Category: Heritage

Posted on

St. John’s Day & Summer Solstice June 24th

Hark! hark! The lark at heaven’s gate sings, And Phoebus ‘gins arise, His steeds to water at those springs On chalic’d flowers that lies; And winking Mary-buds begin To ope their golden eyes; With everything that pretty is, My lady sweet, arise: Arise, arise.
Cloten Scene III Cymberline

Arise, O Sun!
Let the Darkness of Night
Fade before the beams of your glorious Radiance

Midsummer, astronomically, is 21st June.  So, summer has started. But, meteorologically speaking it has been here since the beginning of June.

In Christian London celebrations were at their height on the Church’s Midsummer’s Day, 24th June, on the Vigil and Day of St John the Baptist (23rd, 24th June). Stow points the way:

‘every mans doore being shadowed with greene Birch, long Fennel, Saint John wort, Orpin, white Lillies, and such like, garnished upon with Garlands of beautiful flowers, had also Lampes of glasse, with oyle burning in them all the night, some hung out braunches of yron curiously wrought, contayning hundreds of Lampes, light at once, which made a goodly shew, namely in new Fishstreet, Thames Streets, &c’

Survey of London, John Stow

Bonfires from the night before were smouldering, where the ‘wealthier sort’ set out tables, furnished with ‘sweete beade and drinks plentifully’ where ordinary people could rub shoulders with the rich and ‘be merrie with them in great familiaritie’. There were large processions of ‘Captains, Lieutenants, Sergeants, Corporals, &c Wilfers, Drummers, and Fifes, ….Ensign bearers, Sword Players, Trumpeters on horseback, … Gunners, …. Archers, …Pike Men, ….Pageants, and, poor people in straw hats holding cresset lamps to make a show in exchange for a wage. All accompanying the Lord Mayor, Sheriffs each with their own Giants, Henchmen and Pageants from the Little Conduit in Cheape to Aldgate, and back via Fenchurch Street.

Midsummer was a mix of May Day, Halloween and a street festival with ‘Robin Hood games’, bale fires, the ‘summer pole’ dancing, merriment and pervading sense of the uncanny.

First published in 2022, revised and reposted in June 2024

Posted on

The London Equinox and Solstice Walk

Druids at All Hallows, by the Tower
Druids at All Hallows by the Tower


Tuesday June 21st 2022 7.30 pm Tower Hill Underground Station
(meet by the Tower Hill Tram coffee stand) |


We explore London’s History through its celebrations, festivals, calendars, almanacs and its myths and legends.


As the Sun and Moon move around our skies we look at how Londoners organised and celebrated their year throughout history.

The tour is led by Kevin Flude, a former archaeologist at the Museum of London, Curator and Lecturer

One of the most popular forms of publication in London was the Almanac. It was full of seasonal advice, of prophecy, traditional wisdom, and important events past and future. Different cultures, religions and institutions had their own methods of organisation and celebrations. We explore the varied calendars that ruled people’s lives from the prehistoric period to the present.

On the way we look at customs, and folklore of the Celts, Romans, Saxons, and into the Medieval and Modern period. We look at different calendars such as the Pagan year, the Egyptian year, the Roman, Christian, Jewish, Church and Financial years. On the route we discover the people who lived in London and walk through fascinating areas with their deep histories.

This is a London Walks Guided Walk. Look at their web site for a list of other of their amazing walks

To Book: click here

Posted on

PODCAST FOR A VIRTUAL TOUR THROUGH THE WHOLE ISLAND OF GREAT BRITAIN. NO.5 EDINBURGH

View From Edinburgh Castle
View From Edinburgh Castle

This is the Podcast for the Virtual Tour of Edinburgh

To find out or book for the Edinburgh walk and other walks this week end click here

A Virtual Tour Through The Whole Island Of Great Britain. No.5 Edinburgh

Monday 2 May 2022 7 pm

A Virtual Walk Through the Athens of the North

Borrowing my title from Daniel Defoe’s early chorography, my first Circuit is from Chester to Edinburgh. Now on the last stop on this first circuit we are taking a virtual tour of the most extraordinary City – Edinburgh.

Edinburgh is a very unusual City as it was built on the saddle of a hill so its main street runs down the ridge of a hill and the City falls away on either side. This lack of flat land and restricted space led to the City growing upwards. This gave the City an extraordinary density and an unique atmosphere that we will be exploring.

In the Georgian period the City was extended with the addition of a new town quarter which was rationally planned and made a marked contrast on the old Town. Together it gives the Capital of Scotland, a combination of atmospheric and claustrophobic town planning with the elegance of a City that was one of the great Cities of the Enlightenment.

We will begin the virtual walk in the shadow of Arthur’s Seat at the shiny new Scottish Parliament and walk up the Royal Mile from Holyrood to Tollboth, to the Netherbow and onto the Castle at the pinnacle of the City

To Book:

Posted on

BIG WEEKEND OF WALKS (2)

Painting of the Roman Forum of London from the air
Painting of the Roman Forum of London from the air

So on Saturday the 30th I am doing 2 guided walks and one Virtual Walk.

ROMAN LONDON – A LITERARY & ARCHAEOLOGICAL WALK

Saturday 30 April 20/22 11.30 am Monument Underground Station

This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.

We disembark at the Roman Waterfront by the Roman Bridge, and then explore the lives of the citizens as we walk up to the site of the Roman Town Hall, and discuss Roman politics. We proceed through the streets of Roman London, with its vivid and cosmopolitan street life via the Temple of Mithras to finish with Bread and Circus at the Roman Amphitheatre.

Publius Ovidius Naso and Marcus Valerius Martialis will be helped by Kevin Flude, former Museum of London Archaeologist, Museum Curator and Lecturer.

This is a London Walks Guided Walk

To book  https://www.walks.com/our-walks/roman-london-a-literary-archaeological-virtual-tour/

Myths, Legends, May Eve London Guided Walk

Sunday 30th April  2022  2.30pm  

The walk tells the story of London’s myths and legends and the Celtic Festival of Beltane.

The walk begins with the tale of London’s legendary origins in the Bronze Age by an exiled Trojan called Brutus. Stories of Bladud, Bellinus, Bran and Arthur will be interspersed with how they fit in with archaeological discoveries. As we explore the City we also look at evidence for ‘Celtic’ origins of London and how Imbolc may have been celebrated in early London.

The virtual route starts at Tower Hill, then down to the River Thames at Billingsgate, to London Bridge and Southwark Cathedral, to the Roman Forum at the top of Cornhill, into the valley of the River Walbrook, passed the Temple of Mithras, along Cheapside to the Roman Amphitheatre, and finishing up in the shadow of St Pauls

This is a London Walks Virtual Walk. Look at their web site for a list of other of their amazing walks.

To book https://www.eventbrite.co.uk/e/253596322427

This weekend I am also doing two Virtual tours

:
Myths, Legends, May Eve London Virtual Walk

Sunday  30th April  2022  7.30pm  

The walk tells the story of London’s myths and legends and the Celtic Festival of Beltane

To book  https://www.eventbrite.co.uk/e/myths-legends-may-day-london-virtual-walk-tickets-251923047617

And on Monday evening

A Virtual Tour Through The Whole Island Of Great Britain.  No.5 Edinburgh

 Monday  2 May 2022 7 pm

A Virtual Walk Through the Athens of the North

To book  https://www.eventbrite.co.uk/e/256923664597

Hope to see you this weekend.

Posted on

MISUNDERSTANDING THE ROMAN WALL AT TOWER HILL

Roman and Medieval Town Wall at Tower Hill, London
Roman and Medieval Town Wall at Tower Hill, London

Yesterday I had a meeting with a couple of archaeologists at Tower Hill to discuss my recent letter to the London Archaeologist which suggests a piece of conservation of the wall was wrong and based on an misunderstanding of the physical remains. To my relief they agreed with my assessment of the wall and we agreed to follow it up.

It is a complex issue and I will try to upload a copy of the report at the bottom of this page. But briefly. at some point in the past the inner face of part of the wall collapsed (the piece closest to the camera). You can see that only the bottom Roman tile courses continue to the camera end of the wall – the ones above were swept away in the collapse on the inner face, they survived on the outer face.

The section just visible at the front used to show this collapse graphically because only half of the width of the tile courses survived (i.e. on the outer face not the inner face.) At some point someone in the 1980s picked up some fragments of the tile and stuck them superficially on the wall to complete the tile courses. This shows a complete lack of understanding of the archaeology of the wall and ignores the collapse. You can just see the end of that false tile course a few feet above the bottom genuine Roman tile course.

Not a great nor important bit of history but the Wall Walk plaque is wrong on this matter too so it would be good to get that changed.

Its difficult to date the original collapse but the wall at the top looks clearly medieval.

What was even more exciting is that while waiting for the archaeologists to turn up I was looking from afar at the section above. If you look very carefully at the wall nearest the camera you will see a few feet above the bottom of the wall a string of stones which are aligned to the Roman tile course and it seems that whoever recreated this section of the Roman wall after the collapse tried to copy the Roman wall but did not have any tiles so did it in stone. This part of the ‘repair’ is clearly different in style to the medieval repair above (although I had not noticed the difference in 40 years of looking at this wall).

I was very excited about this and thought maybe this is Post Roman work, because it is different to the section above which is medieval, and mimicking or continuing the Roman design the Roman. Identifying a pre-Medieval repair to the wall would be, I think, unique.

I pointed it out to Jane Sidell and Jenny Hall, and they were also interested in this finding. Jane pointed out that it seems that whoever did this seems to have been copying the Roman core of the wall just to the left, rather than copying the original Roman inner face which you can see at the end of the wall away from the camera. She thought it was more likely to have been a 19th or 20th Century repair. But we are following it up.

Here is the letter as published in London Archaeologist Vol.16 No. 2 / Autumn 2020

LonArch-16-02-08-Roman-Wall-letter-PRESSDownload

A longer and more extensively illustrated version is available to see here:

Posted on

SLAVE TRADER ROBERT MILLIGAN TO BE ‘CONTEXTUALISED’ INSIDE MUSEUM

Robert Milligan before removal

Robert Milligan once reigned supreme outside the Museum of London in Docklands as a representative of the West Indies merchants who proudly set up the West Indies docks. Now he has been removed from his prestigious position and acquired by the Museum of London. Their Docklands Museum can be seen behind the statue in this sketch. According to a statement by the Museums Association he will be ‘fully contextualised’ in the museum. The docks were set up to to maximise profits from the slave driven sugar plantations in the West Indies. Milligan was the Deputy Chairman of the project.

The museum has an excellent display on the slave trade.

Sorry for gap in posts as I’m recovering from surgery following an accident whereby a taxi driver opened his door and knocked me off my push bike so typing one handed and dealing with images is quite difficult at present. Please adopt the ‘Dutch Reach’ when opening car doors and be careful.

Posted on

BIG WEEKEND OF WALKS!

Bootham Bar with York Minter in the background
Bootham Bar with York Minter in the background photo Kevin Flude

I’m doing a virtual tour of York tonight at 7pm.

Then, tomorrow, two proper real walks in the fresh air:

a Literary and Archaeological walk of Roman London at 11.30

a Spring Equinox Walk at 2.30.

and I then dash hope to repeat the Equinox Walk as a virtual tour.

Links to the walks here:

And the Sunday was ruined bt the taxi driver who knocked me off my bike!

Posted on

CHAUCER, ST MARY-AT-HILL & ST MARGARET PATTENS

St. Mary-at-Hill, by Christopher Wren, photo K Flude

So, having finished a walk around Chaucer’s London for a mother and her two very bright home educated children. I had to walk back over London Bridge and through the City to Aldgate where Chaucer used to live (and where I had parked my bike).

I took a couple of short cuts which I don’t usually take although often in and around this area. St Mary in Lovat Lane was open so I went in to find this amazing relief.

Judgement Day Relief Sculpture by workshop of Joshua Marshall c 1670

The panel beside it suggests its a sculpture of hope. Well yes, of sorts, if by hope you mean, facing your maker. It represents scenes from the end of days from the Book of Revelation. Jesus stands on a skull, trampling upon Satan, and below the heavenly clouds the Archangels, direct the newly risen from the coffins and graveyards to the Day of Judgement.

St Mary-at-Hill

I then went past St Margaret Pattens, another Wren Church and was delighted to see a little display on pattens – overshoes worn to keep shoes clean. My ancestor was a beadle for the Patten makers.

St Margaret Pattens, Guild Church to the Pattenmakers & the Basketmakers.

Posted on

HERITAGE WITH MY GRANDSON 2 – BRITISH LIBRARY & MUSEUM

Arlo at the Beethoven Exhibition, British Library, March 2022

For our next outing we went to the British Library but Arlo didn’t like the Beethoven exhibition. It was too dark and nothing to surreptitiously climb on. He definitely does not like dark exhibitions which is a shame because it seems to be the design idea of the moment. The Nero and the Stonehenge exhibitions were also dark spaces working on creating atmospheric views using bright colours, spot lighting and spectacular objects. But it doesn’t work for a 20 month old.

Nor did the largely text based Paul McCartney’s Lyrics exhibition attract a second of his attention. ‘Paul who?’ he seemed to be saying as we stumped past to the very quiet sound of ‘Hey Jude’.

What he did like was the escalators. We went up and down, and up and down, and then onto the second set where we repeated the repeat.

British Library – note the escalator to the right

And down and back again, and no time to see the enigma machine. We ate in the upstairs Restaurant which is a really pleasant place to spend a lunch time.

Enigma Machine, British Library

Time for him to have a sleep so we walked to the British Museum through Bloomsbury without much sign that he he would nod off. But we found a couple of interesting revolutionaries of the 19th Century en-route.

Plaque to Robert Owen ‘father of the Cooperative Movement’, Burton Street

Then to Cartwright Gardens named after John Cartwright, called ‘the Father of Reform’. He had quite an amazing life. He refused to serve in the Navy as he would not fight against the American Colonists in the War of Independence. He supported reform of Parliament, universal suffrage, annual Parliaments and secret ballots.

John Cartwright Statue Cartwright Gardens.

The milk soon did its job and Arlo was asleep, so I took him to the Member’s Room for a cup of tea while he slept. I could keep an eye on the book trolley selling my book! (just behind Arlo’s head).

Sleep in the Member’s Room overlooking the Great Court

When he woke we whizzed around the third Floor but Arlo was reluctant to leave his buggy because it was much more crowded than our last visit when he was able to run free around the galleries which he loved. So, I could look at some old favourites like the Portland Vase. This by the way was smashed into hundreds of pieces and very beautifully restored. In 1848 a drunken visitor threw a sculpture into the case and smashed the vase. It was restored but 37 pieces were separated and, by luck, survived until 1988 when the vase was reunited with the pieces and expertly restored.

The Portland Vase – 15BC = 25AD Cameo Glass
Plate Cameo Glass 15BC – 25AD