‘RRRRRare Chelsea Buns’ as Jonathan Swift called them in a letter to Stella in 1711.
T!he tradition was that on Good Friday Georgian period Londoners would go to Chelsea to buy Chelsea Buns. Thousands of people would turn up at the Five Fields which stretched from Belgravia to what is now Royal Hospital Street. There were swings, drinking booths, nine pins and ‘vicious events that disgraced the metropolis’. The Bun House was on Jew’s Row as Royal Hospital Street was then called. As several King Georges visited the Bun House it became known as the Royal Chelsea Bun House. It was run by the Hands family. They were said to sell 50,000 Buns on the day. Stromboli tea garden was nearby.
Fragrant as honey and sweeter in taste As flaky and white as if baked by the light As the flesh of an infant soft, doughy and slight.
The buns were made from eggs, butter, sugar, lemon and spices. Inside the Chelsea Bun House was a collection of curiosities. Chelsea became known for its collection of curiosities in the 18th Century. Of course, there was the great Hans Sloane’s collection which was the founding collection of the British Museum, And then there was Don Saltero’s which was a coffee house that had curiosities on the wall. The Bun house displayed clocks, curiosities, models, paintings and statues on display to attract a discerning Public.
Me. I love a Chelsea Bun above all buns, But can you get them any more? The British Library Cafe was the last place I found that sold them. And that was 6 years ago I reckon. If you see any let me know.
Maundy Money Pouches. and cover of the Order of Service for Royal Maundy service 1974 Photo Wehwalt
This is the last day of Lent, and the day before the Passion. Its also called Holy Thursday when Christians remember the Washing of the Feet, and the Last Supper.. Maundy is thought to be from the ‘Latin word mandatum, or commandment, reflecting Jesus’ words “I give you a new commandment.’ (Wikipedia). But I much prefer the derivation that it comes from the custom of the English Kings giving alms to poor people on this day.
‘English name “Maundy Thursday” arose from “maundsor baskets” or “maundy purses” of alms which the king of England distributed to certain poor at Whitehall before attending Mass on that day. Thus, “maund” is connected to the Latin mendicare, and French mendier, to beg.‘
The monarch gives out money in special red and white pouches to old people. In modern times the money is specially minted for the occasion. It is now more symbolic than a practical gesture. It dates back to the 13th Century.
Queen Elizabeth II and Prince Philip after the 2005 Royal Maundy Ceremony at Wakefield Cathedral. Photo Runner1928
In 1572 Queen Elizabeth 1 washed one foot of a group of poor women, then wiped, crossed and kissed them. In fact, the women had first had their feet washed by the laundress, then the sub-almoner, then the almoner, and finally the Queen. (The Perpetual Almanac of Folklore by Charles Kightley’
One scholar, Prof Humphreys author of ‘The Mystery Of The Last Supper’, believes that there is far too much going on between the Last Supper on Thursday and the Crucifixion on Good Friday. He suggests an old Jewish Calendar was used and therefore the Last Supper was on the Wednesday not the Thursday and the date he favours is:
Duccio’s The Annunciation. Egg Tempera on Wood c 1307-11
Today, is the anniversary of the conception of Jesus Christ. 9 Months before Christmas.
The picture above is by Duccio, from Sienna in Italy. It shows the Archangel Gabriel bringing Mary the news that she is to give birth to the Son of God. It is in the Sainsbury Wing of the National Gallery. I chose it to represent March 25th as it has a special meaning to me. When I suggested taking my groups to the National Gallery I was surprised to find myself agreeing to leading a tour of the Gallery. For an archaeologist to give an Art History Tour was a particular thrill. I decided the only way I could do it was to find a narrative thread to pull my tour together, and my choice was the development of perspective. I had been reading a book on the subject by David Hockney.
The painting shows that Duccio does not understand single-point perspective. But then, no one could do perspective at that time in Europe. This skill was lost following the Roman Period, but here at the beginning of the 14th Century, painters like Duccio from Sienna, and Giotto from Florence, were groping towards more realistic representation. You might say they wanted a more human depiction in which events are shown in spaces that are trying to look real, filled with more realistic looking people and beginning to show on their faces what can be interpreted as real emotions. Previously, the Byzantine style produced iconic, storytelling images, that were somewhat cartoon-like rather than realistic. Here, is an detail from one such, where there is little attempt to make the encounter seem real, in a real space between real people. But it does tell the story effectively.
The Annunciation, St Catherine’s Monastery, 12th Century.
Now, look at the Duccio, he uses the arcading at the top of the painting to give an impression of this being an encounter in a real space, and the Archangel Gabriel is moving through that space decisively. This is not just a picture with a story, this shows Duccio’s interest in capturing a fleeting but incredibly emotional moment. It happens to be the most important moment in the history of the world (from a Christian view point), the moment that the son of God is conceived as a human.
Gabriel is striding towards Mary, who has come out of her house to see him. He is just telling her ‘Hey, you are going to give birth to the Son of God.’ She looks overwhelmed, holding her arm protectively towards her. ‘What me?’ she might be saying but is also pointing at the Bible where this moment in time is predicted by Isaiah. Their faces are rounded, and realistic, Mary is clearly emotional. Also if you look at Gabriel’s feet he is quite well grounded unlike many other medieval paintings, where people often seem to be floating above the ground. Mary, too is firmly, anchored, although you cannot see her feet. It’s by no means ‘perfect’ because they don’t know the rules of perspective, not yet have discovered they could use lenses to develop the ability to do photorealistic portraits but they are searching for methods that can bring spaces and people towards realistic life. It mirrors a humanistic trend to see Mary not as sort of Goddess, but as a real mother.
Above the arcading can be seen a small sphere of blue sky from which emanates several ‘rays’ and a tiny Holy Dove. As I told the story, the rays are showing the moment of conception coming from Heaven to her womb which is hinted at by the red of her dress. The National Gallery commentary, which you can read here, suggests ‘The conception takes place at the moment she hears the words, which is why a tiny white dove, representing the Holy Ghost, flies towards her ear‘. This made me stop and think – the tiny dove is heading to her ear is it? Really? Why? Gabriel is the messenger saying the words, the words head to the ear. The Holy Dove is a symbol of the Holy Spirit, part of the Trinity of Father, Son and Holy Ghost. Its role, in the painting, is to show that God is the Father. So why, would the Holy Spirit enter by the ear?
I have been using a ruler to try to see if the National Gallery are right! It’s difficult to be sure with a reproduction. but my ruler says the rays from Heaven are neither heading to the ear not directly to the womb but in the general direction of her body. If they are right that the rays from heaven are heading for her ear, then is this rather the moment she is being told she will conceive rather than the moment of conception?
But the National Gallery text accepts that it is the moment of conception that is shown. So, I’ve looked at Luke 1:26-38:
‘Do not be afraid, Mary, for you have found favour with God. And now, you will conceive in your womb and bear a son, and you will name him Jesus.‘
On first reading he is telling her she will conceive, but reading it more carefully he is saying ‘now, you will conceive’. So Duccio is paying very careful attention to the Gospel and by the time Gabriel finishes his sentence she will have been impregnated by the Holy Dove.
Looking at other paintings of the Annunciation the rays from heaven/Holy Ghost head generally towards the virgin, sometimes to her head, nothing suggesting the ear. I’ve included a 19th Century Rossetti painting because it is so beautiful. It shows a lilly representing purity, instead of the rays, pointing to Mary’s womb.
By the way look at the feet in Rossetti’s painting. This is an early Rossetti painting, who was poet and I don’t think he yet had the skills to ground feet, but he takes advantage of it in this case and disguises his ineptitude by giving Gabriel fiery feet. Subsequently, Rossetti concentrated on paintings of women from the waist up. Since, first writing this, I have visited an exhibition of Rosetti’s drawings, and they show a very capable draughtsman. For more on March 25th. This page shows that, in fact, from a Christian perspective, March 25th is the most important day in history.
Veronese ‘The Annunciation’The Annunciation by Rossetti originally known as Ecce Ancilla Domini! 1849 – 1850
eBay advert screenshot for Old Moore’s Almanac 2024
This week I received my copy of Old Moore’s Almanac. This is probably the best known Almanac in the Uk. It follows the format of Alamancs which have been published since the medieval period as I discussed in an earlier post about the Kalendar of Shepherds of the 15th Century. Almanacs became the third most popular book published in London.
Old Moore’s, which claims ancestry back to 1697, begins with a large tranche of predictions both for the world and for celebrities, based on astrology. 2024, Frances Moore says, is the ‘Year of Hope’. He says, ‘we may have a good time, [but] a severe money problem from elsewhere may surface to worry us’. Hedging his bets or what?!
He predicts astonishing advances in technology, and thinks that Britain is in a good place to profit from these advances in healthcare, IT, and Robotics.
We need good, old-fashioned leadership to get through challenging times, with Pluto in Aquarius and Saturn through Pisces, we should be steered to ‘safe management.’
Wokery will lead us down a spiral to weakness. However, the Tories will remain disorganised with the country receptive to caring Socialism, with an upsurge in local power. The UK will become a more caring society.
Old Moore hints that Putin might be indicted. The US will have deep financial and social problems. The election might be close, but he also suggests Trump’s support might be on the wane.
There is a page for each month, noting the calendar events such as Epiphany, Burns Night, Australia Day, and other days filled with very random notable events chosen to represent that day through history- 2nd Jan Conquest of Granada 1462. 9th Jan Duchess of Cambridge b. 1982, 13th Jan Trump impeached 2021 etc. It also gives a forecast for the Month. January is likely to see constitutional change, Old Moore predicts which seems very unlikely.
Next are columns for Sun rise and set, high water at London Bridge, moon at London. And a weather column. (Early cold spell followed by normal rainy pattern), which isn’t wrong yet.
It has pages of predictions for celebrities such as King Charles III, which suggests ‘communication problems’ in the family. Who could have guessed that! Anton Du Beke, Adele. Zelenskyy, whose entry suggests success will be achieved only by diplomacy; otherwise the stubbornness predicted by the stars will lead to a long stalemate.
Then there are charts for each star sign. Towards the back are astrological help for winning on Horse Racing, Greyhound Racing, Football pools, Bingo, Lottery, Lucky Lotto, Euro Millions and pages for sowing and planting times for gardening by the moon, and a Guide for Anglers.
£5.41 good value, or is it just cheap? It was £3.50 in 2022.
The Harper Road Burial Southwark (museum of London web site)
I’ve had a draft of a piece on he Harper Road Burial awaiting a suitable occasion to publish it. And today, International Women’s Day is, perhaps, that occasion. International Women’s Day began, as an idea within Socialist organisations in 1909/1910. Following the February Revolution in Russia and women gaining the vote, March 8th was chosen as the day to celebrate. The wider feminist movement adopted it in the 1960’s followed by the UN in 1977; since when it has been a day to celebrate women’s achievements and campaigns.
The Soviet Union 1949 CPA 1368 stamp (International Women’s Day, March 8. (Wikipedia)
My post was about the Harper’s Road burial, which came up in Dominic Perring’s new book ‘London in the Roman World.’ He uses it to establish that Southwark was a place where people lived both before and after the Roman Conquest in 43AD. The burial was found in the 1970s’ dated to 50 – 70 AD but recent scientific analysis has shown that the burial was of a woman (21 – 38 years of age) with brown eyes and black hair who was brought up in Britain. She was of some wealth by her grave goods. She had both imported Roman pottery and British made objects: a bronze necklace (a torc possibly of Catevalaunian or Trinovantian origin) and a mirror. Dr Rebecca Redfern & Michael Marshall (Human Osteology Curator & Museum of London Archaeology) on the Museum of London’s website make a case for her being: a ‘Powerful women in late Iron Age London’. It’s well worth reading. They make a case for the mirror being ‘used by women for divination and magic, and were a source of knowledge that only women could command. Being able to use and read the mirror meant that the woman was highly regarded by her community.’
Iron age burials are often found either with a sword or a mirror and the thinking is that the mirror reflects an equivalent status to a sword. I think we can say that the finds do reflect someone of standing, but as to the use of the mirror that must be speculation. Divination using a mirror is called ‘scrying’ and the British Museum has John Dee’s scrying apparatus. You can buy scrying mirrors on etsy. https://www.etsy.com/uk/market/scrying_mirror.
Melanie Giles & Jody Joy in ‘Mirrors in the British Iron Age: performance, revelation and power published in 2007 (and available to read here) conclude:
‘Iron Age mirrors, whether made of iron or bronze were beautiful,  powerful, and potentially terrifying or dangerous objects. They were used in the  preparation and presentation of the body and prestigious displays, but may also have been associated with powers of augury and insight into the past, or access to ancestral or spiritual worlds.’
The evidence we have for iron communities is for a powerful role for women in contrast to the Romans. The Romans dismissed women when they wrote that Boudicca was ‘uncommonly intelligent for a women’. In fact, she nearly forced the Romans to abandon their conquest of Britain. We also know that Queen Cartimandua of the Brigantes had executive power in the North of Britain. The Britons also worshipped the three Mother Goddesses, which focussed on the value of woman as maidens, mothers, and grand-mothers.
A book to order today is ‘Patriarchs’ in which Angela Saini investigates when the Patriarchy took over. I heard her talk about it and it seems an excellent summary.
A man born on a Pisces shall be a great goer, a fornicator, a mocker and covetous.: he will say one thing and do another. He shall trust is his sapience, he shall have good fortune: He will be a defender of widows and orphans. He shall be fearful on water: he shall soon pass all adversities and live 72 years after nature.
The woman shall be delicious, familiar in jests, pleasant of courage, fervent, a great drinker. She shall have sickness of her eyes and be sorrowful by shame, needlessly. Her husband will leave her and she shall have much trouble with strangers. She shall travel much, have pain in his stomach and live seventy-seven years.
Both man and woman shall live faithfully.
Kalendar of Shepheardes, 1604 (from the Perpetual Almanac by Charles Kightly
What surprises me about the above is that it has to be nearly always wrong as the predictions are too specific.
Now, the Old Moore’s 2023 Almanac has a page on Liz Truss of all people, clearly written before she imploded as Prime Minister, and it is clear they think she has a real chance of being PM. They say she has ‘an almost steely determination and plenty of apparent ambition. …. She has every astrological requirement necessary to keep her nose clean and at this moment in time is certainly among the main contenders.‘. So yes they are right about her being among the main contenders but absolutely no hint of the disaster that her PMship was. Similarly the 2022 Old Moore’s Almanac had no hint of the Ukraine war.
I wanted to find something about the winter as experienced in World War 1. Why? Because I watched a very moving film about World War 1 by Derek Jarman called ‘War Requiem’, which puts images to the music by Benjamin Britten. I also listened to a radio piece on ‘Spring Offensives’ to give a long view on what was happening in Ukraine.
I found this war poem which vividly sets a winter war scene:
Searchlight F. S. Flint
There has been no sound of guns, No roar of exploding bombs; But the darkness has an edge That grits the nerves of the sleeper.
He awakens; Nothing disturbs the stillness, Save perhaps the light, slow flap, Once only, of the curtain Dim in the darkness.
Yet there is something else That drags him from his bed; And he stands in the darkness With his feet cold against the floor And the cold air round his ankles. He does not know why, But he goes to the window and sees A beam of light, miles high, Dividing the night into two before him, Still, stark and throbbing.
The houses and gardens beneath Lie under the snow Quiet and tinged with purple.
There has been no sound of guns, No roar of exploding bombs; Only that watchfulness hidden among the snow-covered houses, And that great beam thrusting back into heaven The light taken from it.
My search also showed that, on this day in 1915, the British retook trenches at St Eloi. St Eloi was just behind the Southern edge of the Ypres Salient, a bulge of allied territory surrounded on three sides by German forces and the site of the five battles of Ypres. Fighting continued here from 1914 through into 1918 when the Germans were finally pushed out of the Salient.
World War I destruction in Ypres (wikipedia)
St Eloi struck a bell as St Eloy, is mentioned in the Canterbury Tales as he was a very popular saint in the medieval period. The Saint was also responsible for converting Flanders to Christianity in the 7th Century. Properly called St. Eligius he is the patron saint of horses and cattle, farriers, blacksmiths, metalworkers, goldsmiths, and therefore of mechanics in general (including the Royal Electrical and Mechanical Engineers, forerunners of whom fought at Ypres).
According to legend Eligius was having trouble shoeing a horse, which he thought was possessed. So he cut the horse’s leg off, re-shoed the amputated leg and then reattached the leg back on the horse, which trotted off none the worse for the experience. St Eloy was noted for refusing to swear an oath, and it is ironic that the Prioress swears, according to Chaucer, by St Eloy. His Saints Day is 1 December.
Me. Im nown to be the world’s worse prooofreader. And I quiet often only spot errors after i have prest the ‘publish’ button.
So, if you are reading this via the email, click on the title and this will take you to the blog in the cloud, and you are likely to have a version where I have got rid of some of the most horrifiable, embrasing igregious erors. But only, some obvs.
Detail of photo from the American Viscountess showing a medlar (link to the site below:)
Medlars were a very common and useful fruit particularly in the Medieval and Early Modern period. They come out in December but can only be eaten when they are rotten and ‘bletted’. They also store well. They, therefore, provide a source of winter sweetness when there were few other fresh sources available.
They are from the Rosaceae family which includes apples, pears, rosehips and quinces. The English called them ‘open arses’ or ‘dog’s arses’ or ‘granny’s arses’ because of the way they looked until the more polite French name the Medlar caught on.
Shakespeare uses both words and uses their sexual connotations as they were thought also to look like female genitalia. A medlar was also a name for a prostitute. So in Romeo and Juliet this speech by Mercutio to Romeo and their mates contains some very bawdy thoughts:
If love be blind, love cannot hit the mark. Now will he sit under a medlar tree And wish his mistress were that kind of fruit As maids call medlars when they laugh alone. O, Romeo, that she were, O that she were An open-arse and thou a poppering pear!
RJ 2.1.33
I think you can also see how good Shakespeare was at making his allusions available to all classes. For the sophisticated he begins with the reference to the French medlar and in case the groundlings are missing out throws in the ‘open-arse’ so they know what he is alluding to.
