Why do you think Cutty Sark has been popular as a name for whiskey and sailing ships?

Is the question that Terry Cook asked me, and this is my answer.

Image of the Cutty Sark (from Facebook)

So the Cutty Sark is twice famous.

Her name comes from Tam O’Shanter, one of Robert Burns’ greatest poems. written in 1791. And everyone knows of Robert Burns, Scotland’s national poet. Burns night has become world famous for anyone interested in Scotland.

Figureheads on the prow of ships are very often  of a semi naked women with her torso breasting the water.  The sexy young witch, Nannie Dee, in Tam O’Shanter is identified as the one who is very ‘Vauntie’ and with a short shift that she wore as a child and so is now short and revealing. The poem names this garment as her ‘Cutty Sark. Sark is her shift. Cutty is dialect for short. The Cutty Sark’s figurehead shows Nannie in her shift holding the tail of Tam’s horse.

Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.—
Ah! little kend thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots, (’twas a’ her riches),
Wad ever grac’d a dance of witches!

The story is that the drunken Tam on his steady horse Maggie is travelling home when he seems a devilish dance taking place in a graveyard, presided over by the devil himself. Tam is so excited when he sees the young beautiful witch that he bellows his approval and all of a sudden the merriment ends, and in deadly silence the witches turn on Tam and race to catch him.

Tam tint his reason a’ thegither,
And roars out, ‘Weel done, Cutty-sark!’
And in an instant all was dark:
And scarcely had he Maggie rallied.
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When ‘Catch the thief!’ resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch skreech and hollow.

They have to get across a brook before the witches because the witches cannot cross the water. The witches must get him before the brook or face burning at the stake. All depends on Maggie (Meg). The young witch in the Cutty Sark is catching up as they approach the brook. Maggie makes a magnificent leap, the witch makes a despairing grab and only can reach Maggie’s tail but Tam and his horse make it to safety leaving the witch the tail.

Cutty Sark Figurehead

Ah, Tam! Ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain gray tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump.

Now, follow the link below and read the whole poem but read it out loud, standing up and with gusto. Don’t worry about the pronunciation just enjoy it.

Making my own Cog Almanac for my Halloween Walk

Making a Cog Almanac

So, my Halloween walks depend heavily on almanacs for at least some of their content. I explain almanacs on another page, but they were a way of helping people keep track of the year, both reviewing past events, and looking forward to future ones.

One third of books published in London in the Stuart period were almanacs, but if you could not read or did not have the money you could buy or make a cog almanac.

So, I was printing out some images to show my walkers and thought why not make one? So I did.

Home made Clog Almanac (not yet finished!)

Bit of wood, saw off 35cms. Each edge needs to represent a quarter of the year, so each centimetre mark represents 3 days, and one day extra 30 * 3 +! = 91 days per quarter. Use bread knife or hacksaw to mark the days off. Buy wooden drawer knob and double ended screw, fit to end of the piece of wood, stain or vanish the wood.

Then I need to find out what all the symbols mean, but they represent notable days like Saint’s Days (Michaelmas, Martinmas, Candlemas etc. , equinoxes, solstices, Christmas, Easter etc. etc..

You count the days off as the year passes.

Simple.

Walks coming up this Weekend!

ROMAN LONDON – A LITERARY & ARCHAEOLOGICAL WALK

Reconstruction View of Roman Riverside Wall being built
Reconstruction View of Roman Riverside Wall being built

Saturday 30 October 20/22 11.30 am Monument Underground Station

This is a walking tour features the amazing archaeological discoveries of Roman London, and looks at life in the provincial Roman capital of Londinium.

To book

Myths, Legends & Halloween Walk

Druids at All Hallows, by the Tower
Druids at All Hallows, by the Tower

Sunday 30th October 2022 2.30pm Tower Hill Tube

The walk tells the story of London’s myths and legends and the celtic origins of Halloween

To book

Myths, Legends & Halloween Virtual Tour

MONDAY 31st October 2022 7.30pm

The tour tells the story of London’s myths and legends and the celtic origins of Halloween

To book

Dame Leonora Bennet (d. 1636), Uxbridge

Dame Leonora Bennet d.1636

Love this monument in St Margaret’s Uxbridge to Dame Leonora Bennet.

She lies there resting on her arm with an insouciant air. She had three husbands before spending the rest of her life on good works. And the sculptors John and Matthew Christmas seem to me portray her as an attractive woman.

Love the contrast with the glimpse into the Charnel House below with the jumbled bones almost fighting to get out.

The Tomb of Leonora Benet. St Margaret’s Church, Uxbridge.
The scene from the charnel house at the bottom of the tomb of Leonora Benet. St Margaret’s Church, Uxbridge.

Athena – Clone Goddess of a dysfunctional family

Zeus (sitting) Hephastus to right (looking back with Axe) Athena just visible above Zeus’s head

I didn’t know the full story of the birth of Athena until I went to the Feminine Power exhibition at the British museum.

So Zeus eats Athena’s mum, Metis, who is pregnant with her. Sometime later he has a cracking headache. Hephaestus, the disabled artificer God hits Zeus over the head to clear the headache.

Zeus gives birth to a fully formed Athena from the split in his head.

The point, I think, is that Athena being partially a clone of Zeus had both male and female virtues and is thereby the most powerful Deity.

And even the most elite families are deeply f***** up.

There is a lesson in there somewhere.

Posted earlier today on Facebook.

British Museum is talking about a deal with Greece over the Parthenon Marbles

Copies of the Parthenon available in BM shop! Photo: KFlude

AKA the Elgin Marbles. All my life it seems as if we haven’t been talking to Greece about sending them home. Recently, there was a strong dismissal of any such hope. But today, I read that the British Museum is open to discussion. Statements from the Deputy Jonathan Williams and even the Chairman, ex Tory Chancellor of the Exchequer, George Osborne, have expressed optimism that there is a ‘deal to be done’.

Reading between the lines, the position appears to be based on the ‘fact’ that we own them legally, and that, by discussion of mutual loan arrangements, some, if not all, of the stones, can go home on loan, in exchange for other loans from Greece coming to the UK.

https://www.museumsassociation.org/museums-journal/news/2022/08/british-museum-opens-door-to-parthenon-deal-with-greece/#msdynttrid=sQLCQs-9urbZY6tAcOyVSPE4FS0zrRWKh9OGeB5eDD0

Nearly, all ‘restitution’ cases are settled by the realisation that there are mutual benefits to be had for the return of items. The Horniman is leading the way with its announcement to return 72 Benin Bronzes to Nigeria.

The statement from Nigeria suggests that mutual loans are a part of the deal here too.

Abba Tijani, director-general of Nigeria’s National Commission for Museums and Monuments (NCMM), said: “We very much welcome this decision by the trustees of the Horniman Museum & Gardens. Following the endorsement by the Charity Commission, we look forward to a productive discussion on loan agreements and collaborations between the NCMM and the Horniman.”

Source of the River Thames Dries up

Source of the River Thames to right middle of map. In drought, the source is now bottom middle of the map. Cirencester Top middle.

As a keen boat user of the River Thames, I am distressed to read that the source of the River Thames has ‘dried up’ for the first time. It is now five miles further down the River than it was.

Full details in this Guardian Article.

A visual feast illustrating the changing businesses in Stoke Newington Church Street from 1847 to 2017

Ghost Sign. Church Street, Stoke Newington photo K Flude

This is a graph by Flourish who make superb business graphics. Just watch as you see the composition of the Stoke Newington Church Street change year by year before your eyes.

Stoke Newington Church Street businesses by type 1847-2017

The Skimmity Ride

Skimmity Ride. Montecute House . Early 17th Century Plaster decoration

I wrote about the custom of Wife-Selling which appears as the main plot driver in Thomas Hardy’s 1886 masterpiece ‘the Mayor of Casterbridge’. Later in the book another folk custom brings the erstwhile Mayor to the brink of suicide. This was the Skimmity Ride, or Skimmington Ride.

The ride, which has deep roots in history, was designed to humiliate a member of the community and it consisted of a procession through the streets of the community with music or at least percussion instruments. Those being mocked, or an effigy of them or a local dressed up to look like them rode a horse or donkey or sat on a pole.

The illustration above is from the early 17th Century. It is in Montecute House, in Somerset above one end of the Great Hall of Sir Edward Phelips, who rose to the top of the legal profession becoming Master of the Rolls. And yet he choose to have a representation of popular justice in this prestigious part of his house. ( more information here)

The ‘offence’ is seen on the left – a neighbour sees the wife hit her husband over his head with a clog while he is trying to get a drink of beer at the same time as holding the swaddled baby. They live in a simple thatched cottage.

The normal interpretation is that she is ruling the roost and taking over the man’s role. It is he who is being punished for losing control to his wife and he is seen ‘riding the stang’, or pole either in person, or in effigy, or played by a stand-in. It would be nicer to think he is being punished for being drunk in charge of a child. The Skimmity Ride is heading from the couple’s home to the Church, and thus shown as involving the entire community.

Detail of the Skimmity Ride

In the fictional ‘Mayor of Casterbridge’ skimmity ride effigies of the ex-Mayor and his lover, Lucetta Le Sueur, are tied back to back on a donkey and paraded through Casterbridge. She has just married the Mayor’s rival and on seeing the skimmity ride has a seizure which kills her. Henchard, full of remorse, decides to kill himself in the local river, but as he looks down into Ten Hatches Hole he sees an image of himself which stops him jumping in. It turns out to be his Skimmity effigy but he, none-the-less, sees it as divine intervention.

William Hogarth also portrays a Skimmington Ride in his illustration for Samuel Butler’s ‘Hudibras’. It illustrates the cacophonous nature of the Skimmington with horns and percussion the main forms of ‘music’.

William Hogarth. ‘Hudibras_Encounters the Skimmington’

You might also like Cunning Men in Thomas Hardy’s fiction.