Category: Art history

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The Beginning of the Universe as We Know It; Birthdays of Adam, Lilith, & Eve; Conception of Jesus, Start of the Year March 25th

Lilith is shown coming her hair and looking in a mirror Study for Lady Lilith, by Rossetti. 1866, in red chalk. Now in the Tel Aviv Museum of Art (Wikipedia
Study for Lady Lilith, by Rossetti. 1866, in red chalk. Now in the Tel Aviv Museum of Art (Wikipedia)

March 25th is the Annunciation—the day that the Archangel Gabriel tells Mary she is pregnant. (to see some very fine paintings of this meeting, look at my other March 25th post here)

March 25th is also the anniversary of the birth of Adam and Eve (and presumably Lilith); the death of Jesus Christ; the anniversary of the Immolation of Isaac; the Parting of the Red Sea; the Fall of Lucifer; and, (until 1752 in the UK) the beginning of the Year.

Of course, it isn’t or to put it another way, no one can, or ever could, prove any of these dates except the last one. So what they speak to is the way the Church saw the world as logically structured by God. Christian thinking about the year, the world, the universe, creation, developed over many years and took influences from many cultures. It is also very complicated to work out the sequence, so I’m going to summarise from what I know (or at least what I think I know).

Christians chose Christmas Day as the Birthdate of Jesus probably because it was a prominent birthday already shared with several Gods, but particularly Mithras and Saturn. It was approximately at Solstice, the beginning of the Solar Year, and close to one of the main festivals of the Roman World, the Saturnalia. December 25th might have been chosen by the pagan religions because it is the time when the Sun begins to rise, to the naked eye, further north each day, lengthening the day, increasing light and the promise of warmer weather.

So, Jesus was born on/or around the Solstice, so he must have been conceived approx. 9 months earlier, which would be around the Spring Equinox. I have always thought that the 4 or 5 days difference between the Solstice, the Equinox and the Christian festivals was down to the fact that the Calendars were not well coordinated with the actual movements of the Sun (because the Sun does not circle the earth in 365 days, or in 365 and a quarter days, but 365 days, 6 hours, 9 minutes which makes Calendars hard to align with the Sun). But I have just realised the importance of something I discovered yesterday when preparing my two posts on March 25th. And since writing that sentence I have had another revelation. But be patient.

So, God sends his Son to save the human race. God is a logical being, so she would send the Son at an appropriate time. If the Child is born at or near the Solstice, which is an appropriate time for the Son of the Creator, then 9 months earlier, March 25th, is near the Equinox, which is the beginning of Spring. For many people, Spring is a new beginning, for example, the Anglo-Saxons saw Winter as the death of the year, and Spring as the young Year.

So to the Creation. God, having a free choice, would have created the world at the beginning of Spring. In fact, if you think about it, God creates everything necessary for life at the creation in 6 days, and it is going to immediately spring into new life, and the first season must, therefore, be Spring? Right? So March 25th.

This gives a nice symmetry with Jesus’s Life. Conceived on March 25th, born December 25th, and died 30-40 years later, according to the Church, on March 25th. (the only other famous person I know born and died on the same day is William Shakespeare).

Easter, when Jesus is martyred, isn’t March 25th I hear you saying. But remember, Easter is a lunar festival, so its date varies each year. Births and deaths, on the other hand, are fixed to the Solar Calendar and the Church chooses March 25th as the most appropriate day to pin the death of Jesus, on the anniversary of his conception and the anniversary of the creation of the Earth, and I am guessing that this is also the preferred date for the Day of Judgement.

It is also the Birthday of Adam, and his first wife Lilith (or so some say), and Eve. More about Lilith below. I thought this date was just one of the parallels that the Church liked, Jesus and Adam born on the same day but, I have just worked out why Adam is born on March 25th, and why these dates are not the Equinox, March 20th but March 25th, which has been bugging me.

Let’s go back to the Beginning of Creation. According to the Anno Munda‘s arrangement of the Year, the world was created 5500 years plus 2023 years ago so 7523 Before the Present. And it was supposed to have ended in 600AD, 6000 years after the Creation. So, they got that wrong.

The Creation, as described in Genesis, has the following sequence of Seven Days. As the Creation began at the Equinox March 20th. I have added dates to the 6/7 day sequence of Creation:

  • Day 1: Light – March 20th
  • Day 2: Atmosphere / Firmament – March 21st
  • Day 3: Dry ground & plants – March 22nd
  • Day 4: Sun, moon & stars – March 23rd
  • Day 5: Birds & sea creatures – March 24th
  • Day 6: Land animals & humans – March 25th
  • Day 7: The Sabbath of rest – March 26th
  • For more information www.bibleinfo.com

So there you have it! Adam, Lilith, and Eve were created on Day 6 with the Land Animals – March 25th. Jesus conceived, also on this date, and so 9 months later is born on December 25th. It all makes sense, and aligns the Christian year fully with the Solar Year.

And that, dear Reader, is the very first time anyone has been able to explain to me why Christmas is not at the Solstice, and why the Annunciation was not at the Equinox. Maybe you all know this, but it is very exciting to work this out for myself. And believe me, I have done a lot of reading about calendars and not spotted an explanation.

So that was yesterday’s revelation. What about the revelation I had about 45 minutes ago? (now about 5 hours). When writing items like this, there are numerous things that are interconnected, and I begin writing them before realising I am interrupting the story I am trying to tell. This is often to the detriment of the story arc, or to understanding (although often, I think, adds to the joy of this blog – after all ChatGBT couldn’t write this stuff – could it?).

So I began to write about Dionysius Exiguus and his invention of the AD/BC system and about eras, cycles, and ages. (He replaced the Anno Mundo year with the AD/BC system in the 6th Century AD).

I was thinking about the beginning of the year. The Celts chose October 31st, Julius Caesar chose January 1st, other cultures have other dates, and the Spring Equinox is another choice sometimes made. The Church and Dionysius Exiguus choose March 25th, although secular society also recognised the claims of January 1st. Britain kept to March 25th until 1752 when we adopted the Gregorian Calendar. But people like Samuel Pepys celebrated New Year’s Eve on 31st December. So January 1st was the New Year, but the year number did not change until March 25th. So King Charles I thought his head was being cut off on January 30th 1648; while history books will tell you it was cut off on January 30th 1649. Same day, different reckonings.

December 31st/January 1st is essentially a Solstice New Year Festival. And I have, previously, used the difficulty of keeping calendars as to why these days has slipped out of alignment with the Solstice. But, today I realised that it is as likely that the reason is the Solar/Lunar nature of our time keeping. The year, and its festivals, is largely arranged around the Solar Cycle. But our weekly and monthly cycles are derived from the Moon. So, I think that January 1st (or the Kalends of January as the Romans would have called it) would originally have been the First New Moon after the Winter Solstice. Keeping the Moon months and the Sun years in sync is very, very difficult, and so Roman and Christian cultures gave up and fixed the moon months, completely abandoning any attempt to keep the months to the actual lunar cycle. This is our current system, in which only Easter remains a true to the moon festival, much to our perennial confusion.

Maybe you all know this, but I’ve learnt a lot in writing these two posts.

Lilith

The April 2023 Issue of ‘History Today’ has a short piece called ‘The Liberation of Lilith’ which suggests that the story of Lilith, a figure from Jewish Folklore, is first attested in a Medieval satirical text called ‘The Alphabet of Ben Sira’. The story goes that Lilith is created using the same clay as Adam. Adam then demands she lies below him during sex. She refuses, saying that they are both made from the same stuff and, therefore, equal. Adam refuses to accept this, and so Lilith leaves the Garden of Eden. So the story goes.

The story of Lilith, Sarah Clegg suggests, is one of a series of similar stories found around Europe and Asia. And Clegg assumes that it is gradually modified to make Lilith a demon who will kill babies unless the names of three angels are spoken out loud. So, the story survives as a charm to keep babies safe, and perhaps to remind people of equality among the sexes. But this causes problems for, OK, let’s call them out, the Patriarchy. Lilith cannot be equal to Adam so she becomes a monster, not made from the same clay as Adam but from the scum and waste left over from Adam’s creation. I imagine the story then went on to propose that God creates Eve from Adam’s rib, and so she is created from Adam, and is, therefore nor equal, but subservient to him. Lilith is now a significant figure in feminist folklore circles.

I wrote about more about eras and ages in my post which you can see her: Greater Cycles and the Six or Seven Ages

Attached to the watercolour of Lilith by Rossetti (at the top of the page), was a label with a verse from Goethe‘s Faust as translated by Shelley. (Wikipedia)

“Beware of her fair hair, for she excells
All women in the magic of her locks,
And when she twines them round a young man’s neck
she will not ever set him free again.”

The model is Fanny Cornforth, Rossetti’s mistress. He painted another version a few years later, but the model in that is Alexa Wilding. His models are arguably more interesting than the man himself and include: Elizabeth Siddall, Jane Morris and Fanny Cornforth. Christina Rossetti, his poet sister, modelled for Rossetti’s painting, Ecce Ancilla Domini which you can see here.

I think I might have enough material to begin my own Cult.

For more on the Annunciation, look at my other March 25th post here.

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Yew Sunday Palm Sunday March 24

Giotto. Entry into Jerusalem from the Cappella degli Scrovegni in Padova (sent to me by Lucia Granatella)

Yew Sunday (Domhnach an Iúir in Irish) is the medieval name for Palm Sunday – this is the day that Jesus entered Jerusalem in triumph on a donkey, with palm leaves being laid in front of him. It has always been very curious to me this so-short-lived triumph preceding such heavy and heart breaking tragedy. It is the Sunday before the Betrayal, which leads to the Crucifixion on Good Friday and the Resurrection on Sunday. A busy week for the Church.

Palm Sunday can be celebrated by making crosses out of palms, or with processions bearing palm branches or eating special cakes (there is always room in any ritual for cakes). But in the North where do you get your Palms from? So, it was often substituted by Box, or Olive or Willow and particularly, in Britain and Ireland, by Yew. Yew is evergreen and is so long lived as to be a symbol of everlasting life (I wrote more about the Yew here).

Giotto Bondone was a Florentine painter of the 14th Century of whom Giorgio Vasari, in his essential guide to the artists of the Renaissance, ‘The Lives of the Artists‘ said of the 10 year old:

One day Cimabue, going on business from Florence to Vespignano, found Giotto, while his sheep were feeding, drawing a sheep from nature upon a smooth and solid rock with a pointed stone, having never learnt from any one but nature. Cimabue, marvelling at him, stopped and asked him if he would go and be with him. And the boy answered that if his father were content he would gladly go. Then Cimabue asked Bondone for him, and he gave him up to him, and was content that he should take him to Florence.

There in a little time, by the aid of nature and the teaching of Cimabue, the boy not only equalled his master, but freed himself from the rude manner of the Greeks, and brought back to life the true art of painting, introducing the drawing from nature of living persons, which had not been practised for two hundred years; or at least if some had tried it, they had not succeeded very happily.

Written in 1550.

If you look at the painting, you will see, even more than his contemporary Duccio, the faces of the people are rounded and, and at least somewhat, individual. The crowd scene, particularly, to the right, has some depth and the people further away seem to recede from the viewer, rather than, as they often do in Byzantine style paintings, either float or seem to stand on or support themselves on each other’s shoulders. The Gate into Jerusalem has been rendered by someone who has seen something that he believes has the key to realistic scenes. One day it will be rediscovered, and named single-point perspective. Yes, Giotto doesn’t know the secret but he is working to find out what the trick is. The people in the trees are also in the distance. These are the giant strides that Vasari is referring to in the quotation above. Realistic people, in spaces with depth. The donkey is quite sweet too! Cimabue was particularly good at painting Crucifix scenes.

The Cappella degli Scrovegni in Padova is a World Heritage Site and Giotto and his team covered all the walls and ceiling with frescos, depicting the Life of Jesus, the Life of Mary, and the Last Judgement.

Giotto, The Last Judgement. Cappella degli Scrovegni, In Padova. Wikipedia

Here is a real Digital Heritage treat – a 360 Degree tour of the Chapel! Follow the link below. If it seems to be taking a long time to load there is an information button which, once pressed will allow the panorama to load immediately.

https://www.haltadefinizione.com/en/image-bank/giotto-di-bondone-scrovegni-chapel-360-view/

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St. Walburga and St. Ethelbert of Kent’s Day February 25th

engraving of St Walburga
St Walburga
(public domain)

Yesterday, was the Feast day of two very important Saints. Walpurga was the Abbess of Heidenheim in Germany. She was a nun at Wimborne in Dorset who, with her brothers St Willibald and St Winebald accompanied St Boniface of Crediton (in Devon) on his mission to convert the Germans to Christianity. They all became leading figures in the new German Church. Willibald set up the Monastery at Heidenheim, which was a duel monastery housing both Monks and Nuns, and his sister became Abbess of the Monastery in 761.

In 870, St. Walpurga remains were ‘translated’ to Eichstätt, which St Willibald had set up as the Diocesan centre of this part of Bavaria. This was done on the night of April 30th/May 1st and is now notorious as Walpurgis Night. This is the night of May Eve when witches are abroad up to all sorts of mischief, May Day being one of the main pagan festival days.

Walpurgis is the Saint for battling pest, rabies, whooping cough, and witchcraft. She was moved again in 1035 when she was enshrined at the Benedictine Abbey of St. Walburga which was named after her and which ‘which continues to this day.[4][5]’ Terrible things happen on Walpurgis Night in Dracula by Bram Stoker and the night has now become a trope for Heavy Metal Bands, doyens of horror stories and the Satanic. More about this on April 30th perhaps?

Stained glass window showing Baptist of King Ethelbert of Kent by St Augustine watched by Queen Bertha. In St Martins Church, Canterbury
Stained glass window showing Baptism of King Ethelbert of Kent by St Augustine watched by Queen Bertha. In St Martins Church, Canterbury

St Ethelbert is responsible for welcoming the Augustinian Mission to the Angles sent by the Pope, St Gregory. This re-established Christianity in Easter Britain, and set up the Anglican Church or the Church of England as it became known.

I tell this story in this post:

St Gregory.  Punster Extraordinary March 12th

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Constellation of Gemini overhead February 10th

Photo of consteltion of gemini with connecting lines to show it better
Till Credner – Own work, http://www.AlltheSky.com from wikipedia

Gemini should be almost overhead in the Northern Hemisphere, and can be picked out by its two brightest starts, Castor and Pollux. Gemini can be seen from September to May. But between September to November it is only visible in the morning before sunrise. It is best viewed from January to March. For evening viewing it is possible from December to May In February it should best visible at 9.00pm.

I will follow this post up with another one about the Twins on July 15th but here are the basic details from that post:

The Divine Twins, the Dioscuri, were horsemen, patrons of calvary, athletes, and sailors. Pollux is the son of Zeus and Leda (raped by Zeus in the guise of a swan). His twin brother has a different and mortal father, the King of Sparta and the same mother, Leda. So they are examples of heteropaternal superfecundation.

One is therefore immortal and the other isn’t. They had many adventures including sailing with Jason as Arganauts.

According to some version of the story, Castor was mortally wounded, and Zeus gave his twin brother the option of letting Castor die while Pollux spends eternity on Mount Olympus, or sharing his immortality with his brother. He agreed to the latter, and the twins spend half their year as the Constellation of Gemini and the rest, immortal, on Mount Olympus. Thus, they are the epitome of brotherly love.

Their sisters were, no less than Helen of Troy, and Clytemnestra. But more about them in July.

Diagram of H. A. Rey‘s alternative way to connect the stars of the constellation Gemini. Twins are shown holding hands. Wikipedia AugPi CC BY-SA 3.0

See Also Almanac of the Past on Gemini.

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Digital Heritage – the Picture Room at the Sir John Soane Museum

Screen Shot of the Virtual Tour of the Sir John Soane Museum showing the approach to the Paintings Room
Screen Shot of the Virtual Tour of the Sir John Soane Museum

The Sir John Soane Museum is my second favourite London Museum. It’s the place I choose to take people who don’t know London. What I like about it is the atmosphere. It’s not a place I go because of the collection, it’s a place I go because I’m just awestruck when I enter the doors.

Architect Soane, made a Museum of his house, filling it with architectural and sculptural pieces but also some stupendous Art, particularly paintings by William Hogarth. But that isn’t my motivation to keep going back. It’s the Picture Room (and the domed ceilings). Soane had a great collection of paintings, but not enough walls. What he did was to design the Paintings Room. When you visit you go in, admire the paintings on the wall, and the attendant comes in, opens a shutter, and behind the great paintings are another wall of great paintings. And then he opens another set of shutters, and there, is another feast for your eyes.

Now, they have made high quality digital images of the rooms, and put them together using photogrammetry into a digital model which you can explore.

So, feast your eyes on it here: (choose Picture Room from the three options).

It’s not quite as user-friendly as it might be. Firstly, when the tour delivers you to the Picture Room, you have to take over control to go in and explore the 360 degree image of the room. Unfortunately, the pictures are not clickable, so you cannot get information about them from here. Also, the ‘hot spots’ which allow you to open the shutters, only reveal themselves, on my computer, if you approach them at a certain angle.

But don’t let this put you off, I’m sure you will find your way around. So go into the Room, look around, move the cursus, and you will see little signs pop up which open and close the shutters. Really, do try it! There are a couple of other rooms to explore too.

Here is a link to descriptions of the Picture Room and the paintings.

Oh, and the Dome Ceilings? Soane was a specialist in buildings that didn’t want windows in normal places. He was the architect of the Bank of England where windows in the walls were a security risk, and also of London’s first purpose built art gallery – the Dulwich Picture Gallery. Windows reduced the space for paintings, so he designed special low domed ceilings, and the Soane Museum is full of his experimentation in the form.

Scara Brae Three D Model

Another delight is the 3D model of Scara Brae which allows you to explore the Neolithic village, and walk around it. There are labels on this one, so you do get information too.

https://www.historicenvironment.scot/about-us/news/new-digital-model-of-skara-brae-welcomes-virtual-visitors/

360 Degree Panorama Virtual Tours. My part in their development.

I was an early adopter of this form of virtual reality, setting up virtual tours of the Old Operating Theatre Museum in the 1990’s. I have a draft post of this which I have been awaiting time to finish, which I hope to finish soon….

Thanks to the Museum’s Journal article on Photogrametry of May/June 2022 for the two examples above.

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Digital Heritage. Town Exploration. Virtual Amsterdam

You may have been following my ramblings on my attempts to work out Amsterdam’s history from maps and tramping the streets. But you might want to find out more about the History of Amsterdam from your armchair. So, this is my exploration of virtual Amsterdam. But bear in mind the ideas here can be used in any town exploration.

But if you have only a little time, here are my best tips for exploring Amsterdam online.

First, below is a very good 15 minute introduction to Amsterdam history on YouTube.

Try this Google Earth satellite view of Amsterdam and have fun exploring! Then put your feet up and explore the Van Gogh collection in all its excellent online glory.

But if you have a little more time, lets look at the options as to how the Internet can help you discover Amsterdam.

Online Encyclopedias

Wikipedia – https://en.wikipedia.org/wiki/Amsterdam

Encyclopedia Britannica | Britannica – https://www.britannica.com/place/Amsterdam

I quite often edit Wikipedia pages when I come across entries which are out of date or wrong. The quality of information can be variable but mostly its good. And reading the Amsterdam Page, as long as you are prepared to follow up some of the hypertext links, such as to the ‘Canals of Amsterdam’ or the ‘Defence Line of Amsterdam’ you can get a good idea of the history. But Wikipedia, however great for humanity, is none-the-less aspiring to be an encyclopedia, and not either literature, travel-writing, non-fiction nor entertainment. It is certainly not a virtual tour, and it takes quite a lot of timeto get a good overview of the City and it is not really something I ever do for ‘enjoyment’.

Encyclopedia Britannica has been published exclusively online since 2016 and it is a better read than Wikipedia, less rambling and more to the point. Definitely a better starting point, but still a long read, and, again, something I can’t remember reading with pleasure.

YouTube

There are a number of video lectures/talks/tours on YouTube for free and I will just mention a few – please let me know if you find anything else interesting and I will add it here.

I’ve already linked to the 15 minute ‘A Quick History of Amsterdam (That Dam Guide), which is well put together and gives a good summary. Not enough about the walls in my opinion, and probably a little too much about the major drivers of historical change and not enough about the specific details of what made Amsterdam the town. That is probably asking too much for a 15 minute introduction. And, in effect, this guide is an advert for ‘That Dam Guide’ and the author’s guided virtual tours. He does live streamed 1 hour Amsterdam Tours (none on in March) Very good production values too.

Searching for ‘Amsterdam Virtual Tour’ brings me to the: The Amsterdam Drone Tour which gives a largely drone-eye view of Amsterdam, with slightly annoying music and not enough captions to really feel you are getting to know streets, areas and districts, but it does give an interesting ‘overview’. It is 9 minutes long.

A Free Virtual Tours Amsterdam is an interesting intro to Amsterdam in two 5 minute videos. It does give you some more of, what I would call, ‘structural’ analysis of the history and development of Holland/Amsterdam. It is, to an extent, complimentary to ‘That Dam Guide’. I should not be mentioning it as the ‘Free Walks’ groups are deadly rivals to ‘London Walks’, who I do my walks for. We have a fixed fee for a professional guide, while the Free Walks say they are free but put a lot of pressure on to get customers to pay up a reasonable amount (or so we think!).

Another ‘Tips based’ guide on YouTube is Tim, who gives a 20 minute free walking tour. This one is more of a real virtual walk, as it is a filmed guided walk, with all its imperfections. But, very good in terms of authenticity.

Google Earth

This uses the Google Earth satellite view of Amsterdam, with pins marking many, but by no means all, places of interest. Each place has a little information, and often, a link to Wikipedia. Clicking on the ‘more information’ tab brings up further, and sometimes an extensive number of pictures. There is also a paper aeroplane tab, and this brings up a virtual fly-past which is fun. I was looking for a tab for the Waag, which is one of the remaining gates of old Amsterdam, but I cannot find a tab for it. Nor a search button, which hinders the usefulness of the system. But it is definitely fun!

I have just gone back to Google Earth, found the search icon on the left of the screen, overflown my house, and then searched for the Waag, which I found and here it is! Follow the link to do the fly-past.

Google Earth view of the Waag, City Gate, Dissection Theatre, and now a Restaurant.
My house, on google-earth, to the south of the Canal is a strip of Grass, I live at the extreme left of that strip of grass.
My house, on google-earth, to the south of the Canal is a strip of Grass, I live at the extreme left of that strip of grass.

I would definitely use this to explore, and, if I were to be giving a guided tour of Amsterdam I would, indeed, use it in advance to consolidate my knowledge. It has the advantage that it brings to your attention things you would otherwise not know about, and gives a really clear idea of what the place is and what its environment looks like. For example it brought to my attention the houseboat museum, which is now on my must-see bucket list, previously unknown to me.

By the way, I found the Google Earth tour on this blog: www.asthebirdfliesblog.com which has other interesting tips for exploring virtual Amsterdam.

Guided Walks Apps

I thought these didn’t really count as they are designed to give a smart-phone based on location walking tour and not an armchair guide. GPSmycity.com is linked to GPS and the user can either access other people’s guided walks, or create their own. I tried it out in Stratford-on-Avon and found it remarkably easy to do. You find the places you want on the tour, and the app ‘sucks in’ the data and pictures from Wikipedia. So within a few minutes you have, a credible, guided tour and a GPS route around the City. In fact, I found it most useful just for creating my own walking routes – much easier than Google, or CityMapper, Just put in the stops and soon your SmartPhone will be dictating your route to you!

But you don’t have to access it via an app, in fact, if you are not going to Amsterdam, its better to visit the web site, and you can go to this link gpsmycity.com, scroll down and you will see a map, and the text for all the stops on the tour. Quite a good introduction, although not inspired. (Its possible you might need to login but I’m not sure as I do have a login.)

Another example is izi-travel, but this provides free and paid for audio guides. Again designed for a smart-phone app to guide around the location, but it can also be accessed on a computer at home. So here is the link to the Amsterdam tour – there are several to choose from.

I would definitely use gpsmycity on tour – I didn’t because I dropped my phone in the oily bilge of my boat, and it went insane for about 2 hours, and reset a lot of my settings, and deleted a few of my apps, including gpsmycity, before deciding to stage a recovery. Izi-travel I have had loaded for several years, and never used, but now listening to it I might have used it like a radio show to introduce me to Amsterdam. I’m also wondering about making my very many guided walks into virtual guided walks on apps like this.

Museum On Line Tours

The Amsterdam Museum should be the museum I would be pointing to for a great on line tour about Amsterdam’s History but it has a temporary Web Site while it works on opening a new Museum. The web has interesting stuff on it, and has the collection online, but nothing that pulls it together like an exhibition, or really gives you much of an introduction to the history of Amsterdam which is very disappointing.

The Van Gogh Museum, by contrast, has an excellent online collection which can be seen, as if a virtual exhibition. But this is much easier for an art museum than a history museum, for two main reasons: the art works are more immediately visually appealing that many objects in Museum Collections which often require context to understand; and art collections are much smaller than history museum collections and so easier to see as a ‘tour’.

Summary

There is nothing to beat walking around a City in the real world. There is nothing, yet, that even comes close to it. Smart Phone tours offer an easy way to tour the physical city, but its difficult to find content on line which provides a really enjoyable armchair online substitute.

The way I explore a City, after finding the walls of course(!), is to read a good guide book. Then buy a good non-fiction history of the city, and search the second hand bookshops for histories/guides/maps and that very special book that noone has heard of and no one knows about which gives unique insights/information that a good guided tour needs. Finally, I try to read a famous novel set in the City, or if in need of light relief, find a local fictional detective.

Podcasts, and ChatGBT also need to be explored.

Remember, if you want more Amsterdam to explore visit here: www.asthebirdfliesblog.com

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March 25th Feast of the Annunciation

Duccio's painting of the Archangel Gabriel bringing the news to Mary that she is to be the Mother of the Son of God.
Duccio’s The Annunciation. Egg Tempera on Wood c 1307-11

Today, is the anniversary of the conception of Jesus Christ. 9 Months before Christmas.

The picture above is by Duccio, from Sienna in Italy. It shows the Archangel Gabriel bringing Mary the news that she is to give birth to the Son of God. It is in the Sainsbury Wing of the National Gallery. I chose it to represent March 25th as it has a special meaning to me. When I suggested taking my groups to the National Gallery I was surprised to find myself agreeing to leading a tour of the Gallery. For an archaeologist to give an Art History Tour was a particular thrill. I decided the only way I could do it was to find a narrative thread to pull my tour together, and my choice was the development of perspective. I had been reading a book on the subject by David Hockney.

The painting shows that Duccio does not understand single-point perspective. But then, no one could do perspective at that time in Europe. This skill was lost following the Roman Period, but here at the beginning of the 14th Century, painters like Duccio from Sienna, and Giotto from Florence, were groping towards more realistic representation. You might say they wanted a more human depiction in which events are shown in spaces that are trying to look real, filled with more realistic looking people and beginning to show on their faces what can be interpreted as real emotions. Previously, the Byzantine style produced iconic, storytelling images, that were somewhat cartoon-like rather than realistic. Here, is an detail from one such, where there is little attempt to make the encounter seem real, in a real space between real people. But it does tell the story effectively.

The Annunciation, St Catherine's Monastery, 12th Century. showing the archangel gabriel telling Mary about the conception of jesus
The Annunciation, St Catherine’s Monastery, 12th Century.

Now, look at the Duccio, he uses the arcading at the top of the painting to give an impression of this being an encounter in a real space, and the Archangel Gabriel is moving through that space decisively. This is not just a picture with a story, this shows Duccio’s interest in capturing a fleeting but incredibly emotional moment. It happens to be the most important moment in the history of the world (from a Christian view point), the moment that the son of God is conceived as a human.

Gabriel is striding towards Mary, who has come out of her house to see him. He is just telling her ‘Hey, you are going to give birth to the Son of God.’ She looks overwhelmed, holding her arm protectively towards her. ‘What me?’ she might be saying but is also pointing at the Bible where this moment in time is predicted by Isaiah. Their faces are rounded, and realistic, Mary is clearly emotional. Also if you look at Gabriel’s feet he is quite well grounded unlike many other medieval paintings, where people often seem to be floating above the ground. Mary, too is firmly, anchored, although you cannot see her feet. It’s by no means ‘perfect’ because they don’t know the rules of perspective, not yet have discovered they could use lenses to develop the ability to do photorealistic portraits but they are searching for methods that can bring spaces and people towards realistic life. It mirrors a humanistic trend to see Mary not as sort of Goddess, but as a real mother.

Above the arcading can be seen a small sphere of blue sky from which emanates several ‘rays’ and a tiny Holy Dove. As I told the story, the rays are showing the moment of conception coming from Heaven to her womb which is hinted at by the red of her dress. The National Gallery commentary, which you can read here, suggests ‘The conception takes place at the moment she hears the words, which is why a tiny white dove, representing the Holy Ghost, flies towards her ear‘. This made me stop and think – the tiny dove is heading to her ear is it? Really? Why? Gabriel is the messenger saying the words, the words head to the ear. The Holy Dove is a symbol of the Holy Spirit, part of the Trinity of Father, Son and Holy Ghost. Its role, in the painting, is to show that God is the Father. So why, would the Holy Spirit enter by the ear?

I have been using a ruler to try to see if the National Gallery are right! It’s difficult to be sure with a reproduction. but my ruler says the rays from Heaven are neither heading to the ear not directly to the womb but in the general direction of her body. If they are right that the rays from heaven are heading for her ear, then is this rather the moment she is being told she will conceive rather than the moment of conception?

But the National Gallery text accepts that it is the moment of conception that is shown. So, I’ve looked at Luke 1:26-38:

‘Do not be afraid, Mary, for you have found favour with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus.‘

On first reading he is telling her she will conceive, but reading it more carefully he is saying ‘now, you will conceive’. So Duccio is paying very careful attention to the Gospel and by the time Gabriel finishes his sentence she will have been impregnated by the Holy Dove.

Looking at other paintings of the Annunciation the rays from heaven/Holy Ghost head generally towards the virgin, sometimes to her head, nothing suggesting the ear. I’ve included a 19th Century Rossetti painting because it is so beautiful. It shows a lilly representing purity, instead of the rays, pointing to Mary’s womb.

By the way look at the feet in Rossetti’s painting. This is an early Rossetti painting, who was poet and I don’t think he yet had the skills to ground feet, but he takes advantage of it in this case and disguises his ineptitude by giving Gabriel fiery feet. Subsequently, Rossetti concentrated on paintings of women from the waist up. Since, first writing this, I have visited an exhibition of Rosetti’s drawings, and they show a very capable draughtsman. For more on March 25th. This page shows that, in fact, from a Christian perspective, March 25th is the most important day in history.

Veronese ‘The Annunciation’
The Annunciation by Rossetti originally known as Ecce Ancilla Domini! 1849 - 1850
The Annunciation by Rossetti originally known as Ecce Ancilla Domini! 1849 – 1850
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Town Exploration Amsterdam 2 Finding the Walls!

Amsterdam City Wall photo K. Flude

Oh! A glorious find! As I said yesterday, I wasn’t sure there was going to be a wall.  But I headed towards the outer of the concentric rings of canals, thinking this is where a defense would be.  I almost went straight to the centre but decided I had to give it a try so walked around the inner side of the outer canal.  And almost immediately I found this slab of ruin.

The Wall!  I thought but was it?  And there was a panel with a plan.

Plan of Amsterdam Wall Circuit

The panel links to this Dutch language site which seems to say in 1663 Amsterdam was given a 5 metre high City Wall.  It talks about 5 sided ‘bolwerken’ which are bastions designed to withstand cannon fire.  And this bit of the wall is near the Osdorp bolwerk.

https://www.amsterdam.nl/kunst-cultuur/monumenten/gebouwen-gebieden/bolwerken-amsterdam/

I then met my daughter and we went to the Rembrandt House which was interesting but very heavily reconstructed and in part difficult to know what was original and what a reconstruction.

Rembrandt House, Amsterdam. Photo K.Flude

In the display was a Rembrandt Etching which features a section of the City Wall and a Windmill.  It is dated to 1641 and so it suggests the 1663 date is for the bolwerken not the wall circuit as such.

The Windmill Rembrandt 1641

The mill was called the Little Stink Mill because it was used in the smelly process of making chamois leather.

There was a plan of the city in Rembrandt’s day but difficult to photo. Our next stop was the Amsterdam Museum which I had insisted we visited to find out information about the history of the City

The oldest view of Amsterdam by Cornelius Antonisz 1538

This shows the City wall with bastions, the port on the seafront at the bottom of the painting with the River Amstel running through the middle of the City, and canals running parallel. There is a moat running outside the wall circuit. What is missing is the concentric ring of canals which now exist inside the wall circuit.

Just to remind you of the current city plan.

City plan

This needs to be turned upside down to match the 16th Century view. A panel in the museum’s notes that Amsterdam is first documented in the late Thirteenth Century. The Protestant Netherlands broke away from the Catholic Hapsburghs in the 16th Century. I’m guessing the walls were built in the late 15th or early 16th Century as the one section I’ve seen is of brick.

So, now I’ve been doing a little research after returning from a visit to the sobering Anne Frank Museum – please remember to challenge prejudice whenever it raises its ugly head. Amsterdam was able to develop into a major town, when a flood turned the shallow river Ij into a wide waterway that linked the Amstel River to the Zuiderzee and the Ijessel in the 12th Century. This gave access to the sea and to the Rhine. It allowed the draining of the banks of the Amstel and with the building of a dam, gave birth to Amsterdam, the Dam on the River Amstel,

In the medieval period the walls were built and bastions added in the 17th Century. In the 17th Century the concentric canal circuits were built and every area given its canal frontage. Virtually all the buildings on the canals have bars protruding from the gable from which to mount a pulley to transfer goods from barge to warehouse, or vice versa,

Between 1880 and 1920 an amazing new defensive circuit was constructed around Amsterdam, which depended up a shallow flooding of the land. But it soon became obelete but is now a Unesco World Heritage Site.

Oh, and to add to what I said, yesterday, the world’s first Stock Exchange was built in Amsterdam in 1602, the same year the Dutch East India company was founded.

It’s a great City, with lots to enjoy, Big enough to be exciting, small enough to be manageable. Full of cyclists on tall upright bikes, chatting to each other as they cycle. I have seen a lot of cyclists riding with their hands in their pockets or holding an umbrella, and it is the first City I have been terrified of crossing the road because of the bikes who seem to ignore pedestrians and expect them to get out of the way; and the trams that hurtle along.

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Epulum Jovis – The Capitoline Cult

Capitoline Triad – Museum of Guidonia (Wikipedia)

This was the second festival in the year dedicated to the three most important deities in the Roman pantheon. Jupiter the Sky God, God of Justice, God of Rome. His wife and sister, ‘Queen’ Juno, protector of women. Minerva, Daughter of Jupiter. Goddess of Wisdom and Craft.

The main Temple was in Rome on the Capitoline Hill, known as aedes Iovis Optimi Maximi Capitolini (“Temple of Jupiter Best and Greatest on the Capitoline”). Similar temples spread throughout the Roman world, normally with a triple cella (inner sanctum) to allow separation of worship between the three cults.

In London, a temple was discovered to the west of the first Forum (built AD 75). There is no clue as to its dedication, but the Capitoline Cult has been suggested as well as for the Cult of the Emperor.

Painting of the Roman Forum of London from the air
Painting of the Roman Forum of London from the air (Note Temple on the left)

Originally posted on November 12th, 2021. Revised November 15, 2023