Category: History

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St. John’s Day & Summer Solstice June 24th

Hark! hark! The lark at heaven’s gate sings, And Phoebus ‘gins arise, His steeds to water at those springs On chalic’d flowers that lies; And winking Mary-buds begin To ope their golden eyes; With everything that pretty is, My lady sweet, arise: Arise, arise.
Cloten Scene III Cymberline

Arise, O Sun!
Let the Darkness of Night
Fade before the beams of your glorious Radiance

Midsummer, astronomically, is 21st June.  So, summer has started. But, meteorologically speaking it has been here since the beginning of June.

In Christian London celebrations were at their height on the Church’s Midsummer’s Day, 24th June, on the Vigil and Day of St John the Baptist (23rd, 24th June). Stow points the way:

‘every mans doore being shadowed with greene Birch, long Fennel, Saint John wort, Orpin, white Lillies, and such like, garnished upon with Garlands of beautiful flowers, had also Lampes of glasse, with oyle burning in them all the night, some hung out braunches of yron curiously wrought, contayning hundreds of Lampes, light at once, which made a goodly shew, namely in new Fishstreet, Thames Streets, &c’

Survey of London, John Stow

Bonfires from the night before were smouldering, where the ‘wealthier sort’ set out tables, furnished with ‘sweete beade and drinks plentifully’ where ordinary people could rub shoulders with the rich and ‘be merrie with them in great familiaritie’. There were large processions of ‘Captains, Lieutenants, Sergeants, Corporals, &c Wilfers, Drummers, and Fifes, ….Ensign bearers, Sword Players, Trumpeters on horseback, … Gunners, …. Archers, …Pike Men, ….Pageants, and, poor people in straw hats holding cresset lamps to make a show in exchange for a wage. All accompanying the Lord Mayor, Sheriffs each with their own Giants, Henchmen and Pageants from the Little Conduit in Cheape to Aldgate, and back via Fenchurch Street.

Midsummer was a mix of May Day, Halloween and a street festival with ‘Robin Hood games’, bale fires, the ‘summer pole’ dancing, merriment and pervading sense of the uncanny.

First published in 2022, revised and reposted in June 2024

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Distilled Wild Strawberries – a sovereign remedy against palpitations of the heart

Photo by Sergiu Nista on Unsplash.jpg

The Perpetual Almanac of Folklore by Charles Kightly reminds us that

‘The water of these strawberries distilled is a sovereign remedy and cordial in the palpitations of the heart, that is the panting and beating thereof’

William Coles Adam in Eden 1657

Mrs Grieve tells that it is good against feverish conditions, for the stone, gout and dysentery. The fresh fruit removes discolouration of the teeth if the juice is allowed to remain on the teeth for 5 minutes (then clean the teeth with warm water and bicarbonate of soda).

Wiping the face with a cut strawberry will whiten the skin and remove slight sunburn. Tougher sunburn rub the fruit well into the skin, leaving it on for 30 minutes, wash off with warm water with a few drops of tincture of benzoin (a balsamic resin.

Warning, the remedies are ancient and I have no idea how effective they are!

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The London Equinox and Solstice Walk

Druids at All Hallows, by the Tower
Druids at All Hallows by the Tower


Tuesday June 21st 2022 7.30 pm Tower Hill Underground Station
(meet by the Tower Hill Tram coffee stand) |


We explore London’s History through its celebrations, festivals, calendars, almanacs and its myths and legends.


As the Sun and Moon move around our skies we look at how Londoners organised and celebrated their year throughout history.

The tour is led by Kevin Flude, a former archaeologist at the Museum of London, Curator and Lecturer

One of the most popular forms of publication in London was the Almanac. It was full of seasonal advice, of prophecy, traditional wisdom, and important events past and future. Different cultures, religions and institutions had their own methods of organisation and celebrations. We explore the varied calendars that ruled people’s lives from the prehistoric period to the present.

On the way we look at customs, and folklore of the Celts, Romans, Saxons, and into the Medieval and Modern period. We look at different calendars such as the Pagan year, the Egyptian year, the Roman, Christian, Jewish, Church and Financial years. On the route we discover the people who lived in London and walk through fascinating areas with their deep histories.

This is a London Walks Guided Walk. Look at their web site for a list of other of their amazing walks

To Book: click here

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BECKET PAGEANT FOR LONDON

Brangwen A City Pageant .jpg
A City Pageant in Olden Times’, Frank Brangwen, Skinners’ Hal

17-18 June 2022: Guildhall Yard, London

This looks like it might be fun! I was hoping it would be the full recreation of the Becket Pageant in in 1519 but it a day of ‘performances inspired by the 1519 Midsummer pageant, and accompanied by a Livery Crafts Fair organised by the Skinners Company.’

Further Details are here:

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THE SOCIETY OF ANTIQUARIES ON RETURNING THE ELGIN MARBLES (FROM SALON IFA ISSUE 491)

Return of the Elgin Marbles – Talks Begin

(The following is the verbatum text of the Salon IFA note on this subject. My opinion is that it sounds promising but will not happen under a Conservative Government)

Under increasing pressure from Greece and UNESCO, the British government has agreed to talks about the repatriation of the Elgin Marbles, the collection of sculptures which were taken from the Parthenon in Athens in the early 19th century by the British ambassador to the Ottoman Empire, Lord Elgin. At the time the ambassador claimed to have received a permit, since lost, to remove the sculptures from the Acropolis, which was then an Ottoman military fort. The excavation and removal were completed in 1812 at a personal cost to Lord Elgin, of £70,000.  The marbles were bought by the British Government in 1816 for £35,000 and placed in the British Museum.

On a visit to Britain last November, the Greek Prime Minister, Kyriakos Mitsotakis, insisted that the statues currently in the British Museum, had been ‘stolen’. Last week at a UNESCO meeting, the debate centred on whether the sculptures had been lifted from the rubble around the monument or hacked off the walls, using marble saws, as the contemporary documents seem to suggest. The Museum’s Deputy Director, Jonathan Williams FSA said the objects were not all hacked off the building. Anthony Snodgrass FSA, Honorary President of the Committee for the Reunification of the marbles, argued that the state of preservation of t

he sculptures shows the vast majority could not have fallen 40 ft to the ground but were carefully removed and had their backs sawn off. 

The Greek Prime Minister has suggested that the Parthenon sculptures could be loaned to Greece in exchange for other artefacts including the golden Mask of Agamemnon. In January, Palermo’s archaeological museum returned a small fragment of the Parthenon frieze, depicting the foot of Artemis, to Athens’ new Acropolis Museum, on long-term loan. Plaster cast replicas currently stand in the Acropolis Museum, representing the statues in the British Museum.

Perhaps the resolution to this long-running dispute is, surprisingly, to be found in Apple’s latest technology. Recently, Oxford-based researchers from the Institute of Digital Archaeology (IDA), without permission – although in plain view of security – scanned 3D images of some of the sculptures using iPhones and iPads.  A ‘robot sculptor’ can now create perfect replicas, using chisels and blocks of the same Pentelic marble used by the sculptor Phidias in the 5th century BC. The 3D scans were taken using a combination

of Lidar, which uses laser lights to measure distances within a fraction of a millimetre, and photogrammetry, which stitches together multiple images of a subject.

The British Museum had refused a formal application by IDA to take the 3D scans, saying it was already using 3D scanning to reveal some of the secrets of the marbles. Roger Michel, Executive Director from the Institute for Digital Archaeology (IDA) now hopes that the manufacture of incredibly-accurate replicas may pave the way for the original marbles to be returned.

I would be very interested to hear your views on the Elgin Marbles debate, and whether creating an identical copy helps or hinders finding a resolution to the issue. Please do write in to saloneditor@sal.org.uk with your views.

Image Credits: Marble relief (Block XLVII) from the North frieze of the Parthenon, British Museum, Marble relief (block XLI) from the North frieze of the Parthenon, British Museum, Scanned 3D Image, Institute for Digital Archaeology

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PODCAST FOR A VIRTUAL TOUR THROUGH THE WHOLE ISLAND OF GREAT BRITAIN. NO.5 EDINBURGH

View From Edinburgh Castle
View From Edinburgh Castle

This is the Podcast for the Virtual Tour of Edinburgh

To find out or book for the Edinburgh walk and other walks this week end click here

A Virtual Tour Through The Whole Island Of Great Britain. No.5 Edinburgh

Monday 2 May 2022 7 pm

A Virtual Walk Through the Athens of the North

Borrowing my title from Daniel Defoe’s early chorography, my first Circuit is from Chester to Edinburgh. Now on the last stop on this first circuit we are taking a virtual tour of the most extraordinary City – Edinburgh.

Edinburgh is a very unusual City as it was built on the saddle of a hill so its main street runs down the ridge of a hill and the City falls away on either side. This lack of flat land and restricted space led to the City growing upwards. This gave the City an extraordinary density and an unique atmosphere that we will be exploring.

In the Georgian period the City was extended with the addition of a new town quarter which was rationally planned and made a marked contrast on the old Town. Together it gives the Capital of Scotland, a combination of atmospheric and claustrophobic town planning with the elegance of a City that was one of the great Cities of the Enlightenment.

We will begin the virtual walk in the shadow of Arthur’s Seat at the shiny new Scottish Parliament and walk up the Royal Mile from Holyrood to Tollboth, to the Netherbow and onto the Castle at the pinnacle of the City

To Book:

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BIG WEEKEND OF WALKS (2)

Painting of the Roman Forum of London from the air
Painting of the Roman Forum of London from the air

So on Saturday the 30th I am doing 2 guided walks and one Virtual Walk.

ROMAN LONDON – A LITERARY & ARCHAEOLOGICAL WALK

Saturday 30 April 20/22 11.30 am Monument Underground Station

This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.

We disembark at the Roman Waterfront by the Roman Bridge, and then explore the lives of the citizens as we walk up to the site of the Roman Town Hall, and discuss Roman politics. We proceed through the streets of Roman London, with its vivid and cosmopolitan street life via the Temple of Mithras to finish with Bread and Circus at the Roman Amphitheatre.

Publius Ovidius Naso and Marcus Valerius Martialis will be helped by Kevin Flude, former Museum of London Archaeologist, Museum Curator and Lecturer.

This is a London Walks Guided Walk

To book  https://www.walks.com/our-walks/roman-london-a-literary-archaeological-virtual-tour/

Myths, Legends, May Eve London Guided Walk

Sunday 30th April  2022  2.30pm  

The walk tells the story of London’s myths and legends and the Celtic Festival of Beltane.

The walk begins with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Bellinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries. As we explore the City we also look at evidence for ‘Celtic’ origins of London and how Imbolc may have been celebrated in early London.

The virtual route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls

This is a London Walks Virtual Walk. Look at their web site for a list of other of their amazing walks.

To book https://www.eventbrite.co.uk/e/253596322427

This weekend I am also doing two Virtual tours

:
Myths, Legends, May Eve London Virtual Walk

Sunday  30th April  2022  7.30pm  

The walk tells the story of London’s myths and legends and the Celtic Festival of Beltane

To book  https://www.eventbrite.co.uk/e/myths-legends-may-day-london-virtual-walk-tickets-251923047617

And on Monday evening

A Virtual Tour Through The Whole Island Of Great Britain.  No.5 Edinburgh

 Monday  2 May 2022 7 pm

A Virtual Walk Through the Athens of the North

To book  https://www.eventbrite.co.uk/e/256923664597

Hope to see you this weekend.

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MISUNDERSTANDING THE ROMAN WALL AT TOWER HILL

Roman and Medieval Town Wall at Tower Hill, London
Roman and Medieval Town Wall at Tower Hill, London

Yesterday I had a meeting with a couple of archaeologists at Tower Hill to discuss my recent letter to the London Archaeologist which suggests a piece of conservation of the wall was wrong and based on an misunderstanding of the physical remains. To my relief they agreed with my assessment of the wall and we agreed to follow it up.

It is a complex issue and I will try to upload a copy of the report at the bottom of this page. But briefly. at some point in the past the inner face of part of the wall collapsed (the piece closest to the camera). You can see that only the bottom Roman tile courses continue to the camera end of the wall – the ones above were swept away in the collapse on the inner face, they survived on the outer face.

The section just visible at the front used to show this collapse graphically because only half of the width of the tile courses survived (i.e. on the outer face not the inner face.) At some point someone in the 1980s picked up some fragments of the tile and stuck them superficially on the wall to complete the tile courses. This shows a complete lack of understanding of the archaeology of the wall and ignores the collapse. You can just see the end of that false tile course a few feet above the bottom genuine Roman tile course.

Not a great nor important bit of history but the Wall Walk plaque is wrong on this matter too so it would be good to get that changed.

Its difficult to date the original collapse but the wall at the top looks clearly medieval.

What was even more exciting is that while waiting for the archaeologists to turn up I was looking from afar at the section above. If you look very carefully at the wall nearest the camera you will see a few feet above the bottom of the wall a string of stones which are aligned to the Roman tile course and it seems that whoever recreated this section of the Roman wall after the collapse tried to copy the Roman wall but did not have any tiles so did it in stone. This part of the ‘repair’ is clearly different in style to the medieval repair above (although I had not noticed the difference in 40 years of looking at this wall).

I was very excited about this and thought maybe this is Post Roman work, because it is different to the section above which is medieval, and mimicking or continuing the Roman design the Roman. Identifying a pre-Medieval repair to the wall would be, I think, unique.

I pointed it out to Jane Sidell and Jenny Hall, and they were also interested in this finding. Jane pointed out that it seems that whoever did this seems to have been copying the Roman core of the wall just to the left, rather than copying the original Roman inner face which you can see at the end of the wall away from the camera. She thought it was more likely to have been a 19th or 20th Century repair. But we are following it up.

Here is the letter as published in London Archaeologist Vol.16 No. 2 / Autumn 2020

LonArch-16-02-08-Roman-Wall-letter-PRESSDownload

A longer and more extensively illustrated version is available to see here:

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TODAY SPRING SPRUNG

HAGGERSTON. LONDON

The first sunny day of the year inviting enough to eat in the garden, partly because is is north facing, and its only now getting a decent time in the sun; and partly because it was a stonking warm sun. The Haggerston Rivera in the background is full of people deciding that this is the day to get it all out out in the sun. But also there is still a small proportion of people dressed ready just in case a chill north wind arrives unexpectedly.

Its also the death of the daffodils day – at least in my garden. Still a few tulips and even one or two yet to bloom. But the star of my garden at the moment is Honesty, which you can see to the left of the table (an old door repurposed). I first grew it on the balcony and it has now spread down and appeared in three places, and is rather lovely.

Its latin name is Lunaria annua because the silver seed pods look like a full moon, but they also look like silver coins. Therefore it symbolises wealth. It’s name Honesty is said to come from the translucent pod revealing the seeds beneath, honestly.

The book you see on the table s written by a friend from my Museum of London days who has recently published a book on Shakespeare’s time living in the Parish of St Helen’s near Bishopsgate.

St Helens Church
St Helens Church
Shakespeare, Geoff Marsh says, lived on the site of the building on the right. Great St Helens St

Photos taken by the author last night.