It is a simpler sort of bun than the Chelsea Bun, which was the bun to have at Easter, at least in London in the Georgian Period. To read my updated blog post on Chelsea Buns on Good Friday see below:
There seem to be all sorts of dubious traditions around the origins of the Hot Cross Bun. It has been suggested that the Greeks knew how to put a cross on a bun. Also that the Anglo-Saxons celebrated the Goddess Eostre with the crossed bun where the cross represents the four quarters of the moon, the four seasons and the Wheel of the Year. I doubt this folklore because there is very little evidence for Eostre other than the Venerable Bede’s mentioning her name, so her association with Hot Cross Buns cannot be known.
However, the addition of a cross, and the association with Easter, makes the bun powerful, so there are lots of superstitions on record. A piece of an Easter Hot Cross Bun given to the sick may promote a cure. It was said that a bun cooked and served at Easter will not go off for a year. This might help explain the traditions that hanging them up on a string or ribbon is a good thing – one hung in a kitchen prevents fire, on a ship prevents sinking, in the Widow’s Son pub in East London to remember a sailor son who never returned for his bun on Good Friday.
The technology of putting a cross on a Bun requires nothing more complicated than a flour and water paste so it might well be an ancient tradition. A more impressive cross can be made with shortcrust pastry as was traditional. The bun itself is simply flour, milk, butter, egg, salt, spices and mixed fruit.
They are, in my opinion, the sort of food that has been eaten so often after purchase from a shop that a home-made Hot Cross Bun would be strangely disappointing – better almost certainly but then just not the same. It’s normally eaten toasted and buttered although I really prefer the soft doughy untoasted and unbuttered bun. But then it is possible to get carried away and eat the entire pack of four.
There is a tradition of Skipping on Good Friday. I can’t say I ever saw it – in my school skipping was a perennial activity, mostly enjoyed by the girls, but the boys would sometimes be intrigued enough to join in.
There is a great article about Long Rope Day in the Guardian with a wonderful picture of a collective skip.
360 degree Image of the Herb Garret (4th December 2000) at the Old Operating Theatre Museum. Click on the VR label to go full screen, and use the mouse to navigate.
Digital Heritage Is a subject I had a very early interest in. My, very minor claim to fame, is that I set up the Museum of London’s and the Victoria and Albert’s first computer systems. I then co-authored one of the earliest hyperlinked digital histories (on the history of London), and set up the first web sites for various museums and organisations such as the Old Operating Theatre Museum, Brunel Engine House, Garden History Museum, Royal Bethlem Museum etc..
But that was a long time ago so long that most of the Museums have changed their names! Despite the desire to do so, I have not had the time to keep up with developments.
So, I’m going to spend a little time investigating online heritage sites, and at the same time, maybe, look back at my part in the history of digital heritage.
Firstly, the principles of the study. Early on I came to the conclusion that the Internet should allow access to Museums for all those people who could not afford, or did not have the time, to visit in person. So, I’m looking for online/virtual visits that have something about them almost as good as a physical visit. Secondly, I’m looking for online exhibitions that provide an enjoyable experience that works in a similar way to a real exhibition. This means for me that the technology does not get in the way, and is not too complex to access and use. I also have an interested in digital guided walking tours.
I must admit that 40 years after I began to see the potential in digital I rarely see virtual visits or exhibitions that I want to spend time with. When I use websites for data and information, which I do all the time. I search, I find, I read but I don’t often linger for pleasure and. I rarely go back.
Yes we have Virtual Reality, Augmented Reality and the Metaverse, but they don’t really impact positively on my experience of heritage, history and museums. This might well be because I haven’t looked very hard, or spent much time on the subject in recent years, or because I don’t enjoy digital experiences that much, But, I’m going to have a good look around to see what is on offer, and I hope you will join me.
My starting point is the Old Operating Theatre Museum web site. I was in charge of the Museum for 30 years from the mid 80s onwards. In the early days of my management of the Museum I set up a very early web site designed to give those who could not visit a real idea of the Museum. This was achieved by the usual set of information pages but also with 360 degree annotated panoramic photos of the museum spaces linked together. This gave a simple and informative tour of the museum. which was easy to use, did not take long to see and did not depend on complicated technology on the part of the user. Later we added an online database of the collection to give access to the collection.
Thanks to the Wayback Machine – which is an amazing internet archive, no the internet archive, which archives old web sites, I have been able to retrieve a version of the site, dated to 2000AD so you can have a look at it. As you will see below it is very wordy but I think a really nice design by Highway 57 and Chris Sansom, who is also a composer, and now heading up an innovative jazz band called ‘Perfect Stranger’ .
Unfortunately, good though the Wayback Machine might be it does not have the technology to show the 360degree panoramas. So to get an idea of how they worked please have a look at the image at the top of the page, and imagine the addition of ‘hotspots’ which you could click to see further information or click through to the next panoramic view. Please note this is the second iteration of the site and so far I have been unable to find my original self-designed site.
The Old Operating Theatre Museum – www.thegarret.org.uk in 2000, retrieved from the Wayback Machine
So, I think the interactive tour of the museum gave a pretty good, simple and enjoyable tour of the Museum. I should say that the Old Operating Theatre Museum is one of the most amazing Museums. It is in the roof space of a Church and was a store for herbal medicines, and an operating theatre/emergency room for female surgical patients used before anaesthesia and antiseptic surgery.
Its now 23 years later. The website has been completely redesigned since I left, and it opens with a very good video that gives an excellent introduction to the museum. Click on the link to have a look at the video on the home page @ https://oldoperatingtheatre.com/
Inside the website is a huge amount of information, some very good videos, there is a ‘virtual tour’ which does not work on my browser for some reason, interactive games and a clickable image to explore the Old Operating Theatre itself. Its use of media is much, much better than in the 2000s, and the information is composed now into interesting stories rather than dry information. So a pretty good job of putting the Museum’s stories to the public in an engaging way. I would say however, that perhaps it was a little easier to find out the basic information about the Museum, the Operating Theatre, and the Herb Garret before than it now is. But you can ignore that as my vanity.
I have chosen one of the stories to include here and this is an object that I bought at an auction for the Museum. I remember the excitement well, and the great interest in the medicines that were included in the medical chest.
A few days ago the Hunterian Museum announced the decision to remove Charles Byrne from display. I have been watching the case for many years. It’s a fascinating story which was retold by Hilary Mantel in her excellent book ‘The Giant O’Brien’ published in 1998.
Generally, I’m all in favour of human remains on display in Museums. My own feelings is that I’d love my old bones to be displayed in a Museum in a few thousand years time. However, Byrne’s story is particularly poignant and argues the opposite case. Bryne was a giant, he just could not stop growing until he died. He died young and after making a name for himself (as the Giant O’brien) on account of his soaring height. (look at the catalogue entry in the Museum online collection for details of Byrne’s condition.)
John Hunter was the pre-eminent surgeon of the time, and was furiously collecting as many animal and human specimens as he could. Fantastically interested in anything and everything anatomical, he gives a shape to a Doctor Frankenstein figure. For example, his interest in electrical experiment – trying to get dead frogs to twitch with ‘life’ and he had a very active engagement with the Body Snatchers in order to investigate what made someone tall, small, fat, thin, ill, healthy, intelligent, thick, good, criminal and so on.
He pioneered various surgical techniques. Postillions (the people who rode on the horses pulling coaches) were prone to aneurysms as the horses kept squashing their inside leg. Hunter developed an operation to bypass the aneurysm. He tried it out successfully and then kept track of the patient somehow. When the postillion died the Resurrection Men would pay a visit to the local graveyard and dig up the body of the patient. Part of his thigh is on display in the Hunterian Museum (or at least it was the last time I looked). So you can see the success of Hunter’s ground breaking operation – one of wave of surgical developments of the 18th Century. The Hunterian Museum is the museum of the Royal College of Surgeons, and was founded by Hunter.
So, Hunter hears about the Giant O’Brien and finds out he is ill, possibly dying. He has his people keep tabs on him. Charles Byrne is determined not to end up on the anatomist’s slab. So, he organises his funeral in advance paying guards to look after his coffin. He orders a secure iron coffin and in addition, decides to be buried at sea. Because Byrne knows, as an eminent surgeon later on reported to a Commons Committee, that it wasn’t a case of whether the Body Snatchers would get a body but more how much they would have to pay for it if they really wanted it.
But, Byrne thinks he has done enough to die in peace.
Unfortunately, Hunter’s men tracked down the guarded room, and bribed the guards with what would have been a huge amount of money. Byrne was taken back to Hunter’s place, the body melted down, mounted, and was on display until the Hunterian Museum closed for refurbishment recently.
So, a step forward as he is no longer the subject of the public gaze. But in this case we absolutely know that Byrne did not want to be the property of the medical establishment. My own feeling is that he should be given his last wishes and be buried at sea.
Reference collections are very important for Science, and it is for this reason, I am sure, the Museum has not let go of Charles Byrne. But in this case, with this history, an exception should surely be made? He died on 1 June 1783
1375, French Caesarian Birth, (most likely to have killed the mother or be performed when she was already dead or dying.)
When Britain reluctantly joined the Gregorian Calendar, in 1752, we lost 11 days, so if you add 11 to 31st December you get to New Year Old Style. You can do this with any date, and when celebrating feel you are being really authentic.
So, anything you did on the New Year’s Eve New Style (31st Dec). you can do today – except, of course, you need to convince your boss of the illegitimacy of the Gregorian Calendar, when you call in sick because of a hangover! In case you have forgotten what you should be doing on New Year’s Eve you can look here to look back on for New Year’s Eve, New Style.
It’s a particularly ‘witchy’ evening because it is the traditional Eve, not the new-fangled one. Reginald Scot in his ‘Discovery of Witchcraft’ first published in 1584 reports
‘a charm to find who has bewitched your cattle’. Put a pair of breeches upon the cow’s head, and beat her out of the pasture with a good cudgel upon a Friday and she will run right to the witch’s door and strike it with her horns‘
When I first posted this post 2023. I did not, to my shame, know the background to the book. I assumed the author ‘believed’ this nonsense that a cow could lead you its bewitcher. On the contrary. Reginald Scot was debunking the absurd claims for witchcraft and magic. His book tries to prove that witchcraft and magic were rejected both by reason and religion. Manifestations of either were ‘wilful impostures or illusions due to mental disturbance in the observers’ .
Given the number of people who were executed as witches in the 16th and 17th Century it makes you realise that it was a very divisive topic. With only part of the country that was convinced by the QAnon like conspiracy that there are people in this world with diabolical intentions. Have a good look at the cover of this 17th Century edition of Member of Parliament Reginald Scot’s book to get an idea of his standpoint.
Carmentalia
It is also Carmentalia, the festival for the Roman Goddess of prophecy and childbirth. She was a much loved Goddess in the Roman pantheon But little is known about her perhaps because she had no clear match in the Greek pantheon.
She has a long history in Roman history being said to be the mother of…. Well this may surprise you, she was the mother of Evander. Evander is the founder of Pallantium, which was a City on the site of Rome that predated Rome!
Who knew that? (the people at Vindolanda Roman Fort know and they have a great page on Carmenta here. ) Carmenta had two sidekicks who were her sisters and attendants. Postvorta and Antevorta, They might be explained as Past and Future. Or after and before as part of her role in prophecy. Ot the two figures might represent babies that are either born head or legs first.
She was important enough to command one of the the fifteen flamen. These were priests of state sponsored religions. One of their jobs was to ensure no one came to the temple wearing anything of leather because leather was created from death, and not suitable for the Goddess of Childbirth.
Vindolanda make the point that 2% of births in the past are likely to have caused the death of the mother, and, because of a high mortality in the children, to keep a population stable a mother might have to have 5 children on average, giving her a 12% chance of death by giving birth.
Roman Skeleton Museum of London in Docklands Exhibition 2018 photo K. Flude
I was puzzled to find a message, from reader of this blog Harriet Salisbury, voicing interest in coming on my ‘Decline and Fall of Roman London’ Walk in order to find out about Roman Dental problems.
Harriet is not only a brilliant editor, but also the author of a great book on the oral history of war time London, so I had to follow up this puzzling comment. And my recent post on my upcoming walk said:
Faced with plaque, civil war, invasion, mass immigration, industrial decline, reversion to barter; the authorities struggled against anarchy and descent into a Dark Age
Now there are many reasons for the decline and fall of the Roman Empire but I have never yet heard anyone, apart from me, blame dental plaque. So, I then spent a couple of hours changing the q of plaque to the g of plague in various places where the deadly dental disease was referred to. Of course, Harriet might equally have wondered whether a rash of information panels had been a contributory cause?
As you will know I have an interest in the history of health and medicine. A cursory glance at any of the skeletons you find in museums will normally show that pre-modern skulls have much better teeth health than modern people. And the reason for this is, mostly, because they did not have sugar to rot their teeth. Instead of sugar-created cavities, their problem tended to be wearing teeth out by the roughness of the grain they used. But I investigated more and found that recent work in Herculaneum and Pompeii had investigated Roman teeth health in a scientific manner. This showed that the diet of even the poor was much better than most modern diets because it was essential the much lauded ‘Mediterranean Diet’ with olive oil, no added sugar, lots of vegetables,fruits and smaller amounts of meat. In short, Roman society had a system in which even the poor had balanced nutritional diets, and therefore good levels of natural immunity.
Pompeii also had a high level of fluoride in the water. The Romans seem to have brushed their teeth with a flayed stick and used abrasives made of ‘ground-up hooves, pumice, eggshells, seashells, and ashes‘. They used a mouth wash of human and animal urine, and disgusting as this may seem, the ammonia would have acted as a cleansing agent.
This picture from ebay shows you a flayed stick toothbrush – I include the seller information so you can buy some!
Ebay Ad for natural toothbrushes
Harriet’s book was based on a wonderful oral history collection at the Museum of London. Worth having in you are interested in London history, the Blitz and ordinary people’s lives. And also for any lover of ‘Call the Midwife’.
This is a screenshot of ‘The War on our Doorstep’ so the link won’t work, but World of Books or any other online book seller (including the ‘evil empire’ but best not to boost the income of such stupidly rich people?)
I have updated and reposted my January 4th post to include what to look out for in the night skies in January.
The Perpetual Almanac of Folklore by Charles Kightly reminds us that
‘The water of these strawberries distilled is a sovereign remedy and cordial in the palpitations of the heart, that is the panting and beating thereof’
William Coles Adam in Eden 1657
Mrs Grieve tells that it is good against feverish conditions, for the stone, gout and dysentery. The fresh fruit removes discolouration of the teeth if the juice is allowed to remain on the teeth for 5 minutes (then clean the teeth with warm water and bicarbonate of soda).
Wiping the face with a cut strawberry will whiten the skin and remove slight sunburn. Tougher sunburn rub the fruit well into the skin, leaving it on for 30 minutes, wash off with warm water with a few drops of tincture of benzoin (a balsamic resin.
Warning, the remedies are ancient and I have no idea how effective they are!
A City Pageant in Olden Times’, Frank Brangwen, Skinners’ Hal
17-18 June 2022: Guildhall Yard, London
This looks like it might be fun! I was hoping it would be the full recreation of the Becket Pageant in in 1519 but it a day of ‘performances inspired by the 1519 Midsummer pageant, and accompanied by a Livery Crafts Fair organised by the Skinners Company.’
The Monk-Doctor the 2nd story based in London about a merchant’s daughter with piles. After many unsuccessful ‘cures’ a monk takes on the task. He in blowing a medicine through a tube to cure the piles but he spends too long examining the girl through a hole in a cloth that has been draped over her bottom. She tries to stifle a fit of giggles which becomes a fart and blows the corrosive medicine into the Monk’s one remaining eye and blinds him. The case is taking to the courts and becomes a celebrated and much discussed case.
This is a 15th Century French collection of bawdy tales. The illustrated version in the Hunterian, Glasgow has some marvellous illustrations.
Cath Noakes, an expert on ventilation and Covid talking on Life Scientific today on BBc Radio 4 (https://www.bbc.co.uk/programmes/m000rcnl) reported on experiments using a Nightingale Ward design and found it was likely to cut down the spread of infection by 4 times. This was by
1. use of high ceilings
2. Big Windows that could open top and bottom
3. Radiators with ventilation grills behind them
She noted that most Florence Nightingale wards have since been modernised with low ceilings, smaller sealed windows and radiators replaced.
Her message was that ventilation is, with distance, one of the best ways of cutting the spread of infection.
Here is an image of Dorcas Ward st St Thomas’s Hospital, London.
