Droeshout Portrait of Shakespeare from the First Folio
Four Hundred and One Years ago, on 8th November in 1623, the First Folio was registered at Stationer’s Hall near the publishing district around St Pauls Cathedral in London. It was actually called:
Mr. William Shakespeare’s Comedies, Histories, & Tragedies
It was put together by his actor friends, John Heminge and Henry Condell seven years after his death, and they wanted to replace all the corrupt editions of his plays and poems that had been
“stol’n and surreptitious copies, maimed and deformed by frauds and stealths of injurious impostors”.
The true texts of his plays and poems “are now offer’d to your view cured, and perfect of their limbes; and all the rest, absolute in their numbers as he conceived them.” Wikipedia
In fact, the plays were ready early as they entered in to the catalogues for the Frankfurt Book festival to appear between April and October 1622,- and how amazing is it that, that festival is still the dream of any aspirant writer?
The First Folio offers plenty of proof that Shakespeare was the author of the plays. He left gold rings of remembrance to Heminge and Condell in his Will. They were part of his Players Company, and had worked together on many of the plays. The Folio has forewords by people extolling the virtues of the writer. Enough proof for any reasonable person.
Heminge and Condell are commemorated in the Garden of St Mary Aldermary behind the Guildhall, where they were Churchwardens, and not far from where Shakespeare was living in 1611. True friends.
St Mary Aldermany monument to Shakespeare, Heminge and Condell and the First Folio.
There was a wonderful BBC festival of Shakespeare on in 2023/24 to celebrate. Here:
Recent discoveries from Pompeii are being reported in a timely fashion on an interesting website – one of the recent posts is about the discovery of a Roman Electoral Poster. Please enjoy the read! electoral-inscriptions-discovered-in-pompeii
Below, I enclose a short section of my book ‘In Their Own Words – A Literary Companion To The Origins Of London‘ on Roman Elections, which might be of interest. But first, I have updated and republished my Almanac of the Past Blog posts for November 4th and November 5th, which you can see my following these links:
Extract from ‘In Their Own Words – A Literary Companion To The Origins Of London‘ about Roman Local Politics.
The forum in a Roman town was the central meeting place, used for offices, shops, market, meetings and political elections. Inscriptions show that the Londinium forum was the home of the provincial assembly, and that local government in London continued down to the ward (vicus) level. Surviving political `posters’ and graffiti from Pompeii provides some idea of the concerns of the Roman citizens:
Neighbours! Vote L Status Receptus for duumvir. He is fine. Posted by Aemilius Celer Vicinus.
A Plague on any wretch who scrubs this out!
Vote for M Casellius Marcellus ,a good aedile. He will grant great Games!
Bruttius Balbus for duumvir. Genialis supports him. He will conserve the treasury.
Trebius for aedile! The barbers support him.
M.Cerrinius Vatia for aedile! All night drinkers back him. Vatia for aedile! The pick pockets back him!
Spend for the public welfare! Keep the rates down!
— John Morris,‘londinium’22
A duumvir was the chief magistrate of the town, the equivalent of the Consul in Rome, and he was helped by `junior’ magistrates including aediles. As magistrates, they were expected to fund public works and entertainments from their pocket, so they had to be independently wealthy or backed by wealthy interests.
In addition, a property qualification could be imposed. A surviving charter provides:
A councillor of Tarentum…shall possessa buildingwithin the borders of the territory of Tarentumthat shall beroofedwithno fewer than1,500tiles.
Voting was strictly controlled, with returning officers, supervision by independent witnesses, and ballot boxes.
In Their Own Words – A Literary Companion To The Origins Of London‘ D A Horizons, 2009. Kevin Flude
To buy Kindle version click here. To buy paperback click on the paypal link below or email kpflude AT anddidthosefeet.org.uk
Electric Mountain Dinorwig Power Station, Llyn Peris (photo: K Flude)
I have revised the post on All Souls’ Day. If you follow the link you will read about ‘Souling’, Purgatory, and English, Mexican and Polish Customs for 2nd November.
But this post is prompted by an interesting article in the Guardian about the Dinorwig Power Station in North Wales. It’s a place I visit regularly. The photograph is from a Medieval Welsh Castle, Dobaldarn Castle, near the National Slate Museum in the new Unesco World Heritage Site of the Slate Landscape of North West Wales. The photo above gives an idea of the majesty of the destructive power of quarrying for slate.
Dobaldarn Castle, North Wales (photo by K Flude)
The Power Station is remarkable. It is a huge cavern in the mountain. When the National Grid has a lot of cheap energy, water is pumped to the top, and when electricity is in short supply, the water runs turbines to provide extra power. It is, in effect, a giant battery, and what makes it even more worthy of a part in a James Bond film is that it has the capability of initiating a Black Start to the Grid. If some cosmic catastrophe turns off the entire grid, Dinorwig can restart the Grid.
The article in the Guardian has some great pictures of it and the text is very interesting. You might want to start reading a third of the way down the article which has a long preamble.
I have just given a guided walk and a virtual tour of London in the prehistoric period. I rashly promised, as follow-up, a booklist. I have many books that I have found pivotal in shaping my own opinions, but I find myself very reluctant to recommend them in the light of the remarkable new, and recent, DNA discoveries.
The cause of this ‘revolution’ is the Petrous Bone – a small bone in/near the ear from which scientists can extract, without too much damage to ancient skeletons, a reliable source of ancient DNA. Previous studies were done on modern DNA and extrapolating backwards. Now, archaeologists can, relatively cheaply, investigate (and often debunk) archaeological theories about the spread of human cultures.
It is a salutary story. Early archaeologists had, what you might call, a colonial, diffusionist model of the past. So when a new culture was identified, normally on the back of the arrival of a new form of pottery. It was interpreted as being spread by diffusion, normally from the ‘civilised’ fertile crescent to barbaric pre-literate Europe. Hence, Stonehenge was thought to be built by a prince from Mycenae, on the basis of the Lion Gate in Mycenae having vague similarities with the Trilithons at Stonehenge (and other diffused cultural markers). And with a viewpoint, that the uncivilised Britons would not be able to build something so amazing!
Archaeologists in the 1970s rejected this imperialist model and preferred to think that cultures need not depend on advances from their betters, nor should ‘invasion’ be allowed to be the main means of technical and cultural advancement. The advent of Radio Carbon Dating profoundly affected how the past was dated, and showed that diffusionist chronologies, often, did not stand up. And thus Stonehenge was freed from cultural imperialism, and we Brits could take all the credit. And Prehistory lost a whole host of ‘invasions’ and ‘migrations’, and a start was also made on diminishing the centrality of the ‘invasions’ at the core of the Anglo/Saxon/Viking migrations into Briton.
Along comes the petrous bone and the development of the study of Ancient DNA, and we discover, in the last couple of years, that:
Farming was indeed introduced from the Continent, around 4000BC and the DNA of the UK was largely (but not completely) replaced by incomers. So it was not the Mesolithic hunter gathers who adopted farming but the ‘Western Neolithic’ people who settled bringing in sheep, cows, goats, pigs, wheat, oats, rye, barley, polished axes and pottery.
The Beaker Folk, DNA now tells us, came from abroad around 2,500 BC. Originally from the Steppes via the Netherlands, and their DNA replaced all but 10% of the Western Neolithic DNA. This happened at about the same time as Stonehenge was remodelled with the giant Trilithons.
So we now have at least 3 major population replacements before the coming of the Romans, Saxons, Vikings and Normans. Very annoying to find that those old-fashioned imperial archaeologists of the early 20th Century had it more correct than the enlightened archaeologists of the Late 20th Century.
View of London from the SE as it might have looked before the Roman Invasion
So to my book list. Firstly, you will have noted above that I have linked the stories to reliable websites, so you can get further information. Here are a few other important websites:
As to books, I suggest the best start is to read Mike Parker Pearson’s ‘Stonehenge A Brief History, Bloomsbury Academic 2023’ because it is up-to-date and Pearson has considered the DNA studies noted above.
For similar reasons and for a more general introduction to Britain in the Prehistoric period, you could try:
Roberts, Alice ‘Ancestors: A Prehistory Of Britain In Seven Burials ‘ Publisher: Simon & Schuster Ltd 2022
which has good reviews, but I have not yet read it.
I know that neither is about London, but the only ‘book’ on Prehistoric London I have is:
Merriman, N ‘Prehistoric London’ Museum Of London, 1991
And this is more of a booklet than a full academic book. There is another book, but then it was published in 1914:
Prehistoric London : its mounds and circles / by E.O. Gordon ; with appendices by John Griffith. Volume c.1 1914
For the period just before the Roman Invasion, I would highly recommend reading Julius Caesar’s opinions on Prehistoric Britain.
Caesar, Julius (ed Anne & Peter Wiseman). ‘The Battle For Gaul’ Chatto And Windus Ltd, London 1989
Peter Wiseman was my Professor at University, and it is an excellent introduction, still available new but also cheaply second hand at Abebooks.
You will find some interesting, relevant passages in my book:
Flude, Kevin ‘In Their Own Words – A Literary Companion To The Origins Of London’ D A Horizons, 2009
You can buy a hardback copy from me for £5 plus postage (email me, kpflude@chr.org.uk) or from Amazon in a Kindle version.
I published the following post about Hardy’s Tree on 28th December 2022. Here, follows the original post and an update which suggests the tree and the gravestones were not erected by Thomas Hardy.
This is the day that Herod ordered the slaughter of the Innocents, or Childermas, and I am glad to see that my Grandson is now older than Herod’s prescription.
Hardy’s Tree in St Pancras Church, Camden, London has fallen down. Hardy was an architect and worked in London for a while, where one of his jobs was to supervise the clearance of the graveyard. Several poems of Hardy refer to the removal of graves from their original positions and in this case, the gravestones were set around an Ash tree that inspires many, including my Central St Martin’s students who used it in a project recently. So, I was shocked to read a Guardian article (since deleted) which noted the sad demise of the Tree.
Extracts from one of several Hardy Poems about moving graves and gravestones follow, but I need to update the post about the connection to Hardy. The Guardian has now got an article which suggests the connection with Hardy is a more recent one than previously thought (Guardian article).
I (and I think the Guardian) were alerted to this by the work of Lester Hillman, who wrote a Churchyard Guide and a recent pamphlet about the Tree, which is reported in ‘Context ISSN 1462-7574’. This is the Journal of the City of London Archaeological Society. Evidence proves that the Ash Tree dates to the 1930s, and that the mound of gravestones is from burials relocated from St Giles in the Fields, and therefore unlikely to have been in St Pancras at the time Hardy was responsible for clearing it.
So it is not ‘the’ Hardy Tree, but then nor was the tree at Sycamore Gap anything to do with Robin Hood. What it was, was a beautiful piece of nature, in a poignant setting. May she rest in peace.
The Levelled Churchyard Thomas Hardy
O Passenger, pray list and catch Our sighs and piteous groans, Half stifled in this jumbled patch Of wrenched memorial stones!
We late-lamented, resting here, Are mixed to human jam, And each to each exclaimed in fear, I know not which I am.
Where we are huddled none can trace, And if our names remain, They pave some path or porch or place Where we have never lain!
Edinburgh from Arthur’s Seat. Castle to the left, St Giles the ’rounded’ spire in the middle, and Salisbury Crags to the right
This is a poem which is ‘printed’ on the side of the Scottish Parliament.
by Hugh MacDiarmid
But Edinburgh is a mad god’s dream Fitful and dark, Unseizable in Leith And wildered by the Forth, But irresistibly at last Cleaving to sombre heights Of passionate imagining Till stonily, From soaring battlements, Earth eyes Eternity
Salon IF reported a shocking destruction in France – this is the report, verbatim from Salon IF issue 514.
Dozens of standing stones, erected over 7,000 years ago, have been demolished to make way for a DIY store near Carnac, in Brittany, in North West France. Some 37 stones, measuring between 0.5 – 1.5m tall, were removed despite the fact the site had long been on France’s National Archaeological Map. The stones, moreover, had been submitted to the tentative list of UNESCO World Heritage Sites (although the application had not yet been approved).
The region of Carnac is famous for its ancient ‘menhir’ – heavy, raised standing stones. Indeed, the area is often described as ‘the French Stonehenge’, with over 3,000 stone megaliths at the two sites of Menec and Kermario. There, the stone columns are arranged in long, straight rows and, according to the Carnac Tourist Office, it is the largest gathering of this type of standing stone in the world.
The land at the centre of the recent controversy, along the Montauban activity zone, had been granted a building permit by the local mayor’s office in August 2022 and construction of the new store, ‘Mr Bricolage’, was already underway. According to local amateur archaeologist, Christian Obeltz, who had originally raised concerns about the ‘brutal developments’, a bulldozer destroyed the stones overnight.
The Regional Office of Cultural Affairs for Brittany, the body responsible for the protection of the monument, said ‘Given the uncertain and in any case non-major character of the remains, as revealed by
checks, damage to a site of archaeological value has not been established’, but Obeltz maintains that archaeological investigation into the area had not been sufficient.
‘The Chemin de Montauban site included two intersecting rows of small granite stelae, each spreading out over fifty meters in length. One had been exactly in its original place for 7,000 years,’ according to Obletz. ‘The small menhirs of the Chemin de Montauban were undoubtedly one of the oldest sets of stelae in the town of Carnac’ believed to date between 5480 and 5320 BC, ‘the highest dating obtained for a menhir in the west of France’.
Screen Shot of the Virtual Tour of the Sir John Soane Museum
The Sir John Soane Museum is my second favourite London Museum. It’s the place I choose to take people who don’t know London. What I like about it is the atmosphere. It’s not a place I go because of the collection, it’s a place I go because I’m just awestruck when I enter the doors.
Architect Soane, made a Museum of his house, filling it with architectural and sculptural pieces but also some stupendous Art, particularly paintings by William Hogarth. But that isn’t my motivation to keep going back. It’s the Picture Room (and the domed ceilings). Soane had a great collection of paintings, but not enough walls. What he did was to design the Paintings Room. When you visit you go in, admire the paintings on the wall, and the attendant comes in, opens a shutter, and behind the great paintings are another wall of great paintings. And then he opens another set of shutters, and there, is another feast for your eyes.
Now, they have made high quality digital images of the rooms, and put them together using photogrammetry into a digital model which you can explore.
So, feast your eyes on it here: (choose Picture Room from the three options).
It’s not quite as user-friendly as it might be. Firstly, when the tour delivers you to the Picture Room, you have to take over control to go in and explore the 360 degree image of the room. Unfortunately, the pictures are not clickable, so you cannot get information about them from here. Also, the ‘hot spots’ which allow you to open the shutters, only reveal themselves, on my computer, if you approach them at a certain angle.
But don’t let this put you off, I’m sure you will find your way around. So go into the Room, look around, move the cursus, and you will see little signs pop up which open and close the shutters. Really, do try it! There are a couple of other rooms to explore too.
Oh, and the Dome Ceilings? Soane was a specialist in buildings that didn’t want windows in normal places. He was the architect of the Bank of England where windows in the walls were a security risk, and also of London’s first purpose built art gallery – the Dulwich Picture Gallery. Windows reduced the space for paintings, so he designed special low domed ceilings, and the Soane Museum is full of his experimentation in the form.
Scara Brae Three D Model
Another delight is the 3D model of Scara Brae which allows you to explore the Neolithic village, and walk around it. There are labels on this one, so you do get information too.
360 Degree Panorama Virtual Tours. My part in their development.
I was an early adopter of this form of virtual reality, setting up virtual tours of the Old Operating Theatre Museum in the 1990’s. I have a draft post of this which I have been awaiting time to finish, which I hope to finish soon….
Thanks to the Museum’s Journal article on Photogrametry of May/June 2022 for the two examples above.
Here, is an interesting account from the web site of the Historic Royal Palaces about marking the boundary of a Parish in the ceremony known as ‘beating the bounds’.
