December 21 – Reflections on the Solstice

The Solstice and the East Pediment of the Parthenon

British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles

At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.

Pediment Sculptures Photo by Nicole Baster on Unsplash

At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.

Next are Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.

Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.

Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.

Zeus (sitting) Hephastus to right (looking back with Axe)  Athena just visible above Zeus's head
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head

So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache. Zeus gives birth to a fully formed Athena from the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.

Hestia, Dione, Aphrodite, Horse of Selene’s chariot

To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.

The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.

Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.

So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.

Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.

Sculptures from the east pediment of the Parthenon
Sculptures from the east pediment of the Parthenon

I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. Mary Beard was cleverer than I, not reaching conclusions on the basis that we don’t know. But what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.

Originally written in 2022 and revised 2024

Ashmolean Advent Calendar, William Burges & the Singing Pierides December 12th

The Great Bookcase by William Burges Ashmolean Museum (Photo K. Flude)

The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting. Last year, December 12th’s choice was a netsuke; the year before the Singing Pierides painted by Henry Stacy Marks which you can see on the bottom of the Great Bookcase by William Burges (above).

This year it was a nuragi bronze age stature of a shepherd, a screen shot of which I show below.

The Nuragic culture in Sardinian is not well known. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland, and they created these marvellous bronze statuettes which give a real insight into life in the Bronze Age. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean or they may not.

Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum and look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really bring the people to life depicted in the statues. They are mostly warriors, but there are also people who seem to have more normal trades such as shepherd and baker.

Here is my slight adaption of one of the drawings

A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis

What you can see is some detail of the clothes and the knife belt around the torso and under the cloak, and a living person appears before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture and you can see some of the bronzes here.

On December 12th 2022, the Advent calendar, which you can access here, highlighted the Great Bookcase by William Burgess and in particular the paintings above which are the Singing Pierides painted by Henry Stacy Marks. The Pierides, were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won and had the Pierides turned into songbirds as a warning to all those who overrate their own talents! Watch out all you karaoke singers the Goddesses may have you in their sights!

‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.

Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’

Antoninus LiberalisMetamorphoses (wikipedia)

The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in the Royal Horticultural Society’s gardens (now the Science and Natural History Museum).

Engraving of the International exhibition of 1862, Cromwell Road

Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters, 14 of whom he asked to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).

Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024

How to make a Dish of Snow & Ice Houses, November 29th

Photo Zdenek Machacek -unsplash

There is a 0% chance of snow, in London and 20% in Glen Shee, Scotland, according to the Snow Risk Forecast. And here is an appropriate medieval recipe:

To make a dish of Snowe

Take a potte of sweete thicke creme and the white of eight egges and beate them altogether with a spoone then putte them into your creame with a dish full of Rose Water and a dishfull of Sugar withall then take a sticke and make it cleane and then cutt it in the ende fowre square and therewith beate all the aforesayd thinges together and ever as it ariseth take it of and putte it into a Cullander thys done take a platter and set an aple in the middest of it and sticke a thicke bush of Rosemarye in the apple then cast your snowe upon the rosemarye and fill your platter therewith and if you have wafers cast some withall and thus serve them forth

From Medieval Manuscripts, British Library. Blog. https://blogs.bl.uk/digitisedmanuscripts/medieval-history/page/2/

BF – Before Fridges

Before fridges, snow gave the chance for ice cream and other cold desserts. The problem was keeping it for longer than the cold spell. So many Stately Homes had ice-houses. The V&A had an ice-house just outside their glorious, Henry Cole commissioned restaurant. There is an ice house preserved at the Canal Museum, in Kings Cross. It was set up by Carlo Gatti in 1857 to store ice shipped in from Norway. Another one, in Holland Park, dates from 1770 and served the infamous Fox family (PM Charles James Fox etc).

The first ice house was in Mesopotamian, but in the UK they were introduced by James 1 at his palaces in, first, Greenwich Park, and then Hampton Court. An ice house generally consists of a pit in the ground, brick lined, which tapered to a point. Above was a circular, often domed building. The ice was protected by insulation such as straw, and this structure would allow ice to be available all through the summer.

Ice House Dillington, Somerset
Ice House Dillington, Somerset

My great-grandmother hung a basket outside the window in winter to keep things cold. On my fridge-less narrow boat, I have been known to keep milk and butter outside the door, and to suspend and submerge wine in a plastic bag in the canal in high summer. Butteries and Pantry’s were typically cut into the ground to make them cooler. A Roman Warehouse in Southwark, of which the wooden floor still survived, had a ramp down to the floor which was cut into the ground surface. The ramp suggests it was used for storing barrels where they were kept cool.

Sketch of Roman Warehouse found in Southwark.

For more on Icehouses (and an Icehouse in York) and the history of ice cream, see my post from August.

Written November 28th 2022, revised and republished 2023, 2024

Jimi Hendrix in London November 27th

Jimi Hendrix in Montague Place

To my mind, THE genius of the electric guitar, and a great songwriter.

Born Johnny Allen Hendrix in Seattle on 27th November 1942. He was spotted by ex-Animals Chas Chandler (bassist) when performing in small cafés In New York as Jimmy James. Chandler suggested he came to England. On the flight, they decided to change his name to Jimi. He arrived on September 24, 1966.

“It’s a different kind of atmosphere here. People are more mild-mannered. I like all the little streets and the boutiques. It’s like a kind of fairyland”

https://www.independent.co.uk Jimi Hendrix’s London.

On his first day in London, he met Kathy Etchingham, and she found them a flat on the upper floors of 23 Brook Street, which is now part of Handel&Hendrix in London. This is a a small museum to the two musical giants who lived next door to each other (if they were time travellers that is!).

For the English middle class, it’s comforting to know that Jimi bought the furnishings of the flat from their favourite, the nearby John Lewis Department store. However, he got his swinging 60s look from Carnaby Street and Portobello Road Market.

London wasn’t an arbitrary choice for a young American Bluesman. The wave of British Bands that came to international prominence in 1964, was based on the almost forgotten (by the mainstream media) Black American Blues legends such as Woody Guthrie and Ledbelly. Bands like the Rolling Stones, the Beatles, and the Animals loved this music, and began their careers playing cover versions in Clubs in London. (For more on the British Blues Revival, look here🙂

Hendrix’s younger brother, Leon, spoke about the importance of London to Hendrix

“He loved England ‘cos it was like Seattle. It was like home. It was the same climate, y’know? And this is where all the music was. This is where all of his friends were – Eric Clapton, The Beatles, the Rolling Stones, Brian Jones, everybody…”

He concluded: “After people played, they all went and jammed together. Like, when Jimi played a concert that was only the warm-up… After the concert, he was out and about lookin’ for somebody to play with and somebody’s studio to jam at. They’d just be jammin’ all night ’til, like, seven or eight in the morning. It was awesome.”

Reported in Mouth Magazine 2018 and quoted in https://faroutmagazine.co.uk

Chas Chandler was interested in managing bands, and thought Hey Joe, which he heard Hendrix play, could be a hit single. Hey Joe got to no 6, in January 1967) in the UK Top Ten, but failed to make an impression in the US.

Here is a YouTube film of Hendrix playing ‘Hey Joe’.

The Independent website above gives a good guide to Hendrix in London. An excellent documentary on Hendrix was recently aired on BBC Sounds, Everything but the Guitar.

Finally, have a look at this bill for bands on at the Saville Theatre.

One month in 60s London!

For details of Hendix Gigs look at the Set list Web site, which shows he performed at the Saville Theatre in Jan,May and June 1967 on his First European Tour, and again in Aug and Oct on his 2nd European Tour.

On this Day:

Eels are now in Season. (for Eels, Eel Pie Island, and its amazing musical heritage click here🙂

1703The Great Storm

About one this morning, the terrible storm arose, which continued till past seven, the wind southwest, the light not known in the memory of man; blew down a vast number of the tops of houses, Chimneys, etc.; the damage incredible., the lady Nicholas and a great many people killed and many wounded: most of the boats and barges forced ashore; an East India ship cast away near Blackwall, besides several merchant ships and colliers; divers of the great trees in St James’s Park, Temple Grayes Inn, etc, blown down; and we are apprehensive we shall hear of great losses at sea.

From Narcissus Luttrell, diary, 1703, quoted from ‘A London Year’ compiled by Travis Elborough and Nick Rennison, you

First published on Nov 27th 2022, as part of Stir Up Sunday! And revised onto its own page on the same day, 2023, and updated 2024.

Stir Up Sunday! November 26th

1803 Christmas Cartoon of Napoleon and Mr and Mrs John Bull
By William Holland, 1803

Stir-up Sunday is the last Sunday before advent and the day for stirring the Christmas Pudding. And I missed it! Last year it was on the 26th, but this year it was the 24th November. So, to make up for it here is a digression on the subject of nicknames, prompted by my ‘rediscovery’ of a History Today essay from March 2023 by PhD student Tristan Alphey. entitled ‘Toad Testicles, Foul-Beard and Broad-Arse’ Tristan is researching nicknames before 1000. It’s a tough gig but someone had to do it!

I have long had an interest in nicknames, since a school bully, when I was about 7, decided he was going to call me Acid. He explained his logic. Flude sounds like fluid and ccid is a fluid. It never caught on perhaps because chanting ‘Fludey is a rudey’ or a nudey, whichever was the fancy of the day, in the playground was more fun! In my dad’s day anyone called Clarke was nicknamed Nobby, and anyone small ‘Lofty’. But generally only a few people got themselves primarily identified by nicknames. This will, of course, be the meat of Tristan’s PhD. The social significance of the nicknames.

My interest was revived when reading a book about the Border Reivers, (by Allistair Moffet). These clans terrorised the borders between Northumberland and Scotland, particularly in the 13th – 17th Century. The people were controlled by a clan leader of ‘Heidsman’ and all his followers being in the same clan had the same surname. And the Names were many Armstrongs, Batesons, Bells, Croziers, Elliots, Glendinnings, Hendersons, Irvines, Johnstones, Scots, Moffets, Nixons, Routledges, Thomsons, Maxwells, Kers, And not to forget the Carletons, Fenwicks, Forsters, Robsons, Turnballs, Selbys, Storeys, Guthries.

The problem arose because there were so many with the same surname, and with the restricted use of a small number of first names (John being by far the most popular) a way of differentiating people was necessary. As I am short of time, I will cut and past from the Wikipedia page:

Some Border Reiver nicknames referred to physical injuries or impairments, such as “Fingerless,” “Gleyed” (blind in one eye), “Burnt Hand,” “Half-Lugs,” or “Lugless” (missing ears). Others followed a tradition similar to Highland naming customs, where the father’s (and occasionally the mother’s) name was added to the son. Many nicknames described physical appearance, such as “Black Heid,” “Hen-Heid,” “Sweet Milk” (meaning beautiful), or “Fergus the Plump.” Some appear to reference mental health or emotional states, including “Unhappy Anthone” and “Jock Unhappy.”‘

A number of nicknames seem metonymic or ironic, reflecting professions or roles, such as “The Sheriff,” “The Lawyer,” or “The Priest.” Intriguingly, certain names may hint at queer or LGBT identities, including “Buggerback,” “The Lady Elliot,” “The Lady Scott,” “The Lady Kerr,” “Bang-tail,”[108] and “Sym ‘the Lady’.” Other nicknames defy easy interpretation, such as “Hob-Wait-About-Him,” “Laird-Give-Me-Little,” “Bide Him Jock,” “the Pleg,” “Dog-Pyntle” (Dog Penis),[109] “Geordie Go Wi Him,” and “Cheesebelly,” illustrating the creative and often enigmatic nature of Border Reiver culture.’ Wikipedia entry

By the way ‘Buggerback’ Elliot was related to ‘the Lady Elliot’, and also, if I recall correctly, to Dog pyntle.

Tristan Alphey’s study takes the study back before 1100, wherewe can find King’s nicknames such as

Edward the Confessor, Alfred the Great, Edmund Ironsides, and Aethelred the Ill-advised (redeless). Further down the scale he presents: Alfred ‘Toad-Testicles from Winchester, where were also Alwin ‘Pebbles, Aelfstan ‘Broad-Arse’, Aelfstan ‘the Bald’, Thurstand ‘Buttock’ Aethelstan ‘The fat’ Osferth ‘Blackbeard’, Aelfstan ‘Limping’. Elsewhere we have Alvin ‘Sardine’, Wulfric ‘Large Pole’, Eadwig ‘the Wholly Drunk’, Wulfwiug ‘Wild’, Aelfric ‘Foul-Beard’.

Women are less frequently given nicknames, but we have Athelgifu ‘the Good’ and King Harold’s first wife, the beautiful Edith ‘Swan-Neck’. She must have been, mustn’t she?

To finish my look at nicknames, we go to Viking York among whom are the peerless warriors: ‘Ivan the Boneless’, Sihtric ‘the Squinty-eyed’and Erik Bloodaxe. Other Vikings include Thorkell the Tall and Thorkell Thorfinn.

And now back to ‘Stir-up Sunday’! It gets its name from the Book of Common Prayer, which has a verse:

“Stir-up, we beseech thee, O Lord, the wills of thy faithful people;
that they, plenteously bringing forth the fruit of good works,
may of thee be plenteously rewarded, through Jesus Christ, our Lord. Amen.’

So, the Christmas pudding was made with dried fruit and had 13 ingredients for Jesus and the Disciples. It is stirred from west to east, in honour of the Three Wise Men, and stirred by every member of the household who get to make a secret wish.

Here is a recipe.

Normally, a coin in put in the pudding for the lucky one to get. My grandma, a Londoner, used to put in a couple of ‘silver joeys’, long out of legal tender when I was young. She would watch us like a hawk while we ate, and claim the coins back as soon as we found them! She would then put them in an old folded brown envelope and put them away for next year.

MJ Hughes Coins website gives the following excellent history of the Silver Joey:

Originally a Joey was the nickname given to a groat (4 pence) but when that went out of circulation in 1855 the silver 3 pence inherited the name. The name came about due to the reintroduction of 4 pence coins in the 1830s by the politician Joseph Hume, MP (1777-1855).

For some great, coin-based facts! Look no further.

First Published Nov 27th 2022. The Jimi Hendrix content transferred to its own page, and this post republished Nov 26th 2023, revised with a section on nicknames in 2024

Gordon Russell, the Mosquito and Broadway November 14th

De Havilland DH.98 Mosquito B Mk IV Series 2n (Wikipedia CCO)

On November 14th, 1940 on the night of the Coventry blitz, a bomb dropped on a barn in a beautiful village in the Cotswolds. Broadway is a tourist attraction and was known as one of the most beautiful villages in Britain when it was the playground for many artists, writers, actors, designers and other bohemians of the late 19th Century. The Coventry raid was the most concentrated bombing raid on a UK town in the War. Why the pilot chose to drop bombs on Broadway is not known, but probably to get rid of unused bombs, on his way home and not targeted specially on Broadway. However, the Barn contained stock from the Gordon Russell shop in Mayfair, London and Gordon Russell was playing his part in the war effort.

Gordon Russell was a famous furniture designer, and during the War he turned over his carpentry workshops to the war effort. They made the wings of the famous World War Two Mosquito fighter bombers in Russell’s modernist furniture factory in the Back Lane of Broadway next to the barn. The Mosquito was fast enough to be a fighter and could carry a decent payload of bombs. Because of their flexibility and speed, they had many roles in the war, including being the pathfinder for many of the nighttime raids on Germany.

Gordon Russell Ltd also made ammunition boxes, and high-precision aircraft models for wind tunnel testing and other purposes. Gordon himself designed a utility range of furniture to minimise the amount of wood needed for new furniture during the war.

Images above taken by Kevin Flude of the displays at the Gordon Russell Museum, Broadway. The Museum is well worth a visit, and Broadway itself remains a delight.

A little further research reveals that the Broadway fire brigade history pages suggests the raid was on Dec 11, and I have found another site claiming the barn was destroyed in October.

There were several large fires in Broadway during the war. On the night of December 11th 1940 a German bomber dropped a quantity of incendiary bombs on the village. A number of them fell on Gordon Russell’s furniture factory setting light to a large wooden, thatched barn. The building containing fine furniture and textiles, brought from London for safe keeping, was quickly destroyed. Ironically, the barn also contained a large order of furniture for Sir John Anderson – the Minister for Air Raid Precautions!


Another incendiary landed on the machine shop roof burning a hole, before being extinguished, it is believed, by a factory worker who lived nearby. The temporary plywood patch which was nailed on the underside of the hole was still in place when the factory was demolished in 2004. When a cottage adjacent to the factory was recently re-thatched, an unexploded incendiary bomb was discovered lodged in the old thatch. According to an Evesham Journal report, published at the end of the war, bombs fell in the Broadway area on seven separate occasions.

The two paragraphs above are taken directly from http://www.broadwayfire.co.uk/second_world_war.htm

My father, I discovered a couple of nights ago, worked on Mosquitoes in his time in the RAF. His job at the time was to salvage instruments from crashed aeroplanes, and Mosquitoes were, along with Spitfires, and Hurricanes, amongst the ones he worked on.

For more from the Almanac about Broadway, see:

and:

Another source for this post was: https://www.facebook.com/share/p/nEzPogPpsy7QD4US/

First published on 14th November 2024

Remember, Remember, the 5th of November

Old print showing the plotters for the Gunpowder plot
The Gunpowder Plotters

Soon, after the discovery of the Gunpowder Plot, Parliament legislated for an annual commemoration of the Catholic Plot. The date was chosen as it was the anniversary of finding Guy Fawkes with a lantern next to piles of barrels of Gunpowder on the occasion of the State Opening of Parliament, 5th November 1605.

Guy Fawkes Lantern at the Ashmolean Museum

The Ashmolean Lantern was given by Robert Heywood in 1641, and he got it from his brother, Peter, who was a Westminster Magistrate who was among the party who arrested Guy Fawkes in the cellar. Peter Heywood, took the lantern from Guy Fawkes to stop him setting fire to the pile of gunpowder barrels. Or at least that is the story Robert Heywood told.

A commemoration of fireworks and bonfires was clearly appropriate given that it has been estimated that the amount of gunpowder in the barrles would have killed the king, the Royal Family, the House of Lords and the House of Commons and devastated a huge area around Westminster. But some suggest that the nature of the commemoration draws some elements from Halloween – use of bonfires and dressing up. Halloween was frowned upon by puritans, but they supported Guy Fawkes Day as it was anti-catholic.

Banner in Lewes

The anti-catholic nature of the celebration is a fact, but it really isn’t something we think about today. There is little anti-Catholic prejudice in Britain (except in certain places). Irish friends are amazed we still celebrate it, but for the vast majority of people in Britain it is really just Fireworks night, nothing to do with anti-catholic sentiment.

Traces of the original anti-catholic nature of it do continue in places like Lewes, which is one of the most traditional Fireworks Nights. This consists of clubs who organise a parade through the town, and then the burning of an effigy of the Pope and, more recently, other unpopular figures on the contemporary scene. Click here for more on Lewes.

Procession in Lewes

Ottery St Mary continues the tradition of using Tar Barrels. These are wooden barrels in which tar and tinder are set on fire. The Barrels are either rolled through the Town, or down a hill, or, as in Ottery, carried on the shoulders of volunteers (see video below). This has a pedigree which goes back before 1605 as there are references to tar barrels and displays in Protestant processions to celebrate the accession to the throne of Edward VI and Elizabeth 1

Tar Barrels in Ottery St Mary
Stephen and Claire – 2 Zany Brits on YouTube

Discovering the Plot

King James 1 took credit for discovering the plot as he is said to have deciphered the warning given in a letter, written to William Parker, 13th Baron Morley, 4th Baron Monteagle at his house in Hoxton, London (commemorated by a plaque in Hoxton Street near where I live) which warned against turning up at Parliament but was not explicit as to the nature of the threat.

Letter Lord Monteagle passed on to King James 1

My lord, out of the love I beare to some of youere frends, I have a care of youre preservacion, therefore I would aduyse you as you tender your life to devise some excuse to shift youer attendance at this parliament, for God and man hath concurred to punishe the wickedness of this tyme, and thinke not slightly of this advertisement, but retire yourself into your country, where you may expect the event in safety, for though there be no apparance of anni stir, yet I saye they shall receive a terrible blow this parliament and yet they shall not seie who hurts them this cowncel is not to be contemned because it may do yowe good and can do yowe no harme for the dangere is passed as soon as yowe have burnt the letter and i hope God will give yowe the grace to mak good use of it to whose holy proteccion i comend yowe.

National Archives

James realised this sentence: ‘they shall receive a terrible blow this parliament and yet they shall not seie who hurts them ‘ implied an explosion. His father, Lord Darnley, was killed in a Gunpowder Plot in Edinburgh, so perhaps he was particularly attuned to the threat. On the other hand, there is a possibility that the King’s Secret Service were aware of the plot and arranged matters, so the King could receive the credit for its discovery.

The Fifth of November

    Remember, remember!
    The fifth of November,
    The Gunpowder treason and plot;
    I know of no reason
    Why the Gunpowder treason
    Should ever be forgot!
    Guy Fawkes and his companions
    Did the scheme contrive,
    To blow the King and Parliament
    All up alive.
    Threescore barrels, laid below,
    To prove old England’s overthrow.
    But, by God’s providence, him they catch,
    With a dark lantern, lighting a match!
    A stick and a stake
    For King James’s sake!
    If you won’t give me one,
    I’ll take two,
    The better for me,
    And the worse for you.
    A rope, a rope, to hang the Pope,
    A penn’orth of cheese to choke him,
    A pint of beer to wash it down,
    And a jolly good fire to burn him.
    Holloa, boys! holloa, boys! make the bells ring!
    Holloa, boys! holloa boys! God save the King!
    Hip, hip, hooor-r-r-ray!

English Folk Verse (c.1870)

First published 5th November 2021, revised 2024

Going to the Mop in Stratford-upon-Avon & Henley-in-Arden 11th & 12th October

Stratford-upon-Avon Mop Festival

This year the Stratford mop festival was on the 11th and 12th October. I was in Stratford for it, and the centre of the Town is crowded with a cacophany of shooting galleries, stalls selling toffee apples, candy floss, burgers and all things bad for you. And a fun fair. Quite raucous, but they leave Henley Street free of it which is probably a good idea. Nothing at all sophisticated, or literary or dramatic, or folkloric. Just a good old-fashioned fun fair in the middle of the town. Below I tell the story of my discovery of the Mop.

Last year, at this time, I was on my way to Stratford-upon-Avon Railway station, I saw the sign above sign, but had no idea what on earth a Mop was.

So I put it to the back of my mind as I took the train to Henley-in-Arden. My interest in the town began because Shakespeare was born in Henley St in Stratford, and his mother was called Mary of Arden. So, naturally, I wanted to find out about Henley-in-Arden. To turn curiosity to action, it took our Tour Coach Driver telling me he lived there and that it was a pretty but small town.

I had a free afternoon from my duties as Course Director on the ‘Best of England’ Road Scholar trip, so I got on the very slow train to Henley-in-Arden. One of the first stops was Wilmcote, where Mary Arden’s House is. I visited two years ago, when I was astonished to find it was a different building to the one I had visited in the 1990s.

In 2000, they discovered they had been showing the wrong building to visitors for years! Mary Arden’s House was, in fact, her neighbour Adam Palmer’s. And her house was Glebe Farm. On that visit, I walked from Stratford on Avon to Anne Hathaway’s Cottage then to Mary Arden’s House and back to Stratford along the Stratford Canal – a lovely walk if you are ever in the area.

The train route to Henley is through what remains of the ancient forest of Arden. The forest features in, or inspired, the woody Arcadian idylls which feature in several of Shakespeare’s plays, particularly the Comedies. ‘As You Like It’, for example, is explicitly set in the Forest of Arden, as this quotation from AYL I.i.107 makes clear:

Oliver: Where will the old Duke live?

CHARLES: They say he is already in the Forest of Arden, and a many merry men with him; and there they live like the old Robin Hood of England: they say many young gentlemen flock to him every day, and fleet the time carelessly as they did in the golden world.

Henley-in-Arden turns out to be a quintessentially English little town full of beautiful timber framed buildings and a perfect Guildhall.

Guildhall, Henley-in-Arden

Further down the road is a lovely Heritage Centre full of old-fashioned and DIY Information panels. And that is not a criticism, it provided a very enjoyable visit full of interesting stuff and which gave me a couple of snippets of information I have not seen anywhere else.

So, to get back to the signpost for the Mop, I was delighted to find a panel dedicated to the Henley Mop. A mop turns out to be a hiring fair. Think of Gabriel Oak in Hardy’s ‘Far from the Madding Crowd’. His attempt to become an independent farmer destroyed when his sheepdog runs amok and sends his sheep over a cliff to their doom. So he takes his shepherd’s crock to the hiring fair or Mop as they are known in the Midlands. There, potential employers can size up possible employees and strike mutually agreed terms and conditions. And Gabriel becomes the shepherd for the delightful and wilful Bathsheba Everdene.

So, a shepherd would take his staff, or a loop of wool; a cleaner her mop (hence the name of the fair), a waggoner a piece of whipcord, a shearer their shears etc. Similarly, in the Woodlanders (by Thomas Hardy) the cider-maker, Giles Winterborne, brings an apple tree in a tub to Sherborne, to advertise his wares.

The retainers thus employed would be given an advance and would be engaged, normally, for the year. So there was quite a widespread moving around of working people to new jobs and often new housing. Not quite how we imagine the past?

The perceptive among you will have noted the bottom of the sign in Stratford which advertised the ‘Runaway Mop’. This was held later in the year, so that employers could replace those who ran away from their contracts, and where those who ran away could find a better, kinder or more generous boss.

Henley Mop – panel from the heritage centre

Also of interest to me was the panel about Court Leets and Barons. These were the ancient courts which dealt with, respectively, crime and disorder, and property and neighbourhood disputes. Henley still has its ancient manorial systems in use, at least ceremonially. The Centre shows a video of a cigar-smoking Stetson-wearing large rich American arriving at the Guildhall to take over duties as lord of the manor after purchasing the title.

There was another panel of great interest to me as it told the history of Johnson’s Coach Company which was taking my group around England. And it was a delight to discover that it has a history that can be traced back to 1909 in Henley. I conveyed this information to our group on the following day as we toured the Cotswolds. Curtis, our driver, was able to update the panel and told us that the family were still involved with the firm, which is still operating from the area. He said the two brothers who run the company come in every working day and do everything they require of their drivers to do; i.e. they drive coaches, clean coaches, sweep the floors and generally treat their staff like part of a big family. I should have asked him whether he got his job at the Mop, while holding a steering wheel in his hands!

Johnson’s Coach Company -Panel from Henley Heritage Centre

First published in 2023 updated 2024

First & Last Coal-fired Power Stations September 30th 2024

Holborn Edison Electric Light Station

Today, Britain’s last coal-powered power station generated its final watt of electricity.  Ratcliffe-on-Stour’s closure means Britain is the first country to meet its target of phasing out coal.

The Nottingham power station opened in 1968, and once employed over 3000 people.

For more details follow this link https://www.theguardian.com/business/2024/sep/30/end-of-an-era-as-britains-last-coal-fired-power-plant-shuts-down

The first coal-fired power station in Britain was at Holborn Viaduct in London, opened as the Edison Electric Light Station on 12th January 1882.

The power was generated by a steam engine powered by coal.  The electricity powered incandescent electric carbon-filament lights which lit up 986 lights to illuminate the road from Holborn Viaduct to St Martin’s-le-Grande.  The light bulb was invented 3 years previously. 

The number of lights was soon increased to 3,000. But the Station made a loss and was closed down 2 years later. The lights converted to gas.  The building was destroyed in the Blitz.

A couple of miles to the East, in 1895, the Shoreditch Electric Light Station was established.   It used waste to produce electricity and steam for the local public baths.  The generating and combustion chambers, now houses a Circus School which my children attended.

It was officially opened by Lord Kelvin, the famous physicist in 1897. The Consulting Engineer was Edward Manville who came up with a scheme for a ‘dust destructor’; an electricity generating station; a public bath heated by the waste heat from the generator; a library and museum.  It cost 200,000 pounds.  In 1899, in nearby Nile Street, the Shoreditch Vestry Council set up the first municipal housing scheme powered by electricity.

This level of enterprise by a local council seems like a fantasy of a distant past but also, given the sustainability of the project unbelievably modern.

The motto on the side of the Power Station was ‘Light and Power from Dust’. The scheme was run by the local vestry council which adopted the motto ‘More Light, More Power’. This was also adopted by the new municipal Borough of Shoreditch when it was formed as part of the new London County Council.  The Power Station was renamed as the rather wonderful: Shoreditch Borough Refuse Destructor and Generating Station and adorned with the motto: PULVERE LUX ET VIS ‘Out of the dust, light and power’.

The story of the dust destructor and the generating station is told in some detail here and well worth a read.

I will add a few more pictures once off the train.

‘Crack Me This Nut’ Play performed at the Rose in Southwark September 25th 1595

List of plays performed in February 1596 by the Admiral’s Men

‘Crack me this Nut’ was performed by the Admiral’s Men at the Rose Theatre in Southwark, London. One of the dates it was performed was on September 25th 1595, and as you can see, above, it was also performed on February 7th 1596.

The play was performed 16 times in all, then sold by Edward Alleyn. Sadly, no one knows what it was about. It might relate to the sense of our phrase ‘a tough nut to crack.’ You can find the other dates it was performed, and the income generated in this blog from Henslowe’s papers.

The list of February dates for the Admiral’s Men is from my dossier for my Shakespeare’s London walks. I’m not entirely sure of the book I photocopied it from, but it derives from the wonderful archive of Philip Henslowe and his leading actor Edward Alleyn. Henslowe’s records were stored in a locked trunk for 260 years.

Last year, marked the completion of the project to bring this archive to the public. The Henslowe-Alleyn Digitisation project. As well as digitising the Archive, elements that had been separated from the original archive have been brought back, so the greatest archive of information on the Shakespearean theatre is now unified and available. It is an immense bit of news for the Shakespeare industry.

I searched the archive for ‘Crack me this nut’ but their search engine searches for anything that mentions ANY of the words, and as the word ‘this’ is in virtually everything in the archive, the search is effectively useless. Putting ‘Crack me this nut’ in quotes does not help. I have emailed them!

A subscriber sent me another link which has various speculations, and the following entry.  For more read https://lostplays.folger.edu/Crack_Me_This_Nut

Master Ponsonby. Entred for his copie vnder the hands of the Wardens A booke
Intitled The Paragon of pleasaunt histories . . . vjd
Or this Nutt was neuer Cracked Contayninge a Discourse of a
nobl[e] kinge and his Three sonnes /


(S.R.1, 3.57 / Fol. 7)

This raises a possibility that it was not a comedy but a history or a tragedy.

I often use this list of plays performed in February 1596 in the walks and lectures I give on Shakespeare. It shows you how hard-working Shakespeare’s contemporaries were. The actor’s companies were essentially small repertory companies. This list shows that the Admiral’s Men performed 14 different plays, if I count correctly, in the short month of February. Moreover, the list is from a winter month. Now, the guides at the rebuilt Globe tell you the Shakespearian Playhouses were used in the Summer. No! This was deep winter and 23 performances in an outdoor theatre in February! Imagine what a modern actor would think of that work load.

A badly photocopied page of the archive.

First published on February 7th 2023, and revised and republished on September 25th 2024