The Jorvik Viking Festival February 2025

Screen shot from the Jorvik Viking Festival Site showing all the fun to be had if the Vikings invade your town!

The annual Jorvik Viking Festival is on from Monday 17th – Sunday 23rd February 2025 in York. The illustration above show there are Viking Trails, Feasts, Crafting, Berzerkering and encamping. And more! Visit the web site here.

The excavations under the floor of the Jorvik Centre. Photo K. Flude

York or Jorvik as the Vikings knew it as, has become the centre of all things Viking in the UK. Viking York came to the fore with the Coppergate Excavations in the 1980s. Underneath what is now a shopping mall and Primark, were the streets of Viking York in all its waterlogged glory. The waterlogging allowed the survival of organic material that rarely survives.

Excavation of Jorvik visible under the floor of the Museum. Photo By Chemical Engineer – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=58524883

At the time, the excavations were a sensation. York Archaeological Trust made a bold decision to turn part of the site into a ‘Dark Ride Experience’. The remnants of the excavation were preserved under glass, and nearby a replica of the townscape was created. Tourists sat in ‘cars’ with an audio guide and given a guided tour. It was very successful. The extensive profits were used for other York Archaeological Trust projects such as the reconstruction of medieval Barley Hall. Other historic towns followed suit and soon there were Dark Rides in Canterbury, London, Oxford and others. All, as far as I know have died a death except for the Jorvik Centre which continues to enthral visitors to York.

Tableau from the Jorvik Centre with Fishermen working. Photo By Chemical Engineer – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=58524883

The next best thing about Vikings are their colourfull names. Jorvik history vibrates with the deeds of ‘Ivan the Boneless’, Sihtric ‘the Squinty-eyed’and Erik Bloodaxe. For more on nicknames read my post!

First Published in February 2025

Pax, the Concordia Peace Festival, Elagabalus, and Carausius January 29th

Photo from ebay sale of coin of Carausius, showing the reverse with image of the Roman Goddess Pax.

The Goddess Book of Days (Diane Stein) lists today as the birthday of Pax and her Greek equivalent Irene. She is the Goddess of Peace and the daughter of Jupiter and the Justitia, Goddess of Justice. This suggests that a lasting peace can only be assured by strength and justice. The usurping Emperor Carausius (whose coin you can see above) had good reason to use Pax on his coins. He took control of Britain and some of Gaul from the Roman Empire. But he seems hoped he might rule alongside the Tetrachy of Emperors set up by Diocletian.

This is what Eutropius wrote:

Image of a quotation by Eutropius translation from 'Literary Sources for Roman Britain.' and from

He was murdered by Allectus his financial minister in 296AD. Text above taken from my book In Their Own Words where you can read the rest of Carausius’ story.

Concordia

The Goddess book also says this is the day of the Concordia Peace Festival in Rome. Concordia is the Goddess of agreement, in war, marriage and in civic society. Harmonia is the Greek equivalent. Ovid has special days to Concordia on January 17th and January 30th. I’m led to the idea that much of January was dedicated to Concordia and Pax. For more on Concordia, look at my January 17th post here.

Pax in Ovid

Pax had her festival on the 30th January. Ovid in Fasti writes:

Book I: January 30
My song has led to the altar of Peace itself.
This day is the second from the month’s end.
Come, Peace, your graceful tresses wreathed
With laurel of Actium: stay gently in this world.
While we lack enemies, or cause for triumphs:
You’ll be a greater glory to our leaders than war.
May the soldier be armed to defend against arms,
And the trumpet blare only for processions.
May the world far and near fear the sons of Aeneas,
And let any land that feared Rome too little, love her.
Priests, add incense to the peaceful flames,
Let a shining sacrifice fall, brow wet with wine,
And ask the gods who favour pious prayer
That the house that brings peace, may so endure.
Now the first part of my labour is complete,
And as its month ends, so does this book.

Translated by A. S. Kline 2004 (Tony has a lovely site here: where he makes his translations freely available.)

Concordia, Julia Aquilia Severa & Elagabalus

Roman coin, showing both sides, of the Goddess Concordia
A patera is a sacrificial bowl, and a cornucopia is a horn of plenty (Image from Wikipedia)

The coin above is of Julia Aquilia Severa. She was a vestal virgin, who married the Emperor Elagabalus (c. 204 – 11/12 March 222). She was his 2nd and 4th wife. Normally, a vestal virgin was buried alive, if she lost her virginity.

But I probably should say ‘her 2nd and 4th wife’ as some sources suggest Elgabalus wanted to be known as a woman. The Wikipedia page of his wife has Elagabalus with the pronoun, ‘Her’. While the Emperor’s own web page uses him throughout. He or she married several women and was said by some to be married to several men. They were also accused of prostituting themself in Taverns and Brothels. Clear? Confusing pronouns? Sorry to hedge my bets, but we don’t know what Elagabalus would want us to use? Wikipedia says:

‘In November 2023, the North Hertfordshire Museum in Hitchin, United Kingdom, announced that Elagabalus would be considered as transgender and hence referred to with female pronouns in its exhibits due to claims that the emperor had said “call me not Lord, for I am a Lady”‘

Elagabalus was born Sextus Varius Avitus Bassianus. He adopted the name of Elagabalus as he was a supporter of Syrian Sun God Elagabal. He, a Syrian, wanted to promote the God to the top of the Roman Pantheon of Gods. Varius rose to power partly because of his strong Grandmother, Julia Maesa. She was the sister of Julia Domna, the wife of African Emperor Septimus Severus (who lived for some time in York). Their children are the Emperors depicted in Gladiator II starring Paul Mescal.

Elagabalus’s reign was fairly chaotic. He lost power, when his Grandmother transferred support to his cousin, Alexander, and Elagabalus and his mother were assassinated.

Here, is a fascinating article in the Guardian about the Pax Romana. ‘Their heads were nailed to trees.’

Pax & Tagging

Posh boys in England, playing tagging games, used to shout ‘Pax’ to claim immunity or to call a temporary halt in the contest. I remember my childhood friends using the word ‘vainites’ as well as pax. But we were not by any means posh. There are many other ‘truce’ terms used in tagging games. They are listed in this fascinating. Wikipedia page. From which I discover that Vainites comes from the medieval period and means: ‘to make excuses, hang back or back out of battle’.

First Published in January 2024, and revised, expanded and retitled in January 2025

Gilbert White & The Cold of January 1776 January 28th

Photo of London Fields in the snow of 2022
Photo of London Fields in the snow of 2022 by Kevin Flude

January 1776:

‘On the 27th much snow fell all day, and in the evening the frost became very intense. At South Lambeth, for the four following nights, the thermometer fell to 7, 6, 6, and at Selborne to 7, 6, 10, and on the 3ist of January , just before sunrise, with rime on the trees and on the tube of the glass, the quicksilver sunk exactly to zero, being 32 degrees below the freezing point’ Gilbert White

Gilbert White and Darwin

He, of course, is talking Fahrenheit, so well below zero. If there was a Giant upon whose shoulders Charles Darwin climbed, then it was Gilbert White’s. He was one of many churchmen of the 18th and 19th Century who spent their extensive leisure time, on observing God’s wonderful creation in their gardens and parishes. What made White so important was that his practice was ‘observing narrowly’ and regularly. For example, his observations of the importance of earth worms were fundamental to Charles Darwin’s own studies. When Darwin came back from his travels on the Beagle, he settled in a country property in Orpington. Like White, he used his garden and the local area as his laboratory. Here he worked to prove his theory of evolution.

Gilbert White and Earth worms

Earth worms were one of Darwin’s passions. This is what Gilbert White wrote about their contribution to nature:

“Earth-worms, though in appearance a small and despicable link in the chain of Nature, yet, if lost, would make a lamentable chasm. For, to say nothing of half the birds, and some quadrupeds which are almost entirely supported by them, worms seem to be the great promoters of vegetation, by boring, perforating, and loosening the soil, and rendering it pervious to rains and the fibres of plants, and, most of all, by throwing up such infinite numbers of lumps of earth called worm-casts, which, being their excrement, is a fine manure for grain and grass.”

(Quoted from https://gilbertwhiteshouse.org.uk)

By such minute and repeated observations, Gilbert White investigated the food chain, and the migration of birds (which was at the time disputed). He laid the foundations of what we now call ecology.

He became Dean of Oriel College in Oxford. But chose to spend his career in the relatively humble occupation of Curate. A Curate is the bottom-feeder in the Anglican Church food chain. A Curate hardly earned enough to maintain a position in the Gentry (£50 p.a.). Although, White was upgraded to the title of Perpetual Curate. He still would only be pulling in, I guess, something like £200 p.a. Patrick Bronte was also a Perpetual Curate, it really means a Vicar but without a Parish.

Financially, White didn’t need much, he inherited his father’s property at Shelborne, Hampshire. White’s grandfather was the Vicar at Shelborne. But Gilbert could not inherit the title because he went to Oriel College. The ‘living’ of the Parish of Shelborne was ‘in the gift of’ Magdalen College. And they were not going to give the role to an alumnus of a rival college.

Gilbert White & The Austen Family

The house, now open to the public, is just around the corner from Chawton. This is where Jane Austen spent her last years. He was born in 1720; was 55 when Austen was born, and he died in 1793, when she was 18. He lived 4 miles away, so the families knew of each other. We know Jane Austen’s brother wrote a poem about Gilbert White and his natural history observations, particularly on birds.

From ‘Selbourne Hanger’ by James Austen

Who talks of rational delight }
When Selbourne’s Hill appears in sight }
And does not think of Gilbert White? }
Such sure he was – by Nature grac’d
With her best gift of genuine taste;
And Providence – which cast his lot
Within this calm, secluded spot,
Plac’d him where best th’enquiring mind
Might study Nature’s works, and find
Within her ever open book
Beauties which others overlook.
Enthusiast sweet! Your vivid style
The attentive reader can beguile
Through many a page, and still excite
An Interest in what you write!
For whilst observant you describe
The habits of the feathery tribe
Their Loves and Wars – their nest and Song,
We never think the tale too long.

For more information on White and Austen, go to Gilbert White’s House’s web page here:

More Snow!

Here is more of that epic cold January 1776

‘On the 27th much snow fell all day, and in the evening the frost became very intense. At South Lambeth, for the four following nights, the thermometer fell to n, 7, 6, 6, and at Selborne to 7, 6, 10, and on the 3ist of January ‘, just before sunrise, with rime on the trees and on the tube of the glass, the quicksilver sunk exactly to zero, being 32 degrees below the freezing point ; but by eleven in the morning, though in the shade, it sprang up to I6J,1 — a most unusual degree of cold this for the south of England \ During these four nights the cold was so penetrating that it occasioned ice in warm chambers and under beds ; and in the day the wind was so keen that persons of robust constitutions could scarcely endure to face it. The Thames was at once so frozen over both above and below bridge that crowds ran about on the ice. The streets were now strangely encumbered with snow, which crumbled and trod dusty ; and, turning grey, resembled bay-salt : what had fallen on the roofs was so perfectly dry that, from first to last, it lay twenty-six days on the houses in the city ; a longer time than had been remembered by the oldest housekeepers living…..’

‘The consequences of this severity were, that in Hampshire, at the melting of the snow, the wheat looked well, and the turnips came forth little injured. The laurels and laurustines were somewhat damaged, but only in hot aspects. No evergreens were quite destroyed ; and not half the damage sustained that befell in January, 1768. Those laurels that were a little scorched on the south-sides were perfectly untouched on their north-sides. The care taken to shake the snow day by day from the branches seemed greatly to avail the author’s evergreens. A neighbour’s laurel-hedge, in a high situation, and facing to the north, was perfectly green and vigorous ; and the Portugal laurels remained unhurt.’

‘We had steady frost on to the 25th, when the thermometer in the morning was down to 10 with us, and at Newton only to 21. Strong frost continued till the 3ist, when some tendency to thaw was observed ; and, by January the 3d, 1785, the thaw was confirmed, and some rain fell.’

Rosemary flowering in december
Rosemary flowering in my garden, photo by Kevin Flude

Gilbert White’s House is open to the public and also contains a display on Lawrence Oates, who died on Scots Antarctic expedition. For more information look at my post.

There is another mention of Gilbert White in the Almanac of the Past here.

Foods in Season

Here, as a bonus, are food stuffs that are in season now.

Wild Greens: Chickweed, hairy bittercress, dandelion leaves, sow thistle, winter cress

Vegetables: Forced Rhubarb, purple sprouting broccoli, carrots, brussels sprouts, turnips, beetroot, spinach, kale, chard, leeks, Jerusalem artichokes, lettuces, chicory, cauliflowers, cabbages, celeriac, swedes

Herbs: Winter savory, parsley, chervil, coriander, rosemary, bay, sage

Cheeses: Stilton, Lanark Blue

(from the Almanac by Lia Leendertz)

The last section posted originally in 2023, the part on Gilbert White written on 28th January 2024, revised 2025

Burn’s Night January 25th

Edinburgh Writer’s Museum ‘Burn’s Monument from Campbell’s Close Canongate’ by John Bell. The Burn’s Monument is is on the hill in the background.

Burn’s Night is an increasingly important date on the calendar of Scotland’s Cultural Heritage. Wikipedia says it began:

at Burn’s Cottage in Ayrshire by Burns’s friends, on 21 July 1801

This was 5 years after his death. It is now celebrated around the world, making clear the importance of Robert Burns.

Burns himself would have been astonished at the spread of Burn’s Night. He was modest about his attainments, saying, in his introduction to the Commonplace Book:

‘As he was but little indebted to scholastic education, and bred at a plough-tail, his performance must be strongly tinctured with his unpolished rustic way of life. ‘

To celebrate Burn’s Night here is one of his most famous works. Also have a look at my post on his great narrative poem, Tam O’Shanter and the Cutty Shark.

Address to a Haggis

Fair fa’ your honest, sonsie face,
Great Chieftain o’ the Puddin-race!
Aboon them a’ ye tak your place,
Painch, tripe, or thairm:
Weel are ye wordy of a grace
As lang ‘s my arm.

The groaning trencher there ye fill,
Your hurdies like a distant hill,
Your pin wad help to mend a mill
In time o’ need,
While thro’ your pores the dews distil
Like amber bead.

His knife see Rustic-labour dight,
An’ cut ye up wi’ ready slight,
Trenching your gushing entrails bright,
Like onie ditch;
And then, O what a glorious sight,
Warm-reekin, rich!

(for the other five verses have a wee lookie here)

The Writer’s Museum

Often bypassed by the tourists on a visit to the wonderful City of Edinburgh is the Writer’s Museum. It is in one of those remarkable Tower houses which seem unique to the High Street in Edinburgh. Inside, it gives a great introduction to the great writers of Scotland.

Is it not strange’ wrote philosopher David Hume in 1757 ‘that a time when we have lost our Princes, our Parliament, Independent Government …..that we shou’d really be the people most distinguish’d for literature in Europe?’ (source: Museum display panel)

Edinburgh Writer’s Museum Burns, Scott, Stevenson.
A Visual for Burn’s Night ‘Window in the Writer’s Museum, Edinburgh’ Photo by K Flude
Writer’s Museum photo K. Flude

First published Jan 2023, republished Jan 2024, 2025

December 21 – Reflections on the Solstice

The Solstice and the East Pediment of the Parthenon

British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles

At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.

Pediment Sculptures Photo by Nicole Baster on Unsplash

At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.

Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.

Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.

Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.

Zeus (sitting) Hephastus to right (looking back with Axe)  Athena just visible above Zeus's head
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head

So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.

Hestia, Dione, Aphrodite, Horse of Selene’s chariot

To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.

The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.

Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.

So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.

Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.

Sculptures from the east pediment of the Parthenon
Sculptures from the east pediment of the Parthenon

I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.

Originally written in 2022 and revised 2024

Ashmolean Advent Calendar, William Burges & the Singing Pierides December 12th

The Great Bookcase by William Burges Ashmolean Museum (Photo K. Flude)

The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting. Last year, December 12th’s choice was a netsuke; the year before the Singing Pierides painted by Henry Stacy Marks which you can see on the bottom of the Great Bookcase by William Burges (above).

This year it was a nuragi bronze age stature of a shepherd, a screen shot of which I show below.

The Nuragic culture in Sardinian is not well known. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland, and they created these marvellous bronze statuettes which give a real insight into life in the Bronze Age. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean or they may not.

Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum and look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really bring the people to life depicted in the statues. They are mostly warriors, but there are also people who seem to have more normal trades such as shepherd and baker.

Here is my slight adaption of one of the drawings

A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis

What you can see is some detail of the clothes and the knife belt around the torso and under the cloak, and a living person appears before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture and you can see some of the bronzes here.

On December 12th 2022, the Advent calendar, which you can access here, highlighted the Great Bookcase by William Burgess and in particular the paintings above which are the Singing Pierides painted by Henry Stacy Marks. The Pierides, were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won and had the Pierides turned into songbirds as a warning to all those who overrate their own talents! Watch out all you karaoke singers the Goddesses may have you in their sights!

‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.

Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’

Antoninus LiberalisMetamorphoses (wikipedia)

The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in the Royal Horticultural Society’s gardens (now the Science and Natural History Museum).

Engraving of the International exhibition of 1862, Cromwell Road

Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters, 14 of whom he asked to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).

Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024

How to make a Dish of Snow & Ice Houses, November 29th

Photo Zdenek Machacek -unsplash

There is a 0% chance of snow, in London and 20% in Glen Shee, Scotland, according to the Snow Risk Forecast. And here is an appropriate medieval recipe:

To make a dish of Snowe

Take a potte of sweete thicke creme and the white of eight egges and beate them altogether with a spoone then putte them into your creame with a dish full of Rose Water and a dishfull of Sugar withall then take a sticke and make it cleane and then cutt it in the ende fowre square and therewith beate all the aforesayd thinges together and ever as it ariseth take it of and putte it into a Cullander thys done take a platter and set an aple in the middest of it and sticke a thicke bush of Rosemarye in the apple then cast your snowe upon the rosemarye and fill your platter therewith and if you have wafers cast some withall and thus serve them forth

From Medieval Manuscripts, British Library. Blog. https://blogs.bl.uk/digitisedmanuscripts/medieval-history/page/2/

BF – Before Fridges

Before fridges, snow gave the chance for ice cream and other cold desserts. The problem was keeping it for longer than the cold spell. So many Stately Homes had ice-houses. The V&A had an ice-house just outside their glorious, Henry Cole commissioned restaurant. There is an ice house preserved at the Canal Museum, in Kings Cross. It was set up by Carlo Gatti in 1857 to store ice shipped in from Norway. Another one, in Holland Park, dates from 1770 and served the infamous Fox family (PM Charles James Fox etc).

The first ice house was in Mesopotamian, but in the UK they were introduced by James 1 at his palaces in, first, Greenwich Park, and then Hampton Court. An ice house generally consists of a pit in the ground, brick lined, which tapered to a point. Above was a circular, often domed building. The ice was protected by insulation such as straw, and this structure would allow ice to be available all through the summer.

Ice House Dillington, Somerset
Ice House Dillington, Somerset

My great-grandmother hung a basket outside the window in winter to keep things cold. On my fridge-less narrow boat, I have been known to keep milk and butter outside the door, and to suspend and submerge wine in a plastic bag in the canal in high summer. Butteries and Pantry’s were typically cut into the ground to make them cooler. A Roman Warehouse in Southwark, of which the wooden floor still survived, had a ramp down to the floor which was cut into the ground surface. The ramp suggests it was used for storing barrels where they were kept cool.

Sketch of Roman Warehouse found in Southwark.

For more on Icehouses (and an Icehouse in York) and the history of ice cream, see my post from August.

Written November 28th 2022, revised and republished 2023, 2024

Jimi Hendrix in London November 27th

Jimi Hendrix in Montague Place

To my mind, THE genius of the electric guitar, and a great songwriter.

Born Johnny Allen Hendrix in Seattle on 27th November 1942. He was spotted by ex-Animals Chas Chandler (bassist) when performing in small cafés In New York as Jimmy James. Chandler suggested he came to England. On the flight, they decided to change his name to Jimi. He arrived on September 24, 1966.

“It’s a different kind of atmosphere here. People are more mild-mannered. I like all the little streets and the boutiques. It’s like a kind of fairyland”

https://www.independent.co.uk Jimi Hendrix’s London.

On his first day in London, he met Kathy Etchingham, and she found them a flat on the upper floors of 23 Brook Street, which is now part of Handel&Hendrix in London. This is a a small museum to the two musical giants who lived next door to each other (if they were time travellers that is!).

For the English middle class, it’s comforting to know that Jimi bought the furnishings of the flat from their favourite, the nearby John Lewis Department store. However, he got his swinging 60s look from Carnaby Street and Portobello Road Market.

London wasn’t an arbitrary choice for a young American Bluesman. The wave of British Bands that came to international prominence in 1964, was based on the almost forgotten (by the mainstream media) Black American Blues legends such as Woody Guthrie and Ledbelly. Bands like the Rolling Stones, the Beatles, and the Animals loved this music, and began their careers playing cover versions in Clubs in London. (For more on the British Blues Revival, look here🙂

Hendrix’s younger brother, Leon, spoke about the importance of London to Hendrix

“He loved England ‘cos it was like Seattle. It was like home. It was the same climate, y’know? And this is where all the music was. This is where all of his friends were – Eric Clapton, The Beatles, the Rolling Stones, Brian Jones, everybody…”

He concluded: “After people played, they all went and jammed together. Like, when Jimi played a concert that was only the warm-up… After the concert, he was out and about lookin’ for somebody to play with and somebody’s studio to jam at. They’d just be jammin’ all night ’til, like, seven or eight in the morning. It was awesome.”

Reported in Mouth Magazine 2018 and quoted in https://faroutmagazine.co.uk

Chas Chandler was interested in managing bands, and thought Hey Joe, which he heard Hendrix play, could be a hit single. Hey Joe got to no 6, in January 1967) in the UK Top Ten, but failed to make an impression in the US.

Here is a YouTube film of Hendrix playing ‘Hey Joe’.

The Independent website above gives a good guide to Hendrix in London. An excellent documentary on Hendrix was recently aired on BBC Sounds, Everything but the Guitar.

Finally, have a look at this bill for bands on at the Saville Theatre.

One month in 60s London!

For details of Hendix Gigs look at the Set list Web site, which shows he performed at the Saville Theatre in Jan,May and June 1967 on his First European Tour, and again in Aug and Oct on his 2nd European Tour.

On this Day:

Eels are now in Season. (for Eels, Eel Pie Island, and its amazing musical heritage click here🙂

1703The Great Storm

About one this morning, the terrible storm arose, which continued till past seven, the wind southwest, the light not known in the memory of man; blew down a vast number of the tops of houses, Chimneys, etc.; the damage incredible., the lady Nicholas and a great many people killed and many wounded: most of the boats and barges forced ashore; an East India ship cast away near Blackwall, besides several merchant ships and colliers; divers of the great trees in St James’s Park, Temple Grayes Inn, etc, blown down; and we are apprehensive we shall hear of great losses at sea.

From Narcissus Luttrell, diary, 1703, quoted from ‘A London Year’ compiled by Travis Elborough and Nick Rennison, you

First published on Nov 27th 2022, as part of Stir Up Sunday! And revised onto its own page on the same day, 2023, and updated 2024.

Stir Up Sunday! November 26th

1803 Christmas Cartoon of Napoleon and Mr and Mrs John Bull
By William Holland, 1803

Stir-up Sunday is the last Sunday before advent and the day for stirring the Christmas Pudding. And I missed it! Last year it was on the 26th, but this year it was the 24th November. So, to make up for it here is a digression on the subject of nicknames, prompted by my ‘rediscovery’ of a History Today essay from March 2023 by PhD student Tristan Alphey. entitled ‘Toad Testicles, Foul-Beard and Broad-Arse’ Tristan is researching nicknames before 1000. It’s a tough gig but someone had to do it!

I have long had an interest in nicknames, since a school bully, when I was about 7, decided he was going to call me Acid. He explained his logic. Flude sounds like fluid and ccid is a fluid. It never caught on perhaps because chanting ‘Fludey is a rudey’ or a nudey, whichever was the fancy of the day, in the playground was more fun! In my dad’s day anyone called Clarke was nicknamed Nobby, and anyone small ‘Lofty’. But generally only a few people got themselves primarily identified by nicknames. This will, of course, be the meat of Tristan’s PhD. The social significance of the nicknames.

My interest was revived when reading a book about the Border Reivers, (by Allistair Moffet). These clans terrorised the borders between Northumberland and Scotland, particularly in the 13th – 17th Century. The people were controlled by a clan leader of ‘Heidsman’ and all his followers being in the same clan had the same surname. And the Names were many Armstrongs, Batesons, Bells, Croziers, Elliots, Glendinnings, Hendersons, Irvines, Johnstones, Scots, Moffets, Nixons, Routledges, Thomsons, Maxwells, Kers, And not to forget the Carletons, Fenwicks, Forsters, Robsons, Turnballs, Selbys, Storeys, Guthries.

The problem arose because there were so many with the same surname, and with the restricted use of a small number of first names (John being by far the most popular) a way of differentiating people was necessary. As I am short of time, I will cut and past from the Wikipedia page:

Some Border Reiver nicknames referred to physical injuries or impairments, such as “Fingerless,” “Gleyed” (blind in one eye), “Burnt Hand,” “Half-Lugs,” or “Lugless” (missing ears). Others followed a tradition similar to Highland naming customs, where the father’s (and occasionally the mother’s) name was added to the son. Many nicknames described physical appearance, such as “Black Heid,” “Hen-Heid,” “Sweet Milk” (meaning beautiful), or “Fergus the Plump.” Some appear to reference mental health or emotional states, including “Unhappy Anthone” and “Jock Unhappy.”‘

A number of nicknames seem metonymic or ironic, reflecting professions or roles, such as “The Sheriff,” “The Lawyer,” or “The Priest.” Intriguingly, certain names may hint at queer or LGBT identities, including “Buggerback,” “The Lady Elliot,” “The Lady Scott,” “The Lady Kerr,” “Bang-tail,”[108] and “Sym ‘the Lady’.” Other nicknames defy easy interpretation, such as “Hob-Wait-About-Him,” “Laird-Give-Me-Little,” “Bide Him Jock,” “the Pleg,” “Dog-Pyntle” (Dog Penis),[109] “Geordie Go Wi Him,” and “Cheesebelly,” illustrating the creative and often enigmatic nature of Border Reiver culture.’ Wikipedia entry

By the way ‘Buggerback’ Elliot was related to ‘the Lady Elliot’, and also, if I recall correctly, to Dog pyntle.

Tristan Alphey’s study takes the study back before 1100, wherewe can find King’s nicknames such as

Edward the Confessor, Alfred the Great, Edmund Ironsides, and Aethelred the Ill-advised (redeless). Further down the scale he presents: Alfred ‘Toad-Testicles from Winchester, where were also Alwin ‘Pebbles, Aelfstan ‘Broad-Arse’, Aelfstan ‘the Bald’, Thurstand ‘Buttock’ Aethelstan ‘The fat’ Osferth ‘Blackbeard’, Aelfstan ‘Limping’. Elsewhere we have Alvin ‘Sardine’, Wulfric ‘Large Pole’, Eadwig ‘the Wholly Drunk’, Wulfwiug ‘Wild’, Aelfric ‘Foul-Beard’.

Women are less frequently given nicknames, but we have Athelgifu ‘the Good’ and King Harold’s first wife, the beautiful Edith ‘Swan-Neck’. She must have been, mustn’t she?

To finish my look at nicknames, we go to Viking York among whom are the peerless warriors: ‘Ivan the Boneless’, Sihtric ‘the Squinty-eyed’and Erik Bloodaxe. Other Vikings include Thorkell the Tall and Thorkell Thorfinn.

And now back to ‘Stir-up Sunday’! It gets its name from the Book of Common Prayer, which has a verse:

“Stir-up, we beseech thee, O Lord, the wills of thy faithful people;
that they, plenteously bringing forth the fruit of good works,
may of thee be plenteously rewarded, through Jesus Christ, our Lord. Amen.’

So, the Christmas pudding was made with dried fruit and had 13 ingredients for Jesus and the Disciples. It is stirred from west to east, in honour of the Three Wise Men, and stirred by every member of the household who get to make a secret wish.

Here is a recipe.

Normally, a coin in put in the pudding for the lucky one to get. My grandma, a Londoner, used to put in a couple of ‘silver joeys’, long out of legal tender when I was young. She would watch us like a hawk while we ate, and claim the coins back as soon as we found them! She would then put them in an old folded brown envelope and put them away for next year.

MJ Hughes Coins website gives the following excellent history of the Silver Joey:

Originally a Joey was the nickname given to a groat (4 pence) but when that went out of circulation in 1855 the silver 3 pence inherited the name. The name came about due to the reintroduction of 4 pence coins in the 1830s by the politician Joseph Hume, MP (1777-1855).

For some great, coin-based facts! Look no further.

First Published Nov 27th 2022. The Jimi Hendrix content transferred to its own page, and this post republished Nov 26th 2023, revised with a section on nicknames in 2024

Gordon Russell, the Mosquito and Broadway November 14th

De Havilland DH.98 Mosquito B Mk IV Series 2n (Wikipedia CCO)

On November 14th, 1940 on the night of the Coventry blitz, a bomb dropped on a barn in a beautiful village in the Cotswolds. Broadway is a tourist attraction and was known as one of the most beautiful villages in Britain when it was the playground for many artists, writers, actors, designers and other bohemians of the late 19th Century. The Coventry raid was the most concentrated bombing raid on a UK town in the War. Why the pilot chose to drop bombs on Broadway is not known, but probably to get rid of unused bombs, on his way home and not targeted specially on Broadway. However, the Barn contained stock from the Gordon Russell shop in Mayfair, London and Gordon Russell was playing his part in the war effort.

Gordon Russell was a famous furniture designer, and during the War he turned over his carpentry workshops to the war effort. They made the wings of the famous World War Two Mosquito fighter bombers in Russell’s modernist furniture factory in the Back Lane of Broadway next to the barn. The Mosquito was fast enough to be a fighter and could carry a decent payload of bombs. Because of their flexibility and speed, they had many roles in the war, including being the pathfinder for many of the nighttime raids on Germany.

Gordon Russell Ltd also made ammunition boxes, and high-precision aircraft models for wind tunnel testing and other purposes. Gordon himself designed a utility range of furniture to minimise the amount of wood needed for new furniture during the war.

Images above taken by Kevin Flude of the displays at the Gordon Russell Museum, Broadway. The Museum is well worth a visit, and Broadway itself remains a delight.

A little further research reveals that the Broadway fire brigade history pages suggests the raid was on Dec 11, and I have found another site claiming the barn was destroyed in October.

There were several large fires in Broadway during the war. On the night of December 11th 1940 a German bomber dropped a quantity of incendiary bombs on the village. A number of them fell on Gordon Russell’s furniture factory setting light to a large wooden, thatched barn. The building containing fine furniture and textiles, brought from London for safe keeping, was quickly destroyed. Ironically, the barn also contained a large order of furniture for Sir John Anderson – the Minister for Air Raid Precautions!


Another incendiary landed on the machine shop roof burning a hole, before being extinguished, it is believed, by a factory worker who lived nearby. The temporary plywood patch which was nailed on the underside of the hole was still in place when the factory was demolished in 2004. When a cottage adjacent to the factory was recently re-thatched, an unexploded incendiary bomb was discovered lodged in the old thatch. According to an Evesham Journal report, published at the end of the war, bombs fell in the Broadway area on seven separate occasions.

The two paragraphs above are taken directly from http://www.broadwayfire.co.uk/second_world_war.htm

My father, I discovered a couple of nights ago, worked on Mosquitoes in his time in the RAF. His job at the time was to salvage instruments from crashed aeroplanes, and Mosquitoes were, along with Spitfires, and Hurricanes, amongst the ones he worked on.

For more from the Almanac about Broadway, see:

and:

Another source for this post was: https://www.facebook.com/share/p/nEzPogPpsy7QD4US/

First published on 14th November 2024