Chester City Walls and the Shropshire Union Canal (River Dee can just be seen at the back)
Sunday I am doing a Virtual tour of Chester. Here is a podcast as an introduction.
A VIRTUAL TOUR THROUGH THE WHOLE ISLAND OF GREAT BRITAIN. NO. 1 – CHESTER
Sunday 20th February 2022 7.30pm
A Virtual Walk Through Chester from Amphitheatre to Canal
Borrowing my title from Daniel Defoe’s early chorography, my first Circuit is from Chester to Edinburgh. We begin with a virtual walk around Chester.
Chester is one of Britain’s best known historic Cities. One of those places where the history of Britain can be told in one town. It was founded as a Legionary Fortress when the Romans sought to expand their imperium into the North and West of Britain. It remained an important military town with a thriving port. It is not clear exactly what happened in the centuries following the Roman withdrawal from Britannia but it retained its importance in the Saxon and Medieval periods before being besieged by the King’s Forces in the English Civil War.
The Industrial Revolution largely by-passed Chester but helped bring on the decline of its traditional industries, and soon it was relegated to a secondary status to Liverpool and Manchester in the North West. However, this meant the City retained much of its historic character, and we will enjoy the surviving Wall circuit, the timber framed shops and houses as we walk from the Station to the Amphitheatre, through the Roman town and into the Medieval Cathedral, before leaving by the Canal.
This was first raised by Plutarch, and it concerns a crucial issue in conservation/restoration which is how to maintain authenticity in the face of replacing worn out parts of an object or structure. The idea is, perhaps, most economically discussed in ‘Any Fools and Horses’ in the scene known as Trigger’s Broom.
Click the video to watch Trigger’s Broom and then proceed to the philosophy
The Ship of Theseus can be seen over Ariadne’s shoulder as Theseus abandons her on Naxos
Now you are ready to appreciate the philosophic issue that is discussed in this short video by the Khan Academy. Click here.
The Ship of Theseus also appears in the Novel ‘S’ written by Doug Dorst and conceived by J. J. Abrams. in 2013. The book is a story within a story with an innovative ‘interactive’ thread with a novel called the Ship of Theseus which is annotated by two people and also contains press cuttings and printed ephemera in the two characters attempts to identify the mysterious author of ‘The Ship of Theseus. The Ship itself is, replaced part by part as the story develops.
THE ARCHAEOLOGY OF LONDON BRIDGE, SOUTHWARK & BANKSIDE GUIDED WALK
London in the 5th Century Reconstruction painting.
Sunday 6 February 2022 2.30pm Monument Underground
The walk explores the area around the Bridge and London Bridge’s history
London Bridge is not only an iconic part of London’s history but it is also the key to much of the History of London. On this walk we explore the area around the Bridge.
On the north side we explore evidence for the origins of the Bridge, and the early Roman Port of London. We then cross the Bridge discovering the many rebuilds and the wonder of the famous London Bridge with all its houses along it. On the south side we explore the Historic Borough of Southwark which, archaeology has revealed, is very much more than just the first suburb of London.
We range from the prehistoric finds in the River, to the excavation of the Theatres of Shakespeare’s London on Bankside.
This is a London Walks Guided Walk. Look at their web site for a list of other of their amazing walks. The walk needs to be booked via this London Walk link. To Book:
Podcast for the Walk
London Bridge
THE ARCHAEOLOGY OF LONDON BRIDGE, SOUTHWARK & BANKSIDE VIRTUAL WALK
MYTHS, LEGENDS, & CELTIC FESTIVALS LONDON GUIDED WALK
Sunday30th January 2022 2.30pm Tower Hill Underground
The walk tells the story of London’s myths and legends and the Celtic Festival of Imbolc.
The guided walk is led by Kevin Flude, a former archaeologist at the Museum of London, who has an interest both in the archaeological evidence as well as the myths and legends of London’s origin.
The walk is one of a series about London’s Myths and Legends which take place on or around one of the significant festivals of the Celtic calendar. On this tour we celebrate Imbolc, the festival half way between the winter and the Summer Solstice that celebrates the first signs of the coming of spring. The day is also dedicated to St Bridget, or St Bride.
The walk begins with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Bellinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries. As we explore the City we also look at evidence for ‘Celtic’ origins of London and how Imbolc may have been celebrated in early London.
The route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up at St Brides.
This is a London Walks Walk. Look at their web site for a list of other of their amazing walks.
MYTHS, LEGENDS, & CELTIC FESTIVALS LONDON VIRTUAL WALK
Sunday 30th January 2022 7.30pm
The virtual version of the walk starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up at St Brides.This is a London Walks Virtual Walk. Look at their web site for a list of other of their amazing walks.
Sunday 30th April 2022 2.30pm Tower Hill Underground
The walk tells the story of London’s myths and legends and the Celtic Festival of Beltane
The walk is led by Kevin Flude, a former archaeologist at the Museum of London, who has an interest both in the archaeological evidence as well as the myths and legends of London’s origin.
The guided walk is one of a series about London’s Myths and Legends which take place on or around one of the significant festivals of the Celtic calendar. On this tour we celebrate May Day, or Beltane – the celebration of the coming of Summer.
The walk begins with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Bellinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries. As we explore the City we also look at evidence for ‘Celtic’ origins of London and how Imbolc may have been celebrated in early London.
The virtual route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls
This is a London Walks guided walk. Look at their web site for a list of other of their amazing walks.
The virtual version of the walk route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St PaulsThis is a London Walks Virtual Walk. Look at their web site for a list of other of their amazing walks.
Sunday 30th October 2022 2.30pm Tower Hill Underground
The walk tells the story of London’s myths and legends and the celtic origins of Halloween
The guided walk is led by Kevin Flude, a former archaeologist at the Museum of London, who has an interest both in the archaeological evidence as well as the myths and legends of London’s origin.
The walk will tell the story of a selection of London’s Myths and Legends, beginning with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Bellinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries.
As we explore the City we also look at the origins of Halloween celebrations and how they may have been celebrated in early London.
The route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls.
This is a London Walks Guided Walk. Look at their web site for a list of other of their amazing walks.
The virtual version of this walkstarts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls.
This is a London Walks Virtual Walk. Look at their web site for a list of other of their amazing walks.
This BBC article reports on a genetic discovery by the Francis Crick Institute, co-authored with Prof. Barry Cunliffe, which shows a new genetic trait arriving in Kent and then, after a pause, spreading throughout England. It did not spread into Scotland and there is not enough data to show whether it moved into Ireland.
It is possible that it either brought the Celtic language with it. Or did it bring the Brythonic version of Celtic to England, leaving Scotland and Ireland speaking the pre-existing Goidelic version of the language branch?
The article also discusses the spreading of a gene for tolerance to lactose which spread rapidly, suggesting it must have contributed greatly to genetic survival. They postulate some existential threat during the Bronze Age which allowed those who could drink milk to survive much better than those who did not.
On this walk we look at how London has celebrated the New Year over the past 2000 years, and using our crystal ball look forward to what will befall London in 2022
Sunday January 2nd 2022 7.30pm
We look at London’s past to see where and how the Solstice might be celebrated. We also explore the different New Years we use and their associated Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other New Year London tradition and folklore.
At the end we use ancient methods to divine what is in store for us in 2022.
The walk finds interesting and historic places in the City of London to link to our stories of Past New Year’s Days. We begin, virtually, at Barbican Underground and continue to the Museum of London, the Roman Fort; Noble Street, Goldsmiths Hall, Foster Lane, St Pauls, Dr Commons, St. Nicholas Colechurch and on towards the River.
Roman Horse from Bunwell, Norfolk. Illustration by Sue Walker
I’ve been too busy working on my Jane Austen and Christmas Virtual Tour (Sunday 19th December 7.30) to post over the last few days. And I have, therefore, shamelessly stolen this post off my facebook friend Sue Walker, who is a talented archaeological illustrator, artist and a very good photographer.
She wrote: ‘the 18th December is the festival of the Celtic goddess Epona, the protector of horses she was adopted by the Romans and became a favourite with the cavalry. This finely sculpted bronze horse with a head dress and symbol on its chest is 37mm high – found in Bunwell #Norfolk #Archaeology’
Painting of the Roman Forum of London from the air
ROMAN LONDON – A LITERARY & ARCHAEOLOGICAL VIRTUAL WALK
Sunday 12 December 2021 11.30 MONUMENT TUBE VIRTUAL TOUR 7.30pm
This is a virtual sightseeing tour of Roman London accompanied by Ovid, Martial, ex Museum of London Archaeologist Kevin Flude and others.
The virtual walk is led by Kevin Flude, a former archaeologist at the Museum of London.
It features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.
We disembark at the Roman Waterfront by the Roman Bridge, and then explore the lives of the citizens as we walk up to the site of the Roman Town Hall, and discuss Roman politics. We proceed through the streets of Roman London, with its vivid and cosmopolitan street life via the Temple of Mithras to finish with Bread and Circus at the Roman Amphitheatre.
Publius Ovidius Naso and Marcus Valerius Martialis will be helped by Kevin Flude, former Museum of London Archaeologist, Museum Curator and Lecturer.
This is a London Walks Guided Walk. Look at their web site for a list of other of their amazing walks.
REVIEWS (from London Walks website) “Kevin, I just wanted to drop you a quick email to thank you ever so much for your archaeological tours of London! I am so thrilled to have stumbled upon your tours! I look forward to them more than you can imagine! They’re the best 2 hours of my week! 🙂 Best, Sue
This is a good case for a 16 month old (British Museum)
Now that I am a grandfather, and have taken my grandson to a couple of Museums I am, suddenly, an expert on the subject. My preliminary conclusions:
Museum toddler playgrounds could be a lot more imaginative. London Transport Museum basically has buses with buttons to push and steering wheels to turn. Its ok, but then not much better than you get in countless parks around London.. Surely, there should be more story telling and even a bit of wit to amuse the carers?
What is much better, in my grandson’s opinion, is designing the museum itself to cater for the toddlers. My one loved the British Museum, which has absolutely no provision for toddlers as far as I can see. But he loved it! Why?
He loved the space; the length of the rooms to run along; the height of the ceiling; the variety of cases and spaces, and key holes and handles and grids and lighting; the echoes and percussive effects he could produce by his hands or feet.
The floors he loved because the BM in some rooms has ventilation grills that run along a track along the length of the Room. He loved running along them. And was most engaged by the metal grills his feet found every couple of meters. They made a different sound as he ran along them. He ran along them, turned round and ran back and repeated the effort. I should point out he is only 16 months old so not running at a pace that annoys or endangers. In the Classical Galleries, the hard floor changed to carpet. He immediately lay down on it and enjoyed the texture enough to roll around on it, until he found the only visible bit of fluff on the well dyson’d carpet. He took the fluff to the next room, dropped it on the floor, and carefully picked it up. I think we got that bit of fluff from the Cyprus Gallery to the Portland Vase in the Roman and Greek Gallery. A testament to the BM’s cleaning staff.
Crucial to his enjoyment were cases that stretched down to the floor, or about a foot above the floor. He could look in and see the objects, and was often fascinated. In comparison the London Transport Museum’s cases were higher and he could not see in . He also loved any fitting he could touch or move on the cases. Even key holes interested him. The BM also has cases which have low ledges for labels beside cases. He loved to climb on these – although I had to stop him. But a museum could easily build in little cubby holes for kids to climb into and onto. And add little knobs, buttons, bells, declivities and raised areas at low level for kids to turn, press, poke, stroke and twist.
Touch was very important, and he liked to touch the glass of the cases, and there was a stone pillar, he was touching. I thought it was behind glass so did not stop him but when I got closer realised it was the surface of the stone he was repeatedly stroking. Of course I stopped him immediately, but it was a good reminder of the interest at this age in texture.
Sound was really interesting to him. And I know it would be horrifying to visits to have children all halloing the echoes but he did love it! Wooden infrastructure which was hollow offers lots of potential.
So, in conclusion. Make the Museum itself the playground. Use the playgrounds as part of the displays. Insist on floor length glass cases with knobs, bells, holes and textures integral to the design. Vary the floors, put markings on the floor for children to follow. Create little spaces every so often they can get into, climb on, explore.
