able to do with my own eyes in the keeping of my journal, I being not able to do it any longer, having done now so long as to undo my eyes almost every time that I take a pen in my hand; and therefore, whatever comes of it, I must forbear: and therefore resolve from this time forward to have it kept by my people in long-hand. I must be consented to sit down no more than is fit for them and all the world to know; or, if they be anything, which cannot be much now my amores are past and my eyes hindering me almost all other pleasures. I must endeavour to keep a margin in my book open, to add, here and there, a note in shorthand with my own hand.
Samuel Pepys Diary, May 31st
The sad thing is that Pepys had another 38 years before he went blind, and what glorious diary entries have we missed because of his false fears of the effect of eye strain.
St Lucy
There are only two churches in the UK dedicated to St Lucy or St Lucia. One run by the National Trust in Upton Magna, Shropshire, but there must have been a few chapels in Cathedrals and Abbeys dedicated to her.
Saint Lucy, by Francesco del Cossa (c. 1430 – c. 1477) (Wikipedia User:Postdlf)
The name Lucy is from the same Latin origin (Lucidus) as lucent, lux, and lucid. It means to be bright, to shine or be clear. It is similar to the Ancient Greek λευκός (leukós, “white, blank, light, bright, clear”. Luke has the same origins (bright one, bringer of light and light of the sacred flame) and is very appropriate for the most literate of the evangelists.
I am just noticing how dim the daylight is even before noon. So, at this time of the year, we are in need of a festival with bright lights to cheer us up! And St Lucy’s Day is the beginning of the winter festival that culminates with the Solstice, where the old sun dies, and the new one is born. December the 13th was the Solstice until Pope Gregory reformed the Calendar in the 16th Century, as nine days were lopped off the year of transition.
The festival of Sankta Lucia is particularly popular in Sweden, where Dec 13th is thought to be the darkest night. In recent years, the Swedish community in the UK has had a service to Lucia in St Pauls. But this year it is in Westminster Cathedral. But as usual, it is sold out by the time I get around to thinking of going!
St Stephens Church by Christopher Wren (Photo K Flude) a rare view during building work.
I found out about Sankta Lucia from a Swedish choir who hired me to do a tour of the City of London some years ago. I took them into Christopher Wren’s marvellous St Stephen’s Church and, under the magnificent Dome, they fancied the acoustics and spontaneously sang. I recorded a snatch of it, which you can hear below
Swedish Choir singing in St Stephen’s London St Stephens Church at night by Christopher Wren (Photo K Flude)
Watch the procession in St Pauls on youtube below.
Sankta Lucia at St Paul’s Cathedral (2011)
Recent medical research has shown the importance of light, not only to our mental health but to our sleep health, and recommends that work places have a decent light level with ‘blue light’ as a component of the lighting. It is also an excellent idea to help your circadian rhymes by going for a morning walk, or morning sun bathing, even on cloudy days.
St Lucy is from Syracuse in Sicily, said to be a victim of the Diocletian Persecution of Christians in the early 4th Century. She is an authentic early martyr, although details of her story cannot be relied upon as true. She was said to be a virgin, who was denounced as a Christian by her rejected suitor, miraculously saved from serving in a brothel, then, destruction by fire, but did not escape having her eyes gouged out. Finally, her throat was cut with a sword. Her connection to light (and the eye gouging) makes her the protectress against eye disease, and she is often shown holding two eyes as you can see above. Other symbols include a palm branch which represents martyrdom and victory over evil She can also be seen with lamp, dagger, sword or two oxen. She appears in Dante’s Divine Comedy, as the messenger to Beatrice whose job is to get Virgil to help Dante explore Heaven, Hell and Heaven. Beatrice takes over as the guide around Paradise because Virgil is a pagan and so cannot enter it.
St. Aldhelm (died in 709) puts St Lucy in the list of the main venerated saints of the early English Church, confirmed by the Venerable Bede (died in 735). Her festival was an important one in England ‘as a holy day of the second rank in which no work but tillage or the like was allowed’.
First Posted on December 13th, 2022, updated on December 13th 2023 and 2024
The Great Bookcase by William Burges Ashmolean Museum (Photo K. Flude)
The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting. Last year, December 12th’s choice was a netsuke; the year before the Singing Pierides painted by Henry Stacy Marks which you can see on the bottom of the Great Bookcase by William Burges (above).
The Nuragic culture in Sardinian is not well known. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland, and they created these marvellous bronze statuettes which give a real insight into life in the Bronze Age. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean or they may not.
Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum and look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really bring the people to life depicted in the statues. They are mostly warriors, but there are also people who seem to have more normal trades such as shepherd and baker.
Here is my slight adaption of one of the drawings
A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis
What you can see is some detail of the clothes and the knife belt around the torso and under the cloak, and a living person appears before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture and you can see some of the bronzes here.
On December 12th 2022, the Advent calendar, which you can access here, highlighted the Great Bookcase by William Burgess and in particular the paintings above which are the Singing Pierides painted by Henry Stacy Marks. The Pierides, were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won and had the Pierides turned into songbirds as a warning to all those who overrate their own talents! Watch out all you karaoke singers the Goddesses may have you in their sights!
‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.
Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’
The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in the Royal Horticultural Society’s gardens (now the Science and Natural History Museum).
Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters, 14 of whom he asked to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).
Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024
