New Year’s Eve, Old Style, Witchcraft & Carmentalia January 11th

1375, French Caesarian Birth, (caesarians at this time would have killed the mother or be performed when she was already dead or dying.)

When Britain reluctantly joined the Gregorian Calendar, in 1752, we lost 11 days. So if you add 11 to 31st December you get to New Year Old Style. You can do this with any date, and when celebrating, feel you are being really authentic.

So, anything you did on the New Year’s Eve New Style (31st Dec), you can do today. Except, of course, when you call in sick because of a hangover you will need to convince your boss of the illegitimacy of the Gregorian Calendar! In case you have forgotten what you should be doing on New Year’s Eve you can look at my post here to find out.

Witches

It’s a particularly ‘witchy’ evening because it is the traditional Eve, not the newfangled one. Reginald Scot in his ‘Discovery of Witchcraft’ first published in 1584 reports on a way to find witches:

a charm to find who has bewitched your cattle. Put a pair of breeches upon the cow’s head, and beat her out of the pasture with a good cudgel upon a Friday and she will run right to the witch’s door and strike it with her horns

Reginald Scott’s book is available on this website and is a fascinating read. But, perhaps I need to say: don’t try this at home, as it is not supported by scientific research.

When I first posted this in 2022. I did not, to my shame, know the background to the book. I assumed the book was advocating this nonsense that a cow could lead you to whoever bewitched it. On the contrary. Reginald Scot was trying to debunk the absurd claims for witchcraft and magic. His book tries to prove that witchcraft and magic were rejected both by reason and religion. He believed that manifestations of either were ‘wilful impostures or illusions due to mental disturbance in the observers’.

The book is evidence that the large number of people who were executed as witches in the 16th and 17th Century, were the victims of a QAnon-like conspiracy which was rejected by many educated and rational people. Please have a good look at the cover of this 17th Century edition of Reginald Scot’s book. It gives a good idea of what he was setting out to counteract. Scot was a member of Parliament for New Romney, in Kent.

Frontispiece of Scots Discovery of Witchcraft.

Carmentalia

Carmenta or Nicostrata, black and white medallion of the Goddess of Childbirth
Carmenta or Nicostrata , Goddess of Prophecy, Childbirth, Midwives and Technical Innovations. Published by Guillaume Rouille (1518?-1589) – “Promptuarii Iconum Insigniorum”

It is also Carmentalia, the festival for Carmenta, the Roman Goddess of prophecy and childbirth. She was a much loved Goddess in the Roman pantheon. But little is known about her, perhaps because she has no clear match in the Greek pantheon. However, she was thought to be a nymph of the Arcadians, called Themis.

She has a long history in the story of Rome. This may surprise you, she was the mother of Evander. Who is he? I hear you shouting! Well, he is the founder of Pallantium. Where on earth is that? You cry. It is the City on the site of Rome (on the Palatine Hill) that predated Rome! Who knew that? (The people at Vindolanda Roman Fort know, and they have a great page on Carmenta here). The City was supposed to be of Greek origin, founded 60 years before the fall of Troy. Later, it was absorbed into Rome.

Carmenta had two sidekicks who were her sisters and attendants. Postvorta and Antevorta, They might be explained by Past and Future. (or, After and Before) as part of her role in prophecy. Or the two figures could represent babies that are either born head or legs first. She was an important enough Diety to command one of the fifteen flamen. These were priests of state-sponsored religions. One of their jobs was to ensure no one came to the temple wearing anything of leather. Leather was created from death, and not suitable for the Goddess of Childbirth, who was all about life.

The Vindolanda post makes the point that 2% of pre-modern births are likely to have caused the death of the mother. Because there was a high child mortality the Roman Mother would have to have 5 children on average to keep the population stable. With a 2% death rate, and 5 children, they estimate that each mother had a 12% chance of death by giving birth. Good reason to have a Goddess on the Mum’s side. She is also the Goddess of Midwives.

She was originally known as Nicostrata. She was credited with creating the Latin Alphabet by adding additional letters to the Greek one. So, she is also the Goddess of Technological Innovation. Some Goddess!

First published in Jan 2022, revised January 2024, 2025

St Distaff’s Day & the Triple Goddesses, January 7th

Spinning
Spinning—showing the distaff in the left hand and the spindle or rock in the right hand

I’m not sure what the Three Kings were doing on the day after Epiphany. But, the shepherds, if they were like medieval English farmworkers, would still be on holiday. They went back to work, traditionally, next Monday, which is Plough Monday. By contrast, the women, according to folk customs, went back to work St. Distaff’s Day, the day after Epiphany. In an ideal world, St Distaff’s Day is the Sunday after Epiphany (January 6th), and Plough Monday is the next day. Of course, it doesn’t always work out that way. I am not sure the woman going back to work on the 7th January, would be happy with the men lounging about until Plough Monday,. This year on the 13th January.

A distaff is ‘a stick or spindle on to which wool or flax is wound for spinning’. Because of its importance in the medieval and early modern economy, it became a synecdoche for women. St Distaff is a ‘canonisation’ of this use of the word. So, a day to celebrate working women.

We know that medieval and early modern women were a vital part of the work force, despite the demands of childcare. Many women took on apprenticeships, even more continued their husband’s work after he died. Some professions like silk became a female speciality. Plus, London was full of female servants and nurses. Many women had several jobs. The exhibition at the British Library on Medieval Women. In Their Own Words, indicated that most of the sex workers had two or more other jobs. In the house, the wife was the mistress of a formidable range of technologies. Baking, Brewing, Cooking, Laundry, Gardening, Dairy, Medicine (including distillation), horticulture, spinning, sewing and embroidery. Even, aristocratic women did embroidery of the finest quality, and it often made an important financial contribution to the household.

St Distaff’s Day and Plough Monday

Robert Herrick (1591–1674), born in Cheapside, London, a Goldsmith, priest, Royalist and Poet wrote in ‘Hesperides’.

Partly work and partly play
You must on St. Distaff’s Day:
From the plough, soon free your team;
Then come home and fother them;
If the maids a-spinning go,
Burn the flax and fire the tow.
Bring in pails of water then,
Let the maids bewash the men.
Give St. Distaff all the right;
Then bid Christmas sport good night,
And next morrow every one
To his own vocation.

Here he links the plough team with St Distaff’s Day. This implies that the ploughs would be out on the next day. So as St Distaff’s Day is not always on a Sunday, perhaps Plough Monday is not always on a Monday? He certainly suggests everyone goes back to work on the day after St Distaff’s Day.

This image has an empty alt attribute; its file name is Screenshot-2022-01-07-18.53.35.png

Saints & Goddesses of the Distaff Side

In London, the Fraternity of St Anne and St Agnes met at the Church dedicated to the saints. It is by a corner of the Roman Wall on the junction of Gresham Street and Noble Street. St Agnes is the patron saint of young girls, abused women and Girl Scouts. St Anne is the mother of the mother of the Son of God. So, she represents the three generations of women: maidens, mothers, and grandmothers.

This image has an empty alt attribute; its file name is romanmoreb0029.jpg
The Three Mother Goddesses (and someone else) “Limestone relief depicting four female figures sitting on a bench holding bread and fruit, a suckling baby, a dog and a basket of fruit’ the Museum of London

This trinity of women were worshipped by the Celts. Archaeologists discovered the sculpture above while investigating the Roman Wall a few hundred yards away at Blackfriars. Scholars believe it depicts the Celtic Three Mother Goddesses. The fourth person is a mystery, maybe the patron of a nearby temple. The relief sculpture was removed perhaps from a temple, or the temple was trashed at some point. Then the sculpture was used as rubble and became part of the defences of London.

The idea of triple goddesses is a common one. In Folklore and History they have been referred to as Maiden, Mother, and Crone, or even Maiden, Mother and Hag. They come in Roman, Greek, Celtic, Irish, and Germanic forms. Their names include the Norns, the Three Fates, the Weird Sisters, the Mórrígan and many more. The Three Fates, the Goddess Book of Days says, were celebrated during the Gamelia. This is the Greco/Roman January Festival to the marriage of Zeus and Juno. The Festival also gives its name to the Athenian month of January.

The use of the terms Hag and Crone for the third Goddess is rare now, but was common. It does a great disservice to the importance of the Grandmother figure. (Although the original meaning of the words were less pejorative. For example, Hag may have meant diviner, soothsayer.) The three phases of womanhood are equally as important to the continuation of the species. They provide love, support, and experience through the generations. Compare these three generations of supportive deities with Ouranos (Uranus), Cronus (Saturn) and Zeus (Jupiter). Saturn castrated and deposed his father, Uranus. Later, he tried to eat his son, Jupiter. But then, Jupiter is nobody’s idea of an ideal father. As one example, he eats his lover, Metis, to avoid her giving birth. (See my post on the birth of Athena.)

Recent work on human evolution has suggested that the role of the Grandmother is crucial to our species’ ability to live beyond the age of fertility. Because, in evolutionary terms, once an individual cannot procreate, their usefulness for the survival of the genes is finished. So what’s the point of putting resources into grandma’s survival? The theory is the Grandmother has such an impact on the survival of the next generation, that longevity. for the female, beyond fertility makes evolutionary sense.

Have a look at this site for more information.

Natural History Museum, Oxford, K Flude photo.

There was a theory widely held that the original Deities, dating before the spread of farming, were mother goddesses. The idea is that the hunter-gather goddesses (perhaps like the Venus of Willendorf) were overthrown by the coming of farmers. These patriarchal societies worshipped the male gods, which destroyed the ancient Matriarchy. Jane Ellen Harrison proposed an ancient matriarchal civilization. Robert Graves wrote some interesting, but no longer thought to be very scientific studies, on the idea. Neopaganism has taken these ideas forward.

More information on St Agnes in this post below:

One This Day

1845. Today is the anniversary of the breaking of the fabulous Portland Vase by a drunken visitor to the British Museum. It looks immaculate despite being smashed into myriad pieces, a wonder of the conservator’s art. To see the vase and read its story, go to the BM web site here:

wedgwood catalogue of its copy of the portland vase

In the orthodox church, дед Мороз  (Ded Moroz= father of frost), accompanied by Cнегурочка (Snieguroshka= fairy of the snow) brings gifts on New year’s eve, (which is on January 7th). He travels with a horse drawn troika.

Today’s Interesting link

Medieval Sin and the Pointy Shoe — for details, read the BBC’s interesting article.

First Published in 2022, and revised in January 2024 and 2025

Hangover Cures & Bacchus – January 1st

Marble statue of Bacchus from the Temple of Mithras London. The inscription reads ‘hominibus vagis vitam’ Translation … (give) life to men who wander.

On the eighth day of Christmas
my true love sent to me:
8 Maids a Milking; 7 Swans a Swimming; 6 Geese a Laying
5 Golden Rings
4 Calling Birds; 3 French Hens; 2 Turtle Doves
and a Partridge in a Pear Tree

Closing Time

The 8th day, New Years Day, is the day of the Throbbing Head. In ‘Closing Time’ Leonard Cohen wrote about drinking to excess. I like to think he refers to Christmas and New Year’s Day:

And the whole damn place goes crazy twice
And it’s once for the devil and it’s once for Christ
But the boss don’t like these dizzy heights
We’re busted in the blinding lights of closing time.

Trouble is the song mentions summer. Oh well. You can enjoy the official video on YouTube below:

Hangover Cure

So what you need is a hangover cure. Nature provides many plants that can soothe headaches. And in the midst of the season of excess, let’s start with a hangover cure.

Common ivy Photo by Zuriel Galindo from unsplash

Ivy and Bacchus

Ivy, ‘is a plant of Bacchus’…. ‘the berries taken before one be set to drink hard, preserve from drunkenness…. and if one hath got a surfeit by drinking of wine, the speediest cure is to drink a draft of the same wine, wherein a handful of ivy leaves (being first bruised) have been boiled.’

Culpeper Herbal 1653 quoted in ‘the Perpetual Almanac’ by Charles Kightly

The image of Bacchus, at the top of the post, is from a fascinating article by the Museum of London on wine making in Roman Britain. Bacchus is often shown with an ivy crown around his head as Romans were wont to wear them to fend of hangovers.

Skullache, and Willow,

Crack Willow Trees on the Oxford Canal, August 2021

One of the best documented folk hangover cure is willow bark. It could be used for headaches, earaches and toothaches. Here is a record of how simple it was to use:

‘I am nearly 70 years old and was born and bred in Norfolk… My father, if he had a ‘skullache’ as he called it, would often chew a new growth willow twig, like a cigarette in the mouth.’

‘A Dictionary of Plant Lore by Roy Vickery (Pg 401)

In the 19th Century, Willow was found to contain salicylic acid from which aspirin was derived. As a child I remember chewing liquorice sticks in a similar way. However, we chewed, supposedly for the pleasure and the sweetness not for the medicinal virtues of the plant.

Country Weather

January 1st’s weather on the 8th Day of Christmas was warm and wet all day. So, according to Gervase Markham, the 8th Month, August, will be similarly warm and drenched. (source: ‘The English Husbandman’ of 1635.)

On this Day

It was the Day of Nymphs in Greece dedicated to Artemis, Andromeda, Ariadne, Ceres. (according to the Goddess Book of Days by Diane Stein.)

First Published in 2024, republished in 2025

Next Guided Walks

Here are listed the public guided walks and tours I have currently got in my diary. I will be adding others all the time.

Jane Austen’s London Anniversary Walk 2.30 pm Saturday 25th Jan25
To book
Jane Austen’s ‘A Picture of London in 1809 Virtual Walk Mon 7.30 27th Jan25 To book Charles I and the Civil War. Martyrdom Anniversary Walk Booking details to follow
The Civil War, Restoration and the Great Fire of London Virtual Tour 7:30pm Thurs 30th Jan25To book
Roman London – Literary & Archaeology Walk 11.30 am Sat Feb 9th 2025 To Book
Jane Austen’s London Anniversary Walk 2.30 pm Sunday 9th February 25 To book
A Virtual Tour of Jane Austen’s Bath 7.30pm 10th February 2025 To book
Roman London – Literary & Archaeology Walk To book
Jane Austen’s London Anniversary Walk 2.30 pm Saturday 8th March 25 To book
Jane Austen’s London Anniversary Walk 11.30 pm Sunday 6th April 25 To book
Chaucer’s Medieval London Guided Walk Sun 2:30pm 6 April 2025 to Book
Chaucer’s London To Canterbury Virtual Pilgrimage 7.30pm Friday 18th April 25 To book
Roman London – Literary & Archaeology Walk 2.30 am Sat May 4th 2025 To book
For a complete list of my guided walks for London Walks in 2025 look here

Birthday Of The Sun December 25th

The First Day of Christmas, my true love sent to me a Partridge in a Pear Tree

Nebra Sun disc from Stonehenge Exhibition British Museum
Nebra Sun disc from Stonehenge Exhibition British Museum (photo Kevin Flude) The Disc shows the Sun, the Moon, the Pleides, and illustrates the Summer and Winter Solstice movements of the Sun.

Dies Natalis Solis Invicti

On the 25th December were born Jesus, Mithras, Attis, Saturn, Apollo, and the Invincible Sun.

The Sun Gods have quite a complicated interrelationship. Zeus, and Apollo are both also considered to be Sun Gods. Apollo is particularly interrelated to Helios, the Greek God who drives the Chariot that carries the Sun across the skies every day. The Romans had a God called Sol who some say was a deity who declined to be of minor importance, until the transexual Emperor Elagabalas and then Aurelian in 274 AD revived the cult. Sol Invictus was the focus of Constantine the Great, and has been suggested as a response of the Romans to a trend towards monotheism in the later Roman period. Sol for Constantine was a gateway God to Christianity.

It is also notable that early worship of Jesus is full of solar metaphors, Jesus being, for example, the light of the world. Churches are also virtually all orientated East West, aligned with the rising and setting suns. The Altar is always at the East End, and effigies on tombs face the East.

Did the Celts have a sun-god? Belenos is a contender, but linguists are proposing his name does not come from words meaning bright but from strong. The God Lugh’s name is suggested to mean ‘shining’ but his attributes are more of a warrior than a sun god. Taranis is probably the best candidate, but he is more of a sky or thunder god than specifically a sun god. However, his symbol is a wheel and the wheel is symbolic of the turning of the year.

The Golden Wheel from Haute Marne in France

The Golden Wheel from Haute Marne in France, (Public Domain, Wikipedia)

His 8 spoked wheel is said to be symbolic of the Sun and it represents the division of the year by the 4 quarterly sun festivals (Winter Solstice, Spring Equinox, Summer Solstice and Autumn Equinox) and the 4 cross-quarter festivals, (Samhain or Halloween, Imbolc or Candlemas, Beltane or May Day, Lughnasa or Harvest Festival).

December 25th is a few days after our reckoning of the Solstice but it was the date of the Roman Solstice.

Christmas Cake

Today, you might be tucking into a Christmas Cake (originally eaten on Twelfth Night). Now, I know many Americans have a bizarre belief that fruit cake is the cake of the devil, something you receive as a gift and give away to someone else, as most Americans hate it. More fool them for missing out on one of the delights of the Christmas period, that and cold turkey sandwiches. Christmas Cake is made on stir up Sunday, the last Sunday in November, to let the ingredients develop their flavour. They are then covered with marzipan and decorative icing.

19th Century Christmas Cake, generally now the icing continues down the side of the cake.

In Germany, they also eat a fruit bread called Stollen or Weihnachtsstollen. The tradition is said to have been started in the 15th Century, when the Pope gave dispensation to allow the use of butter in the fasting period of Advent. The Germans had to use oil to replace the banned butter, but they could only make oil from turnips, so eventually the Pope allowed the use of butter, with which they made bread with added dried fruits.

Stollen By Gürgi – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=3720379

In Italy, they eat Panettone, a fruit bread/cake. It is a sourdough, and a cross between a brioche and a cake. It often comes in a beautiful decorative tin, and is delicious. The centre of panettone production is Milan and this year is the 200th Anniversary of Milan’s famous Marchesi 1824 which makes artisanal Panettone from ‘fine ingredients such as six-crown sultanas, naturally candied fruit, Bourbon vanilla from Madagascar, Italian honey and eggs from free-range hens, blended in a slow-rising dough with the exclusive use of Marchesi 1824 sourdough starter‘. Thank you, Mara from Milan, for the heads-up.

Screen shot from website – does not click through to sales!

Which is best? The only way to find out is to eat several slices of each. America, you don’t know what you are missing.

For stir up sunday see the second half of this post of mine.

First Published 24th December 2022, Republished 25th December 2023, 2024

Eve of the Birthday Of the Sun God December 24th

Helios, Colossus of Rhodes, artist's impression, 1880
Helios Colossus of Rhodes, artist’s impression, 1880

Tomorrow is the Dies Natalis Solis Invicti.  But as, in the Northern Tradition, the day begins at dusk, so Christmas Day really begins on Christmas Eve. So many countries celebrate the eve as much or more than the day. Also the Christian Church follows a similar tradition of beginning the celebrations on the eve.  This is said to be following the Jewish tradition.  In Genesis are the words;

‘And there was evening, and there was morning—the first day.’

Christian tradition holds that Jesus was born on the holy night and thus is celebrated by the midnight mass.

In Germany there is a relatively light dinner often consisting of potato salad and sausages.  Gifts are exchanged afterwards.

December 24th is a day for Mothers, as tomorrow, the 25th, will be born Jesus, Mithras, Attis, Saturn, Apollo, and the Day of the Birth of the Invincible Sun, Solis Invictus. And so we think of Mary, Isis, Theia, the Three Mother Goddesses and mothers everywhere.

First Published 24th December 2022, Republished 2023,2024

December 21 – Reflections on the Solstice

The Solstice and the East Pediment of the Parthenon

British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles

At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.

Pediment Sculptures Photo by Nicole Baster on Unsplash

At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.

Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.

Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.

Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.

Zeus (sitting) Hephastus to right (looking back with Axe)  Athena just visible above Zeus's head
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head

So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.

Hestia, Dione, Aphrodite, Horse of Selene’s chariot

To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.

The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.

Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.

So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.

Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.

Sculptures from the east pediment of the Parthenon
Sculptures from the east pediment of the Parthenon

I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.

Originally written in 2022 and revised 2024

Grecian Winter – Hesiod’s Works & Days December 15th

Abney Park cemetary in winter
Abney Park cemetery in winter photo by Harriet Salsibury

Hesiod is a contemporary of Homer, and therefore one of the first European poets, one of the first commentators on Greek life, thought, religion, mythology, farming and time keeping. ‘Works and Days’ is his Farmers Almanac and therefore long overdue an appearance on my Almanac of the Past.

Hesiod’s poems also introduce the idea of the epoch, past glorious epochs of Gold and Bronze with a further descent to his own epoch which was of the base metal age of Iron. In the 19th Century, European antiquarians, imbued with a humanist belief in Progress, developed the idea of Stone, Bronze and Iron Ages, an almost direct opposite of Hesiod’s, downhill-all-the-way to the present idea.

Hesiod also brings in early references to Prometheus and Pandora, two of the great myths of the flaws of humanity.

This is what he says of Winter. It is from a translation by Christopher Kelk, available to download here (I have added line breaks after full stops, just for ease of reading.)

…. you should make
A detour during winter when the cold
Keeps men from work, for then a busy man
May serve his house. Let hardship not take hold,
Nor helplessness, through cruel winter’s span,
Nor rub your swollen foot with scrawny hand.

An idle man will often, while in vain
He hopes, lacking a living from his land,
Consider crime. A needy man will gain
Nothing from hope while sitting in the street
And gossiping, no livelihood in sight.

Say to your slaves in the midsummer heat:
“There won’t always be summer, shining bright –
Build barns.” Lenaion’s evil days, which gall
The oxen, guard yourself against. Beware
Of hoar-frosts, too, which bring distress to all
When the North Wind blows, which blasts upon the air
In horse-rich Thrace and rouses the broad sea,
Making the earth and woods resound with wails.

He falls on many a lofty-leafed oak-tree
And on thick pines along the mountain-vales
And fecund earth, the vast woods bellowing.
The wild beasts, tails between their legs, all shake.

Although their shaggy hair is covering
Their hides, yet still the cold will always make
Their way straight through the hairiest beast.

Straight through
An ox’s hide the North Wind blows and drills
Through long-haired goats. His strength, though, cannot do
Great harm to sheep who keep away all chills
With ample fleece. He makes old men stoop low
But soft-skinned maids he never will go through –
They stay indoors, who as yet do not know
Gold Aphrodite’s work, a comfort to
Their darling mothers, and their tender skin
They wash and smear with oil in winter’s space
And slumber in a bedroom far within
The house, when in his cold and dreadful place
The Boneless gnaws his foot (the sun won’t show
Him pastures but rotate around the land
Of black men and for all the Greeks is slow
To brighten).

That’s the time the hornèd and
The unhorned beasts of the wood flee to the brush,
Teeth all a-chatter, with one thought in mind –
To find some thick-packed shelter, p’raps a bush
Or hollow rock. Like one with head inclined
Towards the ground, spine shattered, with a stick
To hold him up, they wander as they try
To circumvent the snow.

As I ordain,
Shelter your body, too, when snow is nigh –
A fleecy coat and, reaching to the floor,
A tunic. Both the warp and woof must you
Entwine but of the woof there must be more
Than of the warp. Don this, for, if you do,
Your hair stays still, not shaking everywhere.

Be stoutly shod with ox-hide boots which you
Must line with felt. In winter have a care
To sew two young kids’ hides to the sinew
Of an ox to keep the downpour from your back,
A knit cap for your head to keep your ears
From getting wet.

It’s freezing at the crack
Of dawn, which from the starry sky appears
When Boreas drops down: then is there spread
A fruitful mist upon the land which falls
Upon the blessed fields and which is fed
By endless rivers, raised on high by squalls.

Sometimes it rains at evening, then again,
When the thickly-compressed clouds are animated
By Thracian Boreas, it blows hard. Then
It is the time, having anticipated
All this, to finish and go home lest you
Should be enwrapped by some dark cloud, heaven-sent,
Your flesh all wet, your clothing drenched right through.

This is the harshest month, both violent
And harsh to beast and man – so you have need
To be alert. Give to your men more fare
Than usual but halve your oxen’s feed.
The helpful nights are long, and so take care.

Keep at this till the year’s end when the days
And nights are equal and a diverse crop

Keep at this till the year’s end when the days
And nights are equal and a diverse crop
Springs from our mother earth and winter’s phase
Is two months old and from pure Ocean’s top
Arcturus rises, shining, at twilight.

Hesiod’s Works and Days: Translation Christopher Kelk

Acturus is not seen in winter, and in the Northern Hemisphere its rising (50 days after the winter solstice) and has always been associated with the advent of spring.

Boreas was the winged God of the North wind, which bore down from the cold Mountains of Thrace (north of Macedonia). One of his daughters, Khione, was the Goddess of Snow. Lenaion was associated with January one of the festivals of Dionysus, and a theatrical season in Athens particularly for comedy.

Roman Bust of Hesiod (Wikipedia photo by Yair Hakla) Neues Museum

First published 15th December 2022, republished December 2023, 2024

Ashmolean Advent Calendar, William Burges & the Singing Pierides December 12th

The Great Bookcase by William Burges Ashmolean Museum (Photo K. Flude)

The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting. Last year, December 12th’s choice was a netsuke; the year before the Singing Pierides painted by Henry Stacy Marks which you can see on the bottom of the Great Bookcase by William Burges (above).

This year it was a nuragi bronze age stature of a shepherd, a screen shot of which I show below.

The Nuragic culture in Sardinian is not well known. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland, and they created these marvellous bronze statuettes which give a real insight into life in the Bronze Age. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean or they may not.

Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum and look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really bring the people to life depicted in the statues. They are mostly warriors, but there are also people who seem to have more normal trades such as shepherd and baker.

Here is my slight adaption of one of the drawings

A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis

What you can see is some detail of the clothes and the knife belt around the torso and under the cloak, and a living person appears before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture and you can see some of the bronzes here.

On December 12th 2022, the Advent calendar, which you can access here, highlighted the Great Bookcase by William Burgess and in particular the paintings above which are the Singing Pierides painted by Henry Stacy Marks. The Pierides, were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won and had the Pierides turned into songbirds as a warning to all those who overrate their own talents! Watch out all you karaoke singers the Goddesses may have you in their sights!

‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.

Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’

Antoninus LiberalisMetamorphoses (wikipedia)

The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in the Royal Horticultural Society’s gardens (now the Science and Natural History Museum).

Engraving of the International exhibition of 1862, Cromwell Road

Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters, 14 of whom he asked to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).

Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024

The Winter Festival of Brumalia, Roman Hoodies and Diocletian’s Edict of Maximum Prices December 11th

According to my Goddess Book of Days, December 11th is dedicated to Bruma the Roman Goddess of Winter. However, I’m not having much luck tracking her down. Elsewhere, I find reference to a Greek or Roman festival of Winter called Brumalia which, according to some, starts in late November and is normally said to end on the 25th December, the Roman Solstice. But, only the Goddess Book of Days has it on December 11th.

cOVER OF THE GODDESS BOOK OF DAYS by Diane Stein
Cover of the Goddess Book of days

However, there is good evidence for such a festival in the Byzantine World.

So, let’s imagine a Winter Goddess beginning her reign on November 24th. Then, Saturnalia took place from 17th – 24th December and the climax of the reign of the Winter Goddess was Brumalia on the 25th December.

By the way, December 25th was fixed by Aurelian in 274 AD as the day to celebrate Sol Invictus, the Unconquered Sun, the pre-Christian Roman attempt to have a monotheistic element to their religion. Mithras and other Gods were also celebrated on December 25th.

Underlying this confusion of dates is the difficulty of aligning the solar year to the calendar year, and in the Roman period it was all over the place until Julius Caesar fixed the Calendar. (for more on that see my post here)

Roman Hoodie

The picture of the tombstone, above, comes from Cirencester, and the inscription says:

Philus, son of Cassavus, a Sequanian, aged 45, lies buried here.

For details look at the ‘Roman Inscriptions of Britain.org’ here:

The Sequani were from the upper Saône Valley, near Besançon. His cloak is very interesting, and this type of hoodie has been found in other contexts of Roman Britain, for example, on a mosaic at Chedworth. The garment was called the Birrus Britannicus and was famous throughout the Empire. It was a hunting cloak and made of wool. The Cotswold wool was also famous in medieval Europe, and the Cotswold Lion sheep were introduced during the Roman period. The large number of rich Roman villas in the area suggest that the wool made the local economy strong, and. I imagine the birrus to be a sort of ‘thorn proof’ woollen garment that was warm, rugged, and waterproof. Britain was also renowned for the export of hunting dogs and slaves.

The British Hoodie, Inflation and Reorganisation of the Roman World

In AD 301, the emperor Diocletian issued his Edict of Maximum Prices. In it, the Emperor rages against inflation:

Greed raves and burns and sets no limit on itself. Without regard for the human
race, it rushes to increase and augment itself, not by years or months or else days, but almost by hours and very moments. Diocletian Maximum Prices Edict (click here for Pdf)

The Edict then lists maximum wages and prices. The birrus listing says that the Tailor,

cutting and finishing a hooded cloak (birrus) of the finest quality shall have a maximum wage of 60 denarii. ‘

The sanctions against breaking the Edict were terrifying, suggesting the difficulty of enforcement was compensated for by extreme punishment. Diocletian also insisted that labour shortages were addressed by making children follow the same profession as fathers. Interesting how familiar this rampaging inflation and severe staff shortages seems to a post-Covid-post-Brexit-Ukrainian-War-governed-by-an-out-of-touch-elite Britain. (Not quite so relevant now inflation is lower?).

Diocletian was obviously a very logical man, looking for structural fixes to society’s problems. His analysis of the Roman Empire and its frequent Civil Wars/Coup D’Etats/Usurpers was that there was a deficiency in the career ladder for megalomaniacs and so to stop them usurping the Emperorship, he set up a rational career progression and divided up the Empire as follows:

1 Augustus for the Eastern (Greek speaking) Empire
1 Augustus for the Western (Latin speaking) Empire
2 Caesars for each Augustus
Prefects reporting to the Caesars
Vicari reporting to the Prefects
Governors reporting to the Vicarius.

So you could begin your career in charge of a Province, then progress to the Diocese, then to the Prefecture, then to a quarter of the Empire, then to the Western Empire and finally to be the top dog in the richest Greek-speaking part of the Empire – the supreme Augustus.

Did it work? Well, while Diocletian was alive maybe, but then when his Augustus of the West Constantius Chlorus died, his troops, in York, declared his son Constantine to be Augustus, bypassing the peaceful progression from Governor to Augustus back to the usual tactic of wiping out your fellow Prefects, Caesars and Augustii. After the Battle of Milvian Bridge, Constantine was universally recognised as the supreme Augustus. He moved the Eastern Capital from Nicosia to Byzantium and renamed it Constantinople.

Diocletian, another Augustus and 2 Caesars, Venice

More on the Sequani

One of our readers from France alerted me to the Wikipedia page on the Sequani which explains that the name comes from the Goddess Sequana who is a water goddess. The centre of the territory is Besançon which is on the Doubs River part of the Haute Saône Doubs and near to the springs that are the source of the Seine (west of Dijon). Here, the Fontes Sequanae (“The Springs of Sequana”) gave her name to the River Seine, and a healing spring was established in the 2nd/1st BC. Enlarged by the Romans, it became a significant health centre. as Wikipedia explains in the clip below:

Image of Sequana in a duck boat by Wikipedia FULBERT • CC BY-SA 4.0

‘Many dedications were made to Sequana at her temple, including a large pot inscribed with her name and filled with bronze and silver models of parts of human bodies to be cured by her. Wooden and stone images of limbs, internal organs, heads, and complete bodies were offered to her in the hope of a cure, as well as numerous coins and items of jewellery. Respiratory illnesses and eye diseases were common. Pilgrims were frequently depicted as carrying offerings to the goddess, including money, fruit, or a favourite pet dog or bird.’

https://en.m.wikipedia.org/wiki/Sequana

First, published on December 11th,2022. Revised and republished on December 11th 2023, 2024