One of the joys of my Summer is revisiting places I know and love in my role as a Course Director for Road Scholar. I first came across the ‘en plein air’ in 2023. On Sunday, June 18th. I was in Broadway, once considered the most beautiful village in Britain. It was also the model for Riseholme in the wonderful Lucia books by E. F. Benson (made into a TV series by the BBC starring Prunella Scales, Geraldine McEwan and Nigel Hawthorne).
The day I visited, in 2025, was last Sunday, June 15th. I have added new photos and revised the texts.
How it Works
The artists register in the morning and have their paper or canvas stamped, or given a block of Maltese stone. This proves that they have done all the work on the day itself.
This year there were no sculptors. Instead, there were live models in the marquee being painted by portrait painters.
Broadway Paint off, Local Portraits. 2025 Photo K Flude
They take their blank canvases to create a work of art in the village. At 4pm or so, they are judged. At 5pm, the art works are exhibited and are on sale in the Marquee on the village green.
Broadway Arts Festival 2025, Photo K Flude
It’s always a delight walking around Broadway. Bun, but with an artist and easel every 50 yards or so even more enjoyable.
The Most Beautiful Village?
The appellation of most beautiful village, came in the late 19th Century. Broadway, once gained its wealth by selling wool. When that declined, the village became an important stop on the Toll Roads. It was on the stage coach route from Aberystwyth to Worcester, Oxford, and London. Fish Hill, nearly 1000 feet high, was an obstacle and coaches made a stop here to prepare or recover. Some coaches used up to 10 horses to get to the top. But with the arrival of Brunel’s Great Western Railway to the Cotswolds the village was nearly ruined. Half the village, the Broadway Museum says, moved away as their livelihood serving the coaching trade died.
Artist painting in the ‘Great Broadway Paint off’ 2023 Photo K FludeAnother artist participating Artist in the ‘Great Broadway Paint off’ Photo K Flude 2023@dawnjordanart Great Broadway Paint off’ Photo K Flude 2023
But artists and writers, led by Americans Frances Millet and Edwin Abbey, turned Broadway into a much sort-after country retreat. Visitors included Oscar Wilde, J. M. Barrie, Singer-Sargeant, William Morris, Edward Burne-Jones, Gabriel Dante Rossetti, American actress, Mary Anderson, Edward Elgar, E. F, Benson. Mark Twain visited for Millet’s marriage.
J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)
Gordon Russell & Henry T Ford
What made the visit particularly interesting was the story told by the volunteer at the Gordon Russell Museum in Broadway. This is the story as I understood it:
The Russells restored the Lygon Arms in Broadway using Arts And Crafts architects. They also restored antique furniture. The son, Gordon Russell, became a leading designer of modernist Furniture. He advertised to passengers on the Cunard Line in order to attract the attention of rich American visitors. One, Henry T Ford, was interested. He came to Broadway, staying at the Lygon arms. He was taken to nearby village Snowshill, where Ford bought a Cotswolds Farmhouse, complete with Blacksmith’s workshop. They were shipped stone by numbered stone to Brentford on the Thames. Then to the London Docks and across the Atlantic. Here. Ford set them up in a Museum in Michigan where they still are!
Sculptors at the Great Broadway Paint off (2023)
Research suggests it’s a little more complicated, in so far as Ford purchased his first Cottage before coming to Broadway. But it still leaves a delightful story about American ideas of Quintessential English village life. For pictures see my post here. And for another look at the story look at this web site here:
By the way, Frances Millet planned to return to the States on the Titanic. He was one of the 1500 who drowned. A letter he wrote while on the ship was posted, probably in France. It is on display in the Broadway Museum (2023).
St Columba Stained Glass window in St Margaret’s Chapel Edinburgh Castle Photo by Graham van der Wielen Wikipedia CC BY 2.0
St Columba, or Colmcille is one of the most important saints for the early transmission of Christianity. He was born in 521 and said to be a descendant of the possibly legendary Irish King Niall of the Nine Hostages. (The Hostages were a token of Niall’s power over Ireland as they came from the five provinces of Ireland. These are Ulster, Connacht, Leinster, Munster, andMeath. The other four hostages represented Scotland, the Saxons, the Britons, and the Franks.)
St. Columba was sent at an early age to be brought up as a Monk, and went on to set up Monasteries in Ireland at Derry and Durrow. In 563, he left Ireland, possibly because he got involved in a dispute that had a deadly outcome. He went into exile to Scotland and set up the famous Monastery on the island of Iona, Inner Hebrides. This is off the coast of what would one day be called Scotland. At the time, it was under the control of the Kingdom of Dál Riata, which was, Gaelic, nominally Christian, and controlled parts of Ulster and Western Scotland.
From Iona, Columba led the conversion of the Picts to Christianity. The Picts were Britons, speaking a different dialect of Celtic than the Gaels of Ireland and Dál Riata. Their name is said to have been given by the Romans and meant Painted Men. A shared religion, which St Columba brought from Ireland, helped towards the eventual union of the Gaels, the Picts and other British groups into the Kingdom of Alba. Alba is the Gaelic name for Scotland – meaning white, and from which we also get Albion. Alba became Scotland, which is derived from the Roman word for the area which in Latin was “Scotia”. Iona became the traditional burial place of early Scottish Kings such as Macbeth (Mac Bethad mac Findlaích). These Kings were crowned at Scone and buried in Iona. Alba was also able to take territory from the Anglian Kingdom of Northumbria, namely, the Scots-speaking areas South of the Firth of Forth. (Scots being a dialect of English). There were also Norse settlers in the Ireland so Scotland was made of a coalition of Gaelic, Brittonic, Norse and English speakers.
St Columba and the Loch Ness Monster
Much of the events of this part of Columba’s life are recorded by St. Adamnan in The Life of Saint Columba. This was written in the 7th Century, much of which is apocryphal. One notable story tells how he came across a group of pagan Picts who were mourning a child killed by a monster in the River Ness. St Columba revived the child. He then sent one of the Brothers to swim across the Loch to fetch a boat. The “water beast” pursued the Monk and was about to attack him when St Columba told the monster to stop. So it did, retreating to the depths of Loch Ness. Thus began the legend of the Loch Ness monster.
St Columba died in 597AD. Iona continued to prosper and in, 634 sent St Aidan from Iona to found the Monastery at Lindisfarne. The island is on the Eastern coast of Britain in the Anglo-Saxon Kingdom of Northumbria. This Kingdom of the North Angles, was one of the most powerful at the time and Lindisfarne was instrumental in its conversion. The tradition of evangelism took hold in the British Isles, and it was from here that much of the German-speaking world was converted to Christianity.
This is St Columba’s legacy.
Northumbria’s Contribution to the development of Christianity
There is a developing understanding among scholars that this Irish inspired form of Christianity, fused with the Anglo-Saxon Northumbria took a leading role in ritual, art, scholarship in the Roman Catholic world. Just stop and think about that sentence for a moment. The northern parts of an out of the way set of islands off the edge of Europe took a leading role in the development of Western Christianity. This was highlighted in a recent exhibition of Anglo-Saxon art at the British Library.
British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude
A look at the Lindisfarne Gospel and the Book of Kells showcases the amazing art of this period. For a real treat, look through this scrollable virtual copy of the Lindisfarne Gospel. (Currently this is unavailable, I suspect since the BL was hacked. So instead, here is a slightly breathless online introductory video of the Gospel.)
The Book itself has been missing from the displays of the British Library for a couple of years, but was on display in Northumberland in 2022. I’m not sure whether it is yet back on display at the British Library. I think not. You can see the Book of Kells at Trinity College, Dublin or look at their online offering here: Not quite as joyous an experience as the online Lindisfarne but beautiful enough.
Carpet Page from the Lindisfarne Gospel Photo Wikiepedia Eadfrith – Lindisfarne evangeliarium, tapijtbladzijde op f26v, Matteüsevangelie
Pentecost by Giotto and Workshop, probably about 1310-18, National Gallery
Today, June 8th, is Whitsun or Pentecost. 50 days after the Crucifixion. Celebrated on the 7th Sunday after Easter. The Day the Holy Ghost descends on the disciples. According to one of my teachers, it gave the disciples the power of expression and turned them from bereft disciples to self-confident Apostles. They could now begin to spread the Christian message.
Giotto’s painting shows the Apostles with their halos in the chamber. There are 12 of them, St Matthias having replaced the dead, Judas. The Holy Spirit is represented by the little dove in the centre of the Ceiling. The narrative is carried by the two men in the foreground leaning towards each other. We imagine them saying something like ‘What’s all this about! Galilean nonentities, lost their guru and yet, confident, speaking authoritatively to all and sundry and they can all understand them?‘
Giotto was a forerunner of the Renaissance. According to the great Giorgio Vasari (30 July 1511 – 27 June 1574) who wrote about the advances in painting achieved by Italian artists:
‘that very obligation which the craftsmen of painting owe to nature, who serves continually as model to those who are ever wresting the good from her best and most beautiful features and striving to counterfeit and to imitate her, should be owed, in my belief, to Giotto, painter of Florence, for the reason that, after the methods of good paintings and their outlines had lain buried for so many years under the ruins of the wars, he alone, although born among inept craftsmen, by the gift of God revived that art, which had come to a grievous pass, and brought it to such a form as could be called good.‘
The miracle was that this boy, a poor shepherd with no training in art was able to show nature its true face.
‘One day [the artist] Cimabue, going on business from Florence to Vespignano, found Giotto, while his sheep were feeding, drawing a sheep from nature upon a smooth and solid rock with a pointed stone, having never learnt from anyone but nature.’
One of the points Vasari is making is that the Byzantine Art had lost the use of perspective, something the Romans knew. Paintings had become cartoon like spaces had no solidarity, groups of people stood on shoulders. If you look at the painting above you will the room the Apostles are in has the beginnings of a realistic space, the rafters slope down to a vanishing point. The Apostles are ranged convincingly around the space. Their faces are rounded and realistic. They are separated from the outside world by a dividing wall. And two dudes at the front are convincingly on the ground, rather than hovering in mid air (though I might have cropped the photo too closely!)
It would be over one hundred years before photo realistic portraits and realistic perspective paintings were rediscovered but Giotto showed the way.
Rodmas – Rood screen in St. Helen’s church, Ranworth, Norfolk by Maria CC BY-SA 3.0
Rood is another word for the Cross. Parish Churches used to have a Rood Screen separating the holy Choir from the more secular Nave. This screen was topped with a statue of the Crucified Jesus nailed to a Rood. Sp Roodmas, is the festival of the Holy Cross.
Roodmas is celebrated on May 3rd and September 14th, although the Church of England aligned has itself with the Catholic Church’s main celebration on September 14th.
Roodmas and the True Cross
The two dates of Roodmas reflects that it commemorates two events:
The first was the discovery of the Holy Cross in Jerusalem in September 14th 326 by Queen Helena. She was the wife of Constantius Chlorus, Augustus and mother of Constantine the Great. In Jerusalem, Queen Helena found the Cross with the nails, and the crown of thorns.
How did she know she had found the true cross? She placed the timber in contact with a deathly sick woman who was revived by it. So, they thought it was the touch of the True Cross. She had most of the Cross sent back to Constantinople in the care of her son, Constantine the Great.
The part of the Holy Cross that was left behind in Jerusalem was taken by the Persians. But it was recovered by the Byzantine Emperor Heraclius in May 3rd 628 in a peace treaty.
Over the years, the Cross was shivered into ever smaller pieces. Fragments were sent to Emperors, Kings, Queens, Dukes, Counts, Popes, Bishops, Abbots, and Abbesses. They swapped relics with each other. The fragments were cased in beautiful reliquaries. And were venerated for those of faith and helped those who could be helped by healing by faith.
The Shropshire News reported that two pieces of the True Cross were given to Charles III by the Pope! They have been put into a cross called the Welsh Cross. This was part of the Coronation Procession. The King gave the Cross (I assume with the pieces of the Holy Cross) to the Church in Wales. Let the Shropshire News tell the story:
It is a clear reminder that we are subjects not citizens and news, as a nation, we still set store by superstitions.
The Duke of Buckingham and the True Cross
The Duke of Buckingham had a piece in his collection, which he kept at York House in the early 17th Century. How he got it, I don’t know. But I think he must have acquired it from the aftermath of the destruction of the Reformation. John Tradescant, who looked after the Duke’s collection until Buckingham was murdered, had a piece of the True Cross. Tradecant created Britain’s first Museum, Tradescant’s Ark. Again, I suspect (without any evidence) that he got the fragments from Buckingham. Did he acquire it after the murder? Or shiver off a timber fragment hoping no one would notice?
Guild of the Holy Cross Stratford
The Chapel that Shakespeare’s Father controlled as Bailiff of Stratford on Avon, was dedicated to the Legend of the True Cross, to find out more read my post on September 14th here:
First Written on May 3rd 2023, revised May 3rd 2024, and 2025
St Alphage. Church Tower on right, City Wall to left. Photo K Flude
I first came across St Alphage when I was working at the Museum of London. The Museum was built on the High Walk at London Wall. The raised Courbusian Walkway looked down on a ruin of a Gothic Church Tower, almost destroyed during the Blitz. This was St Alphage, a Church dedicated to the Saxon Archbishop of Canterbury. (Alphage is also spelt Alphege or Alfege).
On the other side of the Walkway was the old graveyard of the Church. This preserved one of the very best sections of the old London Wall. Special because on one side its huge height was displayed. On the other, the only crenelated bit of the City Wall. And the only surviving part of the Wall dating to the War of the Roses.
St Alphage Roman and Medieval WallThe Crennelated Red Brick Section dates to 1477, during the War of the RosesSt Alphage Wall explained on an information plaque.
In the 1980’s fellow Museum of London Archaeologist, Paul Herbert and I set up a Guided Walks company (Citisights of London) . Our walks started from outside the Museum of London, and so St Alphage formed a big part of our success. It led to a life giving Guided Walks and tours. So, St Alphage, thank you!
A Citisights Day Tour of the 1980s
St Alphage Elsyng Spittle St Mary ?
The Church was previously a monastic settlement called Elsyng Spittle (aka St Mary within Cripplegate). The Augustinian Canons looked after 100 blind men. It was refounded by Williain Elsing, and dissolved by Henry VIII in 1536. The Church was kept for a Parish Church. But the Puritans were not keen on dedications to St Mary. So, they renamed it after a London based Christian Martyr.
It remained a Parish Church until damaged in an air raid in World War One. (possibly on 8th September 1916 in a Zeppelin Raid – but I am speculating). The Church was partly demolished in 1923, leaving the Tower. The lower part of the Medieval Tower survived bombing in the Blitz. At 12.15 am on 25th Aug 1940, the first bombs on the City of London fell nearby in Fore Street. But the tower was hit in 1940. It was listed Grade 1 in 1950. Kept by the rebuilding of London Wall, and the Barbican area. Then substantially benefitting from a remodelling of the area in an excellent scheme of 2022.
St Ælfheah of Canterbury and Greenwich
StAlfege Greewich – Doyle own work Wikipedia CC BY-SA 4.0
St Ælfheah was captured during a Viking attack on Canterbury. The Viking hoard relocated to Greenwich where they tried to negotiate a fat ransom for him. He was one of the richest men in the Kingdom. This is what the Anglo Saxon Chronicle says:
.. the raiding-army became much stirred up against the bishop, because he did not want to offer them any money, and forbade that anything might be granted in return for him. Also they were very drunk, because there was wine brought from the south. Then they seized the bishop, led him to their “hustings” on the Saturday in the octave of Easter, and then pelted him there with bones and the heads of cattle; and one of them struck him on the head with the butt of an axe, so that with the blow he sank down and his holy blood fell on the earth, and sent forth his holy soul to God’s kingdom.
St Alfege Greenwich, which is now a lovely Hawksmoor Church is said to be on the site of St Ælfheah‘s death.
St Alphage’s body was taken to St Pauls Cathedral where it was venerated. His remains were removed in suspicious circumstances by soldiers of King Cnut who translated the Saint’s bones to Greenwich. It is suggested King Cnut was punishing London for their opposition to him.
The Minotaur by Michael Ayrton
Also, part of the experience of visiting St Alphage from the High Walk was the statue of the Minotaur. I first came across this phallic Bull in the Postman’s Park and am very fond of it. Then it disappeared and reappeared on the High Walk. Now it is on the ground level near in the garden of St Alphage.
I understand that Michael Ayrton wanted to make a point about the destruction of London. He felt that the developers were more destructive than the Luftwaffe. They were like a Bull in a China Shop! So he created this statue of a very vigorous Bull representing the Minotaur. It is a very unusual work of art in that it sports a fully erect penis. Art History is full of naked women, but the male organ is largely left to pornography. For more about Ayrton follow this link.
The Minotaur in its present positionThe Minotaur on the High Walk
Palm Sunday Giotto. Entry into Jerusalem from the Cappella degli Scrovegni in Padova (sent to me by Lucia Granatella)
Yew Sunday (Domhnach an Iúir in Irish) is the medieval name for Palm Sunday – this is the day that Jesus entered Jerusalem in triumph on a donkey, with palm leaves being laid in front of him. It has always been very curious to me this so-short-lived triumph preceding such heavy and heart breaking tragedy. It is the Sunday before the Betrayal, which leads to the Crucifixion on Good Friday and the Resurrection on Sunday. A busy week for the Church.
Palm Sunday can be celebrated by making crosses out of palms, or with processions bearing palm branches or eating special cakes (there is always room in any ritual for cakes). But in the North where do you get your Palms from? So, it was often substituted by Box, or Olive or Willow and particularly, in Britain and Ireland, by Yew. Yew is evergreen and is so long lived as to be a symbol of everlasting life (I wrote more about the Yew here).
Giotto Bondone was a Florentine painter of the 14th Century of whom Giorgio Vasari, in his essential guide to the artists of the Renaissance, ‘The Lives of the Artists‘ said of the 10 year old:
One day Cimabue, going on business from Florence to Vespignano, found Giotto, while his sheep were feeding, drawing a sheep from nature upon a smooth and solid rock with a pointed stone, having never learnt from any one but nature. Cimabue, marvelling at him, stopped and asked him if he would go and be with him. And the boy answered that if his father were content he would gladly go. Then Cimabue asked Bondone for him, and he gave him up to him, and was content that he should take him to Florence.
There in a little time, by the aid of nature and the teaching of Cimabue, the boy not only equalled his master, but freed himself from the rude manner of the Greeks, and brought back to life the true art of painting, introducing the drawing from nature of living persons, which had not been practised for two hundred years; or at least if some had tried it, they had not succeeded very happily.
Written in 1550.
If you look at the painting, you will see, even more than his contemporary Duccio, the faces of the people are rounded and, and at least somewhat, individual. The crowd scene, particularly, to the right, has some depth and the people further away seem to recede from the viewer, rather than, as they often do in Byzantine style paintings, either float or seem to stand on or support themselves on each other’s shoulders. The Gate into Jerusalem has been rendered by someone who has seen something that he believes has the key to realistic scenes. One day it will be rediscovered, and named single-point perspective. Yes, Giotto doesn’t know the secret but he is working to find out what the trick is. The people in the trees are also in the distance. These are the giant strides that Vasari is referring to in the quotation above. Realistic people, in spaces with depth. The donkey is quite sweet too! Cimabue was particularly good at painting Crucifix scenes.
The Cappella degli Scrovegni in Padova is a World Heritage Site and Giotto and his team covered all the walls and ceiling with frescos, depicting the Life of Jesus, the Life of Mary, and the Last Judgement.
Giotto, The Last Judgement. Cappella degli Scrovegni, In Padova. Wikipedia
Here is a real Digital Heritage treat – a 360 Degree tour of the Chapel! Follow the link below. If it seems to be taking a long time to load there is an information button which, once pressed will allow the panorama to load immediately.
Duccio’s The Annunciation. Egg Tempera on Wood c 1307-11
Today, is the anniversary of the conception of Jesus Christ. 9 Months before Christmas. I told some of this story yesterday which was St Gabriel’s Day, there is a little bit of repetition but hopefully the extra detail makes it worthwhile!
The picture above is by Duccio, from Sienna in Italy. It shows the Archangel Gabriel bringing Mary the news that she is to give birth to the Son of God. It is in the Sainsbury Wing of the National Gallery. I chose it to represent March 25th as it has a special meaning to me. When I started taking groups to the National Gallery this was the second painting on my tour with its narrative thread on the development of perspective. I had been reading a book on the subject by David Hockney.
The painting shows that Duccio does not understand single-point perspective. But then, no one could do perspective at that time in Europe. This skill was lost following the Roman Period. But at the beginning of the 14th Century, painters like Duccio from Sienna, and Giotto from Florence, were groping towards more realistic representation.
You might say they wanted a more human depiction, in which events are shown in spaces that are trying to look real. Filled with more realistic looking people and beginning to show on their faces real emotions. Previously, the Byzantine style produced iconic, storytelling images, that were somewhat cartoon-like rather than realistic. Here, is a detail from one such. There is little attempt to make the encounter seem real, in a real space between real people. But it does tell the story effectively.
The Annunciation, St Catherine’s Monastery, 12th Century.
Now, look at the Duccio, he uses the arcading at the top of the painting to give an impression of this being an encounter in a real space. The Archangel Gabriel is moving through that space decisively. This is not just a picture with a story, it shows Duccio’s interest in capturing a fleeting but incredibly emotional moment. It happens to be the most important moment in the history of the world (from a Christian view point), the moment that the son of God is conceived as a human.
Gabriel is striding purposefully towards Mary, who has come out of her house to see him. He is just telling her ‘Hey, you are going to give birth to the Son of God.’
She looks overwhelmed, holding her arm protectively towards her. ‘What me?’ she might be saying. But she is also pointing at the Bible where this moment in time is predicted by Isaiah. Their faces are quite realistic, Mary is clearly emotional.
Also, if you look at Gabriel’s feet he is quite well grounded unlike many other medieval paintings, where people often seem to be floating above the ground. Mary, too is firmly, anchored, although you cannot see her feet.
It is by no means ‘perfect’ because they don’t yet know the rules of perspective. Neither have they discovered they could use lenses to create ‘photorealistic’ portraits. But they are searching for methods that can bring spaces and people towards realistic life. It mirrors a humanistic trend to see Mary not as a sort of Goddess, but as a real mother.
Above the arcading can be seen a small sphere of blue sky from which emanates several ‘rays’ and a tiny Holy Dove. As I told the story, the rays are showing the moment of conception coming from Heaven to her womb which is hinted at by the red of her dress. The National Gallery commentary, which you can read here, suggests ‘The conception takes place at the moment she hears the words, which is why a tiny white dove, representing the Holy Ghost, flies towards her ear‘.
This made me stop and think – the tiny dove is heading to her ear is it? Really? Why? Gabriel is the messenger saying the words, the words head to the ear. The Holy Dove is a symbol of the Holy Spirit, part of the Trinity of Father, Son and Holy Ghost. Its role, in the painting, is to show that God is the Father. So why, would the Holy Spirit enter by the ear?
I have been using a ruler to try to see if the National Gallery are right! It’s difficult to be sure with a reproduction. but my ruler says the rays from Heaven are neither heading to the ear nor directly to the womb but in the general direction of her body. If they are right that the rays from heaven are heading for her ear, then is this rather the moment she is being told she will conceive rather than the moment of conception?
But the National Gallery text accepts that it is the moment of conception that is shown. So, I’ve looked at Luke 1:26-38:
‘Do not be afraid, Mary, for you have found favour with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus.‘
On first reading he is telling her she will conceive, but reading it more carefully he is saying ‘now, you will conceive’. So Duccio is paying very careful attention to the Gospel. By the time Gabriel finishes his sentence she will have been impregnated by the Holy Dove. Looking at other paintings of the Annunciation the rays from heaven/Holy Ghost head generally towards the virgin, sometimes to her head, nothing suggesting the ear.
I’ve included a 19th Century Rossetti painting because it is so beautiful. It shows a lilly representing purity, instead of the rays, pointing to Mary’s womb.
By the way look at the feet in Rossetti’s painting. This is an early Rossetti painting, who was a poet and I don’t think he yet had the skills to ground feet. But he takes advantage of it in this case and disguises his ineptitude by giving Gabriel fiery feet. Subsequently, Rossetti concentrated on paintings of women from the waist up. Since, first writing this, I have visited an exhibition of Rosetti’s drawings, and they show a very capable draughtsman.
For more on March 25th. My post shows that, in fact, from a Christian perspective, March 25th is the most important day in history.
Veronese ‘The Annunciation’The Annunciation by Rossetti originally known as Ecce Ancilla Domini! 1849 – 1850
Study for Lady Lilith, by Rossetti. 1866, in red chalk. Now in the Tel Aviv Museum of Art (Wikipedia)
This is my second most popular post. March 25th is the Annunciation—the day that the Archangel Gabriel tells Mary she is pregnant. (to see some very fine paintings of this meeting, look at my other March 25th post march-25th-feast-of-the-annunciation/
March 25th is also the anniversary of the birth of Adam and Eve (and Lilith); the death of Jesus Christ; the anniversary of the Immolation of Isaac; the Parting of the Red Sea; the Fall of Lucifer; and, (until 1752 in the UK) the beginning of the Year.
Of course, it isn’t. Or to put it another way, no one can, or ever could, prove any of these dates except the last one. So what they speak to is the way the Church saw the world as logically structured by God. Christian thinking about the year, the world, the universe, creation, developed over many years and took influences from many cultures. It is also very complicated to work out the sequence, so I’m going to summarise what I know (or at least what I think I know).
Christians chose Christmas Day as the Birthdate of Jesus probably because it was a prominent birthday already shared with several Gods. Particularly, Mithras and Saturn. It was approximately at Solstice, the beginning of the Solar Year, and close to one of the main festivals of the Roman World, the Saturnalia. So it made it easier for new converts who could retain elements of their festivals after conversion.
December 25th might have been chosen by the pagan religions because it is the time when the Sun begins to rise further north each day. The days stop shortening and start lengthening, light increases with the promise of warmer weather and budding plants.
So, Jesus was born on/or around the Solstice, so he must have been conceived approx. 9 months earlier. This is approximately at the Spring Equinox.
Ah, you are thinking! But today isn’t the equinox. Surely God doesn’t do approximately?
I have always thought that the 4 or 5 days difference between the Solstice, the Equinox and the Christian festivals was down to the fact that the Calendars were not well coordinated with the actual movements of the Sun (because the Sun does not circle the earth in 365 days, or in 365 and a quarter days, but 365 days, 6 hours, 9 minutes which makes lunar Calendars hard to align with the Sun).
But when I first wrote this a sudden revelation dawned upon me which will be revealed in the next few paragraphs.
So, God sends his Son to save the human race. God is a logical being, so she would send her Son at an appropriate time. If the Child is born at or near the Solstice, which is an appropriate time for the Son of the Creator, then conception 9 months earlier, March 25th, is near the Equinox. This is the beginning of Spring. For many people, Spring is a new beginning, for example, the Anglo-Saxons saw Winter as the death of the year, and Spring as the young Year. It all makes sense.
So to the Creation. God, having a free choice, would have created the world at the beginning of Spring. In fact, if you think about it, God creates everything necessary for life at the creation in 6 days. So as soon as it has all been created and put together it is bound to immediately spring into new life. The first season must, therefore, be Spring? Right? So March 25th.
This gives a nice symmetry with Jesus’s Life. Conceived on March 25th, born December 25th, and died 30-40 years later, according to the Church, on March 25th. (the only other famous person I know born and died on the same day is William Shakespeare).
Easter, when Jesus is martyred, isn’t March 25th I hear you saying. But remember, Easter is a lunar festival, so its date varies each year. Births and deaths, on the other hand, are fixed to the Solar Calendar. Therefore the Church chooses March 25th as the most appropriate day to pin the death of Jesus, on the anniversary of his conception and the anniversary of the creation of the Earth. I am guessing that this is also the preferred date for the Day of Judgement.
It is also the Birthday of Adam, and his first wife Lilith (or so some say), and Eve. More about Lilith below. I had thought this date was just one of the parallels that the Church liked, Jesus and Adam born on the same day. But, I have just worked out why Adam is born on March 25th, and why these dates are not the Equinox, March 20th but March 25th, which has been bugging me.
Let’s go back to the Beginning of Creation.
The Creation, as described in Genesis, has the following sequence of Seven Days, beginning with the Equinox March 20th. I have added dates to the 6/7 day sequence of Creation:
Day 1: Light – March 20th
Day 2: Atmosphere / Firmament – March 21st
Day 3: Dry ground & plants – March 22nd
Day 4: Sun, moon & stars – March 23rd
Day 5: Birds & sea creatures – March 24th
Day 6: Land animals & Adam, Lilith and Eve – March 25th
So there you have it! Adam, Lilith, and Eve were created on Day 6 with the Land Animals – March 25th. Jesus conceived, also on this date, and so 9 months later is born on December 25th. It all makes sense, and aligns the Christian year fully with the Solar Year.
And that, dear Reader, is the very first time anyone has been able to explain to me why Christmas is not at the Solstice, and why the Annunciation was not at the Equinox. Maybe you all know this, but it is very exciting to work this out for myself. And believe me, I have done a lot of reading about calendars and not spotted an explanation.
When was the Creation?
According to the Anno Munda‘s arrangement of the Year, the world was created 5500 years plus 2023 years ago so 7523 Before the Present. And it was supposed to have ended in 600AD, 6000 years after the Creation. So, they got that wrong.
Dionysius Exiguus replaced the Anno Mundo year with the AD/BC system in the 6th Century AD).
Beginnings of the year
I was thinking about the beginning of the year. The Celts chose October 31st, Julius Caesar chose January 1st, other cultures have other dates, and the Spring Equinox is another choice sometimes made. The Church and Dionysius Exiguus choose March 25th, although secular society also recognised the claims of January 1st. Britain kept to March 25th until 1752 when we adopted the Gregorian Calendar. But people like Samuel Pepys celebrated New Year’s Eve on 31st December. So January 1st was the New Year, but the year number did not change until March 25th. So King Charles I thought his head was being cut off on January 30th 1648; while history books will tell you it was cut off on January 30th 1649. Same day, different reckonings.
December 31st/January 1st is essentially a Solstice New Year Festival. And I have, previously, used the difficulty of keeping calendars as to why these days has slipped out of alignment with the Solstice. But, today I realised that it is as likely that the reason is the Solar/Lunar nature of our time keeping. The year, and its festivals, is largely arranged around the Solar Cycle. But our weekly and monthly cycles are derived from the Moon.
January 1st is the Kalends of January as the Romans would have called it. This day the First New Moon after the Winter Solstice. So, January 1st is a slightly misdated Solstice Festival it is a Festival celebrating the first New Moon of the New Year!
Over time societies give up trying to sync the lunar and solar calendars. Roman and Christian cultures gave up and fixed the moon months, completely abandoning any attempt to keep the months to the actual lunar cycle. This is our current system, in which only Easter remains a true to the moon festival, much to our perennial confusion.
Maybe you all know this, but I’ve learnt a lot in writing these two posts.
Lilith
The April 2023 Issue of ‘History Today’ has a short piece called ‘The Liberation of Lilith’ which suggests that the story of Lilith, a figure from Jewish Folklore, is first attested in a Medieval satirical text called ‘The Alphabet of Ben Sira’. The story goes that Lilith is created using the same clay as Adam. Adam then demands she lies below him during sex. She refuses, saying that they are both made from the same stuff and, therefore, equal. Adam refuses to accept this, and so Lilith leaves the Garden of Eden. So the story goes.
The story of Lilith, Sarah Clegg suggests, is one of a series of similar stories found around Europe and Asia. And Clegg assumes that it is gradually modified to make Lilith a demon who will kill babies unless the names of three angels are spoken out loud.
The story survives as a charm to keep babies safe, and perhaps to remind people of equality among the sexes. But this causes problems for, OK, let’s call them out, the Patriarchy. Lilith cannot be equal to Adam so she becomes a monster, not made from the same clay as Adam but from the scum and waste left over from Adam’s creation. I imagine the story then went on to propose that God creates Eve from Adam’s rib, and so she is created from Adam, and is, therefore not equal, but subservient to him. Lilith is now a significant figure in feminist folklore circles.
Attached to the watercolour of Lilith by Rossetti (at the top of the page), was a label with a verse from Goethe‘s Faust as translated by Shelley. (Wikipedia)
“Beware of her fair hair, for she excells All women in the magic of her locks, And when she twines them round a young man’s neck she will not ever set him free again.”
The model is Fanny Cornforth, Rossetti’s mistress. He painted another version a few years later, but the model in that is Alexa Wilding. His models are arguably more interesting than the man himself and include: Elizabeth Siddall, Jane Morris and Fanny Cornforth. Christina Rossetti, his poet sister, modelled for Rossetti’s painting, Ecce Ancilla Domini which you can see here.
For more on the Annunciation, look at my other March 25th post here.
I think I might have enough material to begin my own Cult.
Gregorius I is known as Saint Gregory the Great. Pope from 3 September 590 to his death on 12th March 604. So 12th March is traditionally his feast day. It was changed to September 3rd, the date of his elevation to Pope because 12th March was often in Lent.
His is the 2nd most popular name for Popes. This is the top 18. I guess St Peter was too hard an act to follow, but then there are 6 Pauls?
St Gregory is the patron saint of musicians, singers, students, and teachers. It is traditionally believed he instituted the form of plainsong known as Gregorian Chant. He was a formidable organiser and reformer. He made changes that helped the Catholic tradition survive Arian and Donatist challenges. To read more about the Arian Heresy look at my post on St. Hilary and the Arians.
In the UK St Gregory is venerated with St Augustine for bringing Christianity to the largely pagan Anglo-Saxons. The caption to the illustration above tells the story of how he came to send a mission to the pagan Angles in Briton. It includes his two most famous puns, riffing on the similarity of the words Angles/Angels and Aella/Alleluia. But in between these two he also punned on the name of Aella’s kingdom. This was called Deira which later joined with Bernicia to become the Kingdom of Northumbria. St Gregory said he would save them from the wroth of God which is ‘de ira’ in Latin. The ire of God.
St Augustine’s Mission
In 597AD St Gregory sent St Augustine to Canterbury. His mission to convert the Germanic peoples of the former Roman Province of Britannia. Canterbury was chosen because its King was the ‘Bretwalda’ of Britain. This enigmatic title was given to Britain’s most powerful King. At the time, it was Ethelbert of Kent. He, was married to Bertha, a French Princess already a Christian. So, it was a relatively safe haven for St Augustine’s mission. The King was baptised, shortly, after in Canterbury.
Stained glass window showing the Baptism of King Ethelbert of Kent by St Augustine watched by Queen Bertha. In St Martins Church, Canterbury
Archbishop of London?
The mission came with a plan to recreate the ecclesiastical arrangements set up in the Roman period. From the early 4th Century there were archbishops in the two main capitals at London and York. After Kent was converted, St Augustine sent St Mellitus to London. London was part of the Kingdom of Essex, ruled by St Ethelbert’s nephew, Sæberht. Mellitus established St Pauls Cathedral in AD604 in London. St Paulinus was sent to convert Northumbria and established a Cathedral in York.
Unfortunately, for the plan, Sæberht died. His sons returned to paganism and Mellitus was kicked out. He returned to Canterbury, where he, eventually became Archbishop. Ever since we have had an Archbishop of Canterbury and York and never had an Archbishop of London.
St Martin’s Church, Canterbury – where the Church of England began. Note the Roman tiles in the wall.
St Gregory and England
It is possible to argue (and I do) that St Gregory’s encounter with the Angles is why we are called English. He sent St Augustine to set up the Church of the Angles, not the Church of the Saxons. Saxon was the normal name used by the Romans for Germanic barbarians. The old Roman province of Brittania was by now divided into 3 Saxon Kingdoms. Essex, Wessex, and Sussex. (East, West, and South Saxons). 3 Anglian Kingdom, Mercia, East Anglia and Northumbria. (Middle, East and North Angles). And Kent, which the Venerable Bede says was a Jutish King of Germans from Jutland. These Kingdoms were often at war. After the attacks of the Vikings were beaten back and the conquered Kingdoms were ‘liberated’. The united Kingdom became known as Angeland or England. The Church of England had made the term Anglish/English became a unifying term to unite Angles, Saxons and Jutes. Otherwise, the ‘liberated’ Angles and Jutes would have to swallow being part of Greater Wessex, rubbing in their loss of independence.
St Gregory in Amsterdam
On a visit to Amsterdam and the Rijksmuseum I came across this painting which features Pope Gregory the Great. He is in the left hand part of the Triptych, shown in green kneeling down. It shows Utrecht in the background.
Triptych of the Crucifixion. Showing the vision of the Crucifixion that St Gregory had while celebrating Mass (left). Crucifixion centre. St Christopher (right)
What is fascinating is all the paraphernalia of the Crucifixion above Gregory’s head. You’ll see 30 pieces of silver, dice to decide who gets Jesus’ robes, flails and torture devices, sponge and spear etc. Close up below.
Today is the Feast day of two significant Saints. St Walpurga and St Ethelbert.
St Walpurga
St Walpurgis was a nun at Wimborne in Dorset. She, and her brothers St Willibald and St Winebald, accompanied their uncle, St Boniface of Crediton (in Devon) on his mission to convert the Germans to Christianity. They all became leading figures in the new German Church. Willibald set up the Monastery at Heidenheim, which was a duel monastery housing both Monks and Nuns. His sister, St Walpurga, became Abbess of the Monastery in 761. She died on 25 February 777 or 779 (the records are unclear),
In 870, St. Walpurga remains were ‘translated’ to Eichstätt, which St Willibald had set up as the Diocesan centre of this part of Bavaria. The date of the transfer was the night of April 30th/May 1st. This used to be her feast day, but it was moved to February 25th, to commemorate her death. However, May Eve is now ‘notorious’ as Walpurgis Night. This is the night of May Eve when witches are abroad up to all sorts of mischief, May Day being one of the main pagan festival days. Her body was placed in a rock-cut niche and her bones started exuding an oil called Walpurgis Oil which was said to have medical properties. She was also involved in a miracle of a boat saved in a storm-tossed sea.
For these reasons, Walpurgis is the Saint for battling pest, rabies, whooping cough, storms (and sailors) and witchcraft. Her remains were moved again in 1035 when she was enshrined at the Benedictine Abbey of St. Walburga which was named after her.
Walpurgis Nacht
Terrible things happen on Walpurgis Night in Dracula by Bram Stoker and the night has now become a trope for Heavy Metal Bands, doyens of horror stories and the Satanic. For more on this read my piece on Walpurgis Nacht.
Coincidently, I was reading about the fuss made about a Heavy Metal Band, called a Plague of Angels, playing in the glorious York Minster. A member of the band was saying people should just chill out. But other group members used to be in a band called ‘The Cradle of Filth’. Among their claims for Heavy Metal Fame is that they wore the most controversial t-shirt in heavy metal history. This has a visual of a nun in a compromising position and a slogan saying ‘Jesus is a ……..’ (add your favourite swear word here). All very silly. But it struck a cord with me, as I have a scene in my novel (unpublished) which is based on extreme forms of Heavy Metal Bands. I thought I might have gone over the top, but this story reassures me that extreme Metal can be quite offensive!
Ethelbert is responsible for welcoming the Augustinian Mission to the Angles sent by the Pope, St Gregory. This re-established Christianity in Eastern Britain, and set up the Anglican Church or the Church of England as it became known.
