The Goddess Book of Days’ has the 7th as the Day of Selene and other Moon Goddesses. Of course the Full Moon is the proper time to celebrate her.
Selene is one of the most beguiling of Goddesses as she is the epitome of the Moon (Romans knew her as Luna). She, who gives that silvery, ethereal light to dark days. And appears and disappears to a routine few of us really understand. Selen is therefore beautiful, beguiling, unknowable. The Goddess of Intuition. The bringer of tides and the monthly periods. A Goddess of power as well as fertility, pregnancy and so love, and mothers, and babies.
Selene and the Parthenon
To my mind, far more powerful than Aphrodite, Selene seems much more independent. On the Parthenon Marbles at the British Museum she is shown with her brother Helios, the Sun God; with Hercules – the epitome of male strength. Demeter and Persephone, representing the earth and underworld (or life and death). Athene and her father, Zeus; Iris, the messenger Goddess. Hestia, the Goddess of the home, and Dione with her daughter ,Aphrodite, representing love. At one end, Helios brings up the sun with his Chariot and Horse. While at the other, Selene’s horse sinks exhausted in Oceanus after a glorious night of moon shine. It’s a wonderful arrangement, which suggests the scheme was to show a balanced cosmos between female and male forces, framed by the Sun and the Moon.
Cartoon of Elgin Marble, showing Selene’s Horse at the right hand end
I did a longer piece on this pediment of the Parthenon Marbles here
Selene – Moon Goddess by Mike Petrucci -unsplash
I have used several of Natalie Tobert’s photos in my post which I pluck from Natalie’s face facebook feed which is a veritable visual feast. She worked, as an archaeologist, at the Museum of London at the same time as me. She is an excellent potter, photographer and artist. Natalie was a Fellow of the Royal Society of Arts, and a member of Society of Designer Craftsmen. You can see more of her pictures here.
First published in 2022, and revised February 2024, 2026
John Constable. National Gallery of Art seascape with two sailboats. public domain
‘I am this morning, admitted a student at the Royal Academy; the figure which I drew for admittance was the torso. I‘m now comfortably settled in Cecil Street, Strand number 23. I shall begin painting as soon as I have the loan of a sweet little picture by Jacob Ruysdael to copy. Since I have been in town, I have seen some remarkably fine ones by him. …
Smith’s friend, Clanch has left off painting, at least for the present. His whole time and thoughts are occupied in exhibiting an old, rusty, fusty head with a spike in it, which he declares to be the real embalmed head of Oliver Cromwell. Where he got it, I know not.; ’tis to be seen in Bond Street at half a crown admittance.’
John Constable. Letter to John Dunthorne, 1799. From ‘A London Year. 365 Days of City Life in Diaries, Journals and Letters’ compiled by Travis Elborough and Nick Rennison.
John Constable in London
Constable would have had a short walk to the Royal Academy (in Piccadilly) from the Strand. As a painter, he subsequently spent his summers painting in Suffolk and his winters in London. When his wife became ill with Tuberculosis, they moved to Brighton. But he continued to return to London. Constable lived in a cottage in Hampstead, and is buried in the family tomb at the bottom of the graveyard of St John-at-Hampstead Church in Hampstead.
Royal Academy Photo KFlude
I don’t know what the Torso referred to was, but there was (and still is) a fine collection of plaster casts. The students used these for models.
A fine figure of the older man? Photo by K Flude of Zeus in the basement of the Royal AcademyPrint on display at the Royal Academy of students drawing the sculptures in the Collection. Photographed by K Flude.
Cromwell’s Head
As to the head, it is a fascinating tale, which I partly tell on my Martyrdom of Charles I post. here: But here is more details, relevant to the Constable quote. At the Restoration of Charles II Cromwell’s body was dug up. Then the head was stuck on a pole on top of Westminster Hall. It blew off probably in 1684. The head was on display at a museum, but then no one knows where it was until, in 1799 the Hughes brothers, bought ‘it’ for £230. It was exhibited in Bond Street. Entrance fee was 2 Shillings and 6p. Constable’s acquaintance Clanch who I think is actually John Cranch was the publicist for the event.
The display was not a success because the provenance was not clear. All Cranch could say was Cromwell’s head was the “the only instance of a head cut off and spiked that had before been embalmed; which is precisely the case with respect to the head in question”. But then Henry Ireton’s was also treated thus, and maybe others. A head is now in Cambridge, Sidney Sussex College, which Cromwell attended.
The Wikipedia page on Cromwell’s Head, here., has a very full description of its travels.
Weather Outlook
Feb fill the dyke Either black or white But if with white, ’tis the better to like
If February gives much snow A fine summer, it doth foreshow.
If in February there fall no rain. ‘Tis neither good for hay nor grain.
From The Perpetual Almanack of Folklore by Charles Kightly
On This Day
211 – Roman Emperor Septimius Severus dies at Eboracum (modern York, England). Leaving two sons, Caracalla and Geta, to dispute the succession. For several years York was the HQ for the Roman Emperor.
1555 – John Rogers, Vicar of the Holy Sepulchre Church in London and translator of the Bible, burned at the stake in Smithfield. The first of over 200 English Protestant martyrs condemned in the reign of Mary I. For more about Smithfield burnings see my post here.
1789 – George Washington unanimously elected as the first President of the United States. A great leader, who freed his slaves after his and his wife’s deaths, but who also evaded the rules against selling slaves. To consider the wrongs and rights of the issue look here.
1838 – ‘I walked with my daughter Charlotte across the Serpentine, much to my child’s delight, although I own I did not like to hear the ice cracking under the weight of thousands’.
Photo from ebay sale of coin of Carausius, showing the reverse with image of the Roman Goddess Pax.
The Goddess Book of Days (Diane Stein) lists today as the birthday of Pax and her Greek equivalent Irene. She is the Goddess of Peace and the daughter of Jupiter and the Justitia, Goddess of Justice. This suggests that a lasting peace can only be assured by strength and justice. The usurping Emperor Carausius (whose coin you can see above) had good reason to use Pax on his coins. He took control of Britain and some of Gaul from the Roman Empire. But he hoped he might rule alongside the Tetrachy of Emperors set up by Diocletian.
This is what Eutropius wrote:
Page from ‘In Their Own Words’ by Kevin Flude
He was murdered by Allectus, his financial minister in 296AD. Text above taken from my book In Their Own Words where you can read the rest of Carausius’ story.
Concordia
The Goddess book also says this is the day of the Concordia Peace Festival in Rome. Concordia is the Goddess of agreement, in war, marriage and in civic society. Harmonia is the Greek equivalent. Ovid has special days to Concordia on January 17th and January 30th. I’m led to the idea that much of January was dedicated to Concordia and Pax. For more on Concordia, look at my January 17th post here.
Pax in Ovid
Pax had her festival on the 30th January. Ovid in Fasti writes:
Book I: January 30 My song has led to the altar of Peace itself. This day is the second from the month’s end. Come, Peace, your graceful tresses wreathed With laurel of Actium: stay gently in this world. While we lack enemies, or cause for triumphs: You’ll be a greater glory to our leaders than war. May the soldier be armed to defend against arms, And the trumpet blare only for processions. May the world far and near fear the sons of Aeneas, And let any land that feared Rome too little, love her. Priests, add incense to the peaceful flames, Let a shining sacrifice fall, brow wet with wine, And ask the gods who favour pious prayer That the house that brings peace, may so endure. Now the first part of my labour is complete, And as its month ends, so does this book.
Translated by A. S. Kline 2004 (Tony has a lovely site here: where he makes his translations freely available.)
Concordia, Julia Aquilia Severa & Elagabalus
A patera is a sacrificial bowl, and a cornucopia is a horn of plenty (Image from Wikipedia)
The coin above is of Empress Julia Aquilia Severa. She was a vestal virgin, who married the Emperor Elagabalus (c. 204 – 11/12 March 222). She was his 2nd and 4th wife. Normally, the punishment for a vestal Virgin losing their virginity was to be buried alive.
The Trouble with Pronouns
But I could have said ‘her 2nd and 4th wife’. Some sources suggest Elgabalus wanted to be known as a woman. The Wikipedia page of his wife has Elagabalus with the pronoun, ‘Her’. While the Emperor’s own web page uses ‘him’ throughout. He or she married several women. And also married to several men. They were also accused of prostituting himself in Taverns and Brothels. Clear? Confusing pronouns? Sorry to hedge my bets, but we don’t know what Elagabalus would want us to use? Wikipedia says:
‘In November 2023, the North Hertfordshire Museum in Hitchin, United Kingdom, announced that Elagabalus would be considered as transgender and hence referred to with female pronouns in its exhibits due to claims that the emperor had said “call me not Lord, for I am a Lady”‘
Elagabalus was born Sextus Varius Avitus Bassianus. He adopted the name of Elagabalus as he was a supporter of the Syrian Sun God Elagabal. He, a Syrian, wanted to promote the God to the top of the Roman Pantheon of Gods. Elagabalus rose to power partly because of his strong Grandmother, Julia Maesa. She was the sister of Julia Domna, the wife of African Emperor Septimus Severus (who lived for some time in York). Their children are the Emperors in Gladiator II starring Paul Mescal. Caracalla was Elagabalus’s cousin.
Elagabalus’s reign was fairly chaotic. He lost power, when his Grandmother transferred support to his cousin, Alexander. Elagabalus and his mother were assassinated.
Posh boys in England, playing tagging games, used to shout ‘Pax’ to claim immunity or to call a temporary halt in the contest. I remember my childhood friends using the word ‘vainites’ as well as pax. But we were not by any means posh. There are many other ‘truce’ terms in tagging games. See them in this fascinating. Wikipedia page. From which I discover that Vainites comes from the medieval period and means: ‘to make excuses, hang back or back out of battle’.
First Published in January 2024, and revised, expanded and retitled in January 2025. Republished 2026
Photo of London Fields in the snow of 2022 by Kevin Flude
January 1776:
‘On the 27th much snow fell all day, and in the evening the frost became very intense. At South Lambeth, for the four following nights, the thermometer fell to 7, 6, 6, and at Selborne to 7, 6, 10, and on the 3ist of January , just before sunrise, with rime on the trees and on the tube of the glass, the quicksilver sunk exactly to zero, being 32 degrees below the freezing point’ Gilbert White
Gilbert White and Darwin
He, of course, is talking Fahrenheit, so well below zero. If there was a Giant upon whose shoulders Charles Darwin climbed, then Gilbert White owned one pair.. He was one of many churchmen of the 18th and 19th Century who spent their extensive leisure time, on observing God’s wonderful creation in their gardens and parishes. What made White so important was that his practice was ‘observing narrowly’ and regularly. For example, his observations of the importance of earth worms were fundamental to Charles Darwin’s own studies. When Darwin came back from his travels on the Beagle, he settled in a country property in Orpington. Like White, he used his garden and the local area as his laboratory. Here he worked to prove his theory of evolution.
Gilbert White and Earth worms
Earth worms were one of Darwin’s passions. This is what Gilbert White wrote about their contribution to nature:
“Earth-worms, though in appearance a small and despicable link in the chain of Nature, yet, if lost, would make a lamentable chasm. For, to say nothing of half the birds, and some quadrupeds which are almost entirely supported by them, worms seem to be the great promoters of vegetation, by boring, perforating, and loosening the soil, and rendering it pervious to rains and the fibres of plants, and, most of all, by throwing up such infinite numbers of lumps of earth called worm-casts, which, being their excrement, is a fine manure for grain and grass.”
By such minute and repeated observations, Gilbert White investigated the food chain, and the migration of birds (which was at the time disputed). He laid the foundations of what we now call ecology.
Gilbert White’s Career
He became Dean of Oriel College in Oxford. But chose to spend his career in the relatively humble occupation of Curate. A Curate is the bottom-feeder in the Anglican Church food chain. A Curate hardly earned enough to maintain a position in the Gentry (£50 p.a.). Although, White was upgraded to the title of Perpetual Curate. He still would only be pulling in, I guess, something like £200 p.a. (Patrick Bronte was also a Perpetual Curate). Essentially, it is Vicar looking after a part of a too large Parish.
Financially, White didn’t need much, he inherited his father’s property at Shelborne, Hampshire. White’s grandfather was the Vicar at Shelborne. But Gilbert could not inherit the title because he went to Oriel College. The ‘living’ of the Parish of Shelborne was ‘in the gift of’ Magdalen College. And they were not going to give the role to an alumnus of a rival college.
Gilbert White & The Austen Family
The house, now open to the public, is just around the corner from Chawton. This is where Jane Austen spent her last years. He was born in 1720; was 55 when Austen was born, and he died in 1793, when she was 18. He lived 4 miles away, so the families knew of each other. We know Jane Austen’s brother wrote a poem about Gilbert White and his natural history observations, particularly on birds.
From ‘Selbourne Hanger’ by James Austen
Who talks of rational delight } When Selbourne’s Hill appears in sight } And does not think of Gilbert White? } Such sure he was – by Nature grac’d With her best gift of genuine taste; And Providence – which cast his lot Within this calm, secluded spot, Plac’d him where best th’enquiring mind Might study Nature’s works, and find Within her ever open book Beauties which others overlook. Enthusiast sweet! Your vivid style The attentive reader can beguile Through many a page, and still excite An Interest in what you write! For whilst observant you describe The habits of the feathery tribe Their Loves and Wars – their nest and Song, We never think the tale too long.
For more information on White and Austen, go to Gilbert White’s House’s web page here:
More Snow!
Here is more of that epic cold January 1776
‘… but by eleven in the morning, though in the shade, it sprang up to I6J,1 — a most unusual degree of cold this for the south of England. During these four nights the cold was so penetrating that it occasioned ice in warm chambers and under beds ; and in the day the wind was so keen that persons of robust constitutions could scarcely endure to face it. The Thames was at once so frozen over both above and below bridge that crowds ran about on the ice. The streets were now strangely encumbered with snow, which crumbled and trod dusty ; and, turning grey, resembled bay-salt : what had fallen on the roofs was so perfectly dry that, from first to last, it lay twenty-six days on the houses in the city ; a longer time than had been remembered by the oldest housekeepers living…..’
‘The consequences of this severity were, that in Hampshire, at the melting of the snow, the wheat looked well, and the turnips came forth little injured. The laurels and laurustines were somewhat damaged, but only in hot aspects. No evergreens were quite destroyed ; and not half the damage sustained that befell in January, 1768. Those laurels that were a little scorched on the south-sides were perfectly untouched on their north-sides. The care taken to shake the snow day by day from the branches seemed greatly to avail the author’s evergreens. A neighbour’s laurel-hedge, in a high situation, and facing to the north, was perfectly green and vigorous ; and the Portugal laurels remained unhurt.’
More Frost!
‘We had steady frost on to the 25th, when the thermometer in the morning was down to 10 with us, and at Newton only to 21. Strong frost continued till the 31st, when some tendency to thaw was observed ; and, by January the 3d, 1785, the thaw was confirmed, and some rain fell.’
Rosemary flowering in my garden, photo by Kevin Flude
Gilbert White’s House is open to the public and also contains a display on Lawrence Oates, who died on Scots Antarctic expedition. For more information look at my post here.
There is another mention of Gilbert White in the Almanac of the Past here.
Herbs: Winter savory, parsley, chervil, coriander, rosemary, bay, sage
Cheeses: Stilton, Lanark Blue
(from the Almanac by Lia Leendertz)
On This Day
1754 – Horace Walpole coined the new word ‘serendipity’ from the ‘Three Princes of Serendip’ fairy tale. The Princes ‘ere always making discoveries, by accidents and sagacity, of things they were not in quest of.’
1898 – Walter Arnold became the first motorist to be fined for speeding. He was going 8 miles an hour in a 2 mile an hour area in Kent
1986 – Explosion of US Space Shuttle Challenger. All 7 astronauts killed, including teacher Christa McAuliffe who would have been the first civilian in space.
The food section posted originally in 2023, the part on Gilbert White written on 28th January 2024, revised 2025, On This Day added 2026
This was 5 years after his death. It is now celebrated around the world, making clear the importance of Robert Burns. Burns himself would have been astonished at the spread of Burn’s Night. He was modest about his attainments, saying, in his introduction to the Commonplace Book:
‘As he was but little indebted to scholastic education, and bred at a plough-tail, his performance must be strongly tinctured with his unpolished rustic way of life. ‘
Fair fa’ your honest, sonsie face, Great Chieftain o’ the Puddin-race! Aboon them a’ ye tak your place, Painch, tripe, or thairm: Weel are ye wordy of a grace As lang ‘s my arm.
The groaning trencher there ye fill, Your hurdies like a distant hill, Your pin wad help to mend a mill In time o’ need, While thro’ your pores the dews distil Like amber bead.
His knife see Rustic-labour dight, An’ cut ye up wi’ ready slight, Trenching your gushing entrails bright, Like onie ditch; And then, O what a glorious sight, Warm-reekin, rich!
Recently, a long lost portrait of Burns turned up and it provides an image of the poet as a young man. The story is interesting and worth reading here:
Screenshot of BBC web page on the lost portrait of Robert Burns.
The Writer’s Museum
Writers’ Museum photo K. Flude
Often bypassed by the tourists on a visit to the wonderful City of Edinburgh is the Writer’s Museum. It is in one of those remarkable Tower houses which seem unique to the High Street in Edinburgh. Inside, it gives a great introduction to the great writers of Scotland.
‘Is it not strange’ wrote philosopher David Hume in 1757 ‘that a time when we have lost our Princes, our Parliament, Independent Government …..that we shou’d really be the people most distinguish’d for literature in Europe?’ (source: Museum display panel)
Edinburgh Writer’s Museum Burns, Scott, Stevenson.
A Visual for Burn’s Night ‘Window in the Writer’s Museum, Edinburgh’ Photo by K Flude
1784 – The death in Edinburgh of Alexander Webster, a writer and church minister who is best remembered for the country’s first census. The first UK census was in 1801.
1817 – The Scotsman newspaper publishes its first edition in Edinburgh.
2012 – First Minister Alex Salmond launches a consultation on the SNP Government’s proposals for a referendum on Scottish independence. on the question “Should Scotland be an independent country?”. The voters answered “No” 55.3% and 44.7% voting in favour. (for more on Scottish Independence, see my post here.)
The Solstice and the East Pediment of the Parthenon
British Museum Shop, reproductions of Hestia and Selene’s Horse from the Parthenon Marbles
At the Summer Solstice, I took a group to the British Museum and, a few days later, to Stonehenge, and managed to ‘integrate’ the two into a solstice narrative. At the BM, over years of trying to explain the sculptures, I have been building in my mind an interpretation of the Pediment that gives, I hope, an original insight into the possible intentions of the sculptors. I don’t know how ‘true’ it is, but I do think it gives an insight into metaphor and symbolism in great works of art. Bear in mind that there is a lot of uncertainty about some of the attributions, and, that the male and female virtues that I am talking about are traditional ones, not necessarily how we would express it in the modern world.
At the left of the above photography, you see the horses that take Helios chariot into the sky to bring up the sun to light the world every day. Most sun deities are male, and the Sun gives light and life to the world, without it this earth is an inert block of ice cold stone. The next statue is casually laying back and looking fit, relaxed and not looking as if he is in that position because of the impossible triangular Pediment space he inhabits. He is the epitome of male strength, usually identified with Hercules but other people have other ideas and a young Dionysus is another suggestion. Whoever he is he represents male beauty and strength. So this end of the pediment represents the Sun and male virtues. This is the East Pediment of the Parthenon which is orientated to the rising sun, a little north of east.
Next figure is Demeter, the goddess of fertility, the goddess of the earth. Placed here to remind us that the Sun needs the Earth to create life and sustenance. It reminds us that the universe is not male, the male only works in conjunction with the female. Demeter is cuddling her daughter Persephone, the Goddess of Hades. She reminds us that life is a cycle of death and life. Plants die, turn into soil and create the conditions for future life.
Next is Hebe, daughter of Zeus and Hera, wife of Heracles (Hercules). She is the cupbearer to the Gods and gives them the ambrosia that keeps them forever young. She is the Goddess of Immortality, a reminder that the universe is eternal.
Next to Hebe is a void where there was the central statue of the east pediment depicting the Birth of Athena (according to Pausanias who wrote a guide in the 2nd Century BC to the Temple). Athena was born from the head of her father Zeus- a virgin birth. Athena therefore is, in some ways, the greatest of the Olympians, as she has the virtues of her female sex and the virtues of her father’s masculinity (and, dear Gods, hopefully not the massive ‘Me Too’ vices of her father). She is therefore, wise, nurturing, just, intuitive, decisive, a leader; an ideal combination of male and female.
Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head
Her back story is that her dad, Zeus eats her mum, Metis, who is pregnant with her. Sometime later, he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head with an axe to clear the headache. Zeus gives birth to a fully formed Athena through the split in his head. She was known as Athena Parthenos, Athena the Virgin. Her name is originally Athene but it got changed to Athena in 500 BC.
Hestia, Dione, Aphrodite, Horse of Selene’s chariot
To Athene’s left is Hestia (Vesta for the Romans). Her name means “hearth, fireplace, altar” and she is the goddess of the domestic sphere, of the comforts of home, of a warm fire enjoyed by a loving family.
The next set are two beautifully draped women languidly leaning on each other, and these are Dione, with her daughter Aphrodite – the Goddess of Love. Dione is the daughter of Gaia and Uranus daughter of earth and sky. So, here, counterpoised to Hercules, are epitomes of women. Women of power, creation, and love.
Finally, we have the exhausted horse of Selene. Her chariot takes the moon into the sky, positioned opposite to Helios and the Sun. Selene is the Moon goddess, and the Moon is beautiful, powerful as it gives us the tides and fundamental to the life of humans as she presides over the menstrual cycle. Compared to the movements of the Sun which any fool can work out, and which are relentless (symbolising Justice) the movements of the Moon are mysterious to most of us. So Selene is beautiful, powerful, creative and the Goddess of Intuition.
So, if you put it all together, the East Pediment of the Parthenon shows that the world is a union of the male and the female, balanced between the two with Zeus and Athene in the middle, with Athene holding the main part because she, in her person, represents both the male and the female.
Of course, we know that the Athenian society was a patriarchal one with women mostly kept in the domestic sphere. But here, at least, women were given an equal billing in the organisation of the Cosmos.
Sculptures from the east pediment of the Parthenon
I must end by warning the reader that this is only my interpretation. I am not a scholar of Ancient Greece. I have come to my own conclusion based on spending a lot of time looking at the marbles, doing Solstice Virtual Tours, and mostly informed by the labels in the gallery, with of course, some reading including Mary Beard’s book entitled ‘Parthenon’ and the BM’s guidebook. In particular, I have not incorporated into my ‘story’ the sculptures that were in the gaps that do not survive or only in fragments scattered throughout the Museum world. However, what we do know is that in the centre is Zeus and Athene and at the edges are the chariots of the Sun and the Moon. And so fitting to celebrate the Solstice.
The Great Bookcase by William Burges Ashmolean Museum (Photo K. Flude)
The Ashmolean posts, every year, an online Advent Calendar with gorgeous items behind each ‘flap’. The choice seems to be, mostly, a random selection. But their collection is so wonderful, they are all interesting.
The Great Bookcase by William Burges & the Singing Pierides
In 2022 The Ashmolean featured the Great Bookcase by William Burges. Burges is one of the great Gothic Revival architects and a designer in the Arts & Crafts Movement with an affinity for Pre-Raphaelite painters. He asked 14 of them to paint panels on his bookcase. The decorative scheme was to represent the Pagan and Christian Arts (Museum label).At the bottom of the Wardrobe are the Singing Pierides painted by Henry Stacy Marks. The Pierides were a sort of classical Greek Von Trapp singers, 9 daughters who foolishly challenged the Muses to a singing competition. Of course, the Goddesses of the Arts — the Muses won., As punishment for their vanity, they turned the Pierides into songbirds. Let this be a warning to all those who overrate their own talents!
‘Whenever the daughters of Pierus began to sing, all creation went dark and no one would give an ear to their choral performance. But when the Muses sang, heaven, the stars, the sea and rivers stood still, while Mount Helicon, beguiled by the pleasure of it all, swelled skywards tilI, by the will of Poseidon, Pegasus checked it by striking the summit with his hoof.
Since these mortals had taken upon themselves to strive with goddesses, the Muses changed them into nine birds. To this day people refer to them as the grebe, the wryneck, the ortolan, the jay, the greenfinch, the goldfinch, the duck, the woodpecker and the dracontis pigeon.’
Print of the International Exhibition of 1862, South Kensington
The bookcase by William Burges was originally displayed as the centre point of the ‘Medieval Court’ of the 1862 International Exhibition, South Kensington, London. The Exhibition was almost as successful as the more famous Great Exhibition of 1851. Both got about 6m visitors. The 1862 Exhibition was just south of the site of the 1851 (on the south side of Hyde Park) and in what were then the Royal Horticultural Society’s gardens (now the Science, Natural History Museum, Imperial College etc.)
Raphael
This year, they posted a Raphael drawing of an angle. I show a screen shot below. But to have a real look click here.
I discovered the Nuragi on a University Field trip, with my students, to the Capital of Sardinia, Cagliari. The Nuragic culture is not well known. However they have amazing Bronze sculptures which give the viewer a really vivid view of their lives and fashions in the Bronze Age. They lived in round towers called nuraghe, which are a little like the Brochs of Scotland. They were around during the time of the Mycenaean Culture in Greece. But their origins and indeed their history are argued about. They may be part of the ‘Sea People’ who brought the end to the Bronze Age cultures of the Eastern Mediterranean, or they may not.
Here, in Britain, the Bronze Age is dominated by discussions of henges, barrows, metal axes and swords. But with very little sense of what life was like to live in those days. However, go to the Cagliari Museum, look at these wonderful statues, and it becomes possible to picture the people. Particularly with a copy of ‘Il Popolo di Bronzo’ by Angela Demontis to hand. It is a catalogue of Nuragi statures with interpretative drawings. It really brings the people to life depicted in the statues. They are mostly warriors, but also there are ‘normal trades’ such as shepherds and bakers which are depicted as well.
Here is my slight adaption of one of the drawings. It is of a shepherd similar to the one photo’d above.
A sketch drawing of a Nuragi sculpture derived from ‘Il Popolo di bronzo’ by Angela Demontis
What you can see is some detail of the clothes and the knife belt around the torso. Not to mention the sheep around his neck! The drawing brings a living person from the Bronze Age before you, not just a lump of bronze. Wikipedia has a long article on the nuragic culture. You can see a wonderful collection of nuragi bronzes and their homes on this website.here.
Originally written for December 12, 2022, revised and republished December 2023, and the Nuragi added in 2024 and Raphael added in 2025
De Havilland DH.98 Mosquito B Mk IV Series 2n (Wikipedia CCO), parts of it were made in Broadway
On December 11th 1940 a bomb dropped on a barn in a beautiful village in the Cotswolds. Broadway is a tourist attraction. It was considered one of the most beautiful villages in Britain. It was the playground for many artists, writers, actors, designers and other bohemians of the late 19th Century.
‘There were several large fires in Broadway during the war. On the night of December 11th 1940 a German bomber dropped a quantity of incendiary bombs on the village. A number of them fell on Gordon Russell’s furniture factory setting light to a large wooden, thatched barn. The building containing fine furniture and textiles, brought from London for safe keeping, was quickly destroyed. Ironically, the barn also contained a large order of furniture for Sir John Anderson – the Minister for Air Raid Precautions!‘
‘Another incendiary landed on the machine shop roof burning a hole, before being extinguished, it is believed, by a factory worker who lived nearby. The temporary plywood patch which was nailed on the underside of the hole was still in place when the factory was demolished in 2004. When a cottage adjacent to the factory was recently re-thatched, an unexploded incendiary bomb was discovered lodged in the old thatch. According to an Evesham Journal report, published at the end of the war, bombs fell in the Broadway area on seven separate occasions.‘
So, the Broadway fire brigade history pages suggests the raid was on December 11. But other sources prefer the night of November 14th. The night of the infamous Coventry Raid. But I have found another site claiming the raid that destroyed the barn was in October! But I’ve moved this blog post from November 14th to December 11th because I think the Fire Brigade should know what it is talking about!
Gordon Russell
Gordon Russell was a famous furniture designer. During the War, he turned over his carpentry workshops to the war effort. They made the wings of the famous World War Two Mosquito fighter bombers in Russell’s modernist furniture factory. This was in the Back Lane of Broadway. And next to the bombed barn is now a Co-Op supermarket.
The Mosquito was fast enough to be a fighter and could carry a decent payload of bombs. Because of their flexibility and speed, they had many roles in the war, including being the pathfinder for many of the nighttime raids on Germany.
Russell’s factory also made ammunition boxes, and high-precision aircraft models for wind tunnel testing and other purposes. Gordon himself designed a utility range of furniture to minimise the amount of wood needed for new furniture during the war.
Gordon Russell’s Utility Range WW2The Barn destroyed by bombing by Frank WhittonModel Spitfire for wind tunnel testingGordon and Don Russell 1917
Images above taken by Kevin Flude of the displays at the Gordon Russell Museum, Broadway. The Museum is well worth a visit, and Broadway itself remains a delight.
My Father & the Mosquito
My father, I discovered a couple of nights ago, worked on Mosquitoes in his time in the RAF. His job was to salvage instruments from crashed aeroplanes. Mosquitoes were, along with Spitfires, and Hurricanes, amongst the ones he worked on. To buy his war time autobiography follow this link!
There is a 0% chance of snow, in London and 90% chance of snow in Glen Shee, Scotland, according to the Snow Risk Forecast. And here is an appropriate medieval recipe:
To make a dish of Snowe
Take a potte of sweete thicke creme and the white of eight egges and beate them altogether with a spoone then putte them into your creame with a dish full of Rose Water and a dishfull of Sugar withall then take a sticke and make it cleane and then cutt it in the ende fowre square and therewith beate all the aforesayd thinges together and ever as it ariseth take it of and putte it into a Cullander thys done take a platter and set an aple in the middest of it and sticke a thicke bush of Rosemarye in the apple then cast your snowe upon the rosemarye and fill your platter therewith and if you have wafers cast some withall and thus serve them forth
Before fridges, snow gave the chance for ice cream and other cold desserts. The problem was keeping it for longer than the cold spell. So many Stately Homes had ice-houses. The V&A had an ice-house just outside their glorious, Henry Cole commissioned restaurant. There is an ice house preserved at the Canal Museum, in Kings Cross. It was set up by Carlo Gatti in 1857 to store ice shipped in from Norway. Another one, in Holland Park, dates from 1770 and served the infamous Fox family (PM Charles James Fox etc).
The first ice house was in Mesopotamian, but in the UK they were introduced by James 1 at his palaces in, first, Greenwich Park, and then Hampton Court. An ice house generally consists of a pit in the ground, brick lined, which tapered to a point. Above was a circular, often domed building. The ice was protected by insulation such as straw, and this structure would allow ice to be available all through the summer.
Ice House Dillington, Somerset, photo K Flude
My great-grandmother hung a basket outside the window in winter to keep things cold. On my fridge-less narrow boat, I have been known to keep milk and butter outside the door on the front deck. And to suspend and submerge wine in a plastic bag in the canal in high summer. Butteries and Pantries were typically cut into the ground to make them cooler. A Roman Warehouse in Southwark, of which the wooden floor still survived, had a ramp down to the floor which was cut into the ground surface. The ramp suggests it was used for storing barrels, where they were kept cool.
Sketch of Roman Warehouse found in Southwark.
For more on Icehouses (and an Icehouse in York) and the history of ice cream, see my post from August.
To my mind, THE genius of the electric guitar, and a great singer and songwriter.
Born Johnny Allen Hendrix in Seattle on 27th November 1942. He was spotted by ex-Animals Chas Chandler (bassist) when performing in small cafés In New York as Jimmy James. Chandler suggested he came to England. On the flight, they decided to change his name to Jimi. He arrived on September 24, 1966.
“It’s a different kind of atmosphere here. People are more mild-mannered. I like all the little streets and the boutiques. It’s like a kind of fairyland”
On his first day in London, he met Kathy Etchingham,. She found them a flat on the upper floors of 23 Brook Street, which is now part of Handel&Hendrix in London. This is a a small museum to the two musical giants who lived next door to each other (if they were time travellers that is!).
For the English middle class, it’s comforting to know that Jimi bought the furnishings of the flat from their favourite, the nearby John Lewis Department store. However, he got his swinging 60s look from Carnaby Street and Portobello Road Market.
The Blues and London
London wasn’t an arbitrary choice for a young American Bluesman. The wave of British Bands that came to international prominence in 1964, was based on the almost forgotten (by the mainstream media) Black American Blues legends such as Woody Guthrie and Ledbelly. Bands like the Rolling Stones, the Beatles, and the Animals loved this music, and began their careers playing cover versions in Clubs in London. (For more on the British Blues Revival, look here🙂
Hendrix’s younger brother, Leon, spoke about the importance of London to Hendrix
“He loved England ‘cos it was like Seattle. It was like home. It was the same climate, y’know? And this is where all the music was. This is where all of his friends were – Eric Clapton, The Beatles, the Rolling Stones, Brian Jones, everybody…”
He concluded: “After people played, they all went and jammed together. Like, when Jimi played a concert that was only the warm-up… After the concert, he was out and about lookin’ for somebody to play with and somebody’s studio to jam at. They’d just be jammin’ all night ’til, like, seven or eight in the morning. It was awesome.”
Chas Chandler was interested in managing bands, and thought Hey Joe, which he heard Hendrix play, could be a hit single. Hey Joe got to no 6, in January 1967 in the UK Top Ten, but failed to make an impression in the US.
Here is a YouTube film of Hendrix playing ‘Hey Joe’.
Finally, have a look at this bill for bands on at the Saville Theatre.
One month in 60s London!
For details of Hendix Gigs look at the Set list Web site, which shows he performed at the Saville Theatre in Jan,May and June 1967 on his First European Tour, and again in Aug and Oct on his 2nd European Tour.
The Independent website above gives a good guide to Hendrix in London. An excellent documentary on Hendrix was recently aired on BBC Sounds, Everything but the Guitar.
On this Day:
Eels are now in Season. (for Eels, Eel Pie Island, and its amazing musical heritage click here🙂
1703– The Great Storm
‘About one this morning, the terrible storm arose, which continued till past seven, the wind southwest, the light not known in the memory of man; blew down a vast number of the tops of houses, Chimneys, etc.; the damage incredible., the lady Nicholas and a great many people killed and many wounded: most of the boats and barges forced ashore; an East India ship cast away near Blackwall, besides several merchant ships and colliers; divers of the great trees in St James’s Park, Temple Grayes Inn, etc, blown down; and we are apprehensive we shall hear of great losses at sea.‘
From Narcissus Luttrell, diary, 1703, quoted from ‘A London Year’ compiled by Travis Elborough and Nick Rennison.
First published on Nov 27th 2022, as part of Stir Up Sunday! And revised onto its own page on the same day, 2023, and updated 2024 and 2025
