Chipping Campden Murder? August 16th 1660

The Court House, Chipping Campden, poor photo by the Author!

Yesterday, I went back to Chipping Campden, in the Cotswolds, and when passing the Court House (pictured above) I told the story of the disappearance of William Harrison to my group. As I looked at my old ragged notes, I noticed that the disappearance took place on the 16th August. On that day in 1660 70 yr old William Harrison left the Court House where he was the Steward. The Steward went for a 2-mile walk, collecting rents. When he didn’t return, his wife sent out a man servant, John Perry, to bring him home. Neither had returned by the next morning.

Harrison’s son went out to search for his dad, and found John Perry. The two of them searched for Harrison without luck.  Meanwhile, Harrison’s neckband and shirt were found with his hat.  The clothes were said to be blood stained, but as those who read Sherlock Holmes will know, there was no certain test for blood stains (a test was introduced in the late 19th Century). The identification of blood stains led to suspicion of John Perry. He said he was innocent, but he buckled under questioning, maintaining it was nothing to do with him but claiming his brother and mother murdered Harrison for his money. Perry soon changed his testimony about his brother and mother and eventually pleaded insanity.  All three were hanged.

Two years later, Harrison returned home, claiming to have been abducted by pirates and sold into slavery in Turkey before escaping and returning to England.

This is, pretty much, the bones of the story I have told my groups over the last 15 years. But what is wonderful about my job and this ‘Almanac of the Past), is that you get to dig that little bit deeper than the local guidebook. The first new ‘fact’ I discovered was that Harrison was Steward to the Lady Juliana Noel. She has a very prominent monument in St James Church, near the Court House and has long fascinated me. I will write more about her soon, but meanwhile, have a look at my post on her Dad, Baptist Hicks and how the family came to be Lords of the Manor of Chipping Campden.

Back to my new discoveries about the Crime! John Perry, his mother and brother were actually tried twice for the crime.  The first judge refused to try them for murder in the absence of the body, and they were encouraged to plead guilty to robbery, as they would then be eligible for an amnesty for first time convictions.

However, another Judge was willing to try them in the absence of a body, and they were, after all, tried for the murder. But having pleaded guilty to robbery (to avoid the risk of being executed), they had no real defence to the charge and were sentenced to be hanged.

Nor was the hanging simple: Joan Perry, the mother, was hanged first because she was said to be a witch who was preventing her sons from pleading guilty. After she was hanged, her sons still maintained their innocence but were hanged nether-the-less. The hangings took place on the hill above Broadway, the highest point of the Cotswolds, where Broadway Tower now stands, and a famous beauty spot. Mother and son were buried under the Gibbet, but John Perry was hanged in chains and kept on display as a warning to others not to follow his example.

As to William Harrison’s story of his abduction, it sounds a little unlikely in rural Gloucestershire. To a modern mind, it seems more likely that he felt the need to leave home, or had some form of breakdown, or did he collude with the Perry’s to steal money from the Noel Estate? I wonder how he reacted when told that three people lost their lives because of him?

But, it has been suggested that Harrison was kidnapped by people involved in the English Civil War who had secrets to keep which Harrison as Steward might have known.  He said English people had kidnapped him and put on a ship to America which was attacked by ‘Turkish’ (maybe Barbary Pirates).

The case led to a ‘no body, no murder’ rule which survived until 1954. But in modern times a body is not essential to a successful prosecution for murder, particularly in domestic murder cases, provided there is sufficient evidence to prove the case.

The case is normally referred to as ‘The Chipping Campden Wonder’ and it has often been written about, for example by Linda Stratmann. I have been wondering why it was so named, there being nothing wonderful about a murder or an abduction. But I have just found a ballad that was written about the case that might explain it. This claims that Joan Perry was indeed a witch, Harrison was attacked and buried in a pit but was, somehow, magically conveyed to Turkey, from which he eventually escaped to return to Chipping Campden. The Wonder is presumably the saving of Harrison and transportation to Turkey? The ballad clarifies that there was therefore no miscarriage of justice, as the Perrys were involved with diabolical doings, and that the Grace of God saved Harrison despite the best efforts of the Perrys.

Well worth reading the text of the ballad below (source: https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1216)

Bodleian 18713, Wood 401(191), Bod18713

Amongst those wonders which on early are shown,
In any age there seldom hath béen known,
A thing more strange then that which this Relation,
Doth here present unto your observation.
In Glocestershire as many know full well,
At Camben Town a Gentleman did dwell,
One Mr. William Harrison by name,
A Stewart to a Lady of great fame.

A Widdow likewise in the Town there was,
A wick wretch who brought strange things to pass,
So wonderful that some will scarce receive,
[…]hese lines for truth nor yet my words beleive.

[…] such as unto Cambden do resort,
Have surely found this is no false report,
Though many lies are dayly now invented,
This is as true a Song as ere was Printed.

Therefore unto the story now give ear,
This Widow Pery as it doth appear,
And her two sons all fully were agréed,
Against their friend to work a wicked déed.

One of her Sons even from a youth did dwell,
With Mr. Harrison who loved him well,
And bred him up his Mother being poor,
But sée how he requited him therefore.

For taking notice that his Master went,
Abroad to gather in his Ladies rent,
And by that means it was an usual thing,
For him great store of money home to bring.

He thereupon with his mischevous mother,
And likewise with his vile ungodly Brother,
Contriv’d to rob his Master, for these base
And cruel wretches were past shame and grace.

One night they met him comming into Town,
And in a barbarous manner knockt him down,
Then taking all his money quite away,
His body out of sight they did convey.

But being all suspected for this déed,
They apprehended were and sent with spéed,
To Glocester Goal and there upon their Tryal,
Were guilty found for all their stiff denyal.

Jt was supposed the Gentleman was dead,
And by these wretches robd and Murthered,
Therefore they were all thrée condem’d to death,
And eke on Broadway-hill they lost their breath.

One of the Sons was buried with his Mother,
Vnder the Gibbet, but the other Brother,
That serv’d the Gentleman was hang’d in Chains,
And there some part of him as yet remains.

But yet before they died they did proclaim
Even in the ears of those that thither came,
That Mr. Harison yet living was
And would be found in less then seven years space.

Which words of theirs for truth do now appear
For tis but two year since they hanged were,
And now the Gentleman alive is found
Which news is publisht through the Countrys round

But lest that any of this truth shall doubt,
Ile tell you how the business came about
This Widow Pery as tis plainly shown
Was then a Witch although it was not known.

So when these Villains by their mothers aid
Had knockt him down (even as before was said)
They took away his money every whit,
And then his body cast into a pit.

He scarce was come unto himself before
Another wonder did amaze him more,
For whilst he lookt about, he found that he
Was suddainly conveyd unto the Sea.

First on the shore he stood a little space
And thence unto a rock transported was,
Where he four days and nights did then remain
And never thought to see his friends again.

But as a Turkish ship was passing by
Some of the men the Gentleman did spy,
And took him in and as I understand,
They carried him into the Turkish Land.

And there (not knowing of his sad disaster)
They quickly did provide for him a Master,
A Surgeon or of some such like profession,
Whose service he performed with much discretion.

It séems in gathering Hearbs he had good skill,
And could the same excéeding well distil,
Which to his Master great content did give,
And pleas’d him well so long as he did live.

But he soon dyd, and at his death he gave him,
A piece of plate that so none should enslave him,
But that his liberty be might obtain,
To come into his native land again.

And thus this Gentleman his fréedom wrought;
And by a Turky Ship from thence was brought;
To Portugal, and now both safe and sound,
He is at length arrived on English ground.

Let not this séem incredible to any,
Because it is a thing afirmed by many,
This is no feigned story, though tis new,
But as tis very strange tis very true.

You sée how far a Witches power extends,
When as to wickedness her mind she bends,
Great is her Malice, yet can God restrain her,
And at his pleasure let her loose or chain her.

If God had let her work her utmost spight,
No doubt she would have kild the man outright,
But he is saved and she for all her malice,
Was very justly hang’d upon the Gallows.

Then let all praise to God alone be given,
By men on earth as by the Saints in heaven,
He by his mercy dayly doth befriend us,
And by his power he will still defend us.’

Set to tune of ‘Aim Not Too High (Fortune My Foe)’

This was transcribed on this site, which is well worth a look!

https://omeka.cloud.unimelb.edu.au/execution-ballads/items/show/1216

The London Museum Pigeon & Splat!

Screenshot concerning the new Logo of the Museum of London

I was quite surprised to see the image above appear in an email to my inbox. The London Museum (was the Museum of London) announced the Pigeon and Splat as the new logo to replace the old Dick Whittington one. I received the email on the 27th July 2024.

Is this a breath of fresh air? An unfussy humourous joke which 5 year old will love? Is a Pigeon uniquely London? Is the Splat too clever by half, or is it completely daft?

I’ll leave it to you to decide. However, a visit to the London Museum Website on 15/08/24 reveals the Pigeon logo displayed without the Splat!

Screenshot of London Museum’s new logo without the Splat!

Further down the page, is an article on the history of Pigeons and London, where there is a vestigial splat!

It seems to me there has been a climb down since I received the email on 27th July. Or are they phasing the Splat! in? Comments please.

For more on the new logo look at the Museums Associations’s Web site here. ‘The pigeon was chosen to symbolise the brand as “an impartial and humble observer of London life”, the museum said in a blog post on the redesign.’

Screenshot from the London Museum Web site with image of a Pigeon with a vestigial Splat!

St Clare’s Day & the Poor Clares August 11th

The ‘Agas’Map of 16th Century Map of London showing the Abbey of the Minoresses of St Clare with the yellow circle and St Botolphs in mauve just outside Aldgate. from the Map of Early Modern London project.

Today is the Feast day of St Clare of Assisi.  An area of London, called the Minories, is still to this day named after the Abbey of the Minoresses of St. Clare without Aldgate which was founded in 1294. The Abbey was part of the Order of St Clare or the Poor Clares as they were known . A minoress was a nun from the Order of Friars Minor (aka Franciscans) .who were also known as the Minoresses of St Clare.

Fresco of Saint Clare and sisters of her order, church of San Damiano, Assisi Wikipedia

Clare Sciffi was born in Assisi to a rich family. On Palm Sunday, 20 March 1212 Clare left her house, after refusing offers of advantageous marriage. She had been inspired by hearing St Francis the founder of the Franciscan Monks who was also from Assisi. St Francis facilitated her transfer to Benedictine Nunneries. Her sisters followed her, one renamed Agnes became an Abbess and eventually a saint in her own right. Her family tried repeatedely to take her back into secular life, but eventually gave in, apparently when they saw that she had cut her flowing locks off and donned a plain robe.

A small nunnery was set up for them next to the church of San Damiano, additional women joined, and they became known as the “Poor Ladies of San Damiano”. They undertook to live in poverty, and seclusion.

The Franciscan friars were an itinerant order where the Friars preached to the people and were supported by begging. But this was not possible for women at that time so they lived a simple life of labour and prayer.:

‘The nuns went barefoot, slept on the ground, ate no meat, and observed almost complete silence.’ Wikipedia

Here are a couple of sites which take the story further.

August – Octavian’s Month

August Sextilis, Lúnasa, Awst,  Wēodmōnaþ

Kalendar of Shepherds, August
Kalendar of Shepherds, August

August was originally ‘sextilis’ or the 6th Month of the ten-month Roman Calendar. It became the 8th Month with the addition of January and February (by tradition during the reign of King Numa Pompilius). It was changed from a 29-day month to a 31-day month in the reforms of Julius Caesar. It was subsequently renamed August by a sycophantic Senate trying to flatter the divine Octavian, Emperor Augustus. (more about the Roman Calendar here)

In modern Irish, it is Lúnasa, which means the month of the festival of Lughnasa. In Welsh, it is Awst which comes from the Latin. In Anglo-Saxon: the Venerable Bede, writing in the 8th Century, says August is Wēodmōnaþ or the Weed Month, named, he says, because of the proliferation of weeds. Why does that seem such an unsatisfactory name for August? An early Kentish source calls the month Rugern – perhaps the month of the harvest of Rye? (Winters in the World by Eleanor Parker).

The 15th Century illustration in the Kalendar of Shepherds, above, shows that the Harvest is the main attribute of the Month, and the star signs, Leo and Virgo.

The 16th/17th Century text in the Kalendar of Shepherds gives an evocative insight into the month. (more about the Kalendar here)

For the Anglo-Saxons, August brings in the harvest period, the most important months of the year, where the bounty of the earth needs to be carefully collected, enjoyed but not wasted. It begins with the festival of Lammas, which derives from the English words for bread and mass, when bread made from the first fruits of the harvest is blessed.

In Ireland, it is one of the great Celtic quarter days, named Lughnasa, the festival of the God Lugh, celebrated with games, fairs, ceremonies. Called Calan Awst in Wales, it is the festival of August.

The quarter days, are halfway between the Solstices and Equinoxes and are: Samhain (1 Nov) Imbolc (1 Feb), Beltane (1 May) and Lughnasa (1 Aug) and all are, or can be seen as, a turning point in the farming year.

The Gallic Coligny ‘Celtic’ Calendar records August as a ‘great festival month’. The stone-carved Calendar was found near Lyon, whose Roman name was Lugodunum. The town is named after the Gaulish God Lugos, to whom, the Irish Lugh and the Welsh Llew Llaw Gyffes are probably related. He has an unstoppable fiery spear, a sling stone, and a hound called Failinis. The Romans associate Lugos with Mercury, and the Church with St Michael.

Lughnasa, (meaning the festival of Lugh) was founded by the God himself to honour his foster mother Tailtiu at Brega Co. Meath. Tailtiu became one of Ireland’s greatest festivals, springing from the horse races and marital contests set up by Lugh. In Gaelic Scotland it is called Lunasuinn, and Laa Luanistyn in the Isle of Man.

The festival is a harvest festival, celebrating the ripening of wheat, barley, rye, and potatoes. It is 6 months after Imbolc and records the ending of lactation of lambs and the beginning of the tupping season. It can be celebrated by climbing hills, visiting springs, wells, lakes and eating bilberries. (Myths and Legends of the Celts. James MacKillop).

Fête Nationale Française. Le 14 juillet. Bastille Day July 14th

French Revolutionary Month of Messidor (June-July)

Today, is the French National Day, le Quatorze Juillet, the day to celebrate the storming of the infamous Bastille on 14 July 1789. It was a symbol of Royal oppression, but only had 7 relatively insignificant prisoners on the day it was stormed. 200 attackers and 1 defender were killed in the first round, and then the Commander surrendered to avoid more deaths, but was then himself killed with 7 of his soldiers. But it was symbolic of the collapse of the old order.

I wrote about the French Revolutionary Calendar earlier in the year which introduced a rational non-christian calendar to France.

Here is an except of what I wrote about the names of the new months:

I’m going to begin by giving you the names (of the months) as reported, satirically, by John Brady in England 1811 (starting with ‘October’ and separating seasons by semicolons).

Wheezy, Sneezy and Freezy; Slippy, Drippy and Nippy; Showery, Flowery
and Bowery; Hoppy, Croppy and Poppy.

The official name of this month was Messidor (or ‘hoppy’ in the list above). You might like to have a look at the post below to celebrate the French National Day. The 14th July was the day named after Sage in the Month of Messidor.

Festival of St John the Baptist June 24th

The Feast Days of St John the Baptist (June 24th) and of St Peter and Paul (29th June) What is remarkable is the scale and the expense of the celebrations.

These Saints are some of the most important in the Christian Calendar. John being the forerunner to Jesus and his cousin, and Peter and Paul being the apostles who, more than anyone else, created the Christian Church.

There are also pagan rituals associated with the Feast of St John. Here is an example of French pagan solstice fires:

“They were lit at the crossroads in the fields to prevent witches and sorceresses from passing through during the night; herbs gathered on Saint John’s Day were sometimes burned to ward off lightning, thunder and storms, and it was thought that these fumigations would ward off demons and tumults.”

For more information, have a look at ‘French Moments’ here:

The Feast of St John is often described as being on the Summer Solstice, it isn’t by modern reckoning, but nor is December 25th the Winter Solstice. But they were celebrated as such by Christians, and the Solstice can be thought of as spread over 3 or 4 days (or more if taking into account Solstice Old style). The major events of the sun and the moon were linked into Christian theology and symbolism. Jesus, son of God, would clearly have arrived at the auspicious time of the Winter Solstice. His cousin, John the Baptist, came to tell the world about the coming of Jesus and so his birthday was exactly 6 months before the Summer Solstice.

St John is also special as most Saint’s Days are linked to the day of their death, but June 24th is the birthday of St John. His beheading by Herod is commemorated on 29th August.

St John the Baptist upon Walbrook in the City of London is first mentioned in the 12th Century, burnt down and not rebuilt after the Great Fire of London. The parish was, later, united with St Antholin, Budge Row, The Graveyard survived until 1884 when the District Line destroyed most of the Graveyard and the bones were reinterred below a monument, which can still be seen in Cloak Lane.

Here is what John Stow tells us about the processions on the night before the feast of St John (24th June) and St Peter and Paul (29th June):

On the vigil of St. John the Baptist, and on St. Peter and Paul the Apostles, every man’s door being shadowed with green birch, long fennel, St. John’s wort, orpin, white lilies, and such like, garnished upon with garlands of beautiful flowers, had also lamps of glass, with oil burning in them all the night; some hung out branches of iron curiously wrought, containing hundreds of lamps alight at once, which made a goodly show, namely in New Fish street, Thames street, etc.

Then had ye besides the standing watches all in bright harness, in every ward and street of this city and suburbs, a marching watch, that passed through the principal streets thereof, to wit, from the little conduit by Paule’s gate to West Cheape, by the stocks through Cornhill, by Leaden hall to Aldgate, then back down Fenchurch street, by Grasse church, about Grasse church conduit, and up Grasse church street into Cornhill, and through it into West Cheape again.

Grasse Church Street is Gracechurch Street.

The whole way for this marching watch extendeth to three thousand two hundred tailor’s yards of assize; for the furniture whereof with lights, there were appointed seven hundred cressets, five hundred of them being found by the companies, the other two hundred by the chamber of London.

Note a cresset is: a ‘metal container of oil, grease, wood, or coal set alight for illumination and typically mounted on a pole’ (Wikipedia).

Besides the which lights every constable in London, in number more than two hundred and forty, had his cresset: the charge of every cresset was in light two shillings and four pence, and every cresset had two men, one to bear or hold it, another to bear a bag with light, and to serve it, so that the poor men pertaining to the cressets, taking wages, besides that every one had a straw hat, with a badge painted, and his breakfast in the mornings amounted in number to almost two thousand.

The marching watch contained in number about two thousand men, part of them being old soldiers of skill, to be captains, lieutenants, serjeants, corporals, etc., wiflers, drummers, and fifes, standard and ensign bearers, sword players, trumpeters on horseback, demilances on great horses, gunners with hand guns, or half hakes, archers in coats of white fustian, signed on the breast and back with the arms of the city, their bows bent in their hands, with sheaves of arrows by their sides, pike-men in bright corslets, burganets, etc., halberds, the like bill-men in almaine rivets, and apernes of mail in great number;

there were also divers pageants, morris dancers, constables, the one-half, which was one hundred and twenty, on St. John’s eve, the other half on St. Peter’s eve, in bright harness, some overgilt, and every one a jornet of scarlet thereupon, and a chain of gold, his henchman following him, his minstrels before him, and his cresset light passing by him, the waits of the city, the mayor’s officers for his guard before him, all in a livery of worsted, or say jackets party-coloured, the mayor himself well mounted on horseback, the swordbearer before him in fair armour well mounted also, the mayor’s footmen, and the like torch bearers about him, henchmen twain upon great stirring horses, following him.

The sheriffs’ watches came one after the other in like order, but not so large in number as the mayor’s; for where the mayor had besides his giant three pageants, each of the sheriffs had besides their giants but two pageants, each their morris dance, and one henchman, their officers in jackets of worsted or say, party-coloured, differing from the mayor’s, and each from other, but having harnessed men a great many, etc

John Stow, author of the ‘Survey of London‘ first published in 1598. Available at the wonderful Project Gutenberg: ‘https://www.gutenberg.org/files/42959/42959-h/42959-h.htm’

First published june 2023 republished in 2024

The Great Broadway Paint off June 18th

Artist painting in the Broadway 'Great Paint off'
Artist painting in the ‘Great Broadway Paint off’

One of the joys of my Spring & Summer is revisiting places I know and love in my role as a Course Director for Road Scholar. Sunday, I was in Broadway, once considered the most beautiful village in Britain. It was also the model for Riseholme in the wonderful ‘Mapp and Lucia’ books by E. F. Benson (made into a TV series by the BBC starring Prunella Scales, Geraldine McEwan and Nigel Hawthorne).

This weekend was the:

The artists register in the morning and have their paper or canvas stamped, or given a block of Maltese stone. They then go off to create a work of art in the village. At 3pm or so, they are judged. At 5pm, the art works are exhibited and often on sale in the Marquee on the village green.

Artist painting in the Broadway 'Great Paint off'
Another artist participating Artist in the ‘Great Broadway Paint off’

It’s always a delight walking around Broadway in the sun, but with an artist and easel every 50 yards or so even more enjoyable. By the tent on the village green were about 10 sculptors chipping away at identical blocks of stone.

Sculptors at the Great Broadway Paint off.
Sculptors at the Great Broadway Paint off

I believe ceramic, textile, and artists in other media are also willing to have a go at making art in a limited timescale.

The appellation of most beautiful village, came in the late 19th Century. Broadway, once made rich by selling wool and then as a stop off on the stage coach route from Aberystwyth to Worcester, Oxford and London, fell on hard times with the arrival of Brunel’s Great Western Railway to the Cotswolds. Half the village, the Broadway Museum says, moved away as their livelihood serving the coaching trade died.

Painting in Broadway
@dawnjordanart

But artists, led by Americans Frances Millet and Edwin Abbey, turned Broadway into a much sort-after country retreat. Visitors included Oscar Wilde, J. M. Barrie, Singer-Sargeant, William Morris, Edward Burne-Jones, Gabriel Dante Rossetti, American actress, Mary Anderson, Edward Elgar, E. F, Benson. Mark Twain visited for Millet’s marriage.

J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)
J.M. Barrie being bowled by Mary de Navarro. (aka Mary Anderson, who played many roles including Juliette at Stratford-on-Avon)

What made the visit particularly interesting was the story told to me by the Volunteer at the Gordon Russell Museum in Broadway. (More about Gordon Russell in a future post) This is the story as I understood it:

The Russells restored the Lygon Arms in Broadway using Arts And Crafts architects. They also restored antique furniture. The son, Gordon Russell, became a leading designer of modernist Furniture and so advertised to passengers on the Cunard Line in order to attract the attention of rich American visitors. One, Henry T Ford, was interested, came to Broadway, staying at the Lygon arms. He asked for help to purchase a Cotswold Cottage. He was taken to nearby village Snowshill, where Ford bought a complete Blacksmith’s workshop, and shipped them back stone by numbered stone to Brentford on the Thames, then to the London Docks and across the Atlantic to set them up in a Museum in Michigan where they still are!

Research suggests it’s a little more complicated, in so far as he purchased his first Cottage before coming to Broadway, but it still leaves a delightful story about American ideas of Quintessential English village life. More on this story here:

By the way, Frances Millet planned to return to the States on the Titanic. He was one of the 1500 who drowned, but a letter he wrote while on the ship was posted, probably in France and is on display in the Broadway Museum.

First Published in June 2023, Republished in June 2024

Moneywort June 14th

MONEYWORT
Moneywort. Photo by Kurt Stüber Wikipedia

Calm weather in June
Sets corn in tune.

When it is hottest in June, it will be coldest in the corresponding days in February.

(Weather Lore by Richard Inwards 1895)

Moneywort flowers in June/July. It is, also known as Creeping Jenny, Wandering Jenny, Creeping Joan, or Wandering Sailor. All names alluding to its rapid trailing over the Ground.

It’s also called Herb Tuppence or String of Sovereigns and variations. ‘Herbe 2 pence’ was the name given by William Turner in the earliest English scientific Herbal, 1551. He learnt his medicine in Italy in Ferrara and Bologna and went abroad again, in exile from Mary 1st’s religious intolerance.

frontispiece of William Turner's 'A newe herball' containing descriptions of 238 English plants, 1551
William Turner’s ‘A newe herball’ containing descriptions of 238 English plants,

Its Latin name is Lysimachia nummularis (from the Latin for money nummulus) Mrs Grieve suggests that the two pence idea comes from the leaves which ‘look like rows of pennies, and the golden flowers which give the name String of Sovereigns.’

There was said to be ‘not a better wound-herb’, and that wounded serpents would wrap themselves around it. Hence, yet another name is Serpentaria. Also, it was thought to be good for stomachs, and against whooping cough.

It can be used both fresh or dried, but if to be dried, collect in June. It prospers in damp conditions and self-spreads.

First written in June 2023 and republished in 2024

St Columba’s (St Colmcille’s) Day June 9th

St Columba st margarets chapel by Graham van der Wielen  Edinburgh  Lead glass
St Columba Stained Glass window in St Margaret’s Chapel Edinburgh Castle by Graham van der Wielen Wikipedia CC BY 2.0

St Columba, or Colmcille is one of the most important saints for the early transmission of Christianity. He was born in 521 and said to be a descendent of the possibly legendary Irish King Niall of the Nine Hostages. (The Hostages were a token of Niall’s power as they came from the five provinces of Ireland, which are Ulster, Connacht, Leinster, Munster, and Meath. The other four represented Scotland, the Saxons, the Britons, and the Franks). Columba was sent at an early age to be brought up as a Monk, and went on to set up Monasteries in Ireland at Derry and Durrow.

In 563, he left Ireland, possibly because he got involved in a dispute that had a deadly outcome. He went into exile to Scotland and set up the famous Monastery on the island of Iona, Inner Hebrides, off the coast of what would one day be called Scotland. At the time, it was under the control of the Kingdom of Dál Riata, which was nominally Christian and controlled parts of Ulster and Western Scotland.

From Iona, Columba led the conversion of the Picts to Christianity, which helped towards the unification of the Gaels, the Picts and the Britons, eventually into the Kingdom of Alba which became Scotland. Iona became the traditional burial place of early Scottish Kings such as Macbeth (Mac Bethad mac Findlaích). Kings who were crowned at Scone and buried in Iona.

Much of the events of this part of Columba’s life are recorded by St. Adamnan in The Life of Saint Columba written in the 7th Century, much of which is apocryphal. One notable story tells how he came across a group of Pagan Picts who were mourning a child killed by a monster in the River Ness. St Columba revived the child. He then sent one of the Brothers to swim across the Loch to fetch a boat. The “water beast” pursued the Monk and was about to attack him when St Columba told the monster to stop, and so it did, retreating to the depths of Loch Ness. Thus began the legend of the Loch Ness monster.

St Columba died in 597AD. Iona continued to prosper and in, 634AD sent St Aidan from Iona to found the Monastery at Lindisfarne, which is on the Eastern coast of Britain in the Anglo-Saxon Kingdom of Northumbria, which was one of the most powerful at the time. Lindisfarne was instrumental in the conversion of the Kingdom of Northumbria. This tradition of evangelism took hold in the British Isles, and it was from here that much of the German-speaking world was converted to Christianity.

This is St Columba’s legacy.

There is a developing understanding among scholars that this Irish inspired form of Christianity took a leading role in ritual, art, scholarship in the Roman Catholic world at this time. Just stop and think about that sentence for a moment. The north-western extreme of the Islands off the coast of Europe took a leading role in the development of Western Christianity. This was highlighted in a recent exhibition of Anglo-Saxon art at the British Library.

British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude
British Library with Poster for Anglo-Saxons Kingdoms Exhibition, Photo K Flude

A look at the Lindisfarne Gospel and the Book of Kells showcases the amazing art of this period. For a real treat, look through this scrollable virtual copy of the Lindisfarne Gospel. (Currently this is unavailable, I suspect since the BL was hacked) The Book itself has been missing from the displays of the British Museum for a couple of years, and was on display in Northumberland in 2022. I’m not sure whether it is yet back on display at the British Museum. I hope so, but the scrollable version almost compensates for its absence. You can see the Book of Kells at Trinity College, Dublin or look at their online offering here: Not quite as joyous an experience as the online Lindisfarne but beautiful enough.

Carpet Page from the Lindisfarne Gospel
Carpet Page from the Lindisfarne Gospel Photo Wikiepedia Eadfrith –
Lindisfarne evangeliarium, tapijtbladzijde op f26v, Matteüsevangelie

Here is a virtual tour of Iona

Here is a 360-degree panoramic photo tour of Lindisfarne Abbey

The most important weather forecast in History D Day June 6th

North Atlantic chart of weather for June 6th 1944.  Showing occupied Europe with observations obtained from the enigma machine

In 2014 or thereabouts I went to a play by David Haig which was based on the true story of weather forecaster James Stagg’s advice that the weather on June 6th 1944 would be the best day to go ahead.

The play was called Pressure and was great because it really conveyed the enormity of the decision that Ike, Churchill and others had to make.  To go ahead in bad weather risked enormous casualties and the failure of the Landings.  To postpone, might mean Hitler discovered the location of the invasions and disaster.

Major characters portrayed in the play included Ike and his driver, Kay Summersby with whom he was very close, and an American forecaster who disagreed with the British meteorologist James Stagg.  How much of the play was for dramatic effect and how much is true, I’m not entirely sure but it is a fascinating D Day story.

The maps were hand drawn and partially based on intercepted data decoded by the enigma machine.  Stagg recommended postponing the landings one day from the 5th to the 6th of June, when it was hoped the ideal combination of calm seas, low water at first light and a full moon would occur.

Maps used to present the data have recently been  up for sale and are discussed here https://www.bbc.co.uk/news/uk-england-somerset-68845546

I was reminded of the play by this article on the weather on D DAY on the BBC website https://www.bbc.co.uk/weather/articles/c2995n9wgz8o.

Please have a read.