It is a simpler sort of bun than the Chelsea Bun, which was the bun to have at Easter, at least in London in the Georgian Period. To read my updated blog post on Chelsea Buns on Good Friday see below:
There seem to be all sorts of dubious traditions around the origins of the Hot Cross Bun. It has been suggested that the Greeks knew how to put a cross on a bun. Also that the Anglo-Saxons celebrated the Goddess Eostre with the crossed bun where the cross represents the four quarters of the moon, the four seasons and the Wheel of the Year. I doubt this folklore because there is very little evidence for Eostre other than the Venerable Bede’s mentioning her name, so her association with Hot Cross Buns cannot be known.
However, the addition of a cross, and the association with Easter, makes the bun powerful, so there are lots of superstitions on record. A piece of an Easter Hot Cross Bun given to the sick may promote a cure. It was said that a bun cooked and served at Easter will not go off for a year. This might help explain the traditions that hanging them up on a string or ribbon is a good thing – one hung in a kitchen prevents fire, on a ship prevents sinking, in the Widow’s Son pub in East London to remember a sailor son who never returned for his bun on Good Friday.
The technology of putting a cross on a Bun requires nothing more complicated than a flour and water paste so it might well be an ancient tradition. A more impressive cross can be made with shortcrust pastry as was traditional. The bun itself is simply flour, milk, butter, egg, salt, spices and mixed fruit.
They are, in my opinion, the sort of food that has been eaten so often after purchase from a shop that a home-made Hot Cross Bun would be strangely disappointing – better almost certainly but then just not the same. It’s normally eaten toasted and buttered although I really prefer the soft doughy untoasted and unbuttered bun. But then it is possible to get carried away and eat the entire pack of four.
There is a tradition of Skipping on Good Friday. I can’t say I ever saw it – in my school skipping was a perennial activity, mostly enjoyed by the girls, but the boys would sometimes be intrigued enough to join in.
There is a great article about Long Rope Day in the Guardian with a wonderful picture of a collective skip.
Maundy Money Pouches. and cover of the Order of Service for Royal Maundy service 1974 Photo Wehwalt
This is the last day of Lent, and the day before the Passion. Its also called Holy Thursday when Christians remember the Washing of the Feet, and the Last Supper.. Maundy is thought to be from the ‘Latin word mandatum, or commandment, reflecting Jesus’ words “I give you a new commandment.’ (Wikipedia). But I much prefer the derivation that it comes from the custom of the English Kings giving alms to poor people on this day.
‘English name “Maundy Thursday” arose from “maundsor baskets” or “maundy purses” of alms which the king of England distributed to certain poor at Whitehall before attending Mass on that day. Thus, “maund” is connected to the Latin mendicare, and French mendier, to beg.‘
The monarch gives out money in special red and white pouches to old people. In modern times the money is specially minted for the occasion. It is now more symbolic than a practical gesture. It dates back to the 13th Century.
Queen Elizabeth II and Prince Philip after the 2005 Royal Maundy Ceremony at Wakefield Cathedral. Photo Runner1928
In 1572 Queen Elizabeth 1 washed one foot of a group of poor women, then wiped, crossed and kissed them. In fact, the women had first had their feet washed by the laundress, then the sub-almoner, then the almoner, and finally the Queen. (The Perpetual Almanac of Folklore by Charles Kightley’
One scholar, Prof Humphreys author of ‘The Mystery Of The Last Supper’, believes that there is far too much going on between the Last Supper on Thursday and the Crucifixion on Good Friday. He suggests an old Jewish Calendar was used and therefore the Last Supper was on the Wednesday not the Thursday and the date he favours is:
Duccio’s The Annunciation. Egg Tempera on Wood c 1307-11
Today, is the anniversary of the conception of Jesus Christ. 9 Months before Christmas.
The picture above is by Duccio, from Sienna in Italy. It shows the Archangel Gabriel bringing Mary the news that she is to give birth to the Son of God. It is in the Sainsbury Wing of the National Gallery. I chose it to represent March 25th as it has a special meaning to me. When I suggested taking my groups to the National Gallery I was surprised to find myself agreeing to leading a tour of the Gallery. For an archaeologist to give an Art History Tour was a particular thrill. I decided the only way I could do it was to find a narrative thread to pull my tour together, and my choice was the development of perspective. I had been reading a book on the subject by David Hockney.
The painting shows that Duccio does not understand single-point perspective. But then, no one could do perspective at that time in Europe. This skill was lost following the Roman Period, but here at the beginning of the 14th Century, painters like Duccio from Sienna, and Giotto from Florence, were groping towards more realistic representation. You might say they wanted a more human depiction in which events are shown in spaces that are trying to look real, filled with more realistic looking people and beginning to show on their faces what can be interpreted as real emotions. Previously, the Byzantine style produced iconic, storytelling images, that were somewhat cartoon-like rather than realistic. Here, is an detail from one such, where there is little attempt to make the encounter seem real, in a real space between real people. But it does tell the story effectively.
The Annunciation, St Catherine’s Monastery, 12th Century.
Now, look at the Duccio, he uses the arcading at the top of the painting to give an impression of this being an encounter in a real space, and the Archangel Gabriel is moving through that space decisively. This is not just a picture with a story, this shows Duccio’s interest in capturing a fleeting but incredibly emotional moment. It happens to be the most important moment in the history of the world (from a Christian view point), the moment that the son of God is conceived as a human.
Gabriel is striding towards Mary, who has come out of her house to see him. He is just telling her ‘Hey, you are going to give birth to the Son of God.’ She looks overwhelmed, holding her arm protectively towards her. ‘What me?’ she might be saying but is also pointing at the Bible where this moment in time is predicted by Isaiah. Their faces are rounded, and realistic, Mary is clearly emotional. Also if you look at Gabriel’s feet he is quite well grounded unlike many other medieval paintings, where people often seem to be floating above the ground. Mary, too is firmly, anchored, although you cannot see her feet. It’s by no means ‘perfect’ because they don’t know the rules of perspective, not yet have discovered they could use lenses to develop the ability to do photorealistic portraits but they are searching for methods that can bring spaces and people towards realistic life. It mirrors a humanistic trend to see Mary not as sort of Goddess, but as a real mother.
Above the arcading can be seen a small sphere of blue sky from which emanates several ‘rays’ and a tiny Holy Dove. As I told the story, the rays are showing the moment of conception coming from Heaven to her womb which is hinted at by the red of her dress. The National Gallery commentary, which you can read here, suggests ‘The conception takes place at the moment she hears the words, which is why a tiny white dove, representing the Holy Ghost, flies towards her ear‘. This made me stop and think – the tiny dove is heading to her ear is it? Really? Why? Gabriel is the messenger saying the words, the words head to the ear. The Holy Dove is a symbol of the Holy Spirit, part of the Trinity of Father, Son and Holy Ghost. Its role, in the painting, is to show that God is the Father. So why, would the Holy Spirit enter by the ear?
I have been using a ruler to try to see if the National Gallery are right! It’s difficult to be sure with a reproduction. but my ruler says the rays from Heaven are neither heading to the ear not directly to the womb but in the general direction of her body. If they are right that the rays from heaven are heading for her ear, then is this rather the moment she is being told she will conceive rather than the moment of conception?
But the National Gallery text accepts that it is the moment of conception that is shown. So, I’ve looked at Luke 1:26-38:
‘Do not be afraid, Mary, for you have found favour with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus.‘
On first reading he is telling her she will conceive, but reading it more carefully he is saying ‘now, you will conceive’. So Duccio is paying very careful attention to the Gospel and by the time Gabriel finishes his sentence she will have been impregnated by the Holy Dove.
Looking at other paintings of the Annunciation the rays from heaven/Holy Ghost head generally towards the virgin, sometimes to her head, nothing suggesting the ear. I’ve included a 19th Century Rossetti painting because it is so beautiful. It shows a lilly representing purity, instead of the rays, pointing to Mary’s womb.
By the way look at the feet in Rossetti’s painting. This is an early Rossetti painting, who was poet and I don’t think he yet had the skills to ground feet, but he takes advantage of it in this case and disguises his ineptitude by giving Gabriel fiery feet. Subsequently, Rossetti concentrated on paintings of women from the waist up. Since, first writing this, I have visited an exhibition of Rosetti’s drawings, and they show a very capable draughtsman. For more on March 25th. This page shows that, in fact, from a Christian perspective, March 25th is the most important day in history.
Veronese ‘The Annunciation’The Annunciation by Rossetti originally known as Ecce Ancilla Domini! 1849 – 1850
I wanted to find something about the winter as experienced in World War 1. Why? Because I watched a very moving film about World War 1 by Derek Jarman called ‘War Requiem’, which puts images to the music by Benjamin Britten. I also listened to a radio piece on ‘Spring Offensives’ to give a long view on what was happening in Ukraine.
I found this war poem which vividly sets a winter war scene:
Searchlight F. S. Flint
There has been no sound of guns, No roar of exploding bombs; But the darkness has an edge That grits the nerves of the sleeper.
He awakens; Nothing disturbs the stillness, Save perhaps the light, slow flap, Once only, of the curtain Dim in the darkness.
Yet there is something else That drags him from his bed; And he stands in the darkness With his feet cold against the floor And the cold air round his ankles. He does not know why, But he goes to the window and sees A beam of light, miles high, Dividing the night into two before him, Still, stark and throbbing.
The houses and gardens beneath Lie under the snow Quiet and tinged with purple.
There has been no sound of guns, No roar of exploding bombs; Only that watchfulness hidden among the snow-covered houses, And that great beam thrusting back into heaven The light taken from it.
My search also showed that, on this day in 1915, the British retook trenches at St Eloi. St Eloi was just behind the Southern edge of the Ypres Salient, a bulge of allied territory surrounded on three sides by German forces and the site of the five battles of Ypres. Fighting continued here from 1914 through into 1918 when the Germans were finally pushed out of the Salient.
World War I destruction in Ypres (wikipedia)
St Eloi struck a bell as St Eloy, is mentioned in the Canterbury Tales as he was a very popular saint in the medieval period. The Saint was also responsible for converting Flanders to Christianity in the 7th Century. Properly called St. Eligius he is the patron saint of horses and cattle, farriers, blacksmiths, metalworkers, goldsmiths, and therefore of mechanics in general (including the Royal Electrical and Mechanical Engineers, forerunners of whom fought at Ypres).
According to legend Eligius was having trouble shoeing a horse, which he thought was possessed. So he cut the horse’s leg off, re-shoed the amputated leg and then reattached the leg back on the horse, which trotted off none the worse for the experience. St Eloy was noted for refusing to swear an oath, and it is ironic that the Prioress swears, according to Chaucer, by St Eloy. His Saints Day is 1 December.
I am working on a new season, and these are the walks for the first six months – but more to come.
The Archaeology Of London Walk Sunday 2nd April 2023 11:15 Exit 3 Bank Underground Station To book Jane Austen’s London Sat 2.30 pm 2nd April 2023 Green Park underground station, London (north exit, on the corner). To book Chaucer’s Medieval London Guided Walk Aldgate Tube Sunday 16 April 2023 11.30pm To book Chaucer’s London To Canterbury Virtual Pilgrimage Sunday 16th April 2023 7.30pm To book The Peasants Revolt Anniversary Guided Walk Aldgate Underground Sunday 11th June 2023 10.45am. To book The Peasants Revolt Anniversary Virtual Tour Sunday 11th June 2023 7.30pm To book
The Irish have created a brand new Bank Holiday for St Bridget. The first one is today Monday 6th February 2023 and it follows a public holiday given last year for Health Workers in March. The timing of the Bank Holiday is explained by the Irish Post:
St Brigid’s Day itself falls on February 1 each year but going forward the Imbolc/St Brigid’s Day public holiday will fall on the first Monday in February, unless February 1st falls on a Friday.
This means that Ireland now has a public holiday on the 4 Celtic festivals of Samain (Halloween), Imbolc (St Bridget’s Day), Beltane (May Day) and Lughnasa (Lammas Day). These festivals are quarter-days, which mean they fall half way between the Solstices and Equinoxes.
The Independent wrote that ‘then-Tánaiste, Leo Varadkar, said last year‘ ….“This will be the first Irish public holiday named after a woman,” He also is quoted as saying:
“It marks the half-way point between the winter solstice and the equinox, the beginning of spring and the Celtic New Year.”
Extra Bank Holidays in the UK?
There are occasional calls for a new Bank Holiday in the UK. It’s often a Conservative MP calling for a National Day for the British and they often suggest a date like Trafalgar Day 21st October (commemorating the great Naval battle in 1805 in which Nelson was fatally wounded). It has several virtues in their eyes. Firstly, it is a day that confirmed Britain’s mastery of the Seas and thus is an ideal day for celebrating patriotism. Secondly, it is the school half term, and gives a much needed day off between summer and Christmas. Thirdly, they can suggest the day should be taken from May Day Bank holiday which coincides with the International Worker’s Day, which is obviously ‘a bad thing’.
For example, the Portsmouth MP’s supported a call for Trafalgar Day here: . The report says: ‘there are currently no bank holidays in the UK which celebrate battles or war victories’.
This, I think, leaves the rest of us thinking ‘What planet do these people live on?’ Yes, Trafalgar Day would have been a great day for a Bank Holiday IF this were 1839, maybe even 1939. But in 2023 it is just not on any ordinary person’s radar. We don’t think so very much about the Napoleonic War or Nelson, or nor do we often sing ‘Heart of Oaks, are our Men’ any more. In short, it is a reminder how distant from the rest of us Conservative MPs are, and how progressive Ireland has become by contrast.
Recently, we have been given a few Royal Bank Holidays, last year for the Queen, this year for the King. The Trade Union Congress proposed the need for more bank holidays because we only have the usual eight annual bank holidays for workers in England and Wales. Scotland has nine or ten; the average for the EU is ‘12.3 bank holidays a year. Finland and Romania get 15, while workers in Japan have 16 public holidays in total’.
A recent radio programme ‘The Bottom Line’ compared Britain with France and revealed that Britain is now 20% less productive than France, (up by 10% since Brexit) and that we make up the deficit by working longer hours. It appears that the French high tax. high worker’s protection regime, means they have to find ways of getting more out of the same hours, while we can just hire and fire, and are happy to make people work in a more inefficient way.
I have began to prepare my next set of tours both virtual and real. But here are the first two virtual tours, both with a seasonal theme.
The London Winter Solstice Virtual Tour
Wed, 21 Dec 2022 19:30
The Sun & the Solar System
We explore London’s History through its celebrations, festivals, calendars and almanacs of the Winter Solstice
Winter Solstice festivals have been a time of review, renewal and anticipation of the future from time immemorial. The Ancient Britons saw the Solstice as a symbol of a promise of renewal as the world entered bleak mid winter. The Roman season was presided over by Janus, a two headed God who looked both backwards and forwards, and Dickens based his second great Christmas Book on the renewal that the New Year encouraged.
We look at London’s past to see where and how the Solstice might be celebrated. We also explore the different Calendars – the Pagan year, the Christian year, the Roman year, the Jewish year, the Financial year, the Academic year and we reveal how these began. We look at folk traditions, Medieval Christmas Festivals, Boy Bishops, Distaff Sunday and Plough Monday, and other London winter traditions and folklore.
At the end we use ancient methods to divine what is in store for us in 2022.
By William Holland 1803From ‘Old Christmas’ by Washington Irvingby Tjana Drndarski-via unsplash
Friday 23 December 2022 7.30pm
We look at how Jane Austen spent Christmas and at Georgian Christmas traditions and amusements.
“It is a truth universally acknowledged, that a Jane Austen devotee in possession of the good fortune of a couple of free hours must be in want of this virtual walk.”
This is a special walk, which looks at the traditions of Christmas during the Regency period and how Jane Austen might have celebrated it. It will give some background to Jane Austen’s life and her knowledge of London. We used her novels and her letters to find out what she might have done at Christmas, but also at how Christmas was kept in this period, and the range of ‘Curiosities, Amusements, Exhibitions, Public Establishments, and Remarkable Objects in and near London available to enjoy.
This is a London Walks Guided Walk by Kevin Flude, Museum Curator and Lecturer.
Review: ‘Thanks, again, Kevin. These talks are magnificent!’
On this day you, supposing you are someone who wants to find out who your true lover is, must:
Carefully peel an apple in one piece. Turn round three times with the peel in your right hand The peel will fall in the shape of your the first letter of your true love’s name. Drop the peel over your left shoulder See what shape letter it forms on the ground and this will be the first letter of your true love’s name.
And if it breaks into pieces you are doomed, probably, to never finding your true love. To make this work you have to repeat:
St Simon and St Jude, on your I intrude By this paring I hold to discover Without any delay, to tell me this day The first letter of my own true love.
Jude is the Saint of:
Lost Causes Desperate causes Hopeless causes The Hopeless and the Despaired.
So maybe the apple peel isn’t going to work for you (although he is also the Patron Saint of the Impossible).
Simon the Zealous was martyred by being sawn in half, and is, of course, the patron saint of woodcutters and lumberjacks. Jude aka Thaddeus was martyred with an axe. They are linked by the same Saint’s day because they went to Syria together to preach where they were met their fates.
WikipediaBy Bruce Andersen – Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=1855844
There are at least four Judes who may or may not be different people. One of them, who may have been Jesus’ brother, wrote the Epistle of St. Jude. This letter, on slim foundations, is a possible explanation of why he is the Saint of Lost Causes because he warns of the dangers of the wicked working against salvation. But if this is true than the Lost Cause is Christianity so I think not. His real name was Judas and the identification with Judas Iscariot is given as another reason for the Lost Causes association but why?
Reconstruction View of Roman Riverside Wall being built
Saturday 30 October 20/22 11.30 am Monument Underground Station
This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.
Love this monument in St Margaret’s Uxbridge to Dame Leonora Bennet.
She lies there resting on her arm with an insouciant air. She had three husbands before spending the rest of her life on good works. And the sculptors John and Matthew Christmas seem to me portray her as an attractive woman.
Love the contrast with the glimpse into the Charnel House below with the jumbled bones almost fighting to get out.
The Tomb of Leonora Benet. St Margaret’s Church, Uxbridge.The scene from the charnel house at the bottom of the tomb of Leonora Benet. St Margaret’s Church, Uxbridge.
